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Title: LA | BELLE ASSEMBLÉE | OR, | BELL'S | COURT AND FASHIONABLE | MAGAZINE, | ADDRESSED PARTICULARLY TO | THE LADIES. | VOL. XI.—NEW SERIES. | FROM JANUARY 1, TO JUNE 30, 1815. | LONDON: | Printed for J. BELL, GALLERY OF FINE ARTS, | Clare-Court, Drury-Lane. | 1815. || Pagination: [2] – 11th volume wood-engraved pictorial title page, [1, 2] – January faux-title and table of content, [3] 4-284 [2] – index to 11th vol. Notes: February f.t. not paginated, but within the collation; the last page of the index at the very end paginated [iii]/iv, so pages i/ii missing (the gathering Nn lacking one sheet) Collation: 4to; π1 A-Mm4 Nn3, 28 plates extraneous to collation (lacking 2 plates). Binding: Half brown morocco over marbled boards, flat spine, compartments gilt-ruled with double-fillet and gilt-lettered. Contents: Jan: pp. 1-48, 5 plates. Feb: pp. 51-96, 5 plates. Mar: pp. 97-144, 5 plates. Apr: pp. 145-192, 5 plates. May: pp. 193-240, 5 plates. Jun: pp. 241-284, 3 plates (lacking 2 colour prints). Fashion plates, two per issue, are hand-coloured copperplate engravings, unsigned. Stipple engraved portraits, one per issue as frontispiece: (1) Actress Catherine Stephens, Countess of Essex (British, 1794 – 1882) by James Hopwood the Elder [James Hopwood Senior] (British, c. 1740s/50s – 1819) after Sir George Hayter (British, 1792 – 1871); (2) Madame de Talleyrand, Princesse De Bénévent (Danish-French, 1761– 1834), unsigned, but can be attributed to François Gérard (French, 1770 – 1837); (3) Actress Miss Sarah Booth (1793 – 30 December 1867), unsigned; (4) Group portrait of the French Royal family (Louis XVI, Louis XVII, Marie Antoinette, Madam Elizabeth, Louis Antoine de Bourbon, Duke d'Enghien, and Marie Thérèse Louise of Savoy, Princesse de Lamballe), unsigned, (5) Actress, Miss Sarah Blanche Matthews (b.1794) by Thomas Burke (Irish, 1749 – 1815) after George Hayter. The sixth print, in the March issue, is a lithographic portrait of Napoléon Bonaparte (French, 1769 – 1821), unsigned. -
Title: THE BOHEMIANS | OF | THE LATIN QUARTER. | (SCÈNES DE LA VIE DE BOHÊME.) | By HENRI MURGER. | ILLUSTRATED WITH 10 ETCHINGS FROM DESIGNS BY MONTADER. |{publisher’s device}| LONDON: | VIZETELLY & CO., 16, HENRIETTA STREET, | COVENT GARDEN. | 1888. || Pagination: [i-v] vi-xxxiv, [1] 2-317 [318 blank]; collation: 8vo, π1 (h.t.), [a]-b8, B-U8 X7 + 10 etchings by Charles Courtry after Alfred Montader (incl. frontispiece and portrait of Henri Murger). Binding: 23 x 14.5 cm, olive cloth, black lettering to cover and gilt lettering to spine. Contributors: Murger, Henri [Henry] (French, 1822 – 1861) – original text (French). Montader, Pierre Marie Alfred (French, fl. c. 1881 – 1925) – artist. Courtry, Charles Jean Louis (French, 1846 – 1897) – engraver. Vizetelly, Henry Richard (British, 1820 – 1894) – publisher. -
Cover: Ch. Virmaitre | LES | VIRTUOSES | DU | TROTTOIR | {publisher’s device} | PARIS | P. LEBIGRE-DUQUESNE, ÉDITEUR | 16, RUE HAUTEFEUILLE, 16 | 1868 || Title: Similar. Imprint: De Rouge Frères, Dunon et Fresné (Paris). Pagination: [1-7] 8-161 [162], [2] – table, [2] – advert., [14]; 90 leaves total; publisher’s cream wrappers with red lettering in double frame. Collation: 12mo in 6th; [1]-136, 1412. Charles Virmaître (French, 1835 – 1903). -
Title: IDYLLE | PRINTANIÈRE || Verso: {Headpiece} | Justification du tirage | {7 lines of text} | Exemplaire № 56 (digits by hand) | HP (monogram by hand) | {tailpiece} || Album of 30 hand-coloured lithographs and frontispiece in a cardboard folder; each sheet mounted in a 32.5 x 25 cm passepartout with 19 x 13 cm window; published in Paris in 1938 by Henri Pasquinelli (attributed). No artist, no publisher name indicated. According to Justification du tirage, the print run of 516 copies on Arches laid tinted paper (vergé), copy A – control artist’s uncoloured, 15 copies B–P reserved for collaborators and friends, copies 1–500 – for bibliophiles. This copy № 56, autographed by the publisher's monogram: "HP". Catalogue Raisonné: J.-P. Dutel, vol 2 (1920–1970), #1726, p. 207-8. Provenance: J.-P. Dutel. -
Coloured etching by E. Charreyre (French, fl. 1880 – ?) after a watercolour by Juan Antonio González, (Spanish, 1842 – 1914). A book illustration for 'Son Altesse La Femme' by Octave Uzanne (1851 – 1931), chapter: 'La Caillette' (Le lever d’une petite-maitresse au XVIIIe siècle). Published by Albert Quantin (French, 1850 – 1930) in 1885.
Size: print 17.5 x 12 cm, pasted to leaf 27.7 x 19.5 cm.
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Four-volume edition with 6+4+5+5 = 20 plates. Vol. 1 : Title page, in double-border, within rules; accents as per original, with tall «s»: Les | Parisiennes, | ou | XL caractères generaux | Pris dans les Mœurs actuelles, | Propres à servir à l'instruction | des personnes-du-sexe : | Tirés des memoires du nouveau Lycée-des-mœurs. | I Volume : Les jeunes-filles, | & les filles-à-marier. | A Neufchâtel , | Et se trouve à Paris. | Chéz Guillot, libraire de Monsieur, rue | S.-Jacques, vis-à-vis celle des Mathurins. | 1787. Pagination : [1-5] 6-300, plus 6 etched/engraved plates w/guard tissue after Louis Binet (French, 1744 – about 1800). Collation: 12mo; A14 B-M12 N4; first 6 leaves in gatherings B to M signed, with exceptions: A1,2 unsigned, A3-8 signed, A9-14, D5, N3,4 unsigned. Vol. 2: Title page: Text above the first rule similar; below: II Volume : Les N.lles–mariées : | Les Mariées depuis 3 ans. | A Neufchâtel , | Et se trouve à Paris. | 1787. Pagination : [1-3] 4-388, plus 4 plates. Collation: 12mo; A8 B-Q12 R6; A1,5-8, R4-6 unsigned. Vol. 3: Title page: Text above the first rule similar; below: III Volume : Les epouses | à imiter : à— suir | A Neufchâtel , | Et se trouve à Paris. | 1787. Pagination: [1-3] 4-392, plus 5 plates. Collation: 12mo, A4 B-R12; A1,3,4, G4, N4,6, O5 unsigned. Vol 4: Title page: Text above the first rule similar; below: IV Volume : Les J.nes-Mères, | &—de grands-enfans. | A Neufchâtel , | Et se trouve à Paris. | 1787. Pagination: [1-3] 4-380 [4], plus 5 plates. Collation: A-Q12; A1 unsigned. Binding: later (c. 1875 – 1885) uniform binding of all four volumes in motley 'percaline anglaise' (buckram) with black gilt-lettered labels to spine, marbled endpapers; printed on laid paper; armorial bookplate of Masséna engraved by Stern to front pastedown. Provenance: Library of Masséna; Victor Masséna, duc de Rivoli, prince d'Essling (French, 1836 – 1910) [photo]. Catalogue Raisonné: P.-L. Jacob, 1875: № XXXII, pp. 247-250. P. L. Jacob. Bibliographie et iconographie de tous les ouvrages de Restif de la Bretonne. — Paris: A. Fontaine, 1875. [LIB-2634.2021]. Contributors: Nicolas Edmé Restif de la Bretonne (French, 1734 – 1806) – text. Louis Binet (French, 1744 – c. 1800) – illustrations. Sources: MFA: ACCESSION NUMBER 37.1667a-b lacking one plate in vol. 4. Collation: 12mo, 4 vols. in 2; [v. 1] 150 leaves, plus 6 plates; [v. 2] 194 ll., plus 4 pls.; [v. 3] 196 ll., plus 5 pls.; [v. 4] 192 ll., plus 4 [of 5] pls. BNF Identifier ark:/12148/bpt6k1050366b. Collation: 4 vol. (300; 388; 392; 380 p., XX f. de pl.) : ill. ; in-12 -
Title: LES | CURIOSITÉS DE PARIS | PAR | CH. VIRMAITRE | PRÉFACE DE M. XAVIER EYMA | PARIS | P. LEBIGRE-DUQUESNE, LIBRAIRE-ÉDITEUR | 16, RUE HAUTEFEUILLE, 16 | 1868 || Collation: 18mo, π6; 1-1918. Pagination: [2] – pictorial title by A. Gill, engr. Marchandeau / blank, [2] – t.p. / blank, [2] dedication to Émile de Girardin / blank, [vii] viii-xii – préface; [1] 2-360, bfl. Note: pp. 223/224 and XIX chapter’s f.t. unpaginated and loose, but collation is not interrupted. Other chapters f.t. paginated. Binding: hardcover, quarter brown buckram over marbled boards, flat spine, gilt fillets, gilt lettering over the black label. Contributors: Charles Virmaître (1835 – 1903) – text. Xavier Eyma (1816 – 1876) – text / preface. André Gill (French, 1840 – 1885) – artist / pictorial title. Marchandeau (French, fl. c. 1867) – engraver / pictorial title. -
Title page: PARIS | À TABLE | PAR | EUGÈNE BRIFFAULT. | Illustré par Bertall. | {vignette} | PARIS | PUBLIÉ PAR J. HETZEL, | RUE DE RICHELIEU, 76 — RUE DE MÉNARS, 10 | 1846 || Pagination : ffl, [2] – h.t. / imprim., [2] – wood-engraved pictorial t.p. bt Bertall, [2] – t.p. / blank, [i] ii-iv, 2] – f.t. / imprim., [1] 2-184, ffl; in-text woodcuts by Betrall. Collation: π6 1-462; size 8vo. Binding: brown quarter morocco over marbled boards, raised bands, gilt device in compartments and gilt lettering to spine. Matching marbled endpapers, previous owner’s bookplate to front pastedown. Bookplate: Motto: “LITTERÆ SCIENTIA & ARTES / AR (monogram), 7738 BELIURE TOFFIER – TOURS / L. D.” Contributors: Eugène Briffault (French, 1799 – 1854) – author of the text. Bertall [ Bertal; Charles Albert d'Arnoux (French, 1820 – 1882) – illustrator. Pierre-Jules Hetzel (French, 1814 – 1886) – publisher. Printer: Imprimerie Schneider et Langrand, rue d'Erfurth, 1 (Paris). Paper: La papeterie d’Essonne. -
Description: single volume 24.5 x 19 cm, collated 4to, bound by a previous owner in quarter red morocco over marbled boards, raised bands, with gilt lettering in compartments: "SPADDY | DÉVERGONDAGES", red marbled endpapers. Printed on wove paper with watermark “RIVES”. Title-page: SPADDY | DÉVERGONDAGES | BRUXELLES | Aux Dépens d'un Amateur | 1948 || Pagination: [4] – blank, [1, 2] – h.t. / limitation, [3, 4] – t.p. / blank, 5-151 [152] – blank, [4] – blank; uncut, illustrated with 16 hand-coloured lithographs extraneous to collation after watercolours by Féodor Rojankowski [Rojan]. Table of contents on p. 151. Limitation: 250 copies of which №№ I – XVI with original watercolour and b/w suite of plates and №№ 17-250 on Rives paper with coloured lithography; this copy is № 100 of 234 Rives paper copies. Catalogue Raisonné: J.-P. Dutel (1920–1970) № 1389 / p. 128. -
A woodcut illustration after drawing by Leo von Elliot, published at Illustrirte Zeitung, 17 January 1863. English translation: Student bar "The Hole" in Brussels.
The official name of this bar, located at Rue des Sols in Bussels, was "À la vue de l'Université" (In sight of the University). This was the place where the students of the Université libre de Bruxelles (Free University of Brussels), and especially the members of Société, ou Cercle, des Crocodiles (The Crocodile Society, or Circle), gathered in the 1860s. -
Vol. 1: Title: MÉMOIRES | DE | MONSIEUR CLAUDE | CHEF DE LA POLICE DE SURETÉ́ SOUS LE SECOND EMPIRE | {single rule} | PREMIER VOLUME | publisher’s device «JR» in oval} | PARIS | JULES ROUFF ET Cie, ÉDITEURS | 14, CLOITRE SAINT-HONORÉ, 14 | {single rule} || Pagination: [4] – h.t., t.p., [1-3] – engraved t.p. w/portrait, 3-800 [4], in-text and full-page woodcuts; last two leaves (table) has numbered pages 1000 and 1001; the total number of pages 808. Collation: 4to; π2 [1]4 2-1004 Ω2, woodcuts by Quesnel and Ferdinandus, within collation; the total number of leaves 404. Vol. 2: Title: Same but “DEUXIEME VOLUME” Pagination: [4] – h.t., t.p., [801-2] – frontis., 803-2010, [6] – assassinats, [4] – table, in-text and full-page woodcuts; last two leaves (table) has numbered pages 2018 and 2019; the total number of pages 1224. Collation: 4to; π2 101-2524 Ω2, woodcuts by Quesnel and Ferdinandus, within collation; the total number of leaves 612. Binding: Two volumes 28 x 20.5 cm each, uniformly bound in quarter polished brown calf over marbled boards, blind-stamped florets and gilt lettering to spine, marbled endpapers. Contributors: Claude, Antoine (French, 1807 – 1880) – declared author of the text. Labourieu, Théodore (French, 1822 – 1889) – assumed author of the text. Quesnel, Désiré Mathieu (French, 1843 – 1915) – woodcut printmaker. Ferdinandus, Alexandre [Avenet, François] (French, 1850 – 1888) – illustrator. D. Bardin et Cie – printer. Jules Rouff (French, 1846 – 1927) – publisher. Jules Rouff et Cie (Paris, 1873 – 1982) – publisher. Note: Common opinion is that the text was produced by Théodore Labourieu, not by, Antoine Claude. The first edition was published by the same publisher in 10 volumes in wrappers without illustrations, between 1880 and 1883, after the death of Antoine Claude. As stated in WorldCat: “not written or sanctioned by him.” This two-volume edition was published later, with multiple woodcuts. -
Russian translation of: Alphonse Daudet. Trente ans de Paris à travers ma vie et mes livres; (Collection artistique Guillaume et Cie). — Paris: C. Marpon et E. Flammarion, 1888. Series: Книжки Недели, №2-4, 1888. Title: ТРИДЦАТЬ ЛѢТ ВЪ ПАРИЖѢ. | Альфонса Додэ. | Переводъ съ французскаго. | {in waving rules} Изъ "Книжекъ недѣли". | {waving rule} | С.-ПЕТЕРБУРГЪ. | Типографiя Н. А. Лебедева. Невскiй просп., д. № 8. | 1888. || Pagination:[2] [1] 2-108 [2] – back wrapper; total number of pages 112. Collation: 8vo; π7 1-28 7-88 98 78 (six 8vo gatherings) ω1; total number of leaves 56. Binding: 24 x 16.5 cm quarter brown morocco over marbled boards, blind lettering to spine; personal library stamp to a number of pages: “БИБЛИОТЕКА | АЛЕКСАНДРА ПЕТРОВИЧА | МАРТЫНЕНКО | №»; handwritten inscription to front flyleaf: «А. Мартыненко, г. Ленинград, 1943 г.» Contributors: Alphonse Daudet (French, 1840 – 1897) – author of the text. Лебедев, Николай Афанасьевич (Russian, 1813 – 1896) – printer. Гайдебуров, Павел Александрович (Russian, 1841 – 1893/4) – publisher. -
Pictorial title (coloured): Collection Artistique Guillaume et Cie |—| ALPHONSE DAUDET | Trente ans | de Paris | PARIS | C. MARPON ET E. FLAMMARION | 26, RUE RACINE, 26 | 1888 || Title page: Collection Artistique Guillaume et Cie |—| ALPHONSE DAUDET | Trente ans de Paris | À TRAVERS MA VIE ET MES LIVRES | Illustré | PAR BIELER, MONTÉGUT, MYRBACH, PICARD ET ROSSI | Gravure de Guillaume Frères et Cie | PARIS | C. MARPON ET E. FLAMMARION | 26, RUE RACINE, 26 | 1888 | Tous droits réservés. || Pagination: [12] [1] 2-344 [6], total 362 pp., in-text illustration, head- and tailpieces, photomechanical reproductions. Collation: 12mo; π6, 1-2812 +1; total 181 leaves. Binding: 19 x 12.5 cm; red cloth, gilt lettering to spine, gilt lettering and vignette to front board and gilt device to back board; bookplate to front pastedown: Ex Libris Dr. Vodoz = Egg; Gift inscription to flyleaf in German, dated 30/12/87. Contributors: Alphonse Daudet (French, 1840 – 1897) – author. Ernest Biéler (Swiss, 1863 – 1948) – artist. Louis Montégut (French, 1855 – 1906) – artist. Felician Myrbach (Austrian, 1853 – 1940) – artist. Georges Picard (French, 1857 – 1943) – artist. Luigi Rossi (Swiss, 1853 – 1923) – artist. Ernest Flammarion (French, 1846 – 1936) – publisher. Charles Marpon (French, 1838 – 1890) – publisher. Alexis Lahure (French, 1849 – 1928) – printer. Guillaume Frères et Cie – engravers. -
Seventeen drypoint prints in purple plus one original ink sketch by Marcel Vertés (French, 1895 – 1961) – illustrations to the book by Pierre Louÿs Trois filles de leur mère, in a paper folder. Front : DIX-SEPT POINTES SÈCHES | D'UN ARTISTE INCONNU | POUR | TROIS FILLES | DE | LEUR MÈRE | {space} | AUX DÉPENS D'UN AMATEUR | NON MIS DANS LE COMMERCE || Pencil manuscript Vertés under “ARTISTE”, autograph vignette above “AMATEUR”, erased dedication inscription above “DÉPENS” À L’AMI [erased] X. Back: JUSTIFICATION DU TIRAGE | 17 EXEMPLAIRES SUR VÉLIN D’ARCHES CONTENANT | UNE SUITE DES DIX-SEPT POINTES SÈCHES EN | NOIR : UNE SUITE EN COULEURS COLORIÉE PAR | L’ARTISTE ; UN DESSIN ORIGINAL ET SA PLANCHE | DE CUIVRE ; DIX-SEPT CROQUIS ORIGINAUX | MARQUÉS A à Q. | 50 EXEMPLAIRES SUR VÉLIN D’ARCHES CONTE- | NANT UNE SUITE DES DIX-SEPT POINTES | SÈCHES ET TROIS CROQUIS ORIGINAUX | NUMÉROTÉS DE 1 à 50. | {space} | EXEMPLAIRE № {by hand} H. C. || Size : folder 28 x 17.5 cm; sketch 26.6 x 17.6 cm; prints 27.5 x 19 cm. Printed on wove paper with MBM watermark (Arches MBM Paper). Bookplate pasted to the makeshift extra folder with title: “EX-LIBRIS | Jacques | Crepineau”. Provenance: Jacques Crepineau (French, 1932 – 2017). Description by seller: [CURIOSA - VERTÈS (Marcel)]. Dix-sept pointes sèches d'un artiste inconnu pour Trois filles de leur mère. S.l. : Aux dépens d'un amateur, [1927]. — In-8, en feuilles. Dutel 2517*. Rare suite de 17 pointes-sèches libres réalisées par Marcel VERTÈS, probablement publiée par Marcel Cotinaud. Elle était destinée à accompagner l'édition originale de Trois filles de leur mère de Pierre Louÿs publiée un an plus tôt. Tirage à 67 exemplaires sur vélin d'Arches. Les épreuves sont tirées en violet. Exemplaire sans le feuillet de titre, ni celui de la justification. Il comprend un croquis original de l'artiste, non signé, ayant servi d'étude pour l'une des planches. Selon les tirages, chaque exemplaire devrait comprendre 17 croquis pour les 17 premiers, ou 3 pour les 50 autres, non n'en avons ici qu'un seul. Envoi de Vertès sur la couverture, accompagné d'un dessin original. Le nom du destinataire a été effacé. Manque la chemise et l'étui. Description by DUTEL v.3, p. 389, № 2517: In-4 (28 x 19) de 2 ff., 17 pointes sèches, étui, chemise. … publiée en 1927 probablement par Marcel Cotinaud (SV : publisher of Vertés was Paul Cotinaud)… Les planches sont tirées en violet (SV : like this one). Tirage : 17 ex. …avec une suite coloriée par l’artiste, un dessin, un cuivre et 17 croquis. 50 ex. … avec 3 croquis. Other names: Marcel Vertès, Marcel Vertes, Marcell Vértes -
Engraved title: The | Costume | of the | Empire of Russia | {copper horseman vignette} | signed under: Printed for E. Harding at the Crown and Mitre Pall Mall || English title: COSTUME | OF THE | RUSSIAN EMPIRE, | ILLUSTRATED BY UPWARDS OF | SEVENTY RICHLY COLOURED ENGRAVINGS. | DEDICATED BY PERMISSION TO | HER ROYAL HIGHNESS | THE | PRINCESS ELIZABETH. | LONDON: | PRINTED BY T. BENSLEY, BOLT COURT, FLEET STREET; | FOR JOHN STOCKDALE, PICCADILLY. | 1811. || Paper: thick wove paper, the leaf with “Copper Horseman” watermarked J. Whatman 1808; the French title – Edmeads & Co 1809, E2 – E & P 1807, plates are not watermarked [NYPL: An “1803” copy of The Costumes of the Russian Empire has watermarks from 1796 (W Elgar), 1809 (Edmeads & Co), 1811, 1813 (J. Whatman), 1818, and 1829]. Collation: 4to; (1) engraved title by E. Harding (“Copper Horseman” monument of Peter the Great), (2) English title, (3) French title, (4) Dedication to her Royal Highness the Princess Elizabeth by E. Harding (1803), (5) Contents —> π5 a2 B-S4 T2, all second leaves in all quires but C and T signed “2”, 77 leaves total, unpaginated, plus 72 plates (34.5 x 25.5 cm), stipple and line engravings, hand-coloured, by John Dadley after William Alexander. Binding: 36 x 27 cm, straight-grain green morocco, blind-stamped palmette border withing gilt-stamped palmette border to boards, raised bands decorated in gilt, gilt in compartments, two brown morocco labels with gilt lettering, brown endpapers, 2 additional flyleaves at front and back, AEG. Authorship and artistic work are attributed to Alexander and Dadley, but not signed. 1st edition in 1803 was published by William Richard Beckford Miller (British, 1769 – 1844). Catalogue raisonné: Tooley (1906): p. 151. Contributors: William Alexander (British, 1767 – 1816) – artist, author. John Dadley (British, 1767 – 1817) – engraver. Thomas Bensley (British, 1759 – 1835) – printer. John Stockdale (British, 1750 – 1814) – publisher. Edward Harding (British, 1755 – 1840) – publisher of 1803 edition (author of dedication) Princess Elizabeth of the United Kingdom (British, 1770 – 1840) – dedicatee. -
Etching on laid paper, backed. Massar (1971): 59-61. View of the Pont Neuf in Paris, with the statue of Henry IV at centre in front of the Seine, the church of St.-Germaine l'Auxerrois and the Louvre to the right, and the Hôtel de Nevers and Tour de Nesle to the left (MET). in the banner below: LUDOVICO XIIII GALLIARUM ET NAV REGI; below image: PONS LVTETIÆ STRVCTVS, DICTVS NOVVS, ET QVÆ EX EO PROSPICI POSSVNT.; bellow: En pulcherrimus toto ... caufatus, vifere; along the bottom: Ste. Della Bella Florentinus In. e Fecit DD. 1646. Cum Privilegio Regis; additional lettering a lower left and right identifying places depicted.
State: 2nd, with the weathercock on the belltower of Église Saint-Germain l'Auxerrois (under 8). Size: 35.5 x 67.6 cm. Condition: Three vertical folds, these partly cracked and backed at the bottom, dusty or slightly stained, partly slightly rubbed, a small diagonal crease on the upper left, tiny marginal blemishes.Quotation from Phyllis D. Massar. Presenting Stefano della Bella. — NY: The Metropolitan Museum of Art, [1971]: "For size and complexity, one of Della Bella's most impressive achievements is his view of Paris across the Pont Neuf from a point between the buildings bounding the Place Dauphine. Besides the well-known landmarks-the Hộtel de Nevers, the Tour de Nesle, the church of Saint Germain l'Auxerrois, and, at the centre, the bronze equestrian statue of Henri IV by the Florentines Giovanni Bologna and Pietro Tacca – the print provides a microcosm of Paris in transit across the Seine. With a glass, one can compile a census of 451 people, thirty-eight horses, nineteen dogs, three donkeys, and one lamb. All but lost in the vast scene, nevertheless, all contributing to it, are duelists, men fighting with staffs, brawlers routing passers-by, a tooth-puller making an extraction, sellers of sweetmeats and fruits, falconers, hunters with a pack of dogs, a legless cripple, many begging gypsies (one of them telling a fortune), and a hurdy-gurdy player with an audience. Moving among the splendid carriages is a humble water cart, and back among the market stands at the right is an early Seine-side bookstall."
Catalogue raisonné: Massar (1971): pp. 58-61; De Vesme p. 132, № 850ii/ii. Contributor: Stefano della Bella (Italian, 1610 – 1664) – artist and engraver. -
Description: Six softcover volumes, collated in-4to, 14.3 x 10 cm in publisher’s lettered wrappers; printed on laid paper; series "Les petits mémoires de Paris" illustrated with 23 out of 24 etchings by Henri Boutet: (I) Les coulisses de l’amour; (II) Rues et Intérieurs; (III) Le carnet d’un suiveur; (IV) Le petits métiers; (V) Les nuits de Paris; (VI) Toutes les bohêmes. Vol. I: Cream cover, lettered black and red in a black frame: LA MÉSSAGÈRE | LES | PETITS MÉMOIRES | DE | PARIS | CONTENANT | Quatre Eaux-Fortes originales | PAR | Henri BOUTET | I | Les Coulisses de l’Amour | {vignette brown Notre-Dame de Paris} | A PARIS | CHEZ DORBON l’AINÉ, LIBRAIRE | 53 ter, Quai des Grands-Augustins || Title-page: similar, in black, with «MDCCCVIII» in the bottom. Edition not stated. [1-8] ( 7 marked 1) 9-125 [3] contents, colophon; h.t. uncut from 1st blank, three original etchings instead of four (one missing?), incl. frontispiece. Colophon: IMPRIMÉ PAR SOINS | DE LA | SOCIÉTÉ TYPOGRAPHIQUE | DE | CHATEAUDUN || Back wrapper blank. Vol. II: Mint-green cover, lettered black and red in a black frame: LA MÉSSAGÈRE | LES | PETITS MÉMOIRES | DE | PARIS | CONTENANT | Quatre Eaux-Fortes originales | PAR | Henri BOUTET | II | Rues et Intérieurs | {vignette brown Notre-Dame de Paris} | A PARIS | CHEZ DORBON l’AINÉ, LIBRAIRE | 53 ter, Quai des Grands-Augustins || Title-page: similar, in black, with «MDCCCIX» in the bottom. Edition not stated. [1-6] 7-125 [2] contents, colophon (same as in Vol. I); h.t. uncut from 1st blank, four original etchings, incl. frontispiece. Back wrapper blank. Vol. III: Cream cover, lettered blue in a blue frame: LA MÉSSAGÈRE | LES | PETITS MÉMOIRES | DE | PARIS | CONTENANT | Quatre Eaux-Fortes originales | PAR | Henri BOUTET | III | Le Carnet d’un Suiveur | 4e Edition | {vignette smoking gentleman in a top hat} | A PARIS | CHEZ DORBON L’AINÉ, LIBRAIRE | 53 ter, Quai des Grands-Augustins || Title-page: similar, in black, with «MDCCCIX» in the bottom. 4th edition. [1-6] 7-124 [4] contents, colophon (uncut); h.t. uncut from 1st blank, four original etchings, incl. frontispiece. Colophon: Imprimé par soins de | l’Imprimerie de Paris | Têtes de chapitre, lettrines et culs de lampe de | M. Paul Guignebault | Eaux-fortes tirées sous la direction de | M. Henri Boutet || Back wrapper with a frame and a ribbon at center, in blue. Vol. IV: Tan cover, lettered red and black in a black frame: LA MÉSSAGÈRE | LES | PETITS MÉMOIRES | DE | PARIS | CONTENANT | Quatre Eaux-Fortes originales | PAR | Henri BOUTET | IV | Le Petits Métiers | {vignette worker with a ladder} | A PARIS | CHEZ DORBON L’AINÉ, LIBRAIRE | 53 ter, Quai des Grands-Augustins || Title-page: similar, in black, with «MDCCCIX» in the bottom. Edition not stated. [1-6] 7-119 [120 colophon, uncut] [8 advert., uncut]; four original etchings, incl. frontispiece. Colophon: IMPRIMERIE DE PARIS | 22, RUE DES VOLONTAIRES PROLONGÉE | – PARIS - XVe – || Back wrapper with a black frame and a red ribbon at center. Vol. V: Olive-green cover, lettered red and blue in a blue frame: LA MÉSSAGÈRE | LES | PETITS MÉMOIRES | DE | PARIS | CONTENANT | Quatre Eaux-Fortes originales | PAR | Henri BOUTET | V | Les nuits de Paris | Deuxième Édition | {vignette woman on a street} | A PARIS | CHEZ DORBON L’AINÉ, LIBRAIRE | 53 ter, Quai des Grands-Augustins || Title-page: similar, in black, with «MDCDIX» in the bottom. 2nd edition. [1-8] 9-118 [2 colophon, uncut] [8 advert., uncut]; four original etchings, incl. frontispiece. Colophon: IMPRIMERIE DE PARIS | 22, RUE DES VOLONTAIRES PROLONGÉE | – PARIS - XVe – || Back wrapper with a blue frame and a red ribbon at center. Vol. VI: Cream cover, lettered red and blue in a blue frame: LA MÉSSAGÈRE | LES | PETITS MÉMOIRES | DE | PARIS | CONTENANT | Quatre Eaux-Fortes originales | PAR | Henri BOUTET | VI | Toutes les bohêmes | Cinquième Édition | {vignette windmill} | A PARIS | CHEZ DORBON L’AINÉ, LIBRAIRE | 53 ter, Quai des Grands-Augustins || Title-page: similar, in black, with «MDCDIX» in the bottom and “Deuxième Édition”. 5th or 2nd edition. [1-7] 8-120 [2 colophon] [4 advert.] [2 blank]; four original etchings, incl. frontispiece. Colophon: IMPRIMERIE DE PARIS | 22, RUE DES VOLONTAIRES PROLONGÉE | – PARIS - XVe – || Back wrapper with a blue frame and a red ribbon at center. Contributors: Henri Boutet [La Mésangère] (French, 1851 – 1919) – author, artist, etcher. François Louis Dorbon [Dorbon Aîné] (French, 1878 – 1956) – publisher. -
Description: One volume in grey-blue French flapped wrapper, 24 x 16.7 cm, collated 8vo, with black and red lettering to front cover, printed on watermarked thick wove paper Alfax Navarre, margins untrimmed, some pages uncut, illustrated with 12 aquatint plates signed Le Loup. Front wrapper and title (red and black): RESTIF DE LA BRETONNE | L'ANTI-JUSTINE | OU | LES DÉLICES DE L' AMOUR | Nouvelle édition entièrement revue et corrigée, | établie pour la première fois sur le texte original de 1798. | PRÉCÉDÉE D'UNE NOTICE BIBLIOGRAPHIQUE | par HELPEY | bibliographe poitevin | {device} | ILE SAINT-LOUIS | DE L’IMPRIMERIE DE Monsieur Nicolas. Limitation: Printed 350 copies, numbered 1-350, on alfax paper; this copy is № 256. Collation: 1-158 166, incl. the 1st and last leaves within the wrappers, total 126 leaves plus 12 plates extraneous to collation. Pagination: [4 blank] [1-4] 5-243 [244 blank] [4 blank], total 252 pages, ils. Catalogue raisonné: Dutel (1920-1970) № 1025, p. 45. Ref.: Danson Erotica Collection at Trinity College, Oxford – KK.6.33. Contributors: Nicolas Edmé Restif de la Bretonne (French, 1734 – 1806) – author. Louis Perceau [Helpey] (French, 1883 – 1942) – author. Maurice Henri Hector Duflou (French, 1885 – 1951) – publisher. The artist – Le Loup – unidentified.
