//Snowflakes
  • Iron tsuba of round form decorated with design of moon, stars, cloud, snowflake, gorintō, and Genji-mon in negative openwork (in-sukashi). Raised tubular rim (dote-mimi). Deep black patina, traces of lacquer. Naka-daka type of plate (thicker in center, getting thiner towards the rim). Visible gap between the rim and the plate. Dimensions: Height: 91.7 mm; Width: 90.8 mm; Thickness at seppa-dai: 2.5 mm, plate before rim: 2.2 mm, of the rim: 5.6 mm. At least Mid Muromachi period, 15th century, but possibly earlier. In 'Silver Book', commenting tsuba №34 Sasano writes: "The technique used to create the rim is the same used for the peak (koshimaki) of helmets (kabuto) during the Kamakura and Nanbokucho periods." On the other hand, the abundance of sukashi elements points towards later times, perhaps late Muromachi or even Momoyama period. "Gorintō is a grave stone composed of five pieces, piled on one the other, representing, from the bottom upward, earth, water, fire, wind, and heaven, respectively" [Nihon Tō Kōza, Volume VI, Part 1.  AFU, 1993, p. 6. / LIB-1554]. A romantic description of the piece may look like this: The air is scented (incense symbol); it's a graveyard, marked by gorintō; a winter (snowflake) evening or night (moon, stars); mist is rising from a ravine towards moon. I did not manage to find a katchūshi piece of this design, only a few Kamakura-bori tsuba:

    100 selected tsuba from European collections. Catalogue by Robert Haynes and Robert Burawoy, 1984, page 16, №5.

     

    Japanese Sword Fittings. Collection of G.H. Naunton, Esq., by Henri L. Joly, - 1912; №9.

    While the upper tsuba is dated the end of Muromachi, the lower is attributed to the 17th century - Momoyama or early Edo period, though the author put this attribution under question. Deciphering of the strangely shaped opening to the left of nakago-ana is sometimes "a conventional scroll", and sometimes - a fern or bracken. I think mine is a cloud or mist, but I don't have any material evidence to prove this understanding, and I came to a conclusion based only on context. It may easily be dinosaurs playing ball. The fact that this thing always accompanies the Genji-mon, or incense symbol, it may be a scent itself.
  • Iron tsuba of round form with design of  hatchet, snowflake, and triple diamond in openwork (ko-sukashi), and inlaid with five concentric circles of brass dots (ten-zōgan) and brass inner circular line. Sukashi elements outlined in brass.

    Late Muromachi period. Diameter: 82.4 mm; Thickness: 3.0 mm The triple lozenge (or diamond) is similar to the one on TSU-305 from Sasano Collection # 15. Very old motif; as Sasano remarks in his book "...represents the unstable political situation at the time".

    Kokusai Tosogu Kai 5th International Convention & Exhibition, October 28-30, 2009 at NEZU Museum, Tokyo, Japan, on page 83 provides the following explanation of the triple diamond symbol: "The pine bark is the form of the Diamonds, "Bishi", mon, seen from Nara period, found on cloth stored in the Shoso In, and used primarily by the Takeda family. The form of Bishi mon [similar to ours] is called "Chu Kage Matsukawa Bishi", (Middle Shaded Pine Bark Diamond)."

    A combination of hatchet (usually an axe) and a triple diamond (Matsukawabishi) alludes to the Nō play Hachi-no-ki (ref: Iron tsuba. The works of the exhibition "Kurogane no hana", The Japanese Sword Museum, 2014; AND Sasano: Japanese Sword Guard Masterpieces from the Sasano Collection. By Sasano Masayuki. Part One. Published in Japan in 1994.
  • Iron tsuba of round form with design of iris and snowflake in openwork (ko-sukashi or small cut-outs) outlined with brass wire. Three concentric rows of brass dots (ten-zōgan), with a brass circular line inside the innermost row of dots (missing on the back). Hitsu-ana is not outlined with brass wire, which let us suppose that it was cut out at a later date. Iron and brass. Ko-sukashi and ten-zōgan technique. Mid Muromachi period (1454-1513). Height: 74.0 mm, Width: 73.6 mm, Thickness: 3.0 mm.

    NBTHK certification of 1968: "Kicho". Condition is relatively poor: rust, missing inlay, scratches.

    While representation of the snowflake is rather standard, the meaning of the other cut-out design was initially less clear. Similar symbol was found at (1) "Kokusai Tosogu Kai, International Convention & Exhibition, September 24-25, 2005, The Frazier Historical Arms Museum, Louisville, Kentucky, USA"; on page 21 there is a photograph J-6 of a ko-tosho tsuba with "iris theme openwork"; (2) Japanese Swords and Tsuba from the Professor A. Z. Freeman and the Phyllis Sharpe Memorial collections. Sotheby's, London, Thursday 10 April 1997; page 11, lot 6 - a ko-katchushi tsuba of early Muromachi period fith "simple design of stylized iris". In both sources the symbol is explained as 'iris" (kakitsubata).

    Freeman and Sharpe collections. Sotheby's, 1997.

    Kokusai Tosogu Kai, September 24-25, 2005.

  • Iron tsuba of slightly elongated round form decorated with three pairs of snowflake-form small perforations (ko-sukashi), each outlined with brass wire; five concentric circular rows of dots inlaid in brass or copper ten-zōgan (some dots are missing). Hitsu-ana of oval form. Ōnin school. Unsigned. Late Muromachi period. Dimensions: 75.6 mm x74.6 mm x 3.0 mm. Weight: 78.0 g. Old NBTHK certificate (green paper): Tokubetsu Kicho - "Extraordinary Work". Unlike most Ōnin ten-zōgan tsuba this one does not have circular brass wire inlay inside the dots area; neither it has brass trim around seppa-dai or hitsu-ana.  
  • Artist: Utagawa Kunisada [歌川 国貞], a.k.a. Utagawa Toyokuni III [三代 歌川 豊国] (Japanese, 1786 – 1865). Signed: Toyokuni ga [豊国 画] in a red toshidama cartouche Block carver: Yokokawa Takejirō [横川竹二郎] (Japanese, fl. 1845 – 1863); seal: Hori Take [彫竹]. Publisher: Iseya Magobei [伊勢屋孫兵衛] (Japanese, fl. c. 1794 – 1868); seal: Hanmoto, Masu [板元, 益] (Marks 19-039 | 150d). Date-aratame seal: Ansei 2 (1855). Title: Time in Fukagawa, Iyo Province (Fukagawa Iyo setsu). Ref.: [LIB-3008.2022] Andreas Marks. Japanese woodblock prints: Artists, publishers and masterworks, 1680 – 1900. — Tuttle Publishing, 2010; p. 221. –> 1855 Kunisada. "Iyo Province-time at Fukagawa" (Fukagawa Iyo setsu). Fan print. Japan Ukiyo-e Museum, Matsumoto.