SVE-0632.2025.M Abbé de Saint-Non. Temple of Serapis at Pozzuoli near Naples, from Voyage pittoresque ou description des royaumes de Naples et de Sicile / Paris, 1781–1786.
SVE-0631.2025.M Giovanni Battista Pittoni the Elder. Ruins of the Septizonium and the Valley of the Circus Maximus (Tavola XXVI), after Hieronymus Cock, from Discorsi sopra l’antichità di Roma / Etching, 1582.
SVE-0620.2025.L. Romeyn de Hooghe. Entrance of William III through the Triumphal Arch at the Buitenhof, The Hague, from Govert Bidloo, Komste van Koning Willem III / Netherlands, 1691.
SVE-0619.2025.L. Romeyn de Hooghe. Reception of William III at the Westeynder Bridge, The Hague, from Govert Bidloo, Komste van Koning Willem III / Netherlands, 1691.
SVE-0618.2025.L. Romeyn de Hooghe. Arrival of William III at the Binnenhof, from Govert Bidloo, Komste van Koning Willem III / Netherlands, 1691.
18+ Verify age SVJP-0076.2014 Isoda Koryūsai. Lovers Embracing Beside Autumn Chrysanthemums, from ehon 'Enshoku Hō ya Hō' / Shunga, c. 1775-76.
18+ Verify age SVJP-0142.2014 Kitagawa Utamaro. Three Double Pages from the Picture Book 'Ehon koi no nō nyōbukan' / Shunga, 1799.
18+ Verify age SVE-0567.2024 Franz von Bayros. Die Bonbonière: Galante und Erotische Phantasien; Emil Sartori. Der Hirschpark: Galante und artige Sammlung duftiger Phantasien. — Wien: C. W. Stern-Rosner, 1907.
18+ Verify age SVE-0565.2024 Martin van Maële. La petit suite complète de 12 eaux fortes inspires de la Légende des sexes du Sire de Chambley [Edmond Haraucourt]. — Paris, 1908.
18+ Verify age LIB-3354.2024 Joris-Karl Huysmans. Là-Bas / Enrichi de 15 gouaches originales signées par Martin van Maële. — Paris: Tresse et Stock, 1891.
18+ Verify age SVE-0564.2024 Erika Plehn. Aspasia's prostitute school: Three watercolour drawings, c. 1923.
18+ Verify age SVE-0563.2024 Erika Plehn. Seven watercolour illustrations for “Pybrac” by Pierre Louÿs / Berlin, c. 1928.
18+ Verify age SVE-0543.2024 Martin van Maële. Set of 21 two-colour etchings for the Charles Carrington edition of ‘Thais’ by Anatole France, 1901.
