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Wanda de S… [i.e. Anonymous]. Françoise ou les plaisirs du mariage. — Aux allées des roses [i.e. Dijon: Darantiere, c. 1937].
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[Pierre Louÿs]. Douze douzains de dialogues ou petites scènes amoureuses / [Illustrée par André Collot]. — [Paris: Robert Télin, 1927].
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[Pierre Mac Orlan.] Petites cousines: Alice, Simonne, Marcelle, Andrée / [Illustrations de Schem]. — Aux dépens d’un amateur et pour ses amis, [c. 1948].
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[Paul Gavarni]. Scènes de la vie privée (Scènes de la vie intime): 6 [i.e. 12] lithographies. — [Paris: Aubert et Cie, 1837]
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[Achille Deveria]. La bibliothèque des romans: Une veillée de jeune fille, 1840 [i.e. c. 1842].
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Jean-Pierre Dutel. Bibliographie des ouvrages érotiques publiés clandestinement en français entre 1650 et 1970 [Supplément). — Paris: J.-P. Dutel, 2021.
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Breitenbach Aktphotographien. — Berlin: Galerie Bodo Niemann, 1998.
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Oliver Hill. Pan’s garden. — London: Philip Allan & Co. Ltd., 1928.
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Longus. Daphnis et Chloé / Traduction de Jacques Amyot, revue et corrigée par Paul-Louis Courier, illustré par Marcel Vertès. — Paris: Manuel Bruker, 1954.
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[Feodor Rojankovsky, dit Rojan]. Quatorze études originales pour Vers Libres de Raymond Radiguet, c. 1935.
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Variations: Drawings, water colors, etchings and lithographs by Vertès / Text by Claude Roger-Marx. — Greenwich, CT: New York Graphic Society, 1961.
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Josef Halfer. The progress of the marbling art … with a supplement on the decoration of book edges / translated by Herman Dieck. — Buffalo, NY: Louis H. Kinder, 1893.
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Erzählungen am Toilettentische von Choisy le Conin [i.e. Franz von Bayros].
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Otani [Ōya] Sadao. Enjoying brass inlay tsuba: 100 Tsuba. — Tokyo: Ōtsuka Kōgeisha Co. Ltd., 1999.
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Alexandre de Vesme. Le peintre-graveur italien; ouvrage faisant suite au “Peintre-graveur” de Bartsch. — Milan: U. Hoepli, 1906.
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Гюи де Мопассан. Награжден орденом / Собр. соч. под ред. И. Бабеля, т. 2. — М.-Л.: Земля и фабрика, 1926.
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Вера Мильчина. «Французы полезные и вредные»: Надзор за иностранцами в России при Николае I (Что такое Россия). — М.: Новое литературное обозрение, 2017.
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Ōnin suemon-zōgan tsuba with autumnal connotation (Tale of Genji, Chapter 20: Asagao). Late Muromachi period (1514-1573).
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Heianjo brass inlay tsuba with swastika and other symbols. Momoyama period (1574 – 1603).
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Ōnin ten-zōgan tsuba with design of chrysanthemum, late Muromachi period (16 AD).
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Konrad Lorenz. On aggression / translated by Marjorie Latzke, foreword by Sir Julian Huxley. — London: Methuen, 1966.
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Les fleurs animées par J.-J. Grandville / introductions par Alphonse Karr, texte par Taxile Delord. — Paris: Gabriel de Gonet, [1847].
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Литературные манифесты западноевропейских романтиков / Собрание текстов, вступ. ст. и общ. ред. А. С. Дмитриева (Университетская библиотека). — М.: Изд-во МГУ, 1980.
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Эстетика раннего французского романтизма (История эстетики в памятниках и документах). — М.: Искусство, 1982.
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Yoshirō brass inlay tantō tsuba by Koike Naomasa; Momoyama period (1574 – 1603).
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B. W. Robinson; Victoria and Albert Museum. Kuniyoshi. — London: Her Majesty’s Stationery Office, 1961.
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Andreas Marks. Japanese woodblock prints: Artists, publishers and masterworks, 1680 – 1900 / Foreword by Stephen Addiss. — Tuttle Publishing, 2010©.
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Owari tsuba with slanting rays of light (tokei) motif / Edo period, early 17th century.
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Utagawa Kuniyoshi. Yoshida Sadaemon Kanesada (Chūshingura, Act XI), from the series ‘Pictures Associated with the Iroha Syllabary’ / Fan print, 1842-46.
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Tsukioka Tanka. Picture of Fuji, Tsukuba and Sumida River / Fan print, 1833
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Utagawa Sadahide. Peony, kalimeris, and butterfly / Fan print, c. 1860.
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Utagawa Hiroshige II. The Province of Kai, from the series ‘Famous Views of Various Provinces’ / Fan print, 1862.
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Utagawa Fusatane. Courtesans playing go game inside Kinpeiro brothel / Fan print, 1877.
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Toyohara Chikanobu. Nakamura Shikan IV as Kisen Hōshi and Iwai Kumesaburō IV as Ono no Komachi / Fan print, c. 1885.
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Toyohara Chikanobu. Bandō Kakitsu I as Shizuka Gozen and Ichikawa Sadanji I as Kitsune Tadanobu / Fan print, c. 1885.
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Shigeo Miyao. Edo kabuki uchiwa-e / With notes by Sutezō Kimura. — Tokyo: Inoue Shobō, 1962.
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