-
LA PUCELLE | D'ORLÉANS, | POËME HÉROÏ-COMIQUE, | EN DIX-HUIT CHANTS. |{vignette}| A GENEVE. | M. DCC.LXXXVIII.|| Pagination: engraved frontis., engraved portrait, [1, 2] – t.p. / blank, [3] 4-304; plates: engraved frontispiece, engraved portrait of Jeanne d'Arc and 18 engraved plates (the so-called 'suite anglaise' by Marillier, Clément-Pierre (French, 1740 – 1808) after Duflos, Pierre (French, 1742 – 1816). Publisher: Cazin, Hubert-Martin (French, 1724 – 1795). Modern binding to imitate full mottled calf of the 18th century, gilt double-ruled boards, gilt decorated spine with the crimson label “LA PUCELLE”, AEG, laid paper. Size: 13.3 x 8.7 cm; 18mo. Catalogue raisonné: Cohen, De Ricci 1032 (for 1777 and 1780 editions). J. Lewine p.559 (for 1777 16mo and even 12mo editions). The 'correct' 1st thus edition is called suite anglaise because instead of 'chant number' it's printed 'book number' on top of the pages. This copy is definitely a later pirated edition. -
[François Marie Arouet de Voltaire]. La Pucelle d'Orléans, poëme, divisé en vingt chants, avec des notes. Nouvelle édition, corrigée, augmentée & collationnée sur le manuscript de l'auteur. – [Geneva: Gabriel Cramer], 1762.Illustrated book with 20 etchings and numerous woodcut vignettes.Illustrated by: Hubert-François Bourguignon, a.k.a. Gravelot (French, 1699–1773) Author: François Marie Arouet de Voltaire (French, 1694–1778) Printer: Gabriel Cramer (Swiss, 1723–1793)Pagination: [2 blanks, "Ex libris JCP" to recto] [2 - h.t., blank] [2 - t.p., blank], [i] ii-viii, [1] 2-358 [2 blanks]; 20 engraved plates, unsigned, one before every chant, by Gravelot (Hubert-François Bourguignon).Year of Publication: 1762Place of Publication: Geneva, SwitzerlandSize: 8vo, 19.8 x 12.6 x 3.7 cm.Binding: Full mottled calf, restored, flat spine, decorated in gilt, red labels with gilt lettering "Oeuvres de Voltaire; La Pucelle, tom XXII"; marbled endpapers and all margins.CATALOGUE RAISONNÉ: Cohen-de Ricci 1029.Mentions: MFA: ACCESSION NUMBER 25.701.Another copy in this collection: LIB-2580.2020. -
![[Voltaire]. La pucelle d'Orléans. Nouvelle édition. — [Geneve: Gabriel Cramer], 1762](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-2580.2020-1-6-500x500.jpeg)
[François Marie Arouet de Voltaire]. La Pucelle d'Orléans, poëme, divisé en vingt chants, avec des notes. Nouvelle édition, corrigée, augmentée & collationnée sur le manuscript de l'auteur. – [Geneva: Gabriel Cramer], 1762. Half-title: LA PUCELLE. Title: LA | PUCELLE D'ORLÉANS, | POËME, | DIVISÉ EN VINGT CHANTS, | AVEC DES NOTES. | Nouvelle Edtition, corrigée, augumentée & colla- | tionnée sur le Manuscript de l'Auteur. | MDCCLXII || Pagination: [2] – blank leaf, [2] – h.t. / blank, [2] – t.p. / blank, [i] ii-viii, [1] 2-358 [2]– blank leaf; after p. 272 the following p. 277, collation and key words correct; 20 plates, one before every chant, by Gravelot, woodcut cul-de-lamps. Collation: 8vo; [π7] A-Y8 Z2 Binding: Hardcover; contemporary full mottled calf, re-backed, flat spine, ruled in gilt, remains of gilt lettering and decorations, marbled end-papers and all margins red. Catalogue raisonné: Cohen-de Ricci 1029: "Première édition avouée par l'auteur". Dimensions: book 20.2 x 12.5 cm; page 19.5 x 11.6 cm. Author: Voltair, François Marie Arouet de (French, 1694 – 1778). Printer: Gabriel Cramer (Swiss, 1723–1793). Artist: Gravelot, Hubert François (French, 1699 – 1773). Another copy in this collection: LIB-2504.2020. -
Engraved title: The | Costume | of the | Empire of Russia | {copper horseman vignette} | signed under: Printed for E. Harding at the Crown and Mitre Pall Mall || English title: COSTUME | OF THE | RUSSIAN EMPIRE, | ILLUSTRATED BY UPWARDS OF | SEVENTY RICHLY COLOURED ENGRAVINGS. | DEDICATED BY PERMISSION TO | HER ROYAL HIGHNESS | THE | PRINCESS ELIZABETH. | LONDON: | PRINTED BY T. BENSLEY, BOLT COURT, FLEET STREET; | FOR JOHN STOCKDALE, PICCADILLY. | 1811. || Paper: thick wove paper, the leaf with “Copper Horseman” watermarked J. Whatman 1808; the French title – Edmeads & Co 1809, E2 – E & P 1807, plates are not watermarked [NYPL: An “1803” copy of The Costumes of the Russian Empire has watermarks from 1796 (W Elgar), 1809 (Edmeads & Co), 1811, 1813 (J. Whatman), 1818, and 1829]. Collation: 4to; (1) engraved title by E. Harding (“Copper Horseman” monument of Peter the Great), (2) English title, (3) French title, (4) Dedication to her Royal Highness the Princess Elizabeth by E. Harding (1803), (5) Contents —> π5 a2 B-S4 T2, all second leaves in all quires but C and T signed “2”, 77 leaves total, unpaginated, plus 72 plates (34.5 x 25.5 cm), stipple and line engravings, hand-coloured, by John Dadley after William Alexander. Binding: 36 x 27 cm, straight-grain green morocco, blind-stamped palmette border withing gilt-stamped palmette border to boards, raised bands decorated in gilt, gilt in compartments, two brown morocco labels with gilt lettering, brown endpapers, 2 additional flyleaves at front and back, AEG. Authorship and artistic work are attributed to Alexander and Dadley, but not signed. 1st edition in 1803 was published by William Richard Beckford Miller (British, 1769 – 1844). Catalogue raisonné: Tooley (1906): p. 151. Contributors: William Alexander (British, 1767 – 1816) – artist, author. John Dadley (British, 1767 – 1817) – engraver. Thomas Bensley (British, 1759 – 1835) – printer. John Stockdale (British, 1750 – 1814) – publisher. Edward Harding (British, 1755 – 1840) – publisher of 1803 edition (author of dedication) Princess Elizabeth of the United Kingdom (British, 1770 – 1840) – dedicatee. -
![Оммер де Гелль [псевд. П. П. Вяземского]. Письма и записки. / Ред., вступ. ст. и прим. М. М. Чистяковой. Оформ. Н. П. Дмитриевского. // Серия: «Иностранные мемуары». Под общ. ред. И. Т. Смилги. — М.-Л.: Academia, 1933. — 469 стр., 8 л. илл., суперобложка. Тираж 5300 экз.](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-1930.2019-a-500x500.jpeg)
Frontispiece: ИНОСТРАННЫЕ МЕМУАРЫ Под общей редакцией | И. Т. Смилги | ОММЕР ДЕ ГЕЛЛЬ | «Academia» | Москва—Ленинград || Title page: ОММЕР ДЕ ГЕЛЛЬ | ПИСЬМА и ЗАПИСКИ | Редакция, вступительная статья и примечания| М. М. Чистяковой | ACADEMIA | 1933 || Title verso: Супер-обложка и переплет | по рисункам Н. П. Дмитревского || Pagination: [1-6] 7-464 [8], ill. Collation: 8vo; [1]-298, 304 + 8 plates (photomechanical), one of them folded. Binding: 17.5 x 13.5 cm, original purple cloth, white lettering to spine, vignette to front board, pictorial DJ. Print run: 5300 copies. Catalogue raisonné: Крылов-Кичатова (2004): № 564, p.236. Вяземский, Павел Петрович (Russian, 1820 – 1888) – author. A famous literary forgery and mystification in the history of Russian literature. The fictitious author – Оммер де Гелль – was an existing human being: Adèle Hommaire de Hell, née Hériot (French, 1819 — 1883), a French writier. The fictitious matter of the book was not proven before 1935. The details can be found here. -
Single volume, 20 x 13 cm, quarter brown morocco over marbled boards tooled in gilt, spine with raised bands, gilt in compartments, and gilt lettering, marbled endpapers, printed on wove paper on recto with verso blank, collated 1-48; total 32 leaves, 11 torn off, 47,8 blanks, ; uneven pagination [1] 2-41 [4 blanks], plus engraved title-page and 12 engraved half-page plates with text, uncoloured, by Louis Jaugey (unsigned), one for each month. Title-page (engraved): vignette with lettering "1775. ANNÉE | GALANTE | OU | ETRENNE | A L'AMOUR | CONTES! | Enrichis de Figures | et d'Ariettes. ||" Catalogue raisonné: Dutel I: A-82. Catalogue Poulet-Malassis & ses amis description: № 68. [Auteur inconnu]. Année galante ou Etrenne à l’amour. Contes, enrichis de Figures et d’Ariees. [Vital Puissant, Bruxelles, 1876 ?] 1775. In-8, 3 .n.ch., 29 . imprimés au recto, chirés de 2 à 41, demi-chagrin brun, dos à nerfs orné, let doré sur les mors, tête et tranches jaspées (reliure ancienne). Illustrée de 13 planches dont l’une en frontispice par Louis Jaugey. Les figures sont à mi-page, une pour chaque mois. Contributors: Louis Jaugey (French, fl. 1871 – 1876) – artist. Vital Puissant (Belgian, 1835 – 1878) – publisher. -
Owner’s hardcover, 182 x 120 mm, yellow buckram, crimson morocco label to spine with gilt lettering; publisher’s pink wrappers preserved, round engraved bookplate to front pastedown “DE LA BIBLIOTHÈQUE DE JULES RICHARD” cut to the border (“Imp. r. C. Motteroz” cut out); Pp.: [4] [1-5] 6-83 [84], various mss and printed clippings, 2 extra ffls to front and back. Title-page: 1871-1873 | — | GORGES VEYSSET | — | UN ÉPISODE DE LA COMMUNE | ET DU | GOUVERNEMENT DE M. THIERS | PAR | Mme DE FORSANS-YEYSSET | — | BRUXELLES | LANDSBERGER & C°, LIBRAIRES ÉDITEURS | 2, RUE DE NAMUR, 2 | 1873 || Provenance: Jules Richard (French, 1848 – 1930). Ref: BNF. -
A CATALOGUE OF AN EXHIBITION | OF | The Philip Hofer Bequest | IN THE DEPARTMENT OF | PRINTING AND GRAPHIC ARTS | {white in crimson cartouche The | Philip Hofer | Collection | in the | Houghton | Library} | HARVARD COLLEGE LIBRARY | CAMBRIDGE, MASSACHUSETTS | 1988 || Printed by Meriden-Stinehour Press; Roderick Douglas [Rocky] Stinehour (American, 1925 – 2016) and his son Stephen Stinehour, The Stinehour Press in Lunenburg, Vermont. The Meriden Gravure Company in Meriden, Connecticut, was founded in 1888 by Charles Parker and James F. Allen. In 1977, the Meriden merged with the Stinehour Press, and in 1989, the Meriden operations were closed and the Meriden Gravure presses moved to the Vermont location. Pagination: [i-vi] – incl. h.t., t.p., f.t., vii-xiv, [1] 2-218, 100 plates, within pagination, incl. bibliography, index. Binding: Original grey paper wrappers with title printed in red and white. -
Cover: John Milton | A Catalogue of Works by or Relating to | John Milton | {vignette portrait} | Catalogue 620 | Issued by | MAGGS BROS. Ltd. | 34 & 35 Conduit Street, New Bond Street | LONDON, W.I. | and at Paris | 1936 || Title page: top left: Catalogue 620; top right: 1936, middle: JOHN MILTON | A CATALOGUE OF WORKS BY OR | RELATING TO JOHN MILTON | Largely comprising the Library of the well-known Milton Scholar, the late | prof. Hugh C. H. Candy, B.A., B Sc. | {coat of arms: by appointment to his majesty King George V} | MAGGS BROS. Ltd. | BOOKSELLERS BY APPOINTMENT TO HIS MAJESTY KING GEORGE V | AND H.R.H. THE PRINCE OF WALES | 34 & 35 CONDUIT STREET, LONDON, W.I. | TELEGRAPHIC & CABLE ADDRESS: “BIBLIOLITE, LONDON.” […] TEL.: REGENT 1337 | At Paris: Maggs Bros., 93 & 95 Rue La Boëtie. || Printed: Courier Press Leamington SPA and London. Pagination: [1-4] 5-56 [6], wrappers incl. in pagination, the total number of leaves is 31. Binding: 24 x 18.5 cm, publisher’s tan wrappers, front wrapper detached, browned. -
Title: A CONRAD | MEMORIAL LIBRARY | THE COLLECTION OF | GEORGE T. KEATING | {Conrad's portrait in a circle} | 1929 | Doubleday, Doran & Company, Inc. | Garden City, New York || Pagination: [2] – blanks, [i-vi] vii-xvi, [1-2] 3-448 [449-450], [2] – blanks, [2] – justification (501 copies printed, 425 for sale, this is № 365), verso blank, plus frontispiece – a colour portrait of sitting Mr Conrad from the painting by Walter Tittle with lettered tissue guard; the total number of pages 472; 304 items recordered and described. Binding: 27 x 19.5 cm, bevelled boards, blue cloth, white embossed head portrait of Conrad pasted to front board, spine sunned to green-yellowish, paper label with lettering to spine, top edge gilt, other untrimmed, printed on laid paper; in a black buckram slipcase with a green label to spine. Contributors: Joseph Conrad [Józef Teodor Konrad Korzeniowski] (British-Polish, 1857 – 1924) George Thomas Keating (American, 1892 – 1976) – author Printer: R. R. Donnelley & Sons Company Richard Robert Donnelley (American, 1838 – 1899) Publisher: Doubleday, Doran & Co. Frank Nelson Doubleday (American, 1862 – 1934) George Henry Doran (American, 1869 – 1956) Tittle, Walter (American, 1883 – 1966) – artist (portrait) -
Title: FLATLAND | A Romance of Many Dimensions | With Illustrations | by the Author, A SQUARE | “fie, fie, how franticly I square may talk!” | NEW AND REVISED EDITION | LONDON | SEELEY & Co., 46, 47 & 48, ESSEX STREET, STRAND | (Late of 54 Fleet Street) | 1884 || Pagination: 2 blank leaves, [2] – h.t. / blank, [2] – t.p. / imprint., [2] – dedication / blank, [ix] x-xvi, [1, 2] f.t. / blank, [3] 4-102, 2 blank leaves; in-text woodcuts. Collation: [A]8 B-H8. Binding: original wrappers in pictorial parchment jacket, printed on laid paper, lower and lateral margins untrimmed. Note: This is the 2nd edition published the same year as the 1st, revised, as stated. I did not compare the two, neither I am planning to acquire the first 1st edition in a foreseeable future. This is a lifetime edition, handled by the Author himself, and that's enough for me to be quite happy. -
Title: PETER SCHLEMIHL: | FROM THE GERMAN | OF LAMOTTE FOUQUÉ | WITH PLATES BY GEORGE CRUICKSHANK. | "There are more things in heaven and earth, Horatio, | "Than are dreamt of in your philosophy." | SHAKESPEARE. | — | LONDON: | G. AND W. B. WHITTAKER, | AVE MARIA LANE. | 1824.|| Pagination: xii, 165 p. : ill. No Adelbert von Chamisso (German, 1781 – 1838) name on the title page. George Cruikshank's name printed with a typo 'Cruickshank'. The attribution on the title-page to Friedrich de La Motte-Fouqué (German, 1777 – 1843) is erroneous. The original German was edited by La Motte Fouqué. The translation was performed by Sir John Bowring (British, 1792 – 1872) First edition in English, third issue with no hyphen between "Ave" and 'Maria" in publisher's imprint.In a cover box of red cloth over cardboard. Box: 21 x 13 x 2.3 cm; book: 19.3 x 11.8 x 1.7 cm; Crown 8vo. Red cardboard binding. Printed spine labels mounted on spine of the box and the book. Untrimmed edges.
Reference: Cohn 475. -
![Adelbert von Chamisso. Peter Schlemihl's wundersame Geschichte. Nach des Dichters Tode neu herausgegeben von Julius Eduard Hitzig. Stereotypausgabe mit Holzschnitten. — Nürnberg: Johann Leonhard Schrag, [o.J.], [1839]. — XVI + 83 S.](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-1100.2016-b-scaled-500x500.jpeg)
Title page (in Gothic script): Peter Schlemihl's | wundersame Geschichte | mitgetheilt | von | Adelbert von Chamisso. | {vignette} | Nach des Dichters Tode neu herausgegeben | von Julius Eduard Hitzig. | Stereotypausgabe mit Holzschnitten. | Nürnberg, | Johann Leonhard Schrag. || Pagination: [i-iii] iv-xvi, [1] 2-82 [2], 15 woodcut vignettes by Unzelmann after Menzel. Collation: 8vo; π8 1-58 62. Binding: 21.5 x 13.5 cm, blind olive wrappers. Year of publication inferred from the foreword. This is the first posthumous edition of Chamisso's novel. Personae: Chamisso, Adelbert von (German, 1781 – 1838). — Author of the text. Hitzig, Julius Eduard [Itzig, Isaac Elias] (German-Jewish, 1780 – 1849). — Author of the foreword. Menzel, Adolph Friedrich Erdmann von (German, 1815 – 1905). — Artist of the vignettes. Unzelmann, Friedrich Ludwig (German, 1797 – 1854). — Engraver of the woodcuts. Schrag, Johann Leonhard (Germany, 1783 – 1858). — Publisher. -
Description: 12mo, 17 x 11 cm, quarter brown morocco over marbled boards, marbled end-papers, raised bands and gilt lettering to spine, embossed stamp to t.p. “COLPORTAGE CHEMIN DE FER”. Title-page: AFFAIRE | PIERRE BONAPARTE | OU | LE MEURTRE D'AUTEUIL | AVEC PORTRAITS | DU PRINCE PIERRE BONAPARTE & DE VICTOR NOIR | Et nombreuses Gravures, telles que : | SCÈNE DU MEURTRE DANS LE SALON D'AUTEUIL. | LA CHAMBRE DE VICTOR NOIR, | VICTOR NOIR SUR SON LIT DE MORT, | LE PRINCE PIERRE A LA CONCIERGERIE, ETC. | — | Prix : 1 fr. 10 c., franco. | — | PARIS | A. CHEVALIER, EDITEUR | 61, RUE DE RENNES, 61 | 1870. Collation: 18mo; odd [1]-918; 5 x 18 = 90 leaves total. Pagination: [2] [3] 4-177 [178]; total 180 pages. Contributors: Armand Le Chevalier (French, 1802 – 1873) – publisher. Prince Pierre-Napoléon Bonaparte (French, 1815 – 1881) – character. Victor Noir [b. Yvan Salmon] (French-Jewish, 1848 – 1870) – character. -
![George Cruikshank : A Catalogue Raisonné Of The Work Executed During The Years 1806-1877; With Collations, Notes, Approximate Values, Facsimiles, And Illustrationsby Albert M. Cohn, author of a bibliographical catalogue of the printed works illustrated by George Cruikshank, etc. London : Office of "The Bookman's Jounral", 1924. [Cohn, Albert M.]](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-1650-c-scaled-500x500.jpg)
GEORGE CRUIKSHANK | A CATALOGUE RAISONNÉ | OF THE WORK EXECUTED | DURING THE YEARS 1806-1877 | WITH COLLATIONS, NOTES, APPROXIMATE VALUES, | FACSIMILES, AND ILLUSTRATIONS | BY | ALBERT M. COHN | Author of A Bibliographical Catalogue of the Printed | Works Illustrated By George Cruikshank, etc. | LONDON |FROM THE OFFICE OF "THE BOOKMAN'S JOURNAL" | 7 HENRIETTA STREET, STRAND, W.C.2 | 1924. Pagination: ffl, [i, ii] – h.t. / Limited edition (122 of 500), [2] – blank / frontis. lith. portrait of G. Cruikshank w/guard, [iii, iv] – t.p. / printed in G.B., [v, vi] – dedicat. / blank, vii-xvi; [1, 2] – f.t. / blank, 3-375, [376] – Imprint., bfl; 31 leaves of plates, some mounted. Binding: size 30 x 24 x 5.5 cm, hardcover, bevelled boards, original brown cloth with gilded lettering to spine. Top edge gilt, other untrimmed; printed on laid paper. To front pastedown: "Ex libris – Fred Robison Heryer" (round, 55 mm, resembles a coin, printed on heavy gold-coloured foil with embossed lettering and an image of a seated man lettered ALEXANDROY in Greek. To back pastedown: Seller's sticker "From the book of J.W.Robinson Co., Seventh & Grand, Los Angeles." J. W. Robinson Co. – a chain of department stores, established by Joseph Winchester Robinson (American, 1846 – 1891). Some Fred Robison Heryer (American, 1907 – 1992) died in Kansas. -
![The Betrothed. From the Italian of Alessandro Manzoni. — London: Richard Bentley (successor to Henry Colburn). Cumming, Dublin; Bell & Bradfute, Edinburgh; Galignani, Paris, 1834. — Series: Standard novels, № XLIII [43]. The Betrothed. Complete in one volume.](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-1332-g-scaled-500x500.jpg)
Half-title: STANDARD NOVELS. | № XLIII. | {6 lines of citation} | THE BETROTHED | COMPLETE IN ONE VOLUME. | LONDON: RICHARD BENTLEY | (SUCCESSOR TO HENRY COLBURN) : | BELL & BRADFUTE, EDINBURGH; | CUMMING, DUBLIN. | 1834 || Illustrated title page: THE BETROTHED, | FROM THE ITALIAN | OF | ALESSANDRO MANZONI. | {vignette by S. Smith after F. Pickering} | LONDON: | RICHARD BENTLEY | (SUCCESSOR TO HENRY COLBURN.) | CUMMING, DUBLIN, – BELL & BRADFUTE, EDINBURGH, | GALIGNANI, PARIS. |1834. || Title page: THE | BETROTHED. | FROM THE ITALIAN | OF | ALESSANDRO MANZONI. | LONDON: RICHARD BENTLEY, 8 NEW BURLINGTON STREET | (SUCCESSOR TO HENRY COLBURN): | BELL & BRADFUTE, EDINBURGH; | AND CUMMING, DUBLIN. | 1834 || Frontispiece: vignette by S. Smith after F. Pickering. Pagination: [i-v] 6-xii, [1] 2-452 [2 blank] + 2 plates. Collation: [A]6 B-Z8 AA-FF8 GG2 + 2 leaves of plates; Note: A1, A2, A4, GG2 – unsigned; both frontispiece and illustrated title are extraneous to collation. Binding: 2/3 black calf over marbled boards, raised bands w/gilt elements, gilt lettering in compartments and gilt title on a crimson label to spine; contemporary, but not the original publisher's binding; size: 16.5 x 10.5 cm Bookplates: Yellow sticker to front pastedown “J. K. Higgins, Northampton” (unknown); Ex libris to the front flyleaf: “Hilda Moore” (probably Hilda Mary Moore (British, 1886 – 1929) – a British stage and film actress. Series: Bentley's Standard Novels, № 43, first series. Catalogue raisonné: Michael Sadleir (1951): p. 101. Original title: ALESSANDRO MANZONI : I PROMESSI SPOSI Contributors: Manzoni, Alessandro (Italian, 1785 – 1873) Pickering, Ferdinand (British, 1810 – 1889) – artist. Smith, Samuel S. (British, 1810 – 1879) – engraver. A. Spottiswoode (London); Spottiswoode, Andrew (British, 1787 – 1866) – printer. Bentley, Richard (British, 1794 – 1871) – publisher. For the Russian edition see [LIB-1333.2017]: Алессандро Манцони. Обрученные. Повесть из истории Милана XVII века / Перевод И. И. Шитца. (Итальянская литература). — М.-Л.: Academia, 1936. -
![Les Bienfaits de L'Empire par Alexandre Bradier. — 8e édition. — Comité politique plébiscitarire. — Paris: Belleville, [1870].](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-1002.2016-a-500x500.jpeg)
Front wrapper: Comité politique plébiscitaire | 17, rue de Surène, PARIS, VIIIe | {Napoleon III portrait} | NAPOLÉON III, EMPEREUR | LES BIENFAITS DE L'EMPIRE || Title page: in a double-fillet frame with years in corners: 1848, 1851, 1852, 1870 || LES | BIENFAITS DE L'EMPIRE | PAR | ALEXANDRE BRADIER | {quotation from Napoléon Ier} | {quotation from Napoléon III} | {quotation from Prince Napoléon} | HUITIÈME EDITION | IMPRIMERIES BELLEVILLE | 29 — Rue du Moulin-Vert — 29 | PARIS (XIVe) | Tous Droits réservés || Pagination: [1-3] 4-62 [2 table] 15.5 x 12 cm brochure in publisher’s original lavender wrappers, front cover discoloured to grey, with publisher’s advert to back wrapper. Printed by Imprimeries Bellville. Published by Comité politique plébiscitaire. -
Single volume, 17.1 x 11.2 cm, quarter black sheepskin over faux chagrin, gilt lettering to spine, marbled endpapers, bottom and outer margin untrimmed, pp.: [i-v] vi- xxxvi, [1] 2-218 [2], collated 4to: π2, a-d4, 1-274 282, total 256 pages or 128 leaves, plus 20 engraved plates by Paul Sellier, including frontispiece portrait of Alexis Piron after bust by Caffieri. Vol. 8 of Bibliothèque Libre, Œuvres badines de Piron, printed on February 15, 1872. Text printed on dense wove paper watermarked P or M, plates printed on India wove paper. A reprint of an edition published in 1796 plus illustrations. Title-page: ŒUVRES | BADINES | D’ALEXIS PIRON | PRÉCÉDÉES | D’UNE NOTICE SUR SA VIE | Nouvelle édition, ornée de 20 figures en taille-douce | {vignette} | IMPRIMÉ PAR LES PRESSES DE LA SOCIÉTÉ | A NEUCHATEL | – | 1872 || Limitation: 100 numbered copies, of which this is № 75. Catalogue raisonné: Dutel I: A-788; Pia: 953-6; Kearney 377 (Patrick J. Kearney. A Catalogue of the publications of Jules Gay, Jean-Jules Gay & Gay et Doucé, revised & expanded. — Santa Rosa, CA Scissors & Paste Bibliographies, 2019) Catalogue Poulet-Malassis & ses amis description: № 81. Alexis PIRON. Œuvres badines précédées d’une notice sur sa vie. Nouvelle édition ornée de 20 figures en taille-douce. [ Jules Gay] Imprimé par les presses de la société, à Neufchatel, 1872. In-8, xxxvi, 218 pages et un feuillet d’achevé d’imprimer de table, demi-basane noire, dos à faux nerfs, tête et tranches naturelles. Illustré d’un portrait et de 20 figures par Paul Sellier. Tirage limité à 100 ex. numérotés. De la « Bibliothèque libre ou collection choisie d’ouvrages du genre libre, imprimés ou réimprimés par les soins de la Société des Bibliophiles Cosmopolites et pour les membres de cette société, à cent exemplaires numérotés ». Bibliographie : Pia 1030, Enfer 1274, Lem 3-454, Gay 5-339, PC 353, G* 38, Pey 203, Dutel A-788." Contributors: Alexis Piron (French, 1689 – 1773) – author. Paul Sellier (French, 1842 – 19..?) – artist. Jules Léopold Gay (French, 1807 – 1887) – publisher. -
Title: LUCRETIA BORGIA | THE CHRONICLE OF TEBALDEO TEBALDEI | – RENAISSANCE PERIOD – | BY ALGERNON CHARLES SWINBURNE | Commentary and Notes by | RANDOLPH HUGHES | Engravings by | REYNOLDS STONE | {vignette} | Printed and Published for the first time, by | The Golden Cockerel Press | 1942 || Pagination: ffl, [1, 2] – blank, [3, 4] – t.p. / dedication, [5, 6] – contents / stanza; 7-191 [192] – blank, [4], bfl. Collation: 4to in eights; [A]-M4 [L]2; 6 woodcut headpieces before each chapter, one repeated (7 total); two leaves in each sig., [A1] unsigned, M1 one leaf, the following two leaves signed M2, then follows signed M3 and the last two leaves (L2) unsigned. Edition (as per colophon): Numbered limited edition of 350, of which this is copy № 33. Binding: cream canvas, gilt-stamped with portrait in an oval ornamental frame to cover, gilt lettering and publisher’s device to spine, top edge gilt, fore and bottom edges untrimmed; by Sangorski and Sutcliffe (marked). Description: Printed and Published for the first time, by The Golden Cockerel Press, 1942, Numbered Limited Edition in full cream cloth binding bound by S. & S. [Sangorski and Sutcliffe] London, with gilt decoration to the centre of the front board. Copy No. 33. Commentary and notes by Randolph Hughes. Engravings by Reynolds Stone. Text partially in double columns, untrimmed edges. Printed by Christopher Sandford and Owen Rutter in Poliphilus Type (Based on the type used for the text of the 'Hypnerotomachia Poliphili' published in 1499 by Aldus Manutius) on specially water-marked Golden Cockerel paper made by Arnold & Foster. Preparation of the Edition was begun in January 1940 and finished in October 1942. 350 copies have been printed and the type has been distributed. Nos 1-30 are bound in full-bound white morocco and include a facsimile reproduction of the manuscript of one chapter of the text. Nos 31-350 are bound in canvas. Contributors: Swinburne, Algernon Charles (British, 1837 – 1909) – author Hughes, Randolph William (Australian, 1889 – 1955) – author Stone, Alan Reynolds (British, 1909 – 1979) – engraver The Golden Cockerel Press (Company, London, 1920 – 1961) – publisher/printer. Rutter, Edward Owen (British, 1889 – 1944) – printer. Sandford, Christopher (British, 1902 – 1983) – printer. Taylor, Harold (Hal) Midgley (1893 – 1925) – publisher/printer. Tebaldeo, Antonio (Italian, 1463–1537) – prototype. Borgia, Lucrezia (Spanish-Italian, 1480 – 1519) – heroine. Wilson, Sir Arnold Talbot (1884 – 1940) – dedicatee. Sangorski & Sutcliffe (Company, London, est. 1901) Sangorski, Francis (British, 1875 – 1912) Sutcliffe, George (British, 1878 – 1943). -
Engraved title:
Upper frame: ALMANACH | ICONOLOGIQUE, | OU | DES ARTS | pour l'année | 1764. | Orné de Figures | avec leurs explications | par | M. GRAVELOT. | avec Priv. du Roy | A PARIS
Lower frame: Chez Lattré Graveur rue S. Jacq. | à la Ville de Bordeaux.
Under the frame: H. Gravelot del. — L. Legrand sc.
28 leaves, of them: engraved t.p., engraved frontis., and 12 plates, text engraved. Pages numbered 1-12, and I-XII (incorrectly marked XVI), other unpaginated, unbound tissue guards. Size: 10.6 x 7.2 cm, full polished crimson calf w/veins, triple-ruled in gilt with florets in corners, flat spine, double-ruled in gilt, all edges gilt. Florets in compartments, black title label with gilt lettering “ALM | ICON ||”, peacock marbled endpapers, blue silk ribbon. Approbation dated 15 November 1763, as some plates.
Catalogue raisonné: Cohen, De Ricci 454.
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Title: A COMPLETE | COURSE OF LITHOGRAPHY: | CONTAINING | Clear and Explicit Instructions | IN ALL THE | DIFFERENT BRANCHES AND MANNERS OF THAT ART | ACCOMPANIED BY | ILLUSTRATIVE SPECIMENS OF DRAWINGS. | TO WHICH IS PREFIXED A | HISTORY OF LITHOGRAPHY, | FROM ITS ORIGIN TO THE PRESENT TIME. | By ALOIS SENEFELDER, | INVENTOR OF THE ART OF LITHOGRAPHY AND CHEMICAL PRINTING. | WITH | A PREFACE | By FREDERIC VON SCHLICHTEGROLL, |Director of the Royal Academy of Sciences at Munich. | TRANSLATED FROM THE ORIGINAL GERMAN, BY A.S. | London: | PRINTED FOR R. ACKERMANN, 101 STRAND. | 1819. || Pagination: [i-iii] iv-xxviii, [4] [1] 2-342. Collation: 4to; [a]-d4, B-2U4 2X2, +14 lithographed plates by Ackermann (incl. 1 folding, 1 colour frontispiece and 1 portrait of A. Senefelder); plates opposite to pp. [i], [1], 193, 198, 203, 228, 232 (fold.), 256, 258, 264, 269, 290, 302, and 305. Binding: By Anne Krawitz (Philadelphia, PA), 27.5 x 21 cm, modern full mottled calf, boards ruled in gilt, flat spine, compartments ruled in gilt, crimson label with gilt lettering to spine, printed on wove paper; round book-plate to front paste-down “TWM, The Whitehead Library”. Edition: 1st in English. Ref.: MET: Accession Number: Ref.20; RCT: RCIN 1195886; Contributors: Alois Senefelder (German, 1771 – 1834) – author of the original and translator. Friedrich Schlichtegroll (German, 1765 – 1822) – author of preface. William Clowes (British, 1779 – 1847) – printer. Rudolph Ackermann (German-British, 1764 – 1834) – publisher and lithographer. Samuel Prout (British, 1783 – 1852) Maximilian Joseph, King of Bavaria (German, 1756 –1825) – dedicatee. -
Hand-coloured woodcut on wove paper, 440 x 285 mm; black ink stamp “5049” to reverse. Top left: "AMIRAL"; right: "349". Below: "Imagerie de DIDION, à Metz, DELHALT Successeur." — "Déposé." Paulin Didion (French, 1831 – 1879) – publisher/printer. -
Description: bound in light yellow cloth with red and orange geometrical design to front cover and black lettering to spine, in pictorial DJ “An dem kleinen Himmel | meiner Liebe | {colour vignette} | Heiter-amouröse Dichtung | Mit 24 farbigen Zeichnungen von | Max Schwimmer”; pp.: [1-6] 7-95 [96], total 48 leaves, with 22 offset colour full-page illustrations, DJ and title-page vignettes by Max Schwimmer; plates with pagination. Anthology of German love poetry from Caspar Stieler (1632 – 1707) to Wolfgang Tilgner (1932 – 2011). Title-page: An dem kleinen Himmel | meiner Liebe | Heiter-amouröse Dichtung | Mit 24 farbigen Zeichnungen | von Max Schwimmer | {vignette} | Verlag der Nation | Berlin || Contributors: Bruno Brandl (German, fl. c. 1969 – 1991)– editor. Max Schwimmer (German, 1895 – 1960) – artist. VEB Druckhaus “Maxim Gorki” (Altenburg) – printer. Verlag der Nation (Berlin) – publisher. -
Hardcover, 31 x 24 cm, red paper with black and white lettering to front cover and spine, pictorial endpapers, pictorial dust jacket; pp.: [1-8] 9-336, profusely illustrated in colour. Title-page (black and red): Japanese | woodblock prints | ARTISTS, PUBLISHERS AND MASTERWORKS | 1680 – 1900 | Andreas Marks {|} Foreword by Stephen Addiss | TUTTLE PUBLISHING | Tokyo • Rutland, Vermont • Singapore || -
Title (black and red): ANTIQUITATES CHRISTIANÆ: |—| OR, THE | HISTORY | OF THE | LIFE AND DEATH | OF THE | HOLY JESUS: | AS ALSO THE Lives, Acts and Martyrdoms | OF HIS | APOSTLES. |—| IN TWO PARTS. |—| The Firƒt Part, containing The Life of CHRIST, written by | Jer. Taylor, Late Lord Bishop of Down and Connor. | The Second, Containing The Lives of the APOSTLES, with an | Enumeration, and ƒome Brief Remarks upon their firƒt Successors in | the Five Great APOSTOLICAL CHURCHES, | By WILLIAM CAVE, D. D. Chaplain in | Ordinary to His MAJESTY. | By whom alƒo is added an APPARATUS, or Diƒcourƒe Introductory to the whole Work, | concerning the Three Great Diƒpenƒations of the Church, Patriarchal, Moƒaical, and Evangelical. |—| THE EIGHTH EDITION. |—| Orig. contr. Celƒ. lib. 1. in Proœm. p. 1, 2. | [text in Greek] |—| LONDON, | Printed by R. N. for Luke Meredith, at the Sign of the Star in | St. Paul's Church-Yard, MDCXCIV. Collation of this book is unusual, it is called "Folio in 6s" (three sheets are folded in half to create a gathering of 6 leaves). Two unsigned leaves: (1) Engraved frontispiece "The Annunciation" by Willian Faithorne "the Elder" (British, 1616 – 1691), recto blank; (2) engraved title by the same engraver, verso blank; (*) gathering of 4: black and red title page, verso blank; epistle; to reader; imprim. (A6 to Sƒ6) Engraved portrait of Jeremy Taylor by Pierre Lombart (French, 1612 – 1682); faux title page: "The Great Exemplar of Sanctity and Holy Life... MDCXCIII"; dedication; contents, then to the end of the first book. (A-Z4 Aa-Bb4 Cc2) The second book has collation in quarto: Faux title page: "Antiquitates Christianæ: or the Lives, Acts and Martyrdoms... MDCXCIV", etc. to the end. Full formula: π2 *4 a-c6 d8 A-Z6 Aa-Sƒ6 A-Z4 Aa-Bb4 Cc2 Pagination: [12] I-LI [LII] [12] I-XXVIII, i-vi, (1st book): [2] I-145 [146-150] 151-432 [12]; (2nd book): [8] i-xiv, 1-188. 22 plates : frontis., t.p., portrait, one folding before p. 65, two after pp. [146], [150], 282, 304, 364, 386, 414, [422], and numerous head-pieces. Size: 36 x 23.5 x 5.7 cm Binding: full calf with the later spine, raised bands; front board with remnants of gilt ruling and blind stamped border, back bord probably original with a blind-stamped centre panel with fleurons. -
Title: Antoinette Faÿ-Hallé • Christine Lahaussois | Le grand livre de la | faïence française | Office du livre || Dedication (to imprint): A Jeanne Giacomotti (author of French Faience, Oldbourne Press, London, 1963) Pagination: [1-6] 7-242 [2], 300 illustrations, incl. 150 in colour. Binding: 29 x 25.5 cm, grey paper, blind-stamped to front cover, white lettering to spine, pictorial dust jacket. Contributors: Antoinette Faÿ- Hallé (French, 20th century) – Chargée du Musée national de céramique de Sèvres Christine Lahaussois (French, 20th century) – Chargée de conservation, Musée national de céramique, Sèvres -
One hardcover volume, 30.2 x 25.3 cm, in red cloth blind stamped to front and spine with lettering, in pictorial dust jacket; pp.: [1-4] 5-359 [360], total 180 leaves, profusely illustrated. Subject: Japan; Theatre; Kabuki theatre; Kabuki actors; Woodblock prints. Contributors: Arendie Herwig (Dutch, fl. 2002 – 2016); Henk Herwig (Dutch, fl. 2002 – 2017). -
Hand-coloured woodcut on wove paper, 265 x 378 mm; black ink stamp “5051 1” to reverse. Top left: "ARMÉE FRANCAISE. ARTILLERIE"; right: (gothic font) "Französische Armee Artillerie" — "№ 107". Below left: "Fabrique d’Images de Fr. Wentzel à Wissembeurg. Bas-Rhin." — "Déposé" —, centre: "Bilderfabrit von Fr. Wentzel in Weissenburg", right: "Fr. Wentzel, Éditeur, rue St. Jacques, 65, Paris". Bottom: "Trompette | Trompeter" — "Capitaine | Gauptmann" — "Porte-Étendard | Fahnenträger" — "Artilleur | Artillerist" — "Cantinière | Marketenderin". Jean Frédéric Wentzel (French, 1807 – 1869) – publisher/printer. -
Hand-coloured woodcut on wove paper, 282 x 392 mm; black ink stamp “5051 2” to reverse. Top: "Armée française. Garde–mobile. Artillerie." — (gothic font) "Französische Armee. Mobil–Garde. Artillerie." — "№103". Below left: "Lith F. C. Wentzel édit. à Wissembourg. (Alsacé); center: Déposé; right: Druck u. Verlag v. F. C. Wentzel in Weissemburg. (Elsass)."; Bottom: "Trompette" — "Capitaine" — "Porte-Drapeau". — "Soldat" — "Cantinière." Jean Frédéric Wentzel (French, 1807 – 1869) – publisher/printer. -
Hardcover volume 28.5 x 20.8 cm, quarter brown morocco over marbled boards, ruled in gilt, spine with raised bands, gilt in compartments, gilt lettering, marbled endpapers, top margin gilt, original lithographic wrappers designed by A. Willette preserved; pp.: [4] h.t., t.p., [1] 2-350 [2], 300 b/w ils in-text and 12 coloured photomechanical reproductions extraneous to collation; collated in-4o: π2 1-444; Title-page: L'ART DU RIRE | ET DE | LA CARICATURE | PAR ARSÈNE ALEXANDRE | 300 FAC-SIMILÉS EN NOIR ET 12 PLANCHES EN COULEURS | D’APRÈS LES ORIGINAUX | {vignette} | PARIS | ANCIENNE MAISON QUANIN | LIBRAIRIES-IMPRIMERIES RÉUNIES | 7, RUE ST-BENOIT | MAY & MOTTEROZ, DIRECTEURS || Contributors : Librairie-Imprimerie réunies (Paris, 1880-1908) – publisher. Arsène Alexandre (French, 1859 – 1937) – author. Adolphe Willette (French, 1857 – 1926) – artist (wrapper) -
Title: BIBLIOTHECA FICTIVA | A Collection of Books & Manuscripts | Relating to Literary Forgery | 400 BC – AD 2000 | Arthur Freeman | Bernard Quaritch Ltd | 2014 || Pagination: xvi, 424, with colour frontispiece and 36 illustrations in text. Binding: 26 x 18 cm, burgundy cloth, blocked in gold on spine, printed dust-jacket. -
Title: A HISTORY OF | ENGRAVING & ETCHING | FROM THE 15TH CENTURY TO THE YEAR 1914 | BEING THE THIRD AND FULLY REVISED EDITION OF | “A SHORT HISTORY OF ENGRAVING AND ETCHING” | BY | ARTHUR M. HIND | OF THE BRITISH MUSEUM | SLADE PROFESSOR OF FINE ART IN THE UNIVERSITY OF OXFORD | WITH FRONTISPIECE IN PHOTOGRAVURE | AND 110 ILLUSTRATIONS IN THE TEXT | {publisher’s device} | BOSTON AND NEW YORK | HOUGHTON MIFFLIN COMPANY | 1923 || Pagination: [i-iv] v-xiii. [2] – blank / abbrev., [2] 3-487 [488], frontis. w/tissue guard, ills.; Appendices: I. Classified list of engravers (p. 343-392); II. General bibliography (p. 393-419); III. Index of engravers and individual bibliography (p. 420-487). Collation: π10 B-2H8 2I4, frontispiece (extr.), 110 in-text illustrations. Binding: 25.8 x 20 cm, crimson cloth, blind triple-fillet to top and bottom of the front board, same in gilt to spine, gilt lettering to spine, top edge gilt, fore-edge untrimmed. Contributors: Arthur Mayger Hind (British, 1880 – 1957) – author. Houghton Mifflin Company (Boston, 1864) – publisher. R & R. Clark, Ltd. (Edinburgh, 1846) – printer. Note: It is marked as the 3rd edition of A short history of engraving and etching. Indeed, A short history of engraving & etching for the use of collectors and students with full bibliography, classified list and index of engravers was published by Constable in London and Houghton Mifflin Co. in Boston, in 1908 and then in 1911. However, it is hard to consider an almost completely new book "a 3rd edition". -
A three-volume set. VOL. 1: ENGRAVING IN ENGLAND | IN THE | SIXTEENTH AND SEVENTEENTH CENTURIES | A DESCRIPTIVE CATALOGUE | WITH INTRODUCTIONS | BY | ARTHUR M HIND | Sometime Keeper of Prints and Drawings in the British Museum | and Slade Professor of Fine Art in the University of Oxford | PART I | THE TUDOR PERIOD | WITH 319 ILLUSTRATIONS | {The coat of arms of the University of Cambridge} | CAMBRIDGE | AT THE UNIVERSITY PRESS | 1952|| Pagination: ffl, [i-vi] – h.t. / blank, frontis., t.p. / colophon, dedication / blank; vii-xxx; 1-333 [334 blank] [2] – the plates / blank; 1-156 pp. of plates. Collation: a-b8, 1-218 + 78 leaves of plates at the end. VOL. 2: ENGRAVING IN ENGLAND | IN THE | SIXTEENTH AND SEVENTEENTH CENTURIES | A DESCRIPTIVE CATALOGUE | WITH INTRODUCTIONS | BY | ARTHUR M HIND | Sometime Keeper of Prints and Drawings in the British Museum | and Slade Professor of Fine Art in the University of Oxford | PART II | THE REIGN OF JAMES I | WITH 618 ILLUSTRATIONS| {The coat of arms of the University of Cambridge} | CAMBRIDGE | AT THE UNIVERSITY PRESS | 1955|| Pagination: [i-iv] – h.t. / blank, t.p. / colophon; v-xiv [xv] [xvi blank]; 1-396 [397] [398 blank] [2] – the plates / blank; 1-252 pp. of plates. Collation: a-b8, 1-268 + 126 leaves of plates at the end. VOL. 3: ENGRAVING IN ENGLAND | IN THE | SIXTEENTH AND SEVENTEENTH CENTURIES | A DESCRIPTIVE CATALOGUE | WITH INTRODUCTIONS | PART III | THE REIGN OF CHARLES I | WITH 466 ILLUSTRATIONS | COMPILED FROM THE NOTES OF | THE LATE A. M. HIND | BY | MARGERY CORBETT & MICHAEL NORTON | {The coat of arms of the University of Cambridge} | CAMBRIDGE | AT THE UNIVERSITY PRESS | 1964|| Pagination: [i-vi] – h.t. / blank, frontis., t.p. / colophon, dedication / blank; vii-xxx; 1-333 [334 blank] [2] – the plates / blank; 1-214 pp. of plates. Collation: [a]8, 1-258 + 107 leaves of plates at the end. Each of three volumes bound in red cloth with gilt lettering to spine, residuals of library stickers, dark spotting to the top and lateral edges; tan DJ with title lettering in a frame to front, lettering to spine, advert. to back, with cut off stickers to spine; ‘The Francis Bacon Foundation’ ink stamp to front pastedown. -
Cover: Publisher's wrappers, to front cover with black and red lettering: DEUXIÈME ÉDITION |—| AUGUSTE LEPAGE | Les Diners | ARTISTIQUES ET LITTÉRAIRES | de Paris | {publisher's device} | PARIS | BIBLIOTHÈQUE DES DEAUX MONDES| FRINZINE, KLEIN et Cie, ÉDIREURS | 1, RUE BONAPARTE, 1 | 1884 | Tous droits réservés || Title page: Similar lettering t.p. in black only, with "DEUXIÈME ÉDITION" below "de Paris". Pagination: front wrapper with a pasted leaf, [iii-vii] viii-xi [xii] [1-3] 4-360, back wrapper with a pasted 3/4 leaf, black lattering to spine. Collation: 18mo; π5, 1-1918-206. -
![Auguste Vitu. Les réunions publiques à Paris 1868-1869. — Paris: E. Dentu, 1869. — pp.: [1-5] 6-151 [1].](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-2432.2020-a-500x500.jpeg)
Cover: LES | RÉUNIONS PUBLIQUES | A PARIS | 1868 — 1869 | PAR | AUGUSTE VITU | TROISIÈME ÉDITION | Augmentée d’un Appendice contenant les Jugements et Arrêts | rendus à Paris en matière de réunions publiques | PARIS | E. DENTU, LIBRAIRE-ÉDITEUR | PALAIS-ROYAL, 17-19, GALERIE D’ORLÉANS | MAI 1869 || ; t.p. similar with no dash between 17 and 19 in the bottom. Pagination: [1-5] 6-151 [1]; collation: 8vo, [1]8 2-98 103; 23 x 14 cm, publisher’s lettered blue paper wrappers. Printer: Dubuisson et Cie (Paris). Vitu, Auguste-Charles-Joseph (French, 1823 – 1891) -
Three hardcover volumes, in-12mo, 16.2 x 10.6 cm each, uniformly bound in quarter brown cloth over marbled boards, all margins marbled, gilt lettering to spine; plus an oblong volume of similar binding, 24.5 x 39.5 cm, with 88 engraved plates by Riepenhausen after Hogarth (83 pp, unnumbered). Catalogue raisonné of William Hogarth's engravings, published by Carl Armbruster in Vienna and Dieterichsche Buchhandlung in Göttingen. A detailed explanation of Hogarth's prints divided in 14 parts. Vol. 1.- C. G. Lichtenberg’s Ausführliche Erklärung der Hogarthischen Kupferstiche, mit verkleinerten Copien derselben von Carl Rahl. Erste Lieferung. Wien, 1818. Bey Chr. Kaulfuß und C. Armbruster. Gedruckt bey Anton Strauß. [i-v] vi-xxxvi, [1-3] 4-136, plus engraved t.p.
- C. G. Lichtenberg’s Ausführliche Erklärung der Hogarthischen Kupferstiche, mit verkleinerten Copien derselben von Carl Rahl. Zweite Lieferung. Wien, 1818. Bey Chr. Kaulfuß und C. Armbruster. Gedruckt bey Anton Strauß. [i-iii] iv-viii [2] 11-207 [1 blank], plus engraved t.p.
- C. G. Lichtenberg’s Ausführliche Erklärung der Hogarthischen Kupferstiche, mit verkleinerten Copien derselben von Carl Rahl. Dritte Lieferung. Wien, 1818. Bey Chr. Kaulfuß und C. Armbruster. Gedruckt bey Anton Strauß. [i-iii] iv-vi [3] 10-215 [1 blank], plus engraved t.p.
- C. G. Lichtenberg’s Ausführliche Erklärung der Hogarthischen Kupferstiche, mit verkleinerten Copien derselben von Carl Rahl. Vierte Lieferung. Wien, 1818. Bey Chr. Kaulfuß und C. Armbruster. Gedruckt bey Anton Strauß. [1-5] 6-180 [1 blank], plus engraved t.p.
- C. G. Lichtenberg’s Ausführliche Erklärung der Hogarthischen Kupferstiche, mit verkleinerten Copien derselben von Carl Rahl. Fünste Lieferung. Wien, bey Carl Armbruster 1819. Gedruckt bey Anton Strauß. [1-3] 4-144, plus engraved t.p.
- C. G. Lichtenberg’s Ausführliche Erklärung der Hogarthischen Kupferstiche, mit verkleinerten Copien derselben von Carl Rahl. Sechste Lieferung. Mit zufåßen nach den schriften der englischen Erflårer. Wien, bey Carl Armbruster 1819. Gedruckt bey Anton Strauß. [i-iii] iv-x [2] 13-100, plus engraved t.p.
- C. G. Lichtenberg’s Ausführliche Erklärung der Hogarthischen Kupferstiche, mit verkleinerten Copien derselben von Carl Rahl. Siebente und achte Lieferung. Mit zufåßen nach den Schriften der englischen Erflårer. Wien, bey Carl Armbruster 1820. Gedruckt bey Anton Strauß. [1-8] 9-191, plus engraved t.p.
- C. G. Lichtenberg’s Ausführliche Erklärung der Hogarthischen Kupferstiche, mit verkleinerten Copien derselben von Carl Rahl. Neunte und zehnte Lieferung. Mit zufåßen nach den Schriften der englischen Erflårer. Wien, bey Carl Armbruster 1823. Gedruckt bey Anton Strauß. [1-7] 8-168, plus engraved t.p.
- C. G. Lichtenberg’s Erklärung der Hogarthischen Kupferstiche, mit verkleinerten aber vollständigen Copien derselben von E. Riepenhausen. Eilfte Lieferung mit zufåßen nach den schriften der englischen Erflårer. Göttingen in der Dieterichsche Buchhandlung 1809. [1-3] 4-81 [82 blank].
- C. G. Lichtenberg’s Ausführliche Erklärung der Hogarthischen Kupferstiche, mit verkleinerten aber vollständigen Copien derselben von E. Riepenhausen fortgefeßt vom Berausgeber der fechsten Lieferung mit Benußung der englischen Erflårer. Zwölfte Lieferung. Göttingen in der Dieterichsche Buchhandlung 1816. [i-iii] iv [1-3] 4-76.
- J. P. Lyser’s Ausführliche Erklärung der Hogarthischen Kupferstiche, mit verkleinerten aber vollständigen Copien derselben von E. Riepenhausen. Dreizehnte Lieferung Göttingen in der Dieterichsche Buchhandlung 1833. [i-v] vi-xii, [1-3] 4-117 [118].
- Dr. le Petit’s Ausführliche Erklärung der Hogarthischen Kupferstiche, mit verkleinerten aber vollständigen Copien derselben von E. Riepenhausen, Berausgeber Karl Gutzkow. Vierzehnte Lieferung. Göttingen in der Dieterichsche Buchhandlung 1835. [i-iii] iv-xvi, [1-3] 4-132.
