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[Pierre-François Hugues d’Hancarville]. Monumens du culte secret des dames romaines / pour servir de suite aux Monumens de la vie privée des XII Césars. — Caprée [i.e. Nancy]: Sabellus [i.e. veuve Leclerc], 1784.
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La Lanterne/ par Henri Rochefort: №№ 1-11, 1868. — Paris: A. Chaix & Cie, 1868.
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Éros invaincu: La bibliothèque Gérard Nordmann. — Genève: Fondation Martin Bodmer; Paris: Cercle d’art, 2004.
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Utagawa Kunisada (Toyokuni III). Matsumoto Kōshirō V as Nikki Danjō Saemon Naonori, 1863.
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Japanese ink paintings, 1300–1700 / Catalogue 8, Exhibition March 23-30, 2004. — NY: Sebastian Izzard LLC, 2004.
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Oliver Hill. Pan’s garden. — London: Philip Allan & Co. Ltd., 1928.
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Utagawa Kuniyoshi. Puppets by Yoshida Senshi: Shinanoya Ohan and Obiya Choemon / Fan print, 1827.
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Gustave Macé. La police parisienne: Le vilain monde; Les dépeceurs de cadavres; Gibier de Saint-Lazare. — Paris: Librairie illustrée, [1889].
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Higo tsuba with slanting rays of light (tokei) motif / Edo period, mid-17th century.
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Haruo Shirane. Japan and the Culture of the Four Seasons: Nature, Literature, and the arts. — NY: Columbia University Press, 2013.
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Markus Sesko. Handbook of sword fittings related terms. — Norderstedt: Books on Demand GmbH, 2011.
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Érastène Ramiro. Félicien Rops (Études sur quelques artistes originaux) / Exemplaire truffé de 58 estampes originales. — Paris: G. Pellet, H. Floury, 1905.
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Utagawa Kunisada (Toyokuni III). Kabuki actor Arashi Kichisaburō III as Sarushima Sōta / Fan print, 1853.
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Jūzō Suzuki. Sharaku [写楽] / Translation by John Bester (Masterworks of ukiyo-e, №2). — Tokyo; Palo-Alto, CA: Kodansha International, ©1968.
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В. Я. Пропп. Морфология сказки / Серия: Вопросы поэтики, вып. XII. — Л.: Academia, 1928.
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Э. Лиссагарэ. История Парижской Коммуны в 1871 г. (Дешевая библиотека, № 274) / Пер. под ред. В. Базарова. — С.-Петербург: Знание, 1906.
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Gail Levin. Edward Hopper: The Complete Prints. — NY, London: W. W. Norton & Co., 1979©.
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Napoléon III / Lithography, 1852.
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Louis de Gonzague Frick / Auguste Brouet. Le calamiste alizé; after 1940.
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Вехи. Сборник статей о русской интеллигенции. 1909
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Fuchi-kashira with a bat and fruit motif. Edo period.
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Thomas Birch. The Heads of Illustrious Persons in Great Britain. London, 1747.
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Ko-tosho tsuba with triple diamond motif. Nanbokucho period, 14th century.
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Ōnin suemon-zōgan tsuba with design of rabbit, plants, and family crests. Muromachi period.
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Richard Parkes Bonington. Evreux: Tour du Gros Horloge. 1824.
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Owari tsuba with slanting rays of light motif. Edo period.
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Ōnin ten-zōgan tsuba with design of dragonfly and tomoe. Mid Muromachi period, 15th century.
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Utagawa Kunisada (Toyokuni III), Utagawa Kunihisa II. A geisha eating edamame aboard the boat of the Atari-ya teahouse, from the series ‘Three summer women’ / Fan print, 1860.
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Isaac Bullart. Academie des sciences et des arts / 1st vol. of two. — Amsterdam: Elzevier [i.e. Brussels: Foppens], 1682.
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Thomas Astle. The Origin and Progress of Writing. – T. Payne and Son, et al., London, 1784.
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Caporal. Le Grelot: “Le coup d’Etat du 4 septembre 1871”. – Paris, 1871.
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George Cruikshank’s table-book / edited by Gilbert Abbott à Beckett. – London: Punch office, 1845.
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Blue glaze tripod censer. China, Tang dynasty [唐朝] (618 – 907).
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Edmund Burke. Reflections on the revolution in France and on the proceedings of certain societies in London relative to that event / 2nd edition. — London: J. Dodsley, 1790.
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Hokusai: One hundred Views of Mt. Fuji / Introduction and commentaries on the plates by Henry D. Smith II. — NY: George Braziller, Inc., 2001.
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Zichy / Introduced and selected by Katalin Gellér. — Budapest: Corvina, 2007.
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Лев Тихомиров. Заговорщики и полиция. — М.-Л.: Молодая гвардия, [1928].
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Blue and white porcelain plate, Japan, Edo period, 19th century.
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[Okakura Kakuzō]. The ideals of the East with special reference to the art of Japan. — London: John Murray, 1903.
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Chinese sancai-glazed pottery bowl, Liao Dynasty [辽朝] (907 – 1125).
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Kamakura-bori tsuba with design of a bridge, mountain pavilion and 5-storey pagoda. Muromachi period, 16th century.
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Graham Greene. Our man in Havana: An entertainment / UNCORRECTED PROOF COPY. — London: Heinemann, 1958.
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K. A. Coleridge. A descriptive catalogue of the Milton Collection in the Alexander Turnbull Library, Wellington, New Zealand. — Oxford: Oxford University Press, 1980.
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Les Contes de La Fontaine / Illustrations de Brunelleschi (2 vol.) — Paris: Gibert Jeune, Librairie d’Amateurs, 1938.
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Les artistes du livre: Vertès. — Paris: H. Babou, 1930.
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Claude Joseph Dorat. Fables nouvelles. —The Hague, Paris: Delalain, 1773-[75].
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Mons the Capital City of Hainault in ye Low Countries; engraving, 1744.
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Francis Carco. Tableau de l’amour vénal / Illustré de 12 lithographies par Luc-Albert Moreau; (Tableaux Contemporains № 4). — Paris: Nouvelle Revue Française, 1924.
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Utagawa Hiroshige. Kominato in Awa province, from the series ‘Famous places in the Bōsō peninsula’ / Fan print, 1852.
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Alfred de Musset. Gamiani ou deux nuits d’excès. — s.l.: Au dépens des deux cent cinquante amis de l’époque romantique, s.d. [late 1940s].
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Suzuki Harunobu. Love interrupts the making of silk wadding, c. 1768.
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Israel Goldman. Japanese prints and paintings / Recent acquisitions; Catalogue 20, 2014.
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И. Бабель Избранное. — М.: Художественная литература, 1966.
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Andreas Marks. Japanese woodblock prints: Artists, publishers and masterworks, 1680 – 1900 / Foreword by Stephen Addiss. — Tuttle Publishing, 2010©.
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