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Front pictorial wrapper: ЛЕВ ТИХОМИРОВ | ЗАГОВОРЩИКИ | И | ПОЛИЦИЯ | С ПРЕДИСЛОВИЕМ В. И. НЕВСКОГО | МОЛОДАЯ ГВАРДИЯ || Title page: РЕВОЛЮЦИОННОЕ ДВИЖЕНИЕ В РОССИИ В МЕМУАРАХ | СОВРЕМЕННИКОВ | ПОД РЕДАКЦИЕЙ В. НЕВСКОГО И П. АНАТОЛЬЕВА | ЛЕВ ТИХОМИРОВ | ЗАГОВОРЩИКИ | И | ПОЛИЦИЯ | ПРЕДИСЛОВИЕ В. НЕВСКОГО | МОЛОДАЯ ГВАРДИЯ | МОСКВА – ЛЕНИНГРАД || Title verso: Обложка – гравюра на дереве | работы Н. П. Дмитровского | {printer’s device} | Издат. № 2633 | Ленинградский Областлит № 8371 | Тираж 5.000 экз. | 1928 г. Back wrapper: Заказы направлять: | [….] | {publisher’s device} | 1 р. 25 коп. | Р || Pagination: [1-3] 4-229 [3]; pp. 205-226 – notes, 227-229 – index. Collation: [1]8 2-148 154. Binding: publisher’s pictorial wrappers, lettering to spine and back cover. Print run 5,000 copies. Provenance: П. Ю. Перкон (to front cover nut-ink inscription: «П. Перкон», blue ink stamp to cover and t.p.: «БИБЛИОТЕКА | П. Ю. ПЕРКОНЪ | №» Personae: Перкон, Петр Юрьевич [Густавович] (Latvian, 1885 – 1938) — member of the communist party (Bolsheviks) since 05.1905; arrested: 05.02.1938, shot: 22.04.1938. — Previous owner. Невский, Владимир Иванович [Кривобоков or Кривобок, Феодосий Иванович] (Russian, 1876 – 1937) — arrested: 20.02.1935, shot: 26.05.1937. — Editor of the series and author of the foreword. Анатольев, П. И. [Фаресов, Анатолий Иванович; Faresov, Anatoly (Russian, 1852 – 1928). — Editor of the series. Тихомиров, Лев Александрович (Russian, 1852 – 1923). — Author of the text. Дмитревский [Дмитриевский; Дмитровский], Николай Павлович (Russian, 1890 — 1938) — arrested 15.12.1937 , shot: 02.01.1938. — Artist/engraver of the woodcut on the cover. -
Underglaze cobalt blue and white porcelain plate decorated with a bamboo border, key fret above the blue ring, and a bush of chrysanthemums in the centre. The bottom is decorated with stylized clouds and flowers, a border of lotus petals and signed with a general mark in the centre. Diameter: 29.5 cm; Height: 3.5 cm. -
Title: THE IDEALS OF THE EAST | WITH SPECIAL REFERENCE | TO THE ART OF JAPAN | BY KAKASU OKAKURA | LONDON | JOHN MURRAY, ALBEMARLE STREET | 1903 || Collation: 8vo; ffl, [2] (t.p., prep. note) [a]4 b4, A-P8 Q4. Pagination: ffl, [I, ii] – h.t. / blank, [iii, iv] – t.p. / blank, [v, vi] – preparatory note / blank, vii-xxii, [1] 2-244, [1] 2-4 (Works for art lovers). Binding: Burgundy cloth, red flowers and lettering to cover, gilt lettering to spine. Size: 19.5 x 13 cm Contributors: Author: Okakura Kakuzō [岡倉 覚三] (1863 – 1913). Publisher: Murray, Sir John IV (1851–1928); John Murray (publishing house). Printer: Ballantyne, Hanson & Co., Edinburgh, London. -
Footed conical bowl decorated with cream and brown splashes on green background inside, and cream and green splashes on the brown background outside. Diameter: 13.5 cm, H: 6.2 cm; -
The thin iron plate of round form and black colour carved in sukidashi-bori with the design of rocks, waves, bridge, mountain pavilion and 5-storey pagoda under the moon, on both sides, alluding to Todai-ji temple in Nara. Slightly rounded rectangular hitsu-ana probably pierced later. Very narrow raised rim as usual in katsushi tsuba. In a modern wooden box.
Late Muromachi period, 16th century. Dimensions: 81.1 x 79.5 x 3. mm (seppa-dai), 2.2 mm (base plate), 4.4. (rim).Reference: “Art of the Samurai” on page 232, №140: ”Kamakura tsuba with Sangatsu-do tower and bridge. Muromachi period, 16th century. 83 mm x 80 mm. Unsigned. Tokyo National Museum. The mountain pavilion and bridge carved in sunken relief on the iron tsuba – both part of Tōdai-ji, a temple in Nara – are detailed in fine kebori (line) engraving. As a result of the chiselling used to create the relief, the ground of the piece is relatively thin”. Also page 41 in Tsuba Kanshoki. Kazutaro Torogoye, 1975 [LIB-1480.2018].
This tsuba is very much similar to TSU-0384. -
Front cover: UNCORRECTED PROOF COPY | (NOT FOR SALE) | {rule} | OUR MAN IN HAVANA | Graham Greene | {rule} || Half-title: Our Man in Havana ||; stamp on top: LAURENCE POLLINGER LTD. | 18 MADDOX STREET, LONDON, W.1. Title page: {double rule} | Our Man in Havana | AN ENTERTAINMENT | GRAHAM GREENE | {Heinemann’s device} | HEINEMANN | LONDON MELBOURNE TORONTO || Title verso: William Heinemann Ltd | LONDON MELBOURNE TORONTO | CAPE TOWN AUCKLAND | THE HAGUE | First published 1958 | © by Graham Greene 1958 | All rights reserved | Printed in Great Britain | at The Windmill Press | Kingswood, Surrey || Pagination: [6] [1, 2] 3-273 [274]. Binding: 19.5 x 13 cm, cream wrappers with black lettering to front and spine; Cover is verso of the cover for Anne Piper’s Green for Love, a book published by Fletcher & Son in 1954. Edition: Advance copy / Uncorrected proof. Contributors: Henry Graham Greene (British, 1904 – 1991) – author. William Henry Heinemann (British-Jewish, 1863 – 1920); William Heinemann Limited – publisher. Laurence Pollinger Ltd. (London) – literary agent. -
Title page: A DESCRIPTIVE CATALOGUE | OF THE | MILTON COLLECTION | IN THE ALEXANDER | TURNBULL LIBRARY, | WELLINGTON, | NEW ZEALAND |Describing works printed before 1801 | held in the Library at December 1975 | COMPILED BY | K. A. COLERIDGE | Published for the Alexander Turnbull Library, | National Library of New Zealand, | by OXFORD UNIVERSITY PRESS | 1980. Pagination: [i-v] vi-xxv [xxvi blank], [1] 2-536, plus 27 leaves with 60 plates. Printer: Printed in Great Britain at the Pitman Press, Bath. Size: 22.5 x 14.5 cm. Binding: Black cloth, gilt lettering to spine, lettered maroon dust-jacket, unclipped (£35.00 net in UK). Contributor: Kathleen A. Coleridge (New Zealand, b. 1944). -
Vol. 1: Front wrapper and title page (in red and black): CONTES | ET | NOUVELLES | DE | LA FONTAINE | ILLUSTRATIONS | EN COULEURS | DE | BRUNELLESCHI | {vignette} | PREMIER ET DEUXIÈME LIVRE | GIBERT JEUNE | LIBRAIRIE D'AMATEURS | 61, BOULEVARD SAINT-MICHEL, 61 | PARIS || Pagination: [2] – blanks, [2] – h.t. / limit., [2] – t.p. / blank, [6] – advert., [2] – d.t.p., 1-164 [165-6], [4] – table, [2] – imprint / blank, [2] – blanks; total 188 pages (94 leaves) with 35 in-text black illustrations, plus 16 colour plates extraneous to collation, incl. frontispiece. Vol. 2: Front wrapper and title page similar to Vol. 1 but TROISIÈME, QUATRIÈME ET CINQUIÈME LIVRE under the vignette. Pagination: [2] – blanks, [2] – h.t. / limit., [2] – t.p. / blank, [2] – d.t.p., 1-233 [234], [4] – table, [2] – colophon / blank, [2] – blanks; total 250 pages (125 leaves) with 42 in-text black illustrations, plus 16 colour plates extraneous to collation, incl. frontispiece. Edition: Limited edition of 3,000 copies, this copy is № 1 (stamped in black in vol. 1). Printed on the 10th of June, 1938 by J. Dumoulin (H. Barthélemy – director, Louis Malexis – mise en page); stencil-colouring (au pochoir) by E. Charpentier under direction of the artist. Binding: Two volumes 26.3 x 20.3 cm, uniformly bound in publisher’s pictorial flapped wrappers with vignettes and lettering to front wrapper and spine and publisher’s device to back wrapper. Description of the stensil (au pochoir) technique. -
Title-page: LES ARTISTES DU LIVRE | MARCEL | VERTÈS | ÉTUDE PAR | ANDRÉ SALMON | LETTRE-PRÉFACE PAR | PAUL MORAND | PORTRAIT PAR | JEAN OBERLÉ | { publisher’s device} | HENRY BABOU, ÉDITEUR | 1, RUE VERNIQUET, PARIS | 1930 || Description: 26.3 x 20.5 cm, French flapped brown wrappers with black and blue lettering, lettering to spine, unbound, [1-2] 1st blank leaf, [3-4] h.t. / limitation, two plates (fac-simile letter and portrait of Vertès), [5-6] t.p. /”Cette monographie…”, 7-39 [40-48], incl. Bibliographie des ouvrages, Table des planches, and colophon – all with in-text illustrations; plus 22 leaves of plates, one on a double-page, all with foxing and marginal browning. Printing: December 1930 by Durcos & Colas in Paris. Edition: the 17th edition in the series “Les artistes du livre’, published under the direction of Marcel Valotaire; print run limited to 700 copies of which 50 on Japon (numbered 1-50) enriched with one original unpublished drypoint, 650 copies on Vélin Blanc from Arches (50-650), and 50 “non-commercial” copies (I-L). This copy is numbered № 473. Contributors: Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist. André Salmon (French, 1881 – 1969) – author. Paul Morand (French, 1888 – 1976) – author. Jean Oberlé (French, 1900 – 1961) – artist. Maitres-imprimeurs Ducros et Colas (Paris) – printer. Henry Babou (Paris) – publisher. Marcel Valotaire (French, 1889 – 1979) – publisher. Other names: Marcel Vertès, Marcel Vertes, Marcell Vértes -
Title-page: FABLES | NOUVELLES. | {vignette by Ponce after Marillier} | A LA HAYE, | Et se trouve a Paris, | Chez Delalain, rue de la Comédie Françoise. | — | M. DCC. LXXIII. || Collation: 2 volumes (4 livres) in one, 1st blank, engraved t.p. “FABLES | Par | Mr. Dorat.” signed C. P. Marillier, inv. – E. D. Ghendt Sculp. 1772; a-c4, A-Z4 2A-2Q4, last blank, plus engraved frontispiece before A1 by Nicolas Delaunay and engraved d.t.p. before Z1: “Fables | de M. Dorat | II. Volume” also by Ghendt after Marillier., 99 vignettes and 99 tailpieces, all after Marillier. Lacking Delaunay frontispiece for the second volume (similar to the 1st). Edition: This is a vol. 1 176 pp. copy (Ray, 43). 2nd edition after Fables ou allégories philosophiques, 1772, p. 162 corrected: “Je sais , même au sein des poisons / Puiser le suc qui m'est utile”. Page xxii numbered correctly; on top of p. iii, printed a chain instead of a triple fillet in later issues (Ray, 43A). Pagination: [i, ii] iii-xxii, [2 d.t.p. «Livre premier»] [1] 2-309 [3 table], 3 plates. Binding: Crimson crashed morocco (198 x 133 mm) ruled in gilt, spine with raised bands gilt in compartments with gilt-lettered cream calf label, gilt dentelle inside, marbled endpapers, Pauli Menso bookplate pasted to front pastedown, printed on laid paper, AEG. Catalogue raisonné: Cohen-DeRicci: 313-315; Ray (French): № 43, pp. 81-83. Provenance: Pauli Menso. We only present a sample of illustrations, as their total number is enormous. Contributors: Author: Claude Joseph Dorat (French, 1734–1780) Publisher: Delalain (firm) (18th century) Artist: Clément Pierre Marillier (French, 1740–1808) Engravers: Jean Charles Baquoy (French, 1721–1777) Nicolas Delaunay (French, 1739–1792) Pierre Duflos (French, born in 1751) Emmanuel Jean Nepomucène de Ghendt (Flemish, worked in France, 1738–1815) Yves-Marie Le Gouaz (French, 1742–1816) Pierre Adrien Le Beau (French, 1748–after 1800) Jean-Jacques André Le Veau (French, 1729–1786) Charles Louis Lingée (French, 1748–1819) Joseph de Longueil (French, 1730–1792) Louis Legrand (French, 1723–1807) Jacques Le Roy (French, born in 1739) Louis Joseph Masquelier (French, 1741–1811) François Denis Née (French, 1735–1818) Nicholas Ponce (French, 1746–1831) Marguerite (Hémery) Ponce (French, born in 1745) Jean Baptiste Simonet (French, 1742–1813) -
Mons the Capital City of Hainault in y Low Countries, taken by y French in 1691, Restor'd to y Spaniards by y Peace of Ryswick in 1697, retaken by y Allies in 1709, and left to y Emperor by y Treaty of Utrecht. attribution to publication source has been trimmed.
Dimensions: Sheet: 40.7 x 52.5 cm; Image: 37.5 x 48 cm. Published between 1744 and 1747. Attribution to publication source has been trimmed. Reference: Royal Academy 03/2919. Source: Maps for Mr. Tindal's Continuation of Mr. Rapin's History of England. London: John and Paul Knapton. Nicolas Tindal (British, 1687 – 1774) – the translator and continuer of the History of England by Paul de Rapin. Paul de Rapin (French, 1661 – 1725) – a Huguenot historian, author of the History of England. -
Description: Softcover, French flapped wrappers, lettered front, back (advert.) and spine, collated in-4to, 24.3 x 20.2 cm, printed on thick wove paper Vélin pur fil Lafuma-Navarre, print run limited to 335 copies from which this is copy № 219; outer margin untrimmed, some leaves uncut, glassine DJ. Limitation: 1 copy (A) on Japon Impérial + double suite of plates + suite of original drawings, 4 copies (B-E) on Japon Impérial + double suite of plates, 15 copies on on Japon Impérial + suite of plates on Vieux Japon teinté (F-T), 315 copies on Vélin pur fil Lafuma-Navarre, of which 15 (I-XV) not for sale. Copyright: Libraire Gallimard, 1924. Printed: March 10, 1924 – text by Coulouma (Argenteuil) under direction of H. Barthélemy, lithographs printed by Marchizet (Paris). Front wrapper (in letterpress two-colour border): Tableaux Contemporains – no 4 | . TABLEAU | de | L'AMOUR | VÉNAL | par | FRANCIS CARCO | Illustré | de douze lithographies en noir | par Luc-Albert Moreau | PARIS | ÉDITIONS DE LA NOUVELLE REVUE FRANÇAISE | 3, rue de Grenelle || Title-page: Same, without a frame, in black, L'AMOUR | VÉNAL in brown. Collation: 4to; 14 a4 2-164, total 68 leaves with wrappers included in collation plus 12 plates, incl. frontispiece, extraneous to collation. Pagination: [2 wrapper] [6] [i] ii-vii [viii blank] [9] 10-122 [2 colophon] [2 blank] [2 wrapper]; total 136 pages incl. wrappers, plus ils. Contributors: Francis Carco [François Carcopino-Tusoli] (French, 1886 – 1958) – author. Luc-Albert Moreau (French, 1882 – 1948) – artist. La Nouvelle Revue Française (nrf) (Paris)– publisher. Gaston Gallimard (French, 1881 – 1975) – publisher. -
Kominato in Awa province [Awa Kominato] – one of five fan prints in the series Famous places in the Bōsō peninsula [Bōsō meisho], devoted to the trip undertaken by Hiroshige in 1852 to Bōsō peninsula (present-day Chiba prefecture). “Two fashionably dressed women beside the veranda of a wayside inn gaze out over Uchiura Bay toward the Tanjō Temple on the far shore, as a boat sets out to the sea from the fishing hamlet of Kominato. …Hiroshige’s viewpoint is from the lower slopes of Mount Kiyosumi”. Ref: Sebastian Izzard. Important Japanese Prints 1830–1860 March 14–20, 2020 exhibition [LIB-2398.2020], №. 52. Not in Faulkner's Hiroshige Fan Prints. Artist: Utagawa Hiroshige [歌川 広重] a.k.a. Andō Hiroshige [安藤 広重] (Japanese, 1797 – 1858). Publisher: Tsujiya Yasubei [辻屋安兵衛] Kinkaido [錦魁堂] (Japanese, c. 1842 – 1863) Date seal and double nanushi censor seal: Mera & Watanabe; Kaei 5, 11th month (1852). Signed: Hiroshige ga [広重 画] in a red cartouche. Size: Fan print (Aiban yoko-e uchiwa-e); 225 x 292 mm. -
Description: one volume in French flapped wrappers 25.3 x 19 cm, lettered “MUSSET” to front, 5 gatherings of 4 and one of 6 leaves, 26 leaves total, pp.: [4] [2] 3-43 [44] [4], total 52 pages, incl. those in wrappers, unbound; plus coloured and uncoloured suites of 12 lithographs, in a paper folder; in a cardboard tan slipcase 2.8 x 19.3 cm. Artist unknown, publisher unknown, published at the end of 1940s (per J.-P. Dutel). Illustrations are a loose interpretation of original lithographs by Devéria and Henri Grévedon or Octave Tassaert for the 1833 edition ((1926 re-print LIB-3135.2023). Limitation: Edition limited to 250 copies printed on Vélin Chiffon numbered 1 -250 and 24 copies marked by letters A to Z. This is copy № 246, with two suites of plates, one coloured and one b/w. Catalogue raisonné: Dutel (1920-1970) № 1657, p. 189. Alfred de Musset (French, 1810 – 1857) – author. -
Artist (attributed, no signature): Suzuki Harunobu [鈴木 春信] (Japanese, c. 1725 – 1770). The title is taken from [LIB-1478.2013] Gian Carlo Calza, Stefania Piotti. Poem of the pillow and other stories. — Phaidon Press, 2010; pp. 148-9. Alternative title: Man sucking woman's breast and a cat sitting under a bonsai tree. The open book beside the couple reads 子春 (Koharu). Woodblock print from the series Mirror Picture of Japan (Wakoku kagami); Size: Horizontal chuban; 21 x 26 cm. -
Softcover, pictorial wrappers, square 21 x 21 cm, 40 leaves, unpaginated, with illustrations in colour, 77 entries, with price list laid in; limited edition of 700 copies. Contributor: Israel Goldman Prints in this collection:![Isoda Koryūsai . Prosperous Flowers of the Elegant Twelve Seasons: young couple making love while older man sleeps. [Shunga]. 1773](http://varshavskycollection.com/wp-content/uploads/2020/12/SVJP200039.2015-400x288.jpeg)
SVJP-0039.2015: Isoda Koryūsai. Kikuzuki (the ninth month) from the series Furyu juniki no eiga (Prosperous flowers of the elegant twelve months) / Chuban, early 1770s; #7 in the catalogue.
SVJP-0180.2014: Torii Kiyomitsu II. Kintaro with a boar, rabbit, and tanuki / Oban, c. 1805; # 15 in the catalogue.
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Description: one volume, 20.7 x 13.3 cm, bound in cream cloth with red and black lettering to front cover and spine, author’s photographic portrait frontispiece. Title-page (black and red): ИЗБРАННОЕ (vertical, red) | И. БАБЕЛЬ | {publisher’s device “ИХЛ”} | Издательство | «ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА» | Москва | 1966 || Contents: Конармия; Одесские рассказы; Рассказы; Воспоминания; Пьесы; Статьи, выступления; Письма; Комментарии. Imprint: Вступительная статья | Л. ПОЛЯК | Комментарии | Е. КРАСНОЩЕКОВОЙ | Оформление художника | Ю. БОЯРСКОГО | 7–3–2 / 57–66 || Pagination :[2] 3-493 [494] [2]; total 496 pages, ils. Collation: 8vo; [1]-318; total 248 leaves plus author’s photographic portrait frontispiece. Contributors: Исаак Эммануилович Бабель [Isaac Babel] (Russian-Jewish, 1894 – 1940) – author. Лидия Моисеевна Поляк (Russian-Jewish, 1899 – 1992) – author, foreword. Елена Александровна Краснощекова (Russian-Jewish, b. 1934) (see Александр Михайлович Краснощёков) – author, commentary. Юлий Александрович Боярский (Russian, 1924 – 2009) – artist. -
Hardcover, 31 x 24 cm, red paper with black and white lettering to front cover and spine, pictorial endpapers, pictorial dust jacket; pp.: [1-8] 9-336, profusely illustrated in colour. Title-page (black and red): Japanese | woodblock prints | ARTISTS, PUBLISHERS AND MASTERWORKS | 1680 – 1900 | Andreas Marks {|} Foreword by Stephen Addiss | TUTTLE PUBLISHING | Tokyo • Rutland, Vermont • Singapore ||
