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Жизнь Бенвенуто, сына маэстро Джованни Челлини, флорентинца, написанная им самим во Флоренции / Перевод М. Лозинского. — М.-Л.: Academia, 1931.
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Otto Pächt. Venetian painting in the 15th century : Jacopo, Gentile and Giovanni Bellini and Andrea Mantegna. — London: Harvey Miller Publishers, ©2003.
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Le decameron de Jean Boccace / 5 volumes, illustrated. — London [i.e., Paris, Prault]: 1757-61.
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Pietro Aretino. Sonnets luxurieux / Tavy Notton. — S.l.: s.n., 1948.
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Vingt contes de Boccace / Traduits par Antoine Le Maçon, illustrations de Brunelleschi. — Paris: Gibert Jeune, Librairie d’Amateurs, 1941.
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Les contes de Boccace: Decameron / Traduit de l’italien par Antoine Le Maçon, illustrations de Brunelleschi / 2 vol. — Paris: Gibert Jeune, Librairie d’Amateurs, 1934.
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Timothy Wilson. Maiolica: Italian Renaissance Ceramics in The Metropolitan Museum of Art (Highlights of the Collection). — NY: The Metropolitan Museum of Art, 2016.
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Contes et nouvelles de Bocace florentin: traduction libre, figures en taille-douce gravées par Mr. Romain de Hooge (2 volumes). — Amsterdam: George Gallet, 1699.
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[Anonyme]. Aventures et espiègleries de Lazarille de Tormes / 2 vol. — Paris: Didot Jeune, 1801.
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Japanese ink paintings, 1300–1700 / Catalogue 8, Exhibition March 23-30, 2004. — NY: Sebastian Izzard LLC, 2004.
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Japanese sword fittings from the Alexander G. Moslé collection / Catalogue 9, Exhibition September 21-30, 2004. — NY: Sebastian Izzard, LLC, 2004.
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Elisa P. Sani. Italian Renaissance Maiolica. — London: V&A Publishing, 2012.
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Les cent nouvelles nouvelles; suivent les cent nouvelles contenant les cent histoires nouveaux, qui sont moult plaisans a raconter, en toutes bonnes compagnies, par maniere de joyeuseté; avec d’excellentes figures en taille-douce, gravées sur les desseins du fameux Mr. Romain de Hooge & retouchées par feu B. Picart Le Romain / 2 vol. — Cologne [i.e. Amsterdam]: Pierre Gaillard, 1736.
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Geschichten aus Aretino / Mit fünfzehn Bildern von Choisi-Nérac. — Siena: Heinrich Conrad, 1907.
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Marcia B. Hall. Color and meaning : Practice and theory in Renaissance painting. — Cambridge: Cambridge University Press, 1992.
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