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  • Joseph Conrad. The secret agent : a simple tale. — London: Methuen & Co., [1907]

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  • Voltaire. Candide / Illustrations by Mahlon Blaine. — New York: Illustrated Editions Company, [c. 1930].

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  • A bird’s-eye view of Paris, 1867.

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  • Important eighteenth century Japanese prints. / Catalogue 15, Exhibition November 1-5, 2019. — NY: Sebastian Izzard, LLC., 2019.

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  • Israel Goldman. Japanese prints and paintings / Kawanabe Kyosai; Catalogue 23, 2017.

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  • Anthony Sutcliffe. The autumn of central Paris: The defeat of town planning, 1850-1970 (Studies in urban history I). — London: Edward Arnold, 1970.

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  • Yellow seto; Black seto (Japanese ceramics 3) [黄瀬戸 瀬戸黒 日本の陶磁 (3) 中央公論社]. — Tokyo: Chūōkōron-sha, 1974.

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  • The complete etchings of Goya / Foreford by Aldous Huxley. — New York: Crown publishers, 1943.

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  • Lucien de La Hodde. History of Secret Societies, and of the Republican Party of France from 1830 to 1848; Containing Sketches of Louis-Phillipe and the Revolution of February; Together with Portraits, Conspiracies, and Unpublished Facts. – Philadelphia: J. B. Lippincott and Co., 1856.

    Lucien de La Hodde. History of Secret Societies, and of the Republican Party of France from 1830 to 1848. — Philadelphia: J. B. Lippincott and Co., 1856.

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  • James Self, Nobuko Hirose. Japanese art signatures / A handbook and practical guide. — Warren, CT: Floating World Editions, 2011.

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  • Rodney K Engen. Dictionary of Victorian wood engravers. — Cambridge; Teaneck (N.J.): Chadwyck-Healey, 1985.

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  • Graham Greene. The third man. — New York: The Viking Press, 1950.

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  • Voltaire. Candide or all for the best / Illustrated by Clara Tice. — NY: The Bennett Libraries, 1927.

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  • Eastern and western divisions of Paris, containing the quartiers. — London: c. 1840.

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  • Gian Carlo Calza, Stefania Piotti. Poem of the pillow and other stories by Utamaro, Hokusai, Kuniyoshi and other artists of the floating world. — London; New York: Phaidon Press, 2010.

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  • B. W. Robinson; Victoria and Albert Museum. Kuniyoshi. — London: Her Majesty’s Stationery Office, 1961.

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  • [C. M. Westmacott.] The English Spy: An Original Work Characteristic, Satirical, And Humorous… by Bernard Blackmantle. The illustrations designed by Robert Cruikshank / 2 vol. — London: Sherwood, etc., 1825-6.

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  • John Marciari. Sublime Ideas: Drawings by Giovanni Battista Piranesi. — NY: The Morgan Library & Museum, Paul Holberton Publishing, 2003©.

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  • Tōkaidō Texts and Tales: Tōkaidō gojūsan tsui by Kuniyoshi, Hiroshige, and Kunisada. Edited by Andreas Marks, 2015.

    Tōkaidō Texts and Tales: Tōkaidō gojūsan tsui by Kuniyoshi, Hiroshige, and Kunisada / Edited by Andreas Marks. — Gainesville : University Press of Florida, [2015].

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  • The Secret History of the Lord of Musashi and Arrowroot: Two Novellas by Junichirō Tanizaki translated by Anthony H. Chambers. Alfred A. Knopf, New York, 1982. First edition. Translation of: Bushō Kō hiwa and Yoshino-kuzu.

    Junichirō Tanizaki. The Secret History of the Lord of Musashi and Arrowroot / Two novellas translated by Anthony H. Chambers. — NY: Alfred A. Knopf, 1982.

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  • John Allington. The grand conspiracy of the members against the minde, of Jewes against their King. — London: R. Royston, 1654.

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  • François Fénelon. The Adventures of Télémachus, the Son of Ulysses / Translated by John Hawkesworth. — London: W. and W. Strahan, 1768.

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  • [Pierre Jurieu]. The accomplishment of the prophecies, or the approaching deliverance of the church / Translated from the French. — London: [s.n.], 1687.

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  • G. Legman. The art of Mahlon Blaine. — East Lansing: Peregrine Books, 1982.

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  • Graham Greene. Doctor Fischer of Geneva, or the bomb party. — London: The Bodley Head, 1980.

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  • Geisha: Beyond the painted smile / Edited by the Peabody Essex Museum. — [New York]: George Braziller; Salem, MA: Peabody Essex Museum, ©2004.

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  • Japanese sword fittings from the Alexander G. Moslé collection / Catalogue 9, Exhibition September 21-30, 2004. — NY: Sebastian Izzard, LLC, 2004.

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  • Bruce A. Coats. Chikanobu: Modernity and Nostalgia in Japanese Prints. — Leiden: Hotei Publishing, 2006.

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  • Japanese prints and paintings from the late 18th century; Catalogue № 20. — NY: Sebastian Izzard LLC, 2022.

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  • Richard J. Wolfe. Marbled Paper: Its history, techniques, and patterns. — Philadelphia: University of Pennsylvania Press, 1991.

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  • Thomas Astle. The Origin and Progress of Writing. – T. Payne and Son, et al., London, 1784.

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  • Gordon Norton Ray. The Illustrator and the Book in England from 1790 to 1914 / Bibl. descript. Thomas V. Lange, photo. by Charles V. Passela. The Pierpont Morgan Library, Oxford University Press. — Oxford : Oxford Univ. Pr., 1976. — pp.: [i-viii] ix-xxxiii [1], [1-2] 3-336 [4], illustr.

    Gordon N. Ray. The Illustrator and the Book in England from 1790 to 1914. — New York: Pierpont Morgan Library; London: Oxford University Press, © 1976.

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  • The fairy tales of the Brothers Grimm / Mrs. Edgar Lucas (translator), Arthur Rackham (illustrator). — New York: Doubleday, Page and Co., 1909.

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  • The Repository of Arts, Literature, Fashions, Manufactures, &c., 2nd series, vol. 2, Nos. 7-12 (July–December) 1816. — London: Rudolph Ackermann, 1816.

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  • Edmund Burke. Reflections on the revolution in France and on the proceedings of certain societies in London relative to that event / 3rd edition. — London: J. Dodsley, 1790.

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  • Thomas J. Wise. A bibliography of the writings of Joseph Conrad (1895-1920). — London: R. Clay & Sons, 1920.

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