• Title: Masterpieces | of French Faience | SELECTIONS FROM THE | SIDNEY R. KNAFEL COLLECTION | Charlotte Vignon | with Sidney R. Knafel | The Frick Collection, New York | in association with D Giles Limited, London | {device} || Pagination: [1-6] 7-72. Contributors: Charlotte Vignon (American, b. c. 1975) – Curator of Decorative Arts at The Frick Collection. Sidney R. Knafel (American, b. c. 1950) – Collector.
  • WESTERN DIVISION OF | PARIS. | Containing the Quartiers | {4 lines in italic} | Published under the Superintendence of the Society for the | Diffusion of Useful Knowledge || Under the frame: Drawn by W. B. Clarke, Archt. […] Published by Baldwin & Cradock, 47 Paternoster Row, April 1st. 1834. Dimensions: Sheet: 40.5 x 34.5 cm; Image: 39 x 28.8 cm. Contributors: William Barnard Clarke (British, 1806 – 1865) – artist. John Shury (fl. c. 1814-1844) – engraver. Baldwin & Cradock (London) – publisher. Society for the Diffusion of Useful Knowledge (SDUK) (British firm, 1826 – 1846).
  • Three volumes, 26.2 x 18.6 cm each: Vol. 1: Kabuki plays on stage: Brilliance and Bravado, 1697-1766; pp.: [i-viii] ix-xiii [xiv blank], 1-391 [1 blank], total 203 leaves, ils. Blue buckram gilt-lettered on spine, pictorial DJ. Vol. 2: Kabuki plays on stage: Villainy and Vengeance, 1773-1799; pp.: [i-viii] ix-xiii [xiv blank], 1-413 [3 blank], total 215 leaves, ils. Green buckram gilt-lettered on spine, pictorial DJ. Vol. 3: Kabuki plays on stage: Darkness and Desire, 1804-1864; pp.: [i-viii] ix-xv [xvi blank], [1] 2-397 [3 blank], total 208 leaves, ils. Ochre buckram gilt-lettered on spine, pictorial DJ. (Vol. 4: Restoration and reform, 1872-1905 – absent for the reason of no interest in the covered period). Contributors: James Rodger Brandon (American, 1927 – 2015) Samuel L. Leiter (American, b. 1940)
  • Hardcover volume, 33 x 25.5 cm, bound in grey cloth, vignette and Vertès signature fac-simile to front cover, unclipped ($ 17.50) pictorial dust jacket with black lettering, polyester jacket cover, pp.: [2] [1-4] 5-150 [2], 77 leaves total, ils. Title-page: VARIATIONS | Drawings, water colors, etchings and lithographs | by | VERTÈS | Text by | CLAUDE ROGER-MARX | { publisher’s device} | NEW YORK GRAPHIC SOCIETY | GREENWICH, CONNECTICUT || Limitation: edition of 1,000 copies, of which 5 copies (A-E) were enriched with one original drawing; 100 copies (1-100) were enriched with one original signed lithograph; and 895 copies (101-1000). This is copy № 984. Contributors: Roger-Marx, Claude (Jewish-French, 1888 – 1977) – author. Vertès, Marcel [Vértes, Marcell] (Jewish-Hungarian-French, 1895 – 1961) – artist  
  • Hardcover, 28.8 x 22.3 cm, green cloth, gilt lettering to spine, pictorial dust jacket; pp.: [i-iv] v-xiv, 1-274, total 288 pp., ils. ISBN: 9780521392228, 9780521457330, 0521392225, 0521457335. Title-page: COLOR | AND | MEANING | Practice and Theory in Renaissance Painting | MARCIA B. HALL | CAMBRIDGE UNIVERSITY PRESS | Cambridge | New York   Port Chester   Melbourne   Sydney || Marcia B. Hall (American, b. 1939)
  • Hardcover volume, 23 x 15 cm, bound in full pictorial olive cloth, lettering to spine, in a green slipcase 23.5 x 15.9 cm; pp.: [1-4] 5- 267 [268] [4 blanks], b/w tailpieces, frontispiece and 8 colour photomechanical plates after John Holder. Title-page: GRAHAM GREENE | TRAVELS WITH MY AUNT | A Novel | Introduced by John Mortimer | Illustrated by John Holder | FOLIO SOCIETY | LONDON MMIV || Contributors: Graham Greene (British, 1904 – 1991) – author. John Mortimer (British, 1923 – 2009) – author/introduction. John Holder (British, b. 1941) – artist. St. Edmundsbury Press (UK) – printer. Hunter & Fouls (Haddington) – binder. Folio Society (UK) – publisher. For the 1st edition, see [LIB-2758.2021] Graham Greene. Travels with my aunt: a novel. — London: Bodley Head, 1969.
  • Title (black and red): ANTIQUITATES CHRISTIANÆ: |—| OR, THE | HISTORY | OF THE | LIFE AND DEATH | OF THE | HOLY JESUS: | AS ALSO THE Lives, Acts and Martyrdoms | OF HIS | APOSTLES. |—| IN TWO PARTS. |—| The Firƒt Part, containing The Life of CHRIST, written by | Jer. Taylor, Late Lord Bishop of Down and Connor. | The Second, Containing The Lives of the APOSTLES, with an | Enumeration, and ƒome Brief Remarks upon their firƒt Successors in | the Five Great APOSTOLICAL CHURCHES, | By WILLIAM CAVE, D. D. Chaplain in | Ordinary to His MAJESTY. | By whom alƒo is added an APPARATUS, or Diƒcourƒe Introductory to the whole Work, | concerning the Three Great Diƒpenƒations of the Church, Patriarchal, Moƒaical, and Evangelical. |—| THE EIGHTH EDITION. |—| Orig. contr. Celƒ. lib. 1. in Proœm. p. 1, 2. | [text in Greek] |—| LONDON, | Printed by R. N. for Luke Meredith, at the Sign of the Star in | St. Paul's Church-Yard, MDCXCIV. Collation of this book is unusual, it is called "Folio in 6s" (three sheets are folded in half to create a gathering of 6 leaves). Two unsigned leaves: (1) Engraved frontispiece "The Annunciation" by Willian Faithorne "the Elder" (British, 1616 – 1691), recto blank; (2) engraved title by the same engraver, verso blank; (*) gathering of 4: black and red title page, verso blank; epistle; to reader; imprim. (Ato Sƒ6) Engraved portrait of Jeremy Taylor by Pierre Lombart (French, 1612 – 1682); faux title page: "The Great Exemplar of Sanctity and Holy Life... MDCXCIII"; dedication; contents, then to the end of the first book. (A-Z4 Aa-Bb4 Cc2) The second book has collation in quarto: Faux title page: "Antiquitates Christianæ: or the Lives, Acts and Martyrdoms... MDCXCIV", etc. to the end. Full formula: π*4 a-c6 d8 A-Z6 Aa-Sƒ6 A-Z4 Aa-Bb4 Cc2 Pagination: [12]  I-LI [LII] [12] I-XXVIII, i-vi, (1st book): [2] I-145 [146-150] 151-432 [12]; (2nd book): [8]  i-xiv, 1-188. 22 plates : frontis., t.p., portrait, one folding before p. 65, two after pp. [146], [150], 282, 304, 364, 386, 414, [422], and numerous head-pieces. Size: 36 x 23.5 x 5.7 cm Binding: full calf with the later spine, raised bands; front board with remnants of gilt ruling and blind stamped border, back bord probably original with a blind-stamped centre panel with fleurons.      
  • Title: GEORGE CRUIKSHANK'S | OMNIBUS. | ILLUSTRATED WITH ONE HUNDRED ENGRAVINGS ON STEEL | AND WOOD. | "De omnibus rebus et quibusdam aliis." | EDITED BY LAMAN BLANCHARD, ESQ. | LONDON : | TILT AND BOGUE, FLEET STREET. | MDCCCXLII. Pagination: ffl, [2] – blanks [i, ii] – blank / engraved t.p. w/guard, [iii, iv] – t.p., colophon] [v], vi – contents, [vii, viii] – h.t. / blank, [ix] – list of etchings on steel, [x] – list of wood-cuts, [2] – blank, frontis. engraves portrait of G. Cruikshank; [1] 2-300 [2] – blanks, bfl; 22 full-page steel engravings (three not by Cruikshank) and 78 woodcuts. As per A. M. Cohn: i-ii+i-viii+1-2+1-300. Binding: 24 x 14 cm, later full red morocco by Kelly and Sons with gilt and embossed designs to covers, designs, title and year lettering to spine, facsimile in gilt of Cruikshank's signature to front cover, gilt line to inner edges, top edge gilt, marbled endpapers. Armorial bookplate of Harold A. Wernher of Luton Hoo to front pastedown. Major-General Sir Harold Augustus Wernher (1893 – 1973) – British military officer. Originally bound in green, then red cloth, this binding by Kelly and Sons (Packer, Maurice. Bookbinders of Victorian London. London: British Library, 1991 page 84). A. M. Cohn № 190, p. 65-66. Motto translation: (About all things and something more besides).
  • A CATALOGUE OF AN EXHIBITION | OF | The Philip Hofer Bequest | IN THE DEPARTMENT OF | PRINTING AND GRAPHIC ARTS | {white in crimson cartouche The | Philip Hofer | Collection | in the | Houghton | Library} | HARVARD COLLEGE LIBRARY | CAMBRIDGE, MASSACHUSETTS | 1988 || Printed by Meriden-Stinehour Press; Roderick Douglas [Rocky] Stinehour (American, 1925 – 2016) and his son Stephen Stinehour, The Stinehour Press in Lunenburg, Vermont. The Meriden Gravure Company in Meriden, Connecticut, was founded in 1888 by Charles Parker and James F. Allen. In 1977, the Meriden merged with the Stinehour Press, and in 1989, the Meriden operations were closed and the Meriden Gravure presses moved to the Vermont location. Pagination: [i-vi] – incl. h.t., t.p., f.t., vii-xiv, [1] 2-218, 100 plates, within pagination, incl. bibliography, index. Binding: Original grey paper wrappers with title printed in red and white.  
  • Title: LUCRETIA BORGIA | THE CHRONICLE OF TEBALDEO TEBALDEI | – RENAISSANCE PERIOD – | BY ALGERNON CHARLES SWINBURNE | Commentary and Notes by | RANDOLPH HUGHES | Engravings by | REYNOLDS STONE | {vignette} | Printed and Published for the first time, by | The Golden Cockerel Press | 1942 || Pagination: ffl, [1, 2] – blank, [3, 4] – t.p. / dedication, [5, 6] – contents / stanza; 7-191 [192] – blank, [4], bfl. Collation: 4to in eights; [A]-M4 [L]2; 6 woodcut headpieces before each chapter, one repeated (7 total); two leaves in each sig., [A1] unsigned, M1 one leaf, the following two leaves signed M2, then follows signed M3 and the last two leaves (L2) unsigned. Edition (as per colophon): Numbered limited edition of 350, of which this is copy № 33. Binding: cream canvas, gilt-stamped with portrait in an oval ornamental frame to cover, gilt lettering and publisher’s device to spine, top edge gilt, fore and bottom edges untrimmed; by Sangorski and Sutcliffe (marked). Description: Printed and Published for the first time, by The Golden Cockerel Press, 1942, Numbered Limited Edition in full cream cloth binding bound by S. & S. [Sangorski and Sutcliffe] London, with gilt decoration to the centre of the front board. Copy No. 33. Commentary and notes by Randolph Hughes. Engravings by Reynolds Stone. Text partially in double columns, untrimmed edges. Printed by Christopher Sandford and Owen Rutter in Poliphilus Type (Based on the type used for the text of the 'Hypnerotomachia Poliphili' published in 1499 by Aldus Manutius) on specially water-marked Golden Cockerel paper made by Arnold & Foster. Preparation of the Edition was begun in January 1940 and finished in October 1942. 350 copies have been printed and the type has been distributed. Nos 1-30 are bound in full-bound white morocco and include a facsimile reproduction of the manuscript of one chapter of the text. Nos 31-350 are bound in canvas. Contributors: Swinburne, Algernon Charles (British, 1837 – 1909) – author Hughes, Randolph William (Australian, 1889 – 1955) – author Stone, Alan Reynolds (British, 1909 – 1979) – engraver The Golden Cockerel Press (Company, London, 1920 – 1961) – publisher/printer. Rutter, Edward Owen (British, 1889 – 1944) – printer. Sandford, Christopher (British, 1902 – 1983) – printer. Taylor, Harold (Hal) Midgley (1893 – 1925) – publisher/printer. Tebaldeo, Antonio (Italian, 1463–1537) – prototype. Borgia, Lucrezia (Spanish-Italian, 1480 – 1519) – heroine. Wilson, Sir Arnold Talbot (1884 – 1940) – dedicatee. Sangorski & Sutcliffe (Company, London, est. 1901) Sangorski, Francis (British, 1875 – 1912) Sutcliffe, George (British, 1878 – 1943).
  • Title page: TO BEG | I AM ASHAMED | By | SHEILA COUSINS | KITABISTAN | ALLAHABAD || Pagination:[1-4] 5-285 [286] [2], total 288 pages. Collation: 8vo; [1]8 2-188; total 144 leaves. Binding: Publisher’s red cloth, black lettering to front cover and spine, price-clipped brown and grey dust jacket, lettered front: TO BEG | I AM ASHAMED | SHEILA | COUSINS |The authentic | autobiography | of a | LONDON | PROSTITUTE | KITABISTAN ||; annotation by Diana Frederics to the back. Size: 19 x 13 cm. Edition: 1st Indian edition. Contributors: Graham Greene (British, 1904 – 1991) – author. Ronald Matthews (British, 1903 – 1967) – author. Frances V. Rummell [pseudonym Diana Fredericks] (American, 1907 – 1969) – annotation author. Kitabistan (Allahabad, India) – publisher. J. K. Sharma at the Allahabad Law Journal Press – printer.
  • Title-page: TALES FROM SHAKESPEARE | CHARLES AND MARY LAMB | — | With an Introduction by | MARTIN ARMSTRONG | {space} | {publisher’s device} | COLLINS | LONDON AND GLASGOW || Pagination: [1-4] 5-256, frontispiece: reproduction of portrait of Charles Lamb. Edition: reprint of 1953 edition (WorldCat); in Collins Classics series. Binding: 18.5 x 11 cm, semi-soft, crimson faux morocco, blind-stamped fillet border, gilt lettering to spine, TEG, slipcase. Contributors: William Shakespeare (English, 1564 – 1616) Mary Ann Lamb (British, 1764 – 1847) – author. Charles Lamb (British, 1775 – 1834) – author. Collins Clear-Type Press & Publisher (London; Glasgow) – printer and publisher. Note: “On the writing desk were two books – identical copies of Lamb’s Tales From Shakespeare. […] — Why did you choose Lamb? — It was the only book I could find in duplicate except Uncle Tom’s Cabin…” Graham Greene. Our Man in Havana.
  • Description: 12mo, full calf, 12.9 x 7.4 cm, boards chain-bordered in gilt, front board gilt-lettered with the name of the owner “T. D. TOWNSEND”, flat spine, adorned in gilt, black label with gilt lettering, red endpapers, bookstore ticket to front pastedown: SOLD BY | ASH & MASON, | 139 Chesnut st.; ink ms inscription to ffep: Presented to | T. D. Townsend by | Mrs. Rebecca Cole of Burlington, N. Y. | Septr 29th 1827. Note: Ash & Mason bookstore and printing house in Philadelphia, PA. Engraved title-page: THE | LIFE & ADVENTURES | OF | Robinson Crusoe | Written | BY HIMSELF. | {vignette by C. Warren after T. Uwins, inscribed “Robinson on his periagua, making the circuit of his island”} | LONDON. | J. Walker & the other Proprietors | 1818. || Frontispiece: seated portrait of Robinson Crusoe in his bungalow with a dog and a cat by C. Warren after T. Uwins, inscribed below: ROBINSON CRUSOE | surrounded by his domestics || under the frame: T. Uwins del — C. Warren sculp.; beneath: London. Pub. by Walker & the other Proprietors || Title-page: THE | LIFE & ADVENTURES | OF | ROBINSON CRUSOE; | WRITTEN BY HIMSELF. | — | LONDON: | Printed for J. Walker; | 8 lines of names… and B. Reynolds. | 1818. || Collation: A6 (A1 torn out, A2 blank), B-Z12, 2A-2D12, 2E10 (2E8-10 blank); total 328 leaves plus two plates (engraved frontispiece and engraved title). Pagination: [2 torn out] [2 blank], [i-iii] iv-vi [2 blank] [1] 2-638 [6 blank]; total 656 pages, ill. Contributors: Daniel Defoe [Daniel De Foe] (British, 1660 – 1731) – author. Thomas Uwins (British, 1782 – 1857) – artist. Charles Warren (British, 1762 – 1823) – engraver. J Walker & Co. [Walker & Edwards] (London) – publisher. Ellerton and Henderson, Printers (London) – printer.
  • Softcover, in pictorial flapped wrappers, 28 x 21.6 cm, 21 entries, with colour illustrations. Catalogue # 10 of the sales exhibition on March 30 - April 6, 2005 in NY; pagination: [1-3] 4-50 [2], ils. Contributor: Sebastian Izzard
  • Description: exhibition catalogue, softcover terra-cotta paper with lettered black label to front and black lettering to spine, black endpapers; pp.: [1-6] 7-131 [132] plus colour frontispiece and 5 colour plates outside pagination, 190 entries with b/w in-text illustrations. Front cover (in the octagonal black label): UKIYO-E | PRINTS AND PAINTINGS | THE PRIMITIVE PERIOD | 1680–1745 | THE ART INSTITUTE OF CHICAGO || Title-page: THE ART INSTITUTE OF CHICAGO | UKIYO-E PRINTS AND PAINTINGS | THE PRIMITIVE PERIOD, 1680–1745 | An Exhibition in Memory of Margaret O. Gentles | November 6th–December 26th, 1971 | Catalogue by DONALD JENKINS || Foreword by Charles C. Cunningham, Tribute to Margaret O. Gentles by Jack V. Sewell. Contributors: Margaret O. Gentles (American, 1905 – 1969) Donald John Jenkins (American, b. 1931) Charles Crehore Cunningham (American, 1910 – 1979) Jack V. Sewell (American, 1923 – 2010)
  • Paperback volume, 25.8 x 18.6 cm, brown embossed wrappers with framed Japanese characters along the outer margin, pictorial dust jacket with series design (black lettering and vignette in silver border to wrappers, black lettering on silver to spine); pp: [1-6]: h.t./frontis. (colour plate pasted in), t.p./imprint, contents/blank), 7-32 text, 33-96 (59 plates w/captions). Title-page (in frame): MASTERWORKS OF UKIYO-E | SHARAKU | by Jūzō Suzuki | Translated by John Bester | {publisher’s device} | KODANSHA INTERNATIONAL LTD. | Tokyo, Japan & Palo-Alto, Calif., U.S.A | {vertical between rules 写楽} || Series: Masterworks of ukiyo-e, № 2. Contributors: Jūzō Suzuki [鈴木 重三] (Japanese, 1919 – 2010) – author. John Bester (British, 1927 – 2010) – translator. Tōshūsai Sharaku [東洲斎 写楽] (Japanese, fl. 1794 – 1795) – artist.
  • Hand-coloured lithography on wove paper 423 x 332 mm; On reverse: black ink stamp “4956”, ms “A”, ms pencil “428” and “Ernest”. Under the image, centre: "NAPOLEON III | Kaiser der Franzosen." Velow: | NAPOLEON III | Czaar of the French — NAPOLEON III | Czaar van Frankrijk — NAPOLÉON III | Empereur des Francais. — NAPOLEONE III | El emperador delos Franceses; bottom left: "Verlag u. Eigenthum | von. Fried. G. Schulz in Stuttgart.", right: "No 146." The artist's and printer's names in stone are not legible. Published in Stuttgart by Friederich Gustav Schulz (German, 1786 – 1859) during the time of the Second French Empire (1852-1870).
  • NAPOLEON IN CARICATURE 1795-1821. By A. M. Broadley with an introductory essay on pictorial satire as a factor in napoleonic history by J. Holland Rose, Litt. D. Cantab. with nearly 250 illustrations, 24 in colour. Published by in London: John Lane, the Bodley Head, and New York: John Lane Company, 1911 in Two Volumes. Vol. I with 391 pages, 13 color plates and 99 full page illustrations. Vol. II with 441 pages, 11 color plates and 108 full page illustrations.

  • Title: Illustrated Catalogues of Tokyo National Museum: Ukiyo-e Prints [東京国立博物館図版目録 | 浮世絵版画編] (Tōkyō Kokuritsu Hakubutsukan zuhan mokuroku | Ukiyoe hanga hen); Publisher: Tokyo National Museum [東京国立博物館] (Tōkyō Kokuritsu Hakubutsukan). Three volumes, 26.3 x 18.7 cm, uniformly bound in black cloth with white characters to front cover and spine. Title-page: ILLUSTRATED CATALOGUES OF | TOKYO NATIONAL MUSEUM | UKIYO-E PRINTS | <1 (2, 3) > | 東京国立博物館図版目録 | 浮世絵版画編 | < 上 (中, 下) > || Volume 1 [上]:  unpaginated 1 t.p., 2 colour plates, 1 contents, 70 (1-1354) – b/w plates, 1 + 48 paginated leaves (1-95 [96]) – text. Volume 2 [中]: unpaginated 1 t.p., 2 colour plates, 1 contents, 67 (1355-2493) – b/w plates + 33 paginated leaves (1-65 [66]) – text. Volume 3 [下]: unpaginated 1 t.p., 2 colour plates, 1 contents, 83 (2494-3926) – b/w plates + 35 paginated leaves (1-69 [70]) – text. Black and white photomechanical reproduction of almost four thousand woodblock prints with titles by the artist and in chronological order.
  • Half-title: THE CONNOISSEURS LIBRARY | GENERAL EDITOR : CYRIL DAVENPORT | […] | ENGLISH COLOURED BOOKS || Title: ENGLISH | COLOURED BOOKS | BY | MARTIN HARDIE | [device: THE CONNOISSEURS LIBRARY] | METHUEN AND CO. | 36 ESSEX STREET | LONDON || Dedication: TO MY WIFE | LOVE’S LABOUR : LOVE’S GIFT Pagination: ffl [i, ii] – h.t. / blank, [2] – blank / frontis. In colour, [iii, iv] – t.p. / First Published in 1906, [v, vi] – dedication / blank, vii-xxiv; 1-339 [340] bfl; 27 sheets of plates, colour and b/w. Collation: 8vo; a8 b4 A-X8 Y2. Binding: Hardcover, 26.3 x 19 x 5.7 cm; red cloth, blind-stamped with repeated fleuron, gilt floral designs and lettering in the frame to front cover, elaborate gilt floral design and lettering to spine; top margin gilt, other untrimmed, some pages uncut; plates w/guards. Printed on laid paper. Printed in Scotland by T. and A. Constable, at the Edinburgh university press. Contributors: Martin Hardie (British, 1875 – 1952) – Author Cyril Davenport (British, 1848 – 1941) – Editor of the series Sir Algernon Methuen (British, 1856 – 1924) – Publisher Thomas Constable (British, 1812 – 1881); Archibald Constable (British, 1774 – 1827) – Founders of the Publishing House "T. and A. Constable".  
  • Softcover, pictorial wrappers, pp.: 1-200, il.
    Foreword: A treasure trove of ukiyo-e prints / Kobayashi Tadashi The Grabhorn ukiyo-e collection at the Asian Art Museum / Melissa M. Rinne Edwin Grabhorn : passionate printer and print collector / Julia Meech Figures of humans and animals : some early Japanese color prints from the Grabhorn Collection / David Waterhouse. Edwin Grabhorn (1889—1968), co-founder of the Grabhorn Press, Northern California's premier letterpress printer, was a pioneer American collector of Japanese prints. The Grabhorn prints in the collection of the Asian Art Museum comprise the upper echelons of the original collection. The collection includes a superb selection of early monochrome and hand-colored ukiyo-e prints by Sugimura Jihei, Torii Kiyonobu, Okumura Masanobu and others, from the seminal decades of the woodblock print production in the late 1600s and early 1700s.
  • Two volumes uniformly bound by Riviere & Son in full red marbled calf, triple fillet border stamped in gilt, elaborate gilt ornament and brown morocco labels with gilt lettering to spine, all edge gilt, gilt dentelles. Vol. 1: Title page: THE | LIFE AND EXPLOITS | Of the ingenious gentleman | DON QUIXOTE | DE LA MANCHA. | Translated from the Original Spanish of | Miguel Cervantes de Saavedra. | By CHARLES JARVIS, Esq; | IN TWO VOLUMES. | {single rule} | VOLUME the FIRST. | {double rule} | LONDON: | Printed for J. and R. Tonson in the Strand, and | R. Dodsley in Pall-Mall. | {single rule} | M DCC XLII || Pagination: [i-iii] iv-xxxii, [i-iii] iv-vi, [2], [1] 2-90, [14], [1] 2-355 [356]; 500 pages total + ils. Collation: 4to; 250 leaves; A4 a-b4 c-d2, A4, a-l4 m2 n4 o2, B-Z4, Aa-Yy4 Z2, ils. Illustrations: 27 full-page copperplate engravings, incl. frontispiece (skillfully repaired), portrait of Cervantes by George Vertue After G. Kent and a fictional portrait of Don Quixote by George Vertue after John Vanderbank. Vol. 2: Title page: THE | LIFE AND EXPLOITS | Of the ingenious gentleman | DON QUIXOTE | DE LA MANCHA. | Translated from the Original Spanish of | Miguel Cervantes de Saavedra. | By CHARLES JARVIS, Esq; | {single rule} | VOLUME the SECOND. | {double rule} | LONDON: | Printed for J. and R. Tonson in the Strand, and | R. Dodsley in Pall-Mall. | {single rule} | M DCC XLII || Pagination: [i-iii] iv-xii, [1] 2-388; 400 pages total + ils. Collation: 4to; 200 leaves; A4 a2 B-Z4 Aa-Zz4 Aaa-Ccc4 Ddd2, ils. Illustrations:41 full-page copperplate engravings, pl. 29 (as frontispieces) precedes pl. 28. Contributors: Author: Miguel de Cervantes Saavedra (Spanish, 1547 – 1616) Translator: Charles Jervas (British, 1675 – 1739) Author: Cervantes biography by Gregorio Mayans y Siscar (Spanish, 1699 – 1781) Translator: Cervantes biography by John Ozell (British, d. 1743) Illustrator: John Vanderbank, the younger (British, 1694 – 1739) Artist: (Cervantes portrait): G. Kent (British, fl. 1738 – 1742) Engravers: Gerard Vandergucht (British, 1696 – 1776); George Vertue (British, 1684 – 1756); Bernard Baron (French, 1696 – 1762); Claude Du Bosc (French, 1682 – 1746 or later) Publishers: J. and R. Tonson (London); Robert Dodsley (British, 1703 – 1764) Catalogue raisonné: Lewine p. 102 Reference: Metropolitan Museum (New York)
  • Title page (in red and black): FRENCH ROCOCO | BOOK ILLUSTRATION | OWEN E. HOLLOWAY | {vignette} | LONDON/ALEC TIRANTI/1969 || Series: Pagination: [2 blanks], [i-iv] v-vi, 1-115 [116 blank], plus 65 leaves of plates (283 illustrations). Binding: 25.5 x 19 cm; publisher's navy buckram, gilt lettering to spine, pictorial dust jacket, unclipped.
  • Hand-coloured etching by Thomas Rowlandson, printed on May 30, 1810, in London; № 20 from the series The Caricature Magazine or Hudibrastic Mirror Vol. 2. Description by Metropolitan Museum (59.533.978): "Guests of a dinner sit at a long narrow table in a magnificent room with an ornate ceiling. Two men and a young woman serve wine, one drawing a cork, the others spilling wine over the guests. Another waiter spills soup in an elderly guest's face. A woman and a little girl with a begging dog play tambourine and triangle at left." Inscribed in plate lower left: "Rowlandson Del."; bottom centre: "A TABLE DHOTE, OR FRENCH ORDINARY IN PARIS." Our copy is lacking the publication details: "Pub.d May 30. 1810 by Tho.s Tegg 111 Cheapside, London." and similar to the copy in Boston Public Library (18_03_000394). Dimensions: Sheet 27 x 40.5 cm; Image: 23.5 x 35 cm. Contributors: Thomas Rowlandson (British, 1756 – 1827) – artist. Thomas Tegg (British, 1776 – 1846) – publisher.
  • Description: Oblong volume, 22 x 27 cm, quarter cloth over marbled boards with gilt Zichy’s signature fac-simile and gilt lettering to spine in dust jacket lettered “The | Erotic | Drawings | of | Mihály | Zichy” on both front and back, blurbs on flaps, unclipped; printed on wove paper, unpaginated. Title-page: THE EROTIC DRAWINGS | OF | MIHÁLY ZICHY | Forty drawings | GROVE PRESS INC. | NEW YORK || Collation: (1) h.t., (1) t.p./copyright, (1) Preface; (40) leaves of plates, (1) blank; total 44 leaves. The plates are photomechanical offset copies made from the photogravures of 1911 Leipzig private press edition [SVE-0501.2021] of 300 copies, the copy used for reprint was № 277; photogravures were made from the original watercolours and crayon drawings produced by Zichy in 1874-1879; the original album of 51 compositions was sold at Christie’s sale of Gérard Nordmann collection on December 14-15, 2006 in Paris. Ref.: Bibliothèque érotique: Gérard Nordmann; Livres, manuscrits, dessins, photographies du XVIe au XXe siècle / Catalogues de ventes, seconde partie. — Paris: Christie's, 2006; p. 280, № 564 (drawings); №  565 photogravures [LIB-2810.2021]. See a copy of the Leipzig album № 285 in this collection [SVE-0501.2021].
  • Softcover, pictorial wrappers, square 21 x 21 cm, 40 leaves, unpaginated, with illustrations in colour, 80 entries, with price list laid in; limited edition of 700 copies. Contributor: Israel Goldman In this collection:

    JPD-0008.2016: Mori Sosen. Ink and colour on silk.

  • Paperback, 32 x 29 cm, with signed manuscript gift autograph to t.p., pp.: [1-9] 10-159 [5]. The photographic pictorial album, published on the occasion of the exhibition at Madrid, Circulo de Bellas Artes, Sala Antonio Palacios, from December 12th, 2006 to January 7th, 2007. Valery Katsuba (Belarusian, b. 1965) – artist.
  • Hardcover volume, 35 x 26.8 cm, bound in grey cloth, blind stamped characters to front, brown characters to spine, in a double slipcase, the outer case pictorial paper over cardboard, 36 x 28.2 cm, pp.: [4] [1] 2-144 (plates with photographs of 332 items), [2] 147-182 [4]. 鍋島 – Nabeshima – book title. 日本の陶磁 – Japanese ceramics, series title. Contributors: Yasunari Kawabata [川端 康成] (Japanese, 1924 – 1972) – author. Tetsuzo Tanikawa [谷川 徹三] (Japanese, 1895 – 1989) – author. Seizo Hayashiya [林屋晴三] (Japanese, 1928 – 2017) – editor. Chūōkōron-sha [中央公論社] – publisher.
  • Hardcover, 242 x 168 mm, quarter burgundy cloth over blue paper boards, outer edge untrimmed; pp.: [6] [1-4] 5-516 [2 colophon/blank] [6 blanks]. First published in France in 2000 as “Haussmann” by Librairie Arthème Fayard. Title-page: HAUSSMANN | ~ | His Life and Times, | and the Making of Modern Paris | MICHEL CARMONA | TRANSLATED FROM THE FRENCH BY PATRICK CAMILER | {publisher’s device} | Ivan • R • Dee | Chicago   2002 || Michel Carmona (French, b. 1940) Georges-Eugène Haussmann [Baron Haussmann] (French, 1809 – 1891)
  • A two-volume set: (1) Thomas Hugo. The Bewick Collector. A Descriptive Catalogue of the Works of Thomas and John Bewick; Including cuts, in various states, for Books and Pamphlets, Private Gentlemen, Public Companies, Exhibitions, Races, Newspapers, Shop Cards, Invoice Heads, Bar Bills, Coal Certificates, Broadsides, and other miscellaneous purposes, and Wood Blocks. With an Appendix of Portraits, Autographs, Works of Pupils, etc., etc. The whole described from the Originals contained in the largest and most perfect collection ever formed, and illustrated with a hundred and twelve cuts. — London: Lovell Reeve and Co., MDCCCLXVI [1866]. — [Printed by] J. E. Taylor and Co., printers. — pp.: [i-v] vi-xxiii [xxiv], [1] 2-562. (2) Thomas Hugo. The Bewick Collector. A Supplement to a Descriptive Catalogue of the Works of Thomas and John Bewick; Consisting of additions to the various divisions of cuts, wood blocks. etc., enumerated in that work. The whole described from the Originals contained in the largest and most perfect collection ever formed, and illustrated with a hundred and eighty cuts. — London: L. Reeve and Co, MDCCCLXVIII [1868]. — [Printed by] J. E. Taylor and Co., printers. — pp.: [i-vii] viii-xxxii, [1] 2-353. Both volumes in 8vo, 22.5 x 14.5 cm, hardcover. Contemporary dark brown half morocco, gilt-ruled, with 5 raised bands, gilt titles and decoration to spine, and marbled paper over boards. Top edge gilt; marbled endpapers. Binding splitting at pp.80/81 of the 1st volume. Armorial bookplate of Ralph Hart Tweddle to front pastedown. Ralph Hart Tweddle (1843 – 1895) was a British mechanical engineer, known particularly for inventing the portable hydraulic riveter, which greatly facilitated the construction of boilers, bridges and ships.  
  • Title: John Carter's | ABC | for book collectors | Ninth Edition | Nicolas Barker & Simran Thadani | {publisher’s device} | Oak Knoll Press | New Castle, Delaware | 2016 | [TITLE-PAGE] || Pagination: [1-6] 7-263 [264]. Binding: 21 x 13.5 cm; black cloth, silver lettering to spine, pictorial dust jacket. Carter, John (British, 1905 – 1975)  – author. Barker, Nicolas (British, b. 1932) – author Thadani, Simran – author
  • Title vol. 1: XIX CENTURY FICTION | A BIBLIOGRAPHICAL RECORD | BASED ON HIS OWN COLLECTION | BY | MICHAEL SADLEIR | IN TWO VOLUMES | VOLUME I | PRINTED AT THE UNIVERSITY PRESS, CAMBRIDGE | AND PUBLISHED | in Great Britain by | / CONSTABLE & CO LTD | 10–12 ORANGE STREET | LONDON W.C.2 / in the U.S.A. by the | CALIFORNIA UNIVERSITY | PRESS | LOS ANGELES, CAL.|| DJ vol. 1: XIX CENTURY FICTION | A BIBLIOGRAPHICAL RECORD | BASED ON HIS OWN COLLECTION | BY | MICHAEL SADLEIR | IN TWO VOLUMES | VOLUME ONE | Passages from the Autobiography of a Bibliomaniac | Explanatory Guide – Acknowledgements | FIRST EDITIONS IN AN AUTHOR-ALPHABET | COMPARATIVE SCARCITIES || Pagination: [4 blanks] ix-xxxiii, [2] 3-398 [399] [2 blanks] Collation: 4to; π2 [a]-d4 [1]-504. Title vol. 2: XIX CENTURY FICTION | A BIBLIOGRAPHICAL RECORD | BASED ON HIS OWN COLLECTION | BY | MICHAEL SADLEIR | IN TWO VOLUMES | VOLUME II | PRINTED AT THE UNIVERSITY PRESS, CAMBRIDGE | AND PUBLISHED | in Great Britain by | / CONSTABLE & CO LTD | 10–12 ORANGE STREET | LONDON W.C.2 / in the U.S.A. by the | CALIFORNIA UNIVERSITY | PRESS | LOS ANGELES, CAL.|| DJ vol. 2: XIX CENTURY FICTION | A BIBLIOGRAPHICAL RECORD | BASED ON HIS OWN COLLECTION | BY | MICHAEL SADLEIR | IN TWO VOLUMES | VOLUME TWO | “YELLOW-BACK” COLLECTION | FICTION SERIES || Pagination: [2 blanks] [8] [2] 3-195 [196 blank] [2 blanks]. Collation: 4to; π4 1-234 246. Binding: burgundy cloth, gilt vertical lettering to spine, Verity Hewitt (Canberra, AU) bookshop sticker to front pastedown; laid paper; cream DJ with lettering to front and spine. Edition: First limited edition of 1025 of which 1000 for sale. Unnumbered.
  • Hardcover volume in 8vo, 21.2 x 15.4 cm, tan cloth with black on gilt background circular publisher’s device "TFU" to front cover, gilt-stamped compartments and burgundy labels with gilt lettering to spine. Ink inscription to fep verso dated Jan 18, 1907. Publisher's device and serial device to h.t. Title-page: ❦❦❦ THE MEMOIRS AND | TRAVELS OF MAURITIUS AUGUSTUS COUNT DE | BENYOWSKY | IN SIBERIA, KAMCHATKA, JAPAN, THE LIUKIU ISLANDS AND FORMOSA | FROM THE TRANSLATION OF HIS | ORIGINAL MANUSCRIPT (1741–1771), | BY WILLIAM NICHOLSON, F.R.S., 1790 | EDITED BY CAPTAIN | PASFIELD OLIVER | ILLUSTRATED | LONDON: T. FISHER UNWIN, | PATERNOSTER SQUARE. MDCCCXCIII ❦❦❦ ||. Collation/Pagination: [1]-25plus 7 plates, incl. frontispiece and 1 map. [1, 2] – serial h.t. "The Adventure Series" / advert. THE ADVENTURE SERIES. Illustrated. Crown 8vo, 5s. 17 titles, [3, 4] – t.p. / blank, [5] 6-9 contents, [10] blank, [11, 12] illustrations/blank, [13] 14-52 introduction, 53-399, [400] colophon: THE GRESHAM PRESS, | URWIN BROTHERS, | CHILWORTH AND LONDON. Contributors: Publisher: T. Fisher Unwin (London); Thomas Fisher Unwin (British, 1848 – 1935). Author: Maurice Auguste count de Benyowsky [Мориц Август Бенёвский] (Polish-Slovak-Hungarian, 1746 –1786). Editor: Samuel Pasfield Oliver (British, 1838 – 1907). Translator: William Nicholson (British, 1753 – 1815). Originally published in 1790, in London (I have not seen it anywhere) and in Dublin by P. Wogan [etc.], and in 1791 in French, in Paris by Buisson; see LIB-2742.2021. For another copy of the same edition, see LIB-3139.2023. For the 1904 edition, see LIB-2703.2021.
  • Title: LA | BELLE ASSEMBLÉE | OR, | BELL'S | COURT AND FASHIONABLE | MAGAZINE, | ADDRESSED PARTICULARLY TO | THE LADIES. | VOL. XI.—NEW SERIES. | FROM JANUARY 1, TO JUNE 30, 1815. | LONDON: | Printed for J. BELL, GALLERY OF FINE ARTS, | Clare-Court, Drury-Lane. | 1815. || Pagination: [2] – 11th volume wood-engraved pictorial title page, [1, 2] – January faux-title and table of content, [3] 4-284 [2] – index to 11th vol. Notes: February f.t. not paginated, but within the collation; the last page of the index at the very end paginated [iii]/iv, so pages i/ii missing (the gathering Nn lacking one sheet) Collation: 4to; π1 A-Mm4 Nn3, 28 plates extraneous to collation (lacking 2 plates). Binding: Half brown morocco over marbled boards, flat spine, compartments gilt-ruled with double-fillet and gilt-lettered. Contents: Jan: pp. 1-48, 5 plates. Feb: pp. 51-96, 5 plates. Mar: pp. 97-144, 5 plates. Apr: pp. 145-192, 5 plates. May: pp. 193-240, 5 plates. Jun: pp. 241-284, 3 plates (lacking 2 colour prints). Fashion plates, two per issue, are hand-coloured copperplate engravings, unsigned. Stipple engraved portraits, one per issue as frontispiece: (1) Actress Catherine Stephens, Countess of Essex (British, 1794 – 1882) by James Hopwood the Elder [James Hopwood Senior] (British, c. 1740s/50s – 1819) after Sir George Hayter (British, 1792 – 1871); (2) Madame de Talleyrand, Princesse De Bénévent (Danish-French, 1761– 1834), unsigned, but can be attributed to François Gérard (French, 1770 – 1837); (3) Actress Miss Sarah Booth (1793 – 30 December 1867), unsigned; (4) Group portrait of the French Royal family (Louis XVI, Louis XVII, Marie Antoinette, Madam Elizabeth, Louis Antoine de Bourbon, Duke d'Enghien, and Marie Thérèse Louise of Savoy, Princesse de Lamballe), unsigned, (5) Actress, Miss Sarah Blanche Matthews (b.1794) by Thomas Burke (Irish, 1749 – 1815) after George Hayter. The sixth print, in the March issue, is a lithographic portrait of Napoléon Bonaparte (French, 1769 – 1821), unsigned.  
  • Front cover: UNCORRECTED PROOF COPY | (NOT FOR SALE) | {rule} | OUR MAN IN HAVANA | Graham Greene | {rule} || Half-title: Our Man in Havana ||; stamp on top: LAURENCE POLLINGER LTD. | 18 MADDOX STREET, LONDON, W.1. Title page: {double rule} | Our Man in Havana | AN ENTERTAINMENT | GRAHAM GREENE | {Heinemann’s device} | HEINEMANN | LONDON MELBOURNE TORONTO || Title verso: William Heinemann Ltd | LONDON MELBOURNE TORONTO | CAPE TOWN AUCKLAND | THE HAGUE | First published 1958 | © by Graham Greene 1958 | All rights reserved | Printed in Great Britain | at The Windmill Press | Kingswood, Surrey || Pagination: [6] [1, 2] 3-273 [274]. Binding: 19.5 x 13 cm, cream wrappers with black lettering to front and spine; Cover is verso of the cover for Anne Piper’s Green for Love, a book published by  Fletcher & Son in 1954. Edition: Advance copy / Uncorrected proof. Contributors: Henry Graham Greene (British, 1904 – 1991) – author. William Henry Heinemann (British-Jewish, 1863 – 1920); William Heinemann Limited – publisher. Laurence Pollinger Ltd. (London) – literary agent.
  • Title: PROCESSES OF | GRAPHIC REPRODUCTION | IN PRINTING | BY | HAROLD CURWEN | [space] | NEW YORK | OXFORD UNIVERSITY PRESS | 1934 || Pagination: [i-vii] viii-xvi [6] [1-3] 4-142 [2], ills. Collation: 8vo; π3 [A]8 B-K8, 14 plates extraneous to collation, in-text illustrations. Binding: 22.5 x 15.5 cm, dark-blue cloth, remnants of gilt lettering to spine. Edition: 2nd (after the 1st published by Faber and Faber in London, printed by The Curwen Press in Plaistow, the same year, 1934 – [LIB-2840.2021]). Contributors: Harold Curwen (British, 1885 – 1949), grandson of John Curwen (British, 1816 – 1880) The Curwen Press (Plaistow, London) – printer.