2021 – Page 4 – Varshavsky Collection

Сводный каталог русской нелегальной и запрещенной печати XIX века. Книги и периодические издания : Часть 2. Книги Н–Я. Периодические издания (№ 1159–2576) / 2-е издание. — М.: Гос. библиотека СССР им. В. И. Ленина, 1982.

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Сводный каталог русской нелегальной и запрещенной печати XIX века. Книги и периодические издания : Часть 3. Приложения. Вспомогательные указатели. Список источников / 2-е издание. — М.: Гос. библиотека СССР им. В. И. Ленина, 1982.

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Sancai earthenware tripod censer. China, Tang dynasty [唐朝] (618 – 907).

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Louis-Sébastien Mercier. L’an deux mille quatre cent quarante. Rêve s’il en fut jamais. — Londres [i.e. Paris], 1772.

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[Pierre-Joseph Bernard]. Phrosine et Mélidore : poème en quatre chants. — Messine et Paris: Le Jay, 1772.

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Henri Murger. Die Bohème : Szenen aus dem Pariser Künstlerleben. — Leipzig: Insel-Verlag, 1906.

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Maurice Talmeyr. La franc-maçonnerie et la Révolution française. — Paris: Perrin et Cie., 1904.

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James Parsons. Human Physiognomy Explain’d: In The Crounian Lectures On Muscular Motion. — London: C. Davis, 1747.

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Cornelis De Bie. Het Gulden Cabinet. — Antwerp: Jan Meyssens, 1661.

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John Milton. The poetical works : Paradise Lost, Paradise Regained, Samson Agonistes, Poems on several Occasions. — London: Jacob Tonson, 1695.

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Maurice Auguste Benyowsky. Memoirs and travels of Mauritius Augustus, count de Benyowsky. — London: Kegan Paul, Trench, Trübner & Co., 1904.

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Ovid’s Metamorphoses in Fifteen Books / Translated by the Most Eminent Hands. — London: Jacob Tonson, 1717.

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Isaac Bullart. Academie des sciences et des arts / 2 volumes in 1. — Paris: Louis Bilaine [i.e. Brussels: Foppens], 1682.

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Isaac Bullart. Academie des sciences et des arts / 2 volumes. — Amsterdam: Elzevier [i.e. Brussels: Foppens], 1682.

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La Belle Assemblée, or Bell’s Court and Fashionable Magazine / Vol. XI.–New Series. Jan. 1 to Jun 30, 1815. — London: J. Bell, 1815.

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Анри Рошфор. Приключения моей жизни / Перевод Е. Смирнова, оформление М. В. Ушакова-Поскочина. — М.-Л.: Academia, 1933.

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Pierre-Joseph Bernard. L’art d’aimer, et poésies diverses. — Anonymous, [1775?]

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Сводный каталог русской нелегальной и запрещенной печати XIX века. Книги и периодические издания : Часть 1. Книги. А–М (№ 1–1158). — М.: Гос. библиотека СССР им. В. И. Ленина, 1981.

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P. M. Handover. Printing in London : from Caxton to modern times. — Cambridge, MA: Harvard University Press, 1960.

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Rodney K Engen. Dictionary of Victorian wood engravers. — Cambridge; Teaneck (N.J.): Chadwyck-Healey, 1985.

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Polychrome faience charger, Delft, 18th century.

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Polychrome faience charger, Delft, 18th century.

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Blue and white porcelain plate, Japan, Edo period, 19th century.

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Blue and white porcelain charger, Dutch or English, 18th century.

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Blue and white porcelain charger, Dutch or English, 18th century.

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Polina de Mauny. Still life with a vase.

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Жан де Лабрюйер. Характеры, или нравы нынешнего века / пер.с фр. Э. Линецкой и Ю. Корнеева— М.-Л.: Художественная литература, 1964.

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Henri Murger. The Bohemians of the Latin Quarter. (Scènes de la vie de Bohême) / Translated from the French. — London: Vizetelly & Co., 1883.

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The Fables of Aesop, and Others, with Designs on Wood, by Thomas Bewick. — Newcastle: T. Bewick and son; London: Longman and Co., 1818.

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Alois Senefelder. A complete course of lithography: Containing clear and explicit instructions in all the different branches and manners of that art. — London: Rudolph Ackermann, 1819.

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Geoffrey A. Godden. British Porcelain: An Illustrated Guide. — London: Barrie and Jenkins, 1986.

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S. Roscoe. Thomas Bewick: a bibliography raisonné of editions of the general history of quadrupeds, the history of British birds, and the fables of Aesop, issued in his lifetime. — London: Oxford University Press, 1953.

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E. Neurdenburg, B. Rackham. Old Dutch pottery and tiles. — London: Benn Brothers Ltd., 1923.

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Fred Astaire signed studio photograph, c. 1936.

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Audrey Hepburn personally owned photo from “War and Peace”, c. 1956.

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Utagawa Kunisada. Tamagiku, from the series ‘Chronicles of Elegant Women’ / Fan print, 1859.

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