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Home/Collection/Japanese prints and drawings
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  • A fan print of an advertisement of sake from Imabari, Iyo Province [伊予今治広瀬氏製 歌仙の名酒], Edo peroid.

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  • A Monkey Seated on a Rock with an Infant Monkey. Mori Sosen (1747-1821).

    A Monkey Seated on a Rock with an Infant Monkey. Mori Sosen (1747-1821).

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  • Andreas Marks. Kunisada's Tōkaidō. Riddles in Japanese Woodblock Prints. Hotei Publishing, 2013.

    Andreas Marks. Kunisada’s Tōkaidō: Riddles in Japanese Woodblock Prints. — Leiden: Hotei Publishing, 2013.

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  • Bruce A. Coats. Chikanobu: Modernity and Nostalgia in Japanese Prints. — Leiden: Hotei Publishing, 2006.

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  • Chōkyōsai Eiri. Neat version of a love letter (Fumi no kiyogaki) [婦美の清書き], 1801.

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  • David B. Waterhouse. Harunobu and his age: The development of colour printing in Japan. — London: British Museum, 1964.

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  • Ellis Tinios. Japanese prints: Ukiyo-e in Edo, 1700 – 1900. — Burlington, VT : Lund Humphries, 2010.

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  • Geisha: Beyond the painted smile / Edited by the Peabody Essex Museum. — [New York]: George Braziller; Salem, MA: Peabody Essex Museum, ©2004.

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  • Harukawa Eichō (Shunsai Eishō). Sumo wrestler Kuroyanagi Matsujiro. Circa 1820-40.

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  • Harunobu / text by Lubor Hájek, reproductions by W. and B.Forman. — London: Spring books, [1950-9?]

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  • Hokusai: One hundred Views of Mt. Fuji / Introduction and commentaries on the plates by Henry D. Smith II. — NY: George Braziller, Inc., 2001.

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  • Ippitsusai Bunchō. Actor Ichikawa Monnosuke II as Konami, 1771.

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  • Ippitsusai Bunchō. Lovers and a literate octopus crossing a stream on a giant shrimp.

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  • Isoda Koryūsai. Evening Snow on Mount Hira, from the series Eight Views of Ômi in Modern Guise. Circa 1774.

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  • Isoda Koryūsai. Poet Saigyō Hōshi admiring Mount Fuji. Ca. 1765-70.

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  • Katsukawa School (Shunshō?). Portrait of an actor (Ichikawa Monnosuke II?). Circa 1780s.

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  • Katsukawa Shun’ei. Kabuki scene.

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  • Katsukawa Shun’ei. Portrait of an actor (Ichikawa Monnosuke II?). Circa 1780s.

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  • Katsukawa Shun’ei. Sawamura Sōjūrō III as Kakogawa Honzō in play Kanadehon Chūshingura at Miyakoza theater, 1795.

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  • Katsukawa Shun’ei. The sumo bout between Yotsuguruma and Yamaoroshi

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  • Katsukawa Shunkō. Actor Matsumoto Kōshirō IV, late 18th century.

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  • Katsukawa Shunshō. Actor Ichikawa Ebizō III (Danjūrō IV) in a Shibaraku role, 1772.

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  • Katsukawa Shunshō. Itchikawa Danjuro V in Shibaraku as Kamakura Gongoro Kagemasa. Circa 1770's.

    Katsukawa Shunshō. Ichikawa Danjūrō V in a Shibaraku role. Circa 1770’s.

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  • Katsukawa Shunshō. Parody of the letter-reading scene in Act VII of Chûshingura.

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  • Katsukawa Shunshō. Standing portrait of a young man holding chrysanthemum flowers. Ca. 1776

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  • Katsukawa Shunshō. The Seven Gods of Good Luck in the Takarabune. Ca. 1780.

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    Kawanabe Kyōsai. Swallows and fūrin / Fan print, late 19th c.

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  • Kikugawa Eizan. The two lovers Komurasaki and Gonpachi reading a letter. Ca. 1815.

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  • Kitagawa Tsukimaro. Mother and child playing with turtle and shadow lantern.

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  • Kitagawa Utamaro. Chûshingura, Act III. 1801-02.

    Kitagawa Utamaro. Chûshingura, Act III. 1801-02.

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  • Kitagawa Utamaro. Ehon koi no Onamaki (1). 1799.

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  • Kitagawa Utamaro. Ehon koi no Onamaki (2). 1799.

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  • Kitagawa Utamaro. Ehon koi no Onamaki (3). 1799.

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  • Kitagawa Utamaro. Series of horizontal o-hosoban shunga prints, c. 1803.

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  • Kitao Masanobu (Santō Kyōden). Parody of the Nō Play Chōryō. Ca. 1770.

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  • Kitao Shigemasa. Ebisu drawing wakamizu. Ca. 1775.

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