2023 – Page 2 – Varshavsky Collection

Convolute: (1) Hilarion Huguet. Spiritomanes et spiritophobes. Étude sur le spiritisme / Le procès du 16 juin 1875. MM. Firman, Buguet, Leymarie. — Paris: E. Dentu, 1875. (2) Fédération spirite Belge: Étude critique du livre intitulé l’hypnotisme et le spiritisme du docteur Joseph Lapponi / Conférence par J. Fraikin. — Liège: Emile Dumont, s.d. (3) Bureau permanent d’étude des phénomènes spirites: Cours de doctrine spirite. — Anvers: La Générale, s.d. (4) La psychologie expérimentale.— Paris: A. Malverge, [1898]. (5) Le fluide humain: Son existence, ses lois, ses propriétés / Conférence donnée par le sous-lieutenant De Backere. — Anvers: Jules de Winter, 1909.

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Cornelia Cabuk. Otto Rudolf Schatz: Monografie und Werkverzeichnis. — Wien: Ritter Verlag, 2018©.

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Crébillon fils. La nuit et le moment ou les matinées de Cythère / Illustrations de Sylvain Sauvage. — Paris: Au dépens d’un amateur, 1924.

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Das erotische Werk des Félicien Rops. — Privatdruk, 1905.

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Émile Zola. Nana / Illustré de 30 gravures originales en couleurs de Marcel Vertès. — Paris: Javal et Bourdeaux, 1933.

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Emilie Mediz-Pelikan. Pine Grove / Chromolithography, 1905.

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Emilie Mediz-Pelikan. Roman Pines Grove / Chromolithography, c. 1905.

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Famille Impériale / Image d’Épinal, c. 1860s.

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Famille Impériale / Image d’Épinal, c. 1860s.

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Famille Impériale. Grands dignitaires de l’Empire, maison de l’Empereur. / Image d’Épinal, c. 1860.

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Feodor Rojankovsky. La Grande Maison de Blanc. Four plates, advertisement, 1929.

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Fornicon by Tomi Ungerer. — NY: Grove Press, 1969©.

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Franz von Bayros. Götterliebschaften. — Wien: Artur Wolf Verlag, 1914.

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Freundinnen / drawings by Mitja Leytho, c. 1930.

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Gail Levin. Edward Hopper: The Complete Prints. — NY, London: W. W. Norton & Co., 1979©.

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Général de division / Image d’Épinal, c. 1870.

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Géneral de division / Lithography, c. 1852.

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Georges Huisman. Eloge de Marcel Vertès / Orné de gravures originales. — Paris: Manuel Bruker, 1951.

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Graham Greene. Travels with my aunt: A novel / Introduced by John Mortimer, illustrated by John Holder. — London: Folio Society, 2004.

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Guillaume Apollinaire. Les onze mille verges ou les amours d’un Hospodar. — Brussels: s.n., 1942.

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Heianjo tsuba with the Myriad Treasures motif. Momoyama or early Edo period (1574 – 1650).

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Henry James. The Aspern Papers. — London: Folio Press, 1990.

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Ioannis Baptistae Passeri. Pisauren. nob. Eugubini De tribus vasculis Etruscis encaustice pictis a Clemente XIV P.O.M. in museum Vaticanum inlatis dissertatio. — Florentiae: Typographia Moückiana, 1772.

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Japanese paintings and prints, 1800-1860; Catalogue № 21. — NY: Sebastian Izzard LLC, 2023.

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Japanese prints and paintings from the late 18th century; Catalogue № 20. — NY: Sebastian Izzard LLC, 2022.

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Jean Viollis. Bonne-fille / Illustrations de André Dignimont (La Collection Originale). — Paris: Éditions Mornay, 1926.

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John Cleland. Die Memoiren der Fanny Hill. — Paphos [i.e. Vienna]: C. W. Stern, 1906.

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John Cleland. Nouvelle traduction de woman of pleasur ou fille de joie: Contenant les mémoires de Mademoiselle Fanny, écrits par elle-même. — London [i.e. Paris]: G. Fenton [i.e. Cazin], 1776.

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John Fowles. The French lieutenant’s woman. — London: Jonathan Cape Ltd., 1969.

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John Marciari. Sublime Ideas: Drawings by Giovanni Battista Piranesi. — NY: The Morgan Library & Museum, Paul Holberton Publishing, 2003©.

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Joseph Conrad. The secret agent: A drama in three acts. — London, T. Werner Laurie, 1923.

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Jules Lieure. Jacques Callot / Introduction de F. Courboin (Vol. 1-3). — Paris: Gazette des Beaux-Arts, 1924-27.

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Jules Pascin. Erotikon. — Bruxelles [i.e. Paris: Jean-Gabriel Daragnès], 1933.

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June Kysilko Kraeft, Norman Kraeft. Armin Landeck: The catalogue raisonné of his prints / Second edition, revised and enlarged. — Carbondale: Southern Illinois University Press, 1994©.

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Jūzō Suzuki. Sharaku [写楽] / Translation by John Bester (Masterworks of ukiyo-e, №2). — Tokyo; Palo-Alto, CA: Kodansha International, ©1968.

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Kakiemon (Japanese ceramics 9) [柿右衛門日本の陶磁 (9) 中央公論社]. — Tokyo: Chūōkōron-sha, 1974.

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