Cylindrical incense burner or brush pot decorated in underglaze blue with landscape and text.
According to Markus Sesko: a poem by Li Bai admiring the beautiful scenery at Mt. Emei. Dimensions: Diameter: 11.5 cm; Height: 10 cm.-
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Portrait of Russian actress Maria Gavrilovna Savina, a lithograph on tan paper, by artist Osip Braz, 1900.
Maria Gavrilovna Savina (Мария Гавриловна Савина), a renowned Russian stage actress, born as Maria Podramentsova (Подраменцова) on April 11, 1854 in Kamianets-Podilskyi (Ukraine, Russian Empire) and died on September 21, 1915, in Saint Petersburg. Osip Emmanuilovich Braz (Осип Эммануилович Браз; 16 January 1873 in Odessa - 6 November 1936 near Paris) was a Russian painter of Jewish descent. Imprisoned by the Soviets in 1924 (the Solovki special prison-camp), released in 1926 and emigrated to Germany in 1928. Married to Lola Landshoff. http://russia-ic.com/people/culture_art/b/805/ "All his family members suffered from severe tuberculosis. After losing his wife Lola Lantsgof and both sons, he spent the last year of his life alone. Osip Braz passed away on November 6, 1936, and was laid down to rest at the Bagneux Cemetery in Paris." Buried at Bagneux, Hauts-de-Seine, Île-de-France, France. -
Seated portrait of Russian diplomat Count Semyon Romanovich Vorontsov (Семён Романович Воронцо́в; 26 June 1744 – 9 July 1832). Engraved by August Weger (Born: 1823 in Nürnberg; died: 1892 in Leipzig) from the portrait painted by Richard Evans (1784–1871). Circa 1825-50. Semyon Romanovich Vorontsov, the son of Count Roman Illarionovich and Marfa Ivanovna Surmina, was born on June 15, 1744; Active Privy Councillor; Ambassador to Venice and London from 1784, for over 20 years. Died in London on June 26, 1832.
Inscription: Графъ Семенъ Романовичь Воронцовъ. Родился въ Москвѣ Iюня 15-го/26 1744, Скончался въ Лондонѣ Iюня 9-го/21 1822. | Le Comte Simon Woronzow. né à Moscou le 26 Juin 1744, Mort à Londres le 21 Juin 1832. | Richd. Evans, Peintre. - Gravé par A. Weger, Leipzig. Vorontsov family coat of arms in the middle.
Dimensions: 23 x 15 cm. Ref.: Подробный словарь русских гравированных портретов Д. А. Ровинского, том. 1, 534-540. -
A portrait of Marcello Malpighi from his book Opera posthuma: figuris aeneis illustrata, quibus praefixa est ejusdem vita a seipso scripta, Londini:Churchill, 1697. Inscription: Marcellus Malpighius | Medicus Bononiensis mortuus 29 Novemb. Anno Dom. 1694. Anno aetatis 67. I. Kip. sculp.
Marcello Malpighi (10 March 1628 – 29 November 1694) was an Italian biologist and physician, who is referred to as the "Father of microscopical anatomy, histology, physiology and embryology" [Wikipedia].
From European Journal of Anatomy 22(5):433-439 · September 2018, an article by Sanjib Ghosh and Ashutosh Kumar 'Marcello Malpighi (1628-1694): Pioneer of microscopic anatomy and exponent of the scientific revolution of the 17th Century': Italian anatomist and an eminent scientist who significantly contributed to the advancement of the anatomical sciences in the 17th century. Malpighi was one of the first to use the compound microscope (an instrument designed by Galileo in 1609) and made the most important discovery of his life in 1661 when he identified capillaries as connecting vessels between small arteries and veins in the lungs. Malpighi thus provided the missing link in William Harvey's theory of blood circulation. He made significant contributions in the field of embryology based on his observations on chick embryo, and his efforts provided deep insights into the development of the heart and the nervous system. His communications based on microscopic studies scripted valuable details on the structural organization of organs like the liver, kidney and spleen. He identified the hepatic lobule as the fundamental unit of the liver and noted that bile was being secreted by these lobules and not from the gall bladder (the popular belief then). In the kidney, he discovered the glomerulus (Malpighian Corpuscle) and was the first to observe the convoluted tubules in the renal cortex. He was the first to describe the presence of lymphatic bodies (Malpighi's Corpuscle) in the spleen. Although he was exceedingly successful in his scientific activities, his life was fraught with unfortunate events and savage criticism from detractors arising out of professional jealousy and personal feuds. Nevertheless, his exploits were instrumental in understanding the human microscopic anatomy (histology) and his accomplishments have etched his name in the pages of medical science forever.
The portrait was engraved by Johannes "Jan" Kip (1652/53, Amsterdam – 1722, Westminster) - a Dutch draftsman, engraver and print dealer.
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Three priests: Le Pere Matthieu Ricci, Le Pere Adam Schaal, and Le Pere Ferdinand Verbiest. Three priests with navigational instruments. Image taken from Description geographique, historique, chronologique et physique de l'Empire de la Chine et de la Tartarie Chinoise. Enrichies des cartes generales et particulieres de ces pays, etc. by Jean-Baptiste Du Halde (1674–1743), vol. 3, page 78. Originally published/produced in La Haye [The Hague], 1736. J.v.Solingen fecit
Jean-Baptiste Du Halde (Chinese: 杜赫德; 1 February 1674 – 18 August 1743) was a French Jesuit historian specializing in China. He did not travel to China, but collected seventeen Jesuit missionaries' reports and provided an encyclopedic survey of the history, culture and society of China and "Chinese Tartary," that is, Manchuria. Voltaire said of Du Halde's work: "Although it is developed out of Paris, and he hath not known the Chinese, [he] gave on the basis of the memoirs of his colleagues, the widest and the best description the empire of China has had worldwide." Le Pere Matthieu Ricci, a.k.a. Matteo Ricci, S.J. (Italian pronunciation: [matˈtɛːo ˈrittʃi]; Latin: Mattheus Riccius Maceratensis; 6 October 1552 – 11 May 1610), was an Italian Jesuit priest and one of the founding figures of the Jesuit China missions. His 1602 map of the world in Chinese characters introduced the findings of European exploration to East Asia. He is considered a Servant of God by the Roman Catholic Church. Ricci arrived at the Portuguese settlement of Macau in 1582 where he began his missionary work in China. He became the first European to enter the Forbidden City of Beijing in 1601 when invited by the Wanli Emperor, who sought his services in matters such as court astronomy and calendrical science. He converted several prominent Chinese officials to Catholicism, such as Xu Guangqi, who aided in translating Euclid's Elements into Chinese as well as the Confucian classics into Latin for the first time. Le Pere Adam Schaal, a.k.a. Johann Adam Schall von Bell (1 May 1591 – 15 August 1666) was a German Jesuit and astronomer. He spent most of his life as a missionary in China (where he is remembered as "Tang Ruowang") and became an adviser to the Shunzhi Emperor of the Qing dynasty. Le Pere Ferdinand Verbiest, a.k.a. Father Ferdinand Verbiest (9 October 1623 – 28 January 1688) was a Flemish Jesuit missionary in China during the Qing dynasty. He was born in Pittem near Tielt in the County of Flanders (now part of Belgium). He is known as Nan Huairen (南懷仁) in Chinese. He was an accomplished mathematician and astronomer and proved to the court of the Kangxi Emperor that European astronomy was more accurate than Chinese astronomy. He then corrected the Chinese calendar and was later asked to rebuild and re-equip the Beijing Ancient Observatory, being given the role of Head of the Mathematical Board and Director of the Observatory. He became close friends with the Kangxi Emperor, who frequently requested his teaching, in geometry, philosophy and music. Verbiest worked as a diplomat and cartographer, and also as a translator because he spoke Latin, German, Dutch, Spanish, Hebrew, and Italian. He wrote more than thirty books. During the 1670s, Verbiest designed what some claim to be the first ever self-propelled vehicle – many claims this as the world's first automobile, in spite of its small size and the lack of evidence that it was actually built.Joshua Van Solingen was an engraver and publisher from Holland, working, besides other places, in Scotland. Information about him can be found at Catastrophic Bliss (The Griot Project Book Series) by Accounting in Scotland (RLE Accounting): A Historical Bibliography History of the Scottish Metrical Psalms: With an Account of the Paraphrases ... The History of Edinburgh, from the Earliest Accounts to the Present Time ... History of the Bassandyne Bible, the First Printed in Scotland: With Notices ...
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Circular tsuba (marugata ) with design of futatsu-domoe (twofold tomoe) in negative openwork (kage-sukashi), folded-over rim (uchikaeshi-mimi ). The ‘head’ of the left tomoe altered to form an opening for scabbard accessory (kata-hitsu-ana), adorned with gold ategane fitting with file marks (tate-yasurime). The hammer-blow finish of the surface (tsuchime-ji). Signed to the left of nakaga-ana: Yamakichibei (山吉兵). Attributed by Steve Waszak a the Second Generation (Nidai) master.
NBTHK paper [translated by Markus Sesko]:Tomoe-sukashi-tsuba (巴透し鐔).
KANTEI-SHO (鑑定書) - APPRAISAL No 451718
Futatsu-domoe sukashi-tsuba (二巴透鐔) ‒ Tsuba with two tomoe comma openwork design
Signed: Yamakichibei (山吉兵)
Round shape (marugata ), iron, hammerblow finish (tsuchime-ji ), negative openwork design (kage-sukashi ), folded-over rim (uchikaeshi-mimi ), one opening for scabbard accessory
(kata-hitsu-ana) (with gold ategane fitting)
According to the result of the shinsa committee of our society, we judge this work as authentic
and rank it as Hozon Tōsōgu.
February 20, 2007
[Foundation] Nihon Bijutsu Tōken Hozon Kyōkai, NBTHK (日本美術刀劍保存協會)
Diameter: 76 mm, thickness at center 3.9 mm, thickness at rim: 5.1 mm; weight: 102.5 g
Tomoe (Comma): The character 巴 (Chinese pronunciation bā). A pattern resembling the two-comma tomoe (futatsu-domoe) has been found in ancient cultures on all inhabited continents. ...aside from their military function, a ritual or fetish value, perhaps related to their testicular shape. It also has yin-yang connotation. The gold sekigane confirms the high value of the piece to the owner.
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Netsuke with a design of a laughing peasant carrying a basket and holding a giant mushroom in his right hand.
18th century Dimensions: 55.7 mm tallUnsigned. According to Merrily Baird (Symbols of Japan, page. 93): ... This prominent use in the symbol-rich netsuke art form, however, reflects more their sexual symbolism than either their dietary appeal or interesting shapes. Mushrooms in Japan are generally a symbol of fertility, with some flat varieties, like shiitake, being associated with females. In contrast, the matsutake mushroom (Armillaria edodes) is a phallic symbol, as befits its thick, spearlike stem and the fact that it is consumed before cap opens.
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Ivory netsuke with a design of a man (possibly - Ariōmaru) wrestling a giant octopus.
Circa 1850. Dimensions: 45.5 x 48.3 x 37.8 mmUnsigned.
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Ivory netsuke with the design of wrestling Oni by Kaigyokusai Masatsugu [懐玉齋正次].
Signed: Masatsugu [正次] Osaka School. Made: 1850-1900; Late Edo - Meiji Period. Dimensions: 44 x 40 x 33 mm.The right hand of the upper Oni and one toe of the lower Oni are missing. Ref.: Raymond Bushell. Collector's netsuke. Weatherhill, NY, Tokyo; Ninth printing, 2002, pp. 84-87. "Kaigyokusai Masatsugu (1813-1892) was an Osaka based carver renowned for his flawless technique as illustrated upon this netsuke with its finely carved ivory form, with no staining and bright inlaid eyes" (V&A).