Kawanabe Kyōsai. Kiyomizu tsuya monogatari (清水艶物語, Tale of a Night in Kiyomizu) / Ehon page (shunga), 1867.
Renri no eda hiyoku (連理の枝比翼, Lovers Who Love Each Other like Two Trees with One Branch and Two Birds with One Wing)
Renri no eda hiyoku (連理の枝比翼, Lovers Who Love Each Other like Two Trees with One Branch and Two Birds with One Wing)
Ehon page (hanshibon format), leaf 176 × 225 mm; image 160 × 205 mm.
Recto: On a checkered floor, an amorous couple in oral 69-style intercourse, on the left; a woman in a dark robe with a large-scale foliate/karakusa pattern, masturbating or expelling semen following intercourse, on the right; figures rendered in Kyōsai's exaggerated, near-caricatural style. On the back, a European woman smoking a pipe, on the left. On the right, three European men in Western dress. One, bearded, smokes a pipe, his penis shown erect. Opposite him, a second man's penis is rendered as an eel — a recurring motif in shunga, and a third man rests a hand on his companion's shoulder. Purple, yellow-and-red drapery at margins; gold cloud-form motifs at center.
Verso: part of the book's table of contents (mokuji, 目次), with chapter numbers 第六 through 第十一 (six through eleven) in scalloped cartouches.
Note on dimensions: Uhlenbeck & Winkel classify the book as chūbon, 120 × 415 mm for the first fold-out (Israel Goldman Collection copy). Our copy shows different dimensions: hanshibon format, 176 × 225 mm.
Publication data (per Uhlenbeck & Winkel 2005, cat. no. 96a — Israel Goldman Collection, London):
Kiyomizu tsuya monogatari (清水艶物語, "Tale of a Night in Kiyomizu"), also known as Renri no eda hiyoku (連理の枝比翼, "Lovers Who Love Each Other like Two Trees with One Branch and Two Birds with One Wing"). Woodblock-printed ehon, two volumes, 1867 (Keiō 3). This leaf is one of Kyōsai's concealed "secret leaves" (hidden fold-outs opening from behind the contents page), distinct from the conventional, non-shunga illustrations by an anonymous second artist that appear in the book's normal page sequence. Text author (tentative): Ryūsuitei Tanekiyo (立翠亭種清, 1821–1907); possibly identical with Koikawa Shōzan under the shared pseudonym Insuitei (淫水亭) — cf. Sergei's prior research on Ukiyo Genji Gojūshijō. Requires further confirmation before merging the two authority records.
Reference: Chris Uhlenbeck and Margarita Winkel, Japanese Erotic Fantasies: Sexual Imagery of the Edo Period, Amsterdam: Hotei Publishing, 2005, cat. no. 96a (LIB-2971.2022).
| Collection | Erotica , Japanese prints and drawings |
|---|---|
| Type / Purpose | Book illustration , Woodblock print |
| Period | 19 AD , Keiō era [慶応] (1865–1868) , Late 19th century |
| Country | Japan |
| Language | Japanese |
| Material | Washi |
| Media/Technique | Ink and color on paper , Woodblock print (nishiki-e) |
| Size | Hanshibon [半紙本] |
| Genre | Erotic Prints (Shunga, 春画) |
| Subject | Courtesans , Dutch , Erotic art , Erotic books , Erotic illustration , Erotic literature , Erotica , Foreigners , Satire , Sex , Sex work , Shunga , Social satire |
| Creation / Publishing year | 1867 , Keiō 3 (慶応3年) |
| Signature | No signature (mumei) |
| Catalogue raisonne | Uhlenbeck & Winkel 2005 |
| Acquisition year | 2026 |