2022 – Page 4 – Varshavsky Collection

Graham Greene. The Quiet American. — London: William Heinemann Ltd., 1955.

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Gustave Macé. La police parisienne: Le vilain monde; Les dépeceurs de cadavres; Gibier de Saint-Lazare. — Paris: Librairie illustrée, [1889].

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Francis Carco. Rien qu’une femme / Eaux-fortes de Chas Laborde. — Paris: [La Roseraie], 1925.

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Ukiyo-e prints and paintings: The primitive period, 1680–1745 / An exhibition in memory of Margaret O. Gentles; catalogue by Donald Jenkins. — Chicago: Art Institute Of Chicago, 1971.

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Tsuba with design of bellflowers and vines / Momoyama period (1574 – 1603).

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An dem kleinen Himmel meiner Liebe / Heiter-amouröse Dichtung Mit 24 farbigen Zeichnungen von Max Schwimmer; Herausgegeben von Bruno Brandl. — Berlin: Verlag der Nation, 1979.

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Graham Greene. The Comedians. — London: Bodley Head, 1966.

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Johann Wolfgang Goethe. Das Tagebuch / Mit handkolorierten Zeichnungen von Max Schwimmer. — Leipzig: Nachrichtenamt der Stadt, [1947].

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Ko-tosho tsuba with design of buddhist symbols in openwork / Muromachi period (1393-1573).

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Ernest Alfred Vizetelly. My days of adventure: The fall of France, 1870-71. — London: Chatto & Windus, 1914.

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Shigeo Miyao. Edo kabuki uchiwa-e / With notes by Sutezō Kimura. — Tokyo: Inoue Shobō, 1962.

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Toyohara Chikanobu. Bandō Kakitsu I as Shizuka Gozen and Ichikawa Sadanji I as Kitsune Tadanobu / Fan print, c. 1885.

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Toyohara Chikanobu. Nakamura Shikan IV as Kisen Hōshi and Iwai Kumesaburō IV as Ono no Komachi / Fan print, c. 1885.

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Utagawa Fusatane. Courtesans playing go game inside Kinpeiro brothel / Fan print, 1877.

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Utagawa Hiroshige II. The Province of Kai, from the series ‘Famous Views of Various Provinces’ / Fan print, 1862.

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Utagawa Sadahide. Peony, kalimeris, and butterfly / Fan print, c. 1860.

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Tsukioka Tanka. Picture of Fuji, Tsukuba and Sumida River / Fan print, 1833

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Utagawa Kuniyoshi. Yoshida Sadaemon Kanesada (Chūshingura, Act XI), from the series ‘Pictures Associated with the Iroha Syllabary’ / Fan print, 1842-46.

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Owari tsuba with slanting rays of light (tokei) motif / Edo period, early 17th century.

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Andreas Marks. Japanese woodblock prints: Artists, publishers and masterworks, 1680 – 1900 / Foreword by Stephen Addiss. — Tuttle Publishing, 2010©.

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B. W. Robinson; Victoria and Albert Museum. Kuniyoshi. — London: Her Majesty’s Stationery Office, 1961.

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Yoshirō brass inlay tantō tsuba by Koike Naomasa; Momoyama period (1574 – 1603).

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Эстетика раннего французского романтизма (История эстетики в памятниках и документах). — М.: Искусство, 1982.

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Литературные манифесты западноевропейских романтиков / Собрание текстов, вступ. ст. и общ. ред. А. С. Дмитриева (Университетская библиотека). — М.: Изд-во МГУ, 1980.

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Les fleurs animées par J.-J. Grandville / introductions par Alphonse Karr, texte par Taxile Delord. — Paris: Gabriel de Gonet, [1847].

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Konrad Lorenz. On aggression / translated by Marjorie Latzke, foreword by Sir Julian Huxley. — London: Methuen, 1966.

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Ōnin ten-zōgan tsuba with design of chrysanthemum, late Muromachi period (16 AD).

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Heianjo brass inlay tsuba with swastika and other symbols. Momoyama period (1574 – 1603).

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Ōnin suemon-zōgan tsuba with autumnal connotation (Tale of Genji, Chapter 20: Asagao). Late Muromachi period (1514-1573).

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Вера Мильчина. «Французы полезные и вредные»: Надзор за иностранцами в России при Николае I (Что такое Россия). — М.: Новое литературное обозрение, 2017.

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Гюи де Мопассан. Награжден орденом / Собр. соч. под ред. И. Бабеля, т. 2. — М.-Л.: Земля и фабрика, 1926.

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Alexandre de Vesme. Le peintre-graveur italien; ouvrage faisant suite au “Peintre-graveur” de Bartsch. — Milan: U. Hoepli, 1906.

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Otani [Ōya] Sadao. Enjoying brass inlay tsuba: 100 Tsuba. — Tokyo: Ōtsuka Kōgeisha Co. Ltd., 1999.

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Erzählungen am Toilettentische von Choisy le Conin [i.e. Franz von Bayros].

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Josef Halfer. The progress of the marbling art … with a supplement on the decoration of book edges / translated by Herman Dieck. — Buffalo, NY: Louis H. Kinder, 1893.

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Variations: Drawings, water colors, etchings and lithographs by Vertès / Text by Claude Roger-Marx. — Greenwich, CT: New York Graphic Society, 1961.

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