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(3) RISD Museum 34.334:
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Artist: Tsukioka Tanka [旦霞] (Japanese, fl. c. 1830s – 1840s). Publisher: Enshūya Matabei [遠州屋又兵衛] (Japanese, fl. c. 1768 – 1881); seal: Enmata. Title: Picture of Fuji, Tsukuba and Sumida River [富士筑波隅田川の圖] (フジ ツクバ スミダガワ ノ ズ | Fuji Tsukuba Sumidagawa no zu). Date seal 巳 + kiwame: Tenpō 4 (1833). Media: Fan print (uchiwa-e, 団扇絵), 235 x 302 mm, aizuri-e. Only four prints are known from this artist, all fans: (1) National Diet Library 2542868:
(2) Ritsumeikan University mai30_07:
(3) RISD Museum 34.334:
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Artist: Veronica Miller attributes the drawing to Utagawa Sadahide [歌川 貞秀] (Japanese, 1807 – 1879), also known as Gountei Sadahide [五雲亭 貞秀]. A preparatory drawing for a fan print depicts two women raking pine needles along the scenic beach at Harima. Inscription at top right "Maiko Beach in Harima" (Harima Maiko no Hama) [播磨 舞子濱], which is now located in Hyōgo Prefecture. The view must be of the Akashi Strait, looking towards Awaji Island. Drawn on thin hanshita paper, mounted lightly at the top to a backing paper, but unbacked. Size: 240 x 319 mm. Attribution to Sadahide based on his design titled "Suma Bay: Matsukaze and Murasame" (see below):
See also Maiko Beach, Harima Province, from the series Views of Famous Places in the Sixty-Odd Provinces,
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The Bay of Kuroto in Kazusa province [Kazusa Kuroto no ura] – an uncut fan print showing "Three women, wearing stylish cotton summer robes are shown in a skiff, admiring the view of Mount Fuji while looking back at the other passengers being helped into small boats". From the series: Views of famous places in the provinces [Shokoku meisho zue]. Ref: Sebastian Izzard. Important Japanese Prints 1830–1860 March 14–20, 2020 exhibition [LIB-2398.2020], №. 53. Not in Faulkner's Hiroshige Fan Prints, however, there are three other prints from the series, under № 95, 96 and 97 on p. 95. Artist: Utagawa Hiroshige [歌川 広重] a.k.a. Andō Hiroshige [安藤 広重] (Japanese, 1797 – 1858). Publisher: Iseya Sōemon [伊勢屋惣右衛門] (Japanese, c. 1776 – 1862). Date seal: 2/1855 Signed: Hiroshige ga. Censor's seal: aratame (certified) and date. Publisher's seal: Iseya Sōemon. Size: Aiban yoko-e uchiwa-e; 22.9 x 29.8 cm -
Artist: Utagawa Kunisada [歌川 国貞] a.k.a. Utagawa Toyokuni III [三代歌川豊国] (Japanese, 1786 – 1865). Signed: Toyokuni ga [豊国 画] in a red toshidama cartouche. Publisher: Ibaya Senzaburō [伊場屋仙三郎] (Japanese, c. 1815 – 1869). Block carver: Yokokawa Takejirō [横川竹二郎] (Japanese, fl. 1845 – 1863); seal Hori Take [彫竹]. Double nanushi censor seals: Mera & Murata (1847-50). Title: Cool Breeze on Tenpōzan Hill in Naniwa [浪花天保山の涼] (Naniwa Tenpōzan no ryō). An uncut fan print (uchiwa-e), depicting a gentleman (most probably kabuki actor Nakamura Utaemon IV) holding a pipe with the view of Tenpōzan Hill [天保山] in Naniwa (Osaka) in the background. A distinctive structure on the left is the Sumiyoshi Lantern [住吉高灯篭] (Sumiyoshi takadōrō), which was destroyed by a typhoon in 1950. The character 翫 – moteasobu – on the gentleman’s robe means "take pleasure, play an instrument". Nakamura Utaemon IV [中村歌右衛門] (Japanese, 1796 – 1852); other names: Nakamura Shikan II, Nakamura Tsurusuke I, Nakamura Tōtarō. The character is visually similar to a gentleman drinking tea on a veranda under the shining moon from the series ‘Moon, Sun, Stars’ [月日星] (Getsu hi hoshi), see SVJP-0211-1.2016: The Moon.
As noted by Horst Graebner, the gentleman also resembles the character on another Kunisada's actor print, published in 1852 (Waseda University Cultural Resources Database № 114-0232):
