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Вера Мильчина. «Французы полезные и вредные»: Надзор за иностранцами в России при Николае I (Что такое Россия). — М.: Новое литературное обозрение, 2017.
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С. Варшавский, Б. Рест. Эрмитаж: 1764 – 1939; Очерки из истории Государственного Эрмитажа / под ред. акад. И. А. Орбели. — Л.: Искусство, 1939.
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Pierre Louÿs. Pybrac / Poésies [Enrichi de 8 aquarelles libres] (exemplaire unique). — Cythère: Au coq hardi [i.e. Paris: René Bonnel], 1927.
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Marcia B. Hall. Color and meaning : Practice and theory in Renaissance painting. — Cambridge: Cambridge University Press, 1992.
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Roger Cotteret. Folies d’amour [Manuscrit illustré]. — s.l.: Roger Cotteret, 1938.
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Vladimir Nabokov. Ada or Ardor: A Family Chronicle. — NY, Toronto: McGraw Hill, 1969.
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Марко Вовчок. Маруся: Повiсть. — Лондон: Союз украïнцiв у Великiй Британiï, 1967.
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Vidame de Bozegy [i.e. Edmond Dardenne Bernard]. Les Filles de Loth et autres poèmes érotiques / [Illustrations de André Collot]. — Sodome [i.e. Paris]: imprimerie de la Genèse, 1933.
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Graham Greene. The end of the affair. — London: Heinemann, 1951.
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Skizzenbuch: Hundert Federzeichnungen von Heinrich Kley / Vol 1 & 2. — München: Albert Langen, [1909, 1910].
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John Wilkins. An Essay Towards a Real Character and a Philosophical Language. — London: S. Gillebrand, J. Martyn, 1668.
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Sasano Masayuki. Kagamishi Tsuba: Sword guards by mirror makers (in Japanese). — 1980.
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George Cruikshank’s Fairy Library. — London: George Bell and Sons, 1885.
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S. T. Prideaux. An Historical Sketch of Bookbinding. — London: Lawrence & Bullen, 1893.
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The life and adventures of George Augustus Sala / 2 Vol. — London: Cassel and Co., 1895.
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Arthur Freeman. Bibliotheca Fictiva: a Collection of Books and Manuscripts Relating to Literary Forgery 400 BC – AD 2000. — London: Bernard Quaritch Ltd, 2014.
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Pierre-Joseph Bernard. L’art d’aimer, et poésies diverses. — Anonymous, [1775?]
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Ch. Virmaître. Les curiosités de Paris / préface de M. Xavier Eyma. — Paris: P. Lebigre-Duquesne, 1868.
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