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Home/Collection/Japanese prints and drawings
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  • A fan print of an advertisement of sake from Imabari, Iyo Province [伊予今治広瀬氏製 歌仙の名酒], Edo peroid.

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  • A Monkey Seated on a Rock with an Infant Monkey. Mori Sosen (1747-1821).

    A Monkey Seated on a Rock with an Infant Monkey. Mori Sosen (1747-1821).

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  • Andreas Marks. Kunisada's Tōkaidō. Riddles in Japanese Woodblock Prints. Hotei Publishing, 2013.

    Andreas Marks. Kunisada’s Tōkaidō: Riddles in Japanese Woodblock Prints. — Leiden: Hotei Publishing, 2013.

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  • Bruce A. Coats. Chikanobu: Modernity and Nostalgia in Japanese Prints. — Leiden: Hotei Publishing, 2006.

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  • Chōkyōsai Eiri. Neat version of a love letter (Fumi no kiyogaki) [婦美の清書き], 1801.

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  • David B. Waterhouse. Harunobu and his age: The development of colour printing in Japan. — London: British Museum, 1964.

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  • Ellis Tinios. Japanese prints: Ukiyo-e in Edo, 1700 – 1900. — Burlington, VT : Lund Humphries, 2010.

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  • Geisha: Beyond the painted smile / Edited by the Peabody Essex Museum. — [New York]: George Braziller; Salem, MA: Peabody Essex Museum, ©2004.

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  • Harukawa Eichō (Shunsai Eishō). Sumo wrestler Kuroyanagi Matsujiro. Circa 1820-40.

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  • Harunobu / text by Lubor Hájek, reproductions by W. and B.Forman. — London: Spring books, [1950-9?]

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  • Hokusai: One hundred Views of Mt. Fuji / Introduction and commentaries on the plates by Henry D. Smith II. — NY: George Braziller, Inc., 2001.

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  • Ippitsusai Bunchō. Actor Ichikawa Monnosuke II as Konami, 1771.

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  • Ippitsusai Bunchō. Lovers and a literate octopus crossing a stream on a giant shrimp.

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  • Isoda Koryūsai. Evening Snow on Mount Hira, from the series Eight Views of Ômi in Modern Guise. Circa 1774.

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  • Isoda Koryūsai. Poet Saigyō Hōshi admiring Mount Fuji. Ca. 1765-70.

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  • Katsukawa School (Shunshō?). Portrait of an actor (Ichikawa Monnosuke II?). Circa 1780s.

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  • Katsukawa Shun’ei. Kabuki scene.

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  • Katsukawa Shun’ei. Portrait of an actor (Ichikawa Monnosuke II?). Circa 1780s.

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  • Katsukawa Shun’ei. Sawamura Sōjūrō III as Kakogawa Honzō in play Kanadehon Chūshingura at Miyakoza theater, 1795.

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  • Katsukawa Shun’ei. The sumo bout between Yotsuguruma and Yamaoroshi

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  • Katsukawa Shunkō. Actor Matsumoto Kōshirō IV, late 18th century.

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  • Katsukawa Shunshō. Actor Ichikawa Ebizō III (Danjūrō IV) in a Shibaraku role, 1772.

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  • Katsukawa Shunshō. Itchikawa Danjuro V in Shibaraku as Kamakura Gongoro Kagemasa. Circa 1770's.

    Katsukawa Shunshō. Ichikawa Danjūrō V in a Shibaraku role. Circa 1770’s.

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  • Katsukawa Shunshō. Parody of the letter-reading scene in Act VII of Chûshingura.

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  • Katsukawa Shunshō. Standing portrait of a young man holding chrysanthemum flowers. Ca. 1776

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  • Katsukawa Shunshō. The Seven Gods of Good Luck in the Takarabune. Ca. 1780.

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  • Kikugawa Eizan. The two lovers Komurasaki and Gonpachi reading a letter. Ca. 1815.

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  • Kitagawa Tsukimaro. Mother and child playing with turtle and shadow lantern.

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  • Kitagawa Utamaro. Chûshingura, Act III. 1801-02.

    Kitagawa Utamaro. Chûshingura, Act III. 1801-02.

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  • Kitagawa Utamaro. Ehon koi no Onamaki (1). 1799.

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  • Kitagawa Utamaro. Ehon koi no Onamaki (2). 1799.

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  • Kitagawa Utamaro. Ehon koi no Onamaki (3). 1799.

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  • Kitagawa Utamaro. Series of horizontal o-hosoban shunga prints, c. 1803.

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  • Kitao Masanobu (Santō Kyōden). Parody of the Nō Play Chōryō. Ca. 1770.

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  • Kitao Shigemasa. Ebisu drawing wakamizu. Ca. 1775.

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  • Koikawa Harumasa (Banki). Woman Looking out a Round Window. Ca. 1800.

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  • Matthew Welch, Yuiko Kimura-Tilford. Worldly pleasures, earthly delights: Japanese prints from the Minneapolis Institute of Arts. — Minneapolis: Minneapolis Institute of Arts, 2011.

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  • Ogata Gekkō. Advertisement of tobacco for the Kagoshima Prefecture, 1890

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  • Rupert Faulkner. Hiroshige fan prints / Victoria and Albert museum, Far Eastern Series. — London: V&A Publications; NY: Harry N. Abrams, Inc., 2001.

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  • Saikotei Shibakuni. Actors Nakamura Matsue III and Nakamura Utaemon III. 1826.

    Saikotei Shibakuni. Actors Nakamura Matsue III and Nakamura Utaemon III. 1826.

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  • Seated Monkey. Mori Sosen (1747-1821).

    Seated Monkey. Mori Sosen (1747-1821).

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  • Secret images: Picasso and the Japanese erotic print — NY: Thames & Hudson, 2010.

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  • Shunga. Woman dreaming of making love.

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  • Shunkōsai Hokushū .

    Shunkōsai Hokushū. Bandō Mitsugorō III as Daihanji Kiyozumi and Arashi Koroku IV as Koganosuke, 1821.

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  • Shunkōsai Hokushū. Actors Bandô Mitsugorô III as Lady Iwafuji and Nakamura Matsue III as Lady Onoe. 1821.

    Shunkōsai Hokushū. Bando Mitsugorō III as Lady Iwafuji and Nakamura Matsue III as Lady Onoe, 1821.

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  • Suzuki Harunobu or Isoda Koryūsai. Falcon on a pine-branch, with rising sun behind. Ca. 1775.

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  • Suzuki Harunobu . Man sucking woman's breast and a cat sitting under a bonzai tree. 1770

    Suzuki Harunobu. Love interrupts the making of silk wadding, c. 1768.

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  • Suzuki Harunobu . SHUNGA: COUPLE FAISANT L'AMOUR DANS UNE CHAISE A PORTEURS c. 1

    Suzuki Harunobu. Shunga. A couple making love in a palanquin / c. 1768-70.

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  • Suzuki Harunobu. Shunga. Circa 1770.

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  • Suzuki Harunobu. The Ide Jewel River, a Famous Place in Yamashiro Province. Ca. 1769–70.

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  • The printer’s eye: Ukiyo-e from the Grabhorn Collection / Laura W. Allen, Melissa M. Rinne (editors). — SF: Asian Art Museum, 2013

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  • Tōkaidō Texts and Tales: Tōkaidō gojūsan tsui by Kuniyoshi, Hiroshige, and Kunisada. Edited by Andreas Marks, 2015.

    Tōkaidō Texts and Tales: Tōkaidō gojūsan tsui by Kuniyoshi, Hiroshige, and Kunisada / Edited by Andreas Marks. — Gainesville : University Press of Florida, [2015].

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  • Torii Kiyomitsu II. Courtesan and her Komura from the series Furyu Goyo no Matsu.

    Torii Kiyomitsu II. Courtesan and her Komura from the series Furyu Goyo no Matsu.

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  • Torii Kiyonaga. A young woman dreaming of rape and robbery. Edo period, 1783.

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