2018 – Page 4 – Varshavsky Collection

Senichiro Masumoto, Kenichi Kokubo. Kinkō Meikan. — Tokyo: Token Shunju-sha, 1974; with English translation by John Yumoto & Alan Harvie: Listing of non-ferro fitting makers. — San Mateo, CA: John M. Yumoto, 1982.

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Shingen tsuba with yamagane core and woven copper wire pattern. Muromachi period.

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Shunkōsai Hokushū. Bandō Mitsugorō III as Daihanji Kiyozumi and Arashi Koroku IV as Koganosuke, 1821.

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Six-lobed kamakura-bori tsuba with landscape motif. Late Muromachi period (1514-1573).

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Stag antler netsuke of a recumbent ox. Signed: Tomomasa. Circa 1800.

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T. R. Malthus. An Essay on the Principle of Population / 5th edition, in 3 volumes. — London: John Murray, 1817.

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Tantō tsuba with paulownia and karakusa design. Early Edo period, 17th century.

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The works of Nicholas Machiavel, translated into English. — London: Printed for J. Starkey, C. Harper, & J. Amery, 1680.

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Torii Kiyonaga. A young woman dreaming of rape and robbery. Edo period, 1783.

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Tōshō tsuba with a butterfly and a dragonfly motif. Muromachi period.

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Tōshō tsuba with design of dragonfly. Muromachi period.

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Tōshō tsuba with design of rudder and oar. Muromachi period.

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Tsuba with design of water wheel, cherry blossom, and waves. Momoyama period.

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Turning Point: Oribe and the Arts of Sixteenth-Century Japan / Edited by Miyeko Murase. — NY: The Metropolitan Museum of Art; New Haven (CT), London: Yale University Press, 2003.

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Utagawa Kunimaru. Chūshingura (The Treasury of Loyal Retainers), Act XI: Night Battle / Fan print, 1827.

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Utagawa Kunisada (Toyokuni III), Utagawa Kunihisa II. A geisha eating edamame aboard the boat of the Atari-ya teahouse, from the series ‘Three summer women’ / Fan print, 1860.

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Utagawa Kunisada (Toyokuni III). Actor Bandō Takesaburō I as clerk Seijūrō and actor Ichikawa Kodanji IV as Kenkaya Gorōkichi / Fan print, 1852.

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Utagawa Kunisada (Toyokuni III). Benzaiten Shrine at Honjō Block One / Fan print, 1840.

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