• Hardcover volume, 28.6 x 22.4 cm, tan cloth over brown cloth boards, black lettering to spine, blind-stamped lettering in frame to front, in a black pictorial dust jacket, price unclipped; pp.: [1-ix] x-xi [xii blank], [1-4] 5-36 [4], 64 pages with 109 b/w plates, 12 pages with chronology, bibliography, credits; total 128 pp. Title-page: EDWARD HOPPER (in frame)| THE COMPLETE PRINTS | GAIL LEVIN | W • W • NORTON & COMPANY • NEW YORK • LONDON | IN ASSOCIATION WITH THE | WHITNEY MUSEUM OF AMERICAN ART || Contributors: Gail Levin (American, b. 1948) – author. Edward Hopper (American, 1882 – 1967) – artist. W. W. Norton & Company (f. 1923) – publisher. Whitney Museum of American Art (NY) – publisher.
  • Softcover volume, 19.5 x 14.3 cm, olive French flapped wrappers, glassine dust cover, printed on laid paper (Hollande), outer and bottom margins untrimmed, some pages uncut; pagination: [2] blank, [i-iv] h.t./limit., t.p./blank, v-viii, 1-196 [197] [5], total 212 pages plus frontispiece; head- and tailpieces and in-text stencil-coloured etchings after Chéripoulos. Title-page (olive and black): LE ROMAN | DE | VIOLETTE | {vignette} | A LA ROYNE DE CYTHÈRE | SODOME | 1920 || Limitation: Cet ouvrage, achevé d'imprimer le cinq Janvier Mil Neuf Cent Vingt à trois cents exemplaires dont vingt-cinq exemplaires sur Japon Impérial contenant chacun un dessin original de Chéripoulos, numérotés de un à vingt-cinq; deux cent soixante-quinze exemplaires sur papier de Hollande, numérotés de vingt-six à trois cents; en plus cinq exemplaires de collaborateurs marqués de A à E. Le présent exemplaire porte le numéro 72. Edition: Printed on the 5th of January 1920 in 305 copies (№№ 1-25 on Japon Impérial, №№ 26-300 on Hollande, A–E for collaborators). Catalogue raisonné: Dutel III № 2339, p. 350. Contributors: Henriette de Mannoury d'Ectot [Henriette Nicolas Le Blanc] (French 1815 – 1899) Charles Auguste Edelmann [Chéripoulos] (French, 1879 – 1950).  
  • Hardcover, green cloth stamped with title to front cover and spine, pictorial DJ, pp.: [10] 1-206.

    Introduction / Andreas Marks -- An artistic collaboration: travelling the Tōkaidō with Kuniyoshi, Hiroshige, and Kunisada / Laura W. Allen Folklore and legend in the fifty-three pairings along the Tōkaidō / Ann Wehmeyer The plates. Tōkaidō gojūsan tsui / transcription and translation by Ann Wehmeyer ; notes by Ann Wehmeyer and Andreas Marks.

    ISBN: 9780813060217

  • Title page: Text engraved within a vignette with two naked female torses in garlands: Plãs et profilz | des principales villes de | la prouince de L'ISLE DE | FRANCE, auec la carte gene~ | rale & les particulieres de chaf~ | cun gouuernement d'icelles. Below handwritten pencil inscription by a previous owner: "par ... Tassin ... 1634". Size: 17.6 x 23.7 cm, Binding: Italian style, green half-vellum, burgundy morocco title label with vertical gilt lettering to spine, peacock marbled boards. Pagination: Two blank flyleaves in the front and two in the back; 18 numbered engraved plates, including:
    1. Title page
    2. Table of Contents
    3. Normandie
    4. Environs de Paris
    5. Folding map of Paris – a simplified copy of Mathieu Merian's 1615 perspective plan, with minor updates, notably on the current housing estate of Ile Saint-Louis.
    6. Paris
    7. Gouvernment de Soissons
    8. Soissons
    9. Gouvernment de Beauvais
    10. Beauvais
    11. Gouvernment de Compiègne
    12. Compiègne
    13. Gouvernment de Noyon
    14. Noyon
    15. Gouvernment de Coussi
    16. Coussi
    17. Gouvernment de Senlis
    18. Senlis
    Bookplate of Ansar to front pastedown – Selim Hippolyte Ansart (1829-1897), commissar of police in the Second Empire and shortly after. Regarding our copy's dating: The same unusual spelling on the title is at Getty's Library (Library's copy lacks no. 5 of the Isle de France section, i.e. plan of Paris).
  • Hardcover volume, collated in-8o, 21.1 x 14.9 cm, bound in half black polished morocco over green buckram boards, gilt lettering in rules to flat spine, brown diaper over cream endpapers, red ink oval library stamp in Estonian to t.p. «AJALOOMUUSEUM RAAMATUKOGU» (history museum library); pp.: [4] [1] 2-524, total 528 pages; collation π2 1-328 336, total 264 leaves. Title-page: ДЕШЕВАЯ БИБЛIОТЕКА ТОВАРИЩЕСТВА "ЗНАНIЕ". | № 274. | Э. Лиссагарэ. | ИСТОРIЯ ПАРИЖСКОЙ КОММУНЫ | въ 1871 г. | Съ французскаго. Полный переводъ | подъ редакцiей В. Базарова.| С.-ПЕТЕРБУРГЪ | 1906. || Original title: Prosper-Olivier Lissagaray. Histoire de la Commune de 1871. — Paris: E. Dentu, 1876. English translation by Eleanor Marx Aveling: [LIB-1110.2016] Prosper-Olivier Lissagaray. History of the Commune of 1871. — London: Reeves and Turner, 1886. Contributors: Hippolyte Prosper-Olivier Lissagaray (French, 1838 – 1901) – author. Владимир Александрович Базаров [Руднев, Vladimir Bazarov] (Russian, 1874 – 1939) – translator.
  • Half-titleÜBERREICHT VON | GILHOFER UND RANSCHBURG | SORTIMENT–, BÜCHER– UND KUNST– | ANTIQUARIAT | WIEN 1, BOGNERGASSE 2 || Title: Red letterpress lettering in black ornamental frame: Insel- | Almanach | auf das Jahr | 1907 || Pagination: [6] – h.t., frontis., title; [1-16] 17-150 [2], + 2 folding plates (op. p. 30 and 32), and 2 plates op. p. 50 (Franz von Bayros "Francine" for Die Bohème by Henri Murger) and 112 (colour). Binding: 17.3 x 9.9 cm;  original olive paper wrappers with gilt lettering and elements to cover, lettering to spine. Catalogue raisonné: Heinz Sarkowski (1999): № 1986, pp. 329-30, with contents. Contributors: Gilhofer und Ranschburg – antiquarian bookstore in Vienna. Schröder, Rudolf Alexander (German, 1878 – 1962) – title and cover. Wieynk, Heinrich (German, 1874 – 1931) – typeset. Kippenberg, Anton Hermann Friedrich (German, 1874 – 1950) – editor. Brandstetter, Oscar (German, 1844 – ?) – printer.
  • Half-title: THE WORKS | OF | GEORGE CRUIKSHANK | CLASSIFIED AND ARRANGED.|| Title: (in black and red) THE WORKS | OF | GEORGE CRUIKSHANK | CLASSIFIED AND ARRANGED | WITH REFERENCES TO REID'S CATALOGUE | AND THEIR APPROXIMATE VALUES| BY | CAPTN. R. J. H. DOUGLAS | WITH A FRONTISPIECE | (a facsimile of the frontispiece to the rare Holiday Grammar) | LONDON | PRINTED BY J. DAVY & SONS AT THE DRYDEN PRESS 137 LONG ACRE | AND SOLD BY MESSRS. H. SOTHERAN & CO. 140 STRAND AND 37 PICADILLY ; PICKERING & CATTO | 66 HAYMARKET ; ROBSON & CO 23 COVENTRY STREET ; F. T. SABIN 118 SHAFTESBURY AVENUE ; | W. T. SPENSER 27 NEW OXFORD STREET ; AND CHARLES SCRIBNER’S SONS NEW YORK. | MDCCCCIII || Imprint (title verso): One Thousand Copies of this book have been printed and the type distributed. This is No. 205. Bookplate to recto ffl: Reference Library of Francis Edwards Ltd. Not for sale. Inscription to recto ffl: “With the author’s compliments”. Pagination: ffl, [i, ii] – h.t. / blank, [2] – blank / frontis., [iii, iv] – t.p. (black and red) / Print run, [v] v-vi –preface, [2] – contents, [2] – f.t. / note; [1] 2-301 [302] – colophon; insert one sheet with type writing on Francis Edwards letterhead, bfl. (OCLC: ix, 302 pages : illustrations ; 26 cm) Collation:  [A]5 B-T8 U7 Binding: Hardcover, burgundy cloth gilt-stamped with title and publisher’s device to front board and gilt lettering to spine.
  • ERNEST HEMINGWAY | A Moveable Feast | {Citation} | CHARLES SCRIBNER'S SONS, | New York || Pagination: [12] – incl: advert., h.t., t.p., colophon, contents, preface, and note, [1, 2] - f.t. / blank, 3-211 [212]. Publisher’s cloth-backed stamped boards, original dust jacket. Ref.: Hanneman A31a.
  • Title: AN ESSAY | ON THE | PRINCIPLE OF POPULATION; | OR, | A VIEW OF ITS PAST AND PRESENT EFFECTS | ON | HUMAN HAPPINESS; | WITH | AN INQUIRY INTO OUR PROSPECTS RESPECTING THE FUTURE | REMOVAL OR MITIGATION OF THE EVILS WHICH | IT OCCASIONS | BY T. R. MALTHUS, A. M. | Late Fellow of Jesus College, Cambridge, and Professor of History and Political Economy in the East-India College, Hertfordshire. | IN THREE VOLUMES. | VOL. I. [or II. or III.] | THE FIFTH EDITION, | WITH IMPORTANT ADDITIONS. | LONDON: | JOHN MURRAY, ALBEMARLE-STREET. | 1817. || Pagination and collation: Vol. 1: ffl, [i, ii] – t. p. / imprint., [iii] iv-xvi, [1] 2-496, bfl; A-Z8 2A-2I8. Vol. 2: ffl, [i, ii] – t. p. / imprint., [iii]-iv – contents, [1]-2-507 [508], bfl; [A]2 B-Z8 2A-2I8 2K6. Vol. 3: ffl, [i, ii] – t. p. / imprint., [iii]-iv – contents, [1]-2-500, bfl; [A]2 B-Z8 2A-2I8 2K2. Binding: Three volumes printed on wove paper, uniformly bound in quarter brown polished calf, blind-ruled, black label, ruled and lettered in gilt to spine, green buckram boards; 22.2 x 13.5 cm. Edition: 5th edition, corrected with a new preface, an updated appendix of Malthus’ responses to his critics, and addition of several chapters to the whole: on France, England, and on the poor laws. Lifetime edition. Ref.: Einaudi 3670; Goldsmiths’ 21761; Kress B.6974; Mattioli 2210. Printed by W. Clowes: William Clowes Ltd. (London). Clowes, William (British, 1779 – 1847). Malthus, Thomas Robert (British, 1766 – 1834). Murray, John (British, 1737 – 1793) Murray, John II (British, 1778 – 1843) John Murray (publishing house)
  • Cover: MAURICE TALMEYR | LA | FRANC-MAÇONNERIE | ET LA | RÉVOLUTION FRANÇAISE | — | Prix : 1 fr.  […] Librairie académique PERRIN et Cie. Title page: MAURICE TALMEYR | LA | FRANC-MAÇONNERIE | ET LA | RÉVOLUTION FRANÇAISE | — | PARIS | LIBRAIRIE ACADÉMIQUE DIDIER | PERRIN ET Cie, LIBRAIRES–ÉDITEURS | 35, QUAI DES GRANDS-AUGUSTINS, 35 | 1904 | Tous droits réservés || Autograph: Inscription to h.t. to Charles Foley from the author. Bibiographical description: Blue lettered publisher’s wrappers, 19 x 12 cm, pagination: [8] [1] 2-94 [2], collation: 8vo, π4 1-68. The Russian translation Н. Л. Фран-масонство и государственная измена. — СПб.: Издание В. П., 1906 is here: LIB-0940.2016. Contributors: Maurice Talmeyr [Marie-Justin-Maurice Coste] (French, 1850 – 1931) Pierre-Paul Didier (French, 1800 – 1865) Émile Perrin (French, 1828 – 1884)
  • LIB-2734-1.2021. Vol. 1, title in black, DJ in black and red: JEAN-PIERRE DUTEL | BIBLIOGRAPHIE | DES | OUVRAGES ÉROTIQUES | PUBLIÉS CLANDESTINEMENT EN FRANÇAIS | ENTRE 1880 ET 1920 | {publisher’s device} | CHEZ L’AUTEUR, | 16, RUE JACQUES-CALLOT 75006 PARIS | MMII || Pagination: [1-6] 7-669 [670] [8] [2 imprint/blank]; №2046. LIB-2734-2.2021. Vol. 2, title in black, DJ in black and blue: JEAN-PIERRE DUTEL | BIBLIOGRAPHIE | DES | OUVRAGES ÉROTIQUES | PUBLIÉS CLANDESTINEMENT EN FRANÇAIS | ENTRE 1920 ET 1970 | VOLUME II | {publisher’s device} | J-P DUTEL, LIBRAIRE-ÉDITEUR | 16, RUE JACQUES-CALLOT 75006 PARIS | MMV || Pagination: [1-8] 9-891 [2 acknowl./blank] [2 imprint/blank]; №4281. LIB-2734-3.2021. Vol. 3, title in black, DJ in black and green: JEAN-PIERRE DUTEL | BIBLIOGRAPHIE | DES | OUVRAGES ÉROTIQUES | PUBLIÉS CLANDESTINEMENT EN FRANÇAIS | ENTRE 1650 ET 1880 | (VOLUME III) | {publisher’s device} | CHEZ L’AUTEUR | 16, RUE JACQUES-CALLOT 75006 PARIS | MMIX || Pagination: [1-6] 7-667 [668 blank] [2 table/blank] [2 imprint/blank]; №5726. All three volumes uniformly bound in black cloth, white DJ with lettering; vol. 1 with author’s manuscript to half-title, vol. 2 and 3 – fac-similé to title page (autographed copy).
  • Frontispiece: ИНОСТРАННЫЕ МЕМУАРЫ Под общей редакцией | И. Т. Смилги | ОММЕР ДЕ ГЕЛЛЬ | «Academia» | Москва—Ленинград || Title page: ОММЕР ДЕ ГЕЛЛЬ | ПИСЬМА и ЗАПИСКИ | Редакция, вступительная статья и примечания| М. М. Чистяковой | ACADEMIA | 1933 || Title verso: Супер-обложка и переплет | по рисункам Н. П. Дмитревского || Pagination: [1-6] 7-464 [8], ill. Collation: 8vo; [1]-298, 304 + 8 plates (photomechanical), one of them folded. Binding: 17.5 x 13.5 cm, original purple cloth, white lettering to spine, vignette to front board, pictorial DJ. Print run: 5300 copies. Catalogue raisonné: Крылов-Кичатова (2004): № 564, p.236. Вяземский, Павел Петрович (Russian, 1820 – 1888) – author. A famous literary forgery and mystification in the history of Russian literature. The fictitious author – Оммер де Гелль – was an existing human being: Adèle Hommaire de Hell, née Hériot (French, 1819 — 1883), a French writier. The fictitious matter of the book was not proven before 1935. The details can be found here.
  • Front cover: UNCORRECTED PROOF COPY | (NOT FOR SALE) | {rule} | OUR MAN IN HAVANA | Graham Greene | {rule} || Half-title: Our Man in Havana ||; stamp on top: LAURENCE POLLINGER LTD. | 18 MADDOX STREET, LONDON, W.1. Title page: {double rule} | Our Man in Havana | AN ENTERTAINMENT | GRAHAM GREENE | {Heinemann’s device} | HEINEMANN | LONDON MELBOURNE TORONTO || Title verso: William Heinemann Ltd | LONDON MELBOURNE TORONTO | CAPE TOWN AUCKLAND | THE HAGUE | First published 1958 | © by Graham Greene 1958 | All rights reserved | Printed in Great Britain | at The Windmill Press | Kingswood, Surrey || Pagination: [6] [1, 2] 3-273 [274]. Binding: 19.5 x 13 cm, cream wrappers with black lettering to front and spine; Cover is verso of the cover for Anne Piper’s Green for Love, a book published by  Fletcher & Son in 1954. Edition: Advance copy / Uncorrected proof. Contributors: Henry Graham Greene (British, 1904 – 1991) – author. William Henry Heinemann (British-Jewish, 1863 – 1920); William Heinemann Limited – publisher. Laurence Pollinger Ltd. (London) – literary agent.
  • Title page: AVENTURES | DE | ROBINSON CRUSOE | PAR | DANIEL DEFOE | TRADUCTION NOUVELLE | ☙ |EDITION ILLUSTREE PAR GRANDVILLE | ❧ |PARIS | H. FOURNIER AINÉ, ÉDITEUR | 16 RUE DE SEINE | — | M DCCC XL || {sic: no accents in EDITION ILLUSTREE) Pagination: [4] [1]-610, [2] [1]-4., 620 pp. total plus 82 leaves of plates, unpaginated. Collation: 2 binder’s blank leaves, front publisher’s wrapper, h.t / imprint, 2 copies of engraved frontispiece on china paper, t.p. / blank, etc., … text..., back wrapper and spine bound in; 4to: π2 [1]-774 (310 leaves total) plus 40 x 2 plates extraneous to collation. Illustrations: 2 head- and 2 tailpieces, 2 initials, 159 vignettes, and 40 lettered plates each in two variants: one printed on a regular page, and one printed on India paper and pasted to a page. Page size: 24 x 15 cm. Frontispiece: Cut on wood by Louis-Henri Brevière after J. J. Grandville and Français. “Robinson sits on a throne-like chair framed by exotic palm trees. The sculptural and quasi-royal representation of Robinson is flanked by his faithful dog and parrot. The hero’s tools (the gun and the axe) are prominently displayed. He looks to the horizon away to the left, rather than to the tiny ship that can be seen on the horizon. His overcoming of life’s difficult events is at the core of the representation. The massive plinth reinforces the aura of the hero, as do the tiny people admiring the sculpture and learning about the heroic figure. Friday is discreetly represented in a medallion on the plinth along with other decorations including goats and a «savage»". [Sitzia, E. (2020). Lost in Intersemiotic Translation? J.J. Grandville’s Illustration of Robinson Crusoe. Journal for Literary and Intermedial Crossings, 5(2). https://clic.research.vub.be/sites/default/files/atoms/files/SITZIA_FIN.pdf] The monument has an inscription: “ FERNAND | SUEZ” which we deciphered as either a tribute to Juan Fernández (Spanish, c. 1536 – c. 1604) or as a mention of the place where Crusoe’s adventures took place: Archipiélago Juan Fernández to which Isla Róbinson Crusoe belongs. Binding: 24.8 x 16.4 cm, by Emile Mercier, half green crushed morocco over marbled boards, gilt-ruled, spine ornately gilt, sunned to orange tone, marbled endpapers, publisher's pale yellow wrappers bound in; only the top edge trimmed. Contributors: Daniel Defoe (British, 1660 – 1731) – author. J. J. Grandville [Gèrard, Isidore-Adolphe] (French, 1803 – 1847) – artist. François-Louis Français (French, 1814 – 1897) – artist (frontispiece, landscapes). Engravers:  John Quartley (British, fl. 1835 – 1867) Matthew Urlwin Sears (British, 1799 – 1870) Adolphe Best (French, 1808 – 1860) One of the Guillaumots: Eugène Guillaumot (French, Paris 1813–1869), or Auguste Etienne Guillaumot (French,1844 – 1890), or his father Auguste-Alexandre Guillaumot (French, 1815 – 1892) Laisné [Alfred, Adèle, and Aglaé] (French, active 1835–1868) Antoine-Alphée Piaud (French, 1813 – 1867) Louis Dujardin (French, 1808 – 1859) A. Hans (nothing is known) Jean Louis Joseph Camille Lacoste (French, 1809 – 1866) Louis-Henri Brevière (French, 1797 – 1869) – vignettes. Provenance: Bishop, Cortlandt Field (American, 1870 – 1935) – bookplate; Mary S. Collins – bookplate by J. H. Fincken Robin F. Satinsky (American, 1919 – 2008) – Robin Collection bookplate. Catalogue raisonné: Brivois (1883) p. 155; Ray (French): № 193, p. 272; Carteret (1927): p. 241. All indicated in-8vo, which doesn't correspond to our in-4to copy.
  • Title-page: TALES FROM SHAKESPEARE | CHARLES AND MARY LAMB | — | With an Introduction by | MARTIN ARMSTRONG | {space} | {publisher’s device} | COLLINS | LONDON AND GLASGOW || Pagination: [1-4] 5-256, frontispiece: reproduction of portrait of Charles Lamb. Edition: reprint of 1953 edition (WorldCat); in Collins Classics series. Binding: 18.5 x 11 cm, semi-soft, crimson faux morocco, blind-stamped fillet border, gilt lettering to spine, TEG, slipcase. Contributors: William Shakespeare (English, 1564 – 1616) Mary Ann Lamb (British, 1764 – 1847) – author. Charles Lamb (British, 1775 – 1834) – author. Collins Clear-Type Press & Publisher (London; Glasgow) – printer and publisher. Note: “On the writing desk were two books – identical copies of Lamb’s Tales From Shakespeare. […] — Why did you choose Lamb? — It was the only book I could find in duplicate except Uncle Tom’s Cabin…” Graham Greene. Our Man in Havana.
  • Title-page: COLETTE | L'INGÉNUE | LIBERTINE | ILLUSTRÉ DE VINGT POINTES SÈCHES ORIGINALES EN COULEURS | DE P.-E. BÉCAT | GEORGES GUILLOT, ÉDITEUR | 7, RUE PERRONET | PARIS (VIIe) || French flapped wrapper in a blue double slipcase with dark blue and gilt lettering to spine, 29.5 x 24 x 8 cm, in-folio, leaves 28.5 x 22.5 cm, unbound, with 20 coloured drypoint engravings, with tissue-guards, with 77 initials and tailpieces by Marie Monnier. Limited edition of 420 copies, of which this is copy № XXVII, one of 45 copies marked with Roman numbers and reserved for the artist and collaborators. Printed on November 1st, 1947. Pagination: [16] 1-215 [216] [6], 238 pages (119 leaves) total, incl. plates. Moderate foxing. Contributors: Sidonie-Gabrielle Colette [a.k.a. Colette] (French, 1873 – 1954) Paul-Émile Bécat (French, 1885 – 1960) Marie Monnier (French, 1894 – 1976) Solange et Georges Guillot – publishers. Georges Girard – printer, typography. Manuel Robbe – printer, drypoint engravings.
  • Description: One volume in-4to, 28.7 x 23 cm, in a grey double slipcase 29.6 x 24 cm, lettered paper label to spine, in publisher’s original French flapped blue wrappers, lettered on front, unbound, printed on thick wove paper watermarked "PUR FIL MARAIS".  Illustrated with coloured two full-page plates and numerous in-text images, head- and tailpieces engraved by F. Nourisson after André Dignimont. Title-page (blue and black): PIERRE MAC ORLAN | LE QUAI | DES BRUMES | ILLUSTRATIONS DE | DIGNIMONT | ÉDITIONS ARC-EN-CIEL | M CM XLVIII || Pagination: [1-4] (h.t./frontis., t.p./copyright, 5-157 [158] [8] (plate, limit., colophon, blank); total 166 pages. Limitation: Printed in December 1948, engravings on Padovani press and text by Vibert. The edition is limited to 250 copies, № 1 unique on Japon nacré + original drawings and one suite, 28 copies (№ 2-29) on Vélin d’Arches + one drawing and one suite, 51 copies (№ 30-80) on Vélin de Lana + one suite, 170 copies (№ 81-250) on Vélin pur fil des Papeteries du Marais, 10 copies (№ I-X) on different papers for collaborators. This copy is № 115. Ref: WorldCat. Pierre Mac-Orlan (French, 1882 – 1970) – author. André Dignimont (French, 1891 – 1965) – artist.
  • Description: One volume, 25.5 x 19.8 cm, bound in ochre morocco, raised bands, gilt lettering to spine, gilt fillet inside, marbled endpapers, T.E.G., printed on wove paper watermarked “Lafuma”, original wrappers and spine bound in; in a slipcase 26 x 20 cm. Front wrapper and title-page (red and black): LE MARIAGE | DE | DON QUICHOTTE | PAR | P.-J. TOULET | {publisher’s device} | ILLUSTRATIONS DE | (CHARLES) MARTIN | | LA RENAISSANCE DU LIVRE | PARIS — 78, BOULEVARD SAINT-MICHEL || Collation: two blank leaves, front wrapper, π4 (blank, h.t./limitation, t.p., preface), 1-274, back wrapper, spine, two blank leaves, 112 leaves between the wrappers plus 9 plates extraneous to collation, incl. frontispiece – stencil-coloured photogravures after Charles Martin. Pagination: [8] 1-210 [2] [4], total 224 pages between the wrappers, ils. Limitation: Edition limited to 775 copies, of which 1 copy on Vieux Japon (№ 1), 24 on Japon Imperial (№2-25), and 750 on Vélin Lafuma (№ 26-775). This copy is № 625. Colophon: Printed on November 15, 1922 – text by Coulouma (Argeneuil), director H. Barthélemy, photogravures by Héliogravure de Schutzenberger (Paris), coloured by Charpentier. Contributors: Paul-Jean Toulet (French, 1867 – 1920) – author. Charles Martin (French, 1884 – 1934) – artist. Léon Maurice Schützenberger (French, 1863 – 1950)