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Cover: УС 1918 УС | ПЕРВЫЙ ДЕНЬ | ВСЕРОССIЙСКАГО | УЧРЕДИТЕЛЬНАГО | СОБРАНIЯ | СТЕНОГРАФИЧЕСКIЙ | ОТЧЕТЪ | 5-6 ЯНВАРЯ […] ПЕТРОГРАДЪ […] 1918 г. Title page: УЧРЕДИТЕЛЬНОЕ | СОБРАНIЕ | СТЕНОГРАФИЧЕСКIЙ ОТЧЕТЪ | ПЕЧАТАЕТСЯ ПО РАСПОРЯЖЕНIЮ ПРЕДСѢДАТЕЛЯ | УЧРЕДИТЕЛЬНАГО СОБРАНIЯ. | ПЕТРОГРАДЪ | Пятая Государственная типография, Стремянная, 12. | 1918. || Pencil inscription to t.p.: "Москва 1923 г. С. Варшавский". 23 x 16.5 cm, publisher’s pictorial wrappers, woodcut to front cover, pp.: [1-3] 4-112; collation: [1]8 2-78.
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Cover: Ch. Virmaitre | LES | VIRTUOSES | DU | TROTTOIR | {publisher’s device} | PARIS | P. LEBIGRE-DUQUESNE, ÉDITEUR | 16, RUE HAUTEFEUILLE, 16 | 1868 || Title: Similar. Imprint: De Rouge Frères, Dunon et Fresné (Paris). Pagination: [1-7] 8-161 [162], [2] – table, [2] – advert., [14]; 90 leaves total; publisher’s cream wrappers with red lettering in double frame. Collation: 12mo in 6th; [1]-136, 1412. Charles Virmaître (French, 1835 – 1903).
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Half-title: АКАДЕМИЯ НАУК СССР | Литературные памятники | {serial device} || Title page: ФЕОФРАСТ | ХАРАКТЕРЫ | ПЕРЕВОД, СТАТЬЯ И ПРИМЕЧАНИЯ | Г. А. CТРАТАНОВСКОГО | ИЗДАТЕЛЬСТВО «НАУКА» | Ленинградское отделение | Ленинград | 1974 || Frontispiece: ΘΕΟΦΡΑΣΤΟΥ | ΧΑΡΑΚΤΗΡΕΣ Pagination: [1-5] 6- 123 [124]. Collation: 8vo; [1]-68, 76, 88 (total 62 leaves); signed ¼7, ½7. Binding: publisher’s serial green wrappers, lettering on a scroll. Contributors: Theophrastus [Θεόφραστος, Theόphrastos, Теофраст, Феофраст] (Greek, c. 371 – c. 287 BC) – author. Стратановский, Георгий Андреевич (Russian, 1901 – 1986) – translator.
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Title page: MODERN | FILM | SCRIPTS | THE THIRD MAN | a film by | Graham Greene | and Carol Reed | Simon and Schuster, New York. Pagination: [1-4] 5-134 [2] blank. Binding: publisher’s pictorial wrappers with the film still and lettering in blue and black to front, back, and spine. Size: 20.2 x 14 cm. The Third Man is a 1949 British film directed by Carol Reed, written by Graham Greene and starring Joseph Cotten, Alida Valli, Orson Welles, and Trevor Howard. Contributors: Graham Greene (British, 1904 – 1991) – author. Carol Reed (British, 1906 – 1976) – film director. Simon & Schuster (NY) – publisher. Villiers Publications, Ltd. (London) – printer.
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Pictorial album of 41 etchings, incl. two portraits, by various engravers after Achille Devéria, printed on India paper (after letters) and pasted on thick wove paper, bound with tissue guards in half calf over marbled boards bordered gilt, spine decorated gilt, marbled endpapers; base paper and tissue guards are substantially foxed, images mostly intact. The title page and the subscription page are bound-in at the beginning and at the end, respectively. Title page: (in ornamental frame): COLLECTION | DE VIGNETTES | POUR LES ŒUVRES | DE | J.-J. ROUSSEAU | GRAVÉES | PAR MM. FORSTER, LAUGIER, LEROUX, MULLER, ETC. | D'APRÈS LES DESSINS DE DEVÉRIA. | (pasted over) ÉPREUVES CHOISIES, SUR PAPIER DE CHINE. | {publisher’s device} | A PARIS, | CHEZ DALIBON, LIBRAIRE | DE S. A. R. MGR LE DUC DE NEMOURS, | Palais-Royal, galerie de Nemours. | M DCCC XXV. | Under the frame: Le portrait de Mme de Warens étant terminé, nous y avons joint trois vignettes pour former la quatrième livraison. — Le portrait de | J.-J. Rousseau avec deux vignettes en formera une aussi ; de cette manière le nombre des livraisons reste le même. || This collection was published by Dalibon the same year as the 25-volume Rousseau's Œuvres completes. Related persons: Jean-Jacques Rousseau (French, 1712 – 1778). Mme de Warens: Françoise-Louise de Warens [Louise Éléonore de la Tour du Pil] Swiss, 1699 – 1762). S.A.R. Mgr Le Duc de Nemours: Prince Louis of Orléans, Duke of Nemours [Louis Charles Philippe Raphaël d'Orléans] (French, 1814 – 1896). Contributors: François-Denis Dalibon (French, 1794 – 1853) – publisher. L'Imprimerie de Rignoux (Paris); Thomas-François Rignoux (1781 – 1863?) – printer. Achille Devéria (French, 1800 – 1857) – artist. Engravers : François Forster (French, 1790 – 1872) Jean Nicolas Laugier (French, 1785 – 1875) Jean Marie Leroux (French, 1788 – 1871) Henri Charles Müller (French, 1784 – 1845) Herbert König (German, 1820 – 1876) Louis Jean Désiré Delaistre (French, 1800 – 1871) Jean Louis Toussaint Caron (French, 1790 – 1832) Pierre Michel Adam (French, 1799 – 1853) Ferdinand Sébastien Goulu (French, 1796 – 1848) Jean-François Pourvoyeur (French, 1784 – 1851) Jean Baptiste Touzé (French, fl. 1810 – 1830) Narcisse Lecomte (French, 1794 – 1882) Louis Hercule Sisco (French, 1778 – 1861) Edme Jean Ruhierre (French, 1789 – fl. 1826) Auguste Thomas Marie Blanchard (French, 1819 – 1898) François Manceau (French, 1768 – after 1837) Gabriel Louis Lacour-Lestudier (French, 1800 – 1849) Fulley [Frilley?] Jean Jacques Frilley (French, 1797 – after 1850) Philippe Joseph Augustin Vallot (French, 1796 – 1870) Etienne Devilliers (French, 1784 – after 1844) Jean Bosq (French, fl. c. 1801 – 1844) Zachée Prévost (French, 1797 – 1861) Jean Baptiste Guyard II (French, 1787 – 1831/32) Antoine François Gelée (French, 1796-1860) Constant Louis Antoine Lorichon (French, 1800-1856?) Antoine Joseph Chollet (French, 1793 – after 1848) Adrien Migneret (French, 1786 – 1840) Alfred Johannot (French, 1800 – 1837) Arnold Jéhotte (French, 1789 – 1836) Hippolyte Prudhomme (French, 1793 – 1853) Achille Lefèvre (French, 1798 – 1864) Pierre Pelée (French, 1801 – 1871) Antoine [Tony] Johannot (French, 1803 – 1852) Pierre Joseph Tavernier (French, 1787 – after 1845) Leclerc (?) Levasseur (?)
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Title-page: FABLES | NOUVELLES. | {vignette by Ponce after Marillier} | A LA HAYE, | Et se trouve a Paris, | Chez Delalain, rue de la Comédie Françoise. | — | M. DCC. LXXIII. || Collation: 2 volumes (4 livres) in one, 1st blank, engraved t.p. “FABLES | Par | Mr. Dorat.” signed C. P. Marillier, inv. – E. D. Ghendt Sculp. 1772; a-c4, A-Z4 2A-2Q4, last blank, plus engraved frontispiece before A1 by Nicolas Delaunay and engraved d.t.p. before Z1: “Fables | de M. Dorat | II. Volume” also by Ghendt after Marillier., 99 vignettes and 99 tailpieces, all after Marillier. Lacking Delaunay frontispiece for the second volume (similar to the 1st). Edition: This is a vol. 1 176 pp. copy (Ray, 43). 2nd edition after Fables ou allégories philosophiques, 1772, p. 162 corrected: “Je sais , même au sein des poisons / Puiser le suc qui m'est utile”. Page xxii numbered correctly; on top of p. iii, printed a chain instead of a triple fillet in later issues (Ray, 43A). Pagination: [i, ii] iii-xxii, [2 d.t.p. «Livre premier»] [1] 2-309 [3 table], 3 plates. Binding: Crimson crashed morocco (198 x 133 mm) ruled in gilt, spine with raised bands gilt in compartments with gilt-lettered cream calf label, gilt dentelle inside, marbled endpapers, Pauli Menso bookplate pasted to front pastedown, printed on laid paper, AEG. Catalogue raisonné: Cohen-DeRicci: 313-315; Ray (French): № 43, pp. 81-83. Provenance: Pauli Menso. We only present a sample of illustrations, as their total number is enormous. Contributors: Author: Claude Joseph Dorat (French, 1734–1780) Publisher: Delalain (firm) (18th century) Artist: Clément Pierre Marillier (French, 1740–1808) Engravers: Jean Charles Baquoy (French, 1721–1777) Nicolas Delaunay (French, 1739–1792) Pierre Duflos (French, born in 1751) Emmanuel Jean Nepomucène de Ghendt (Flemish, worked in France, 1738–1815) Yves-Marie Le Gouaz (French, 1742–1816) Pierre Adrien Le Beau (French, 1748–after 1800) Jean-Jacques André Le Veau (French, 1729–1786) Charles Louis Lingée (French, 1748–1819) Joseph de Longueil (French, 1730–1792) Louis Legrand (French, 1723–1807) Jacques Le Roy (French, born in 1739) Louis Joseph Masquelier (French, 1741–1811) François Denis Née (French, 1735–1818) Nicholas Ponce (French, 1746–1831) Marguerite (Hémery) Ponce (French, born in 1745) Jean Baptiste Simonet (French, 1742–1813)
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Thin booklet in glossy pictorial wrappers, 29.8 x 24.7 cm, pp.: [1-4] 5-48, 24 leaves total, illustrated. Errata tipped in after the front wrapper. Title-page: Mirror | of the stage | The actor prints of | Kunisada | Ellis Tinios | The University Gallery Leeds || Colophon: Published in March 1996 for the exhibition Mirror of the Stage held at the University Gallery Leeds 24 April-30 May 1996. Introduction: "This book [exhibition catalogue] has been written as an introduction to nineteenth-century Japanese colour woodblock actor prints and to the achievements of the artist Kunisada in that field [as well as to accompany the exhibition of the same name]. It is divided into three sections. In the first, I examine four topics: the social and cultural milieu that gave rise to the production of prints as items of mass consumption; the aesthetic of the actor print; the economics of print production (including consideration of the numbers issued, the prices at which they were sold and their rates of survival); and the process by which prints were produced. The second section consists of sixteen colour plates with commentaries. In the final section, I survey Kunisada's career." Subject: Utagawa, Kunisada, — 1786-1864 — Exhibitions; Ukiyo-e — Exhibitions; Colour prints, Japanese — Edo period, 1600-1868 — Exhibitions. Contributors: Ellis Tinios Utagawa Kunisada [歌川 国貞] a.k.a. Utagawa Toyokuni III [三代歌川豊国] (Japanese, 1786 – 1865). Select illustrations (references in this collection):
SVJP-0226.2016: Superb Edo pictures illustrating dances, 1858.
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Softcover, pictorial wrappers, square 21 x 21 cm, 46 leaves, unpaginated, with illustrations in colour, 88 entries, with price list laid in. Contributor: Israel Goldman In this collection:
SVJP-0349.2021: Utagawa Kunisada. Kabuki actor Nakamura Shikan II as Gotobei / Fan print, 1830.
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Gustave Macé. La Police parisienne. Le vilain monde. Les dépeceurs de cadavres. Gibier de Saint-Lazare — Paris: Librairie illustrée, [1889]. Title-page: LA | POLICE PARISIENNE |—| LE VILAIN MONDE |—| LES DEPECEURS DE CADAVRES |—| GIBIER DE SAINT-LAZARE |—| Par | G. MACE | ANCIEN CHEF DE LA POLICE DE SURETÉ | {publisher’s device} | PARIS | LIBRAIRIE ILLUSTRÉE | 8, RUE SAINT-JOSEPH, 8 || Description: Hardcover, 4to, 28 x 20 cm, quarter green calf over green marbled boards, raised bands, gilt lettering and gilt fillets to spine, marbled endpapers. Collation:1st bank, [π2 h.t., t.p.], [1]-1074 [108]2 table, last blank; total 432 leaves; 107 woodcuts by Puyplat after E. Mas (on the recto of the first leaf of each complete gathering). Pagination: [4] [1-3] 4-859 [860]; total 864 pp. Edition: Later edition, probably 1889; the 1st edition was published in 1885. Contributors: Gustave Macé (French, 1835 – 1904) – author. Émile Mas (French, 1866 – 1950) – artist. Jules Jacques Puyplat (French, fl. c. 1877 – 1893) – engraver.
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Description: Hardcover, in-folio, 32 x 23.5 cm, bound in dark blue morocco, boards and spine richly decorated in gilt, front cover gilt-lettered in Chinese [幽王寵褒姒], pictorial endpapers, laid paper with unicorn watermark, margins uncut, printing performed by Joh. Enschedé (Haarlem), pp. [10] 1-210 [6], total 226 pages, collated π5 1-532 χ2, first and last leaves blank, total 113 leaves plus 7 plates after Franz von Bayros, some signed; adorned with woodcut borders, frames, head- and tailpieces throughout. The binding work was done by Hübel und Denck (Leipzig) based on designs by Paul Renner. Title-page: DAS | SCHÖNE | MÄDCHEN | VON PAO | — | EIN CHINESISCHER | ROMAN VON | OTTO JULIUS BIERBAUM | — | PRACHTAUSGABE | MIT BILDERN VON BAYROS | — | Bei Joh. Enschedé en Zonen in | Haarlem gedruckt für Georg | Müllers Verlag in München || Catalogue raisonné: The amorous drawings of the Marquis von Bayros. — New York: Cythera Press, 1968. The Beautiful Maiden of Pao, pp. 153-8. Contributors: Otto Julius Bierbaum (German, 1865 – 1910) – author. Franz von Bayros (Austrian, 1866 – 1924) – artist. Johannes Enschedé (Dutch, 1708 – 1780) – printer. Joh. Enschedé (Haarlem) – printer. Hübel und Denck (Leipzig) – bookbinder. Paul Friedrich August Renner (German, 1878 – 1956) – designer.
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Two paperback volumes, 29.6 x 22.8 cm, pictorial softcover in full dust jacket with letering (see below); One the back DJ of both volumes lettered: “Sotheby’s | EST. 1744 (vertical) | GALERIE CHARPENTIER 76 RUE DE FAUBOURG SAINT-HONORÉ 75008 PARIS WWW. SOTHEBYS.COM”. Vol. 1: DJ lettered in olive green: Sotheby’s | EST. 1744 (vertical) | COLLECTION HUGUETTE BERES | ESTAMPES, DESSINS ET LIVRES ILLUSTRES JAPONAIS | {HB monogram in red} | PARIS MERCREDI 27 NOVEMBRE 2002 ||. Pagination: 2 ffl, [1-5] (h.t., t.p., Sommaire), 6-340, 2 ffl; 229 lots with ils.; sale PF2021 Vol. 2: DJ lettered in olive green: “Sotheby’s | EST. 1744 (vertical) | COLLECTION HUGUETTE BERES | ESTAMPES, DESSINS ET LIVRES ILLUSTRES JAPONAIS (SECONDE VENTE) | {HB monogram in red} | PARIS MARDI 25 novembre 2003 ||. Pagination: 2 ffl, [1-7] (h.t., t.p., Sommaire, f.t.) 8-287 [288 blank], 2 ffl; 252 lots with ils.; sale PF3018. Contributors: Huguette Berès (French, 1913 – 1999)
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Paperback, 21.3 x 14.5 cm, publisher’s grey and black wrappers with black and grey lettering, respectively; pp. [1-4] 5-151 [1], 152 pages total; collated 8vo: 1-98 104, 76 leaves total. Title-page: В. ПРОПП | МОРФОЛОГИЯ СКАЗКИ | «ACADEMIA» | ЛЕНИНГРАД | 1928 || Frontispiece: ГОСУДАРСТВЕННЫЙ ИНСТИТУТ ИСТОРИИ ИСКУССТВ | ВОПРОСЫ ПОЭТИКИ | НЕПЕРИОДИЧЕСКАЯ СЕРИЯ, ИЗДАВАЕМАЯ | ОТДЕЛОМ СЛОВЕСНЫХ ИСКУССТВ | ВЫПУСК XII | «ACADEMIA» | ЛЕНИНГРАД | 1928 || English title: [LIB-1615.2018] V. Propp. Morphology of the Folktale. — Austin: University of Texas Press, 1979. Print run: 1,600 copies. Catalogue raisonné: Крылов-Кичатова № 328, p. 199. Contributors: Владимир Яковлевич Пропп [Vladimir Propp] (Russian, 1895 – 1970) See also [LIB-1710.2019] (circulation copy) В. Я. Пропп. Исторические корни волшебной сказки (2-е изд.) — Л.: Изд-во ЛГУ, 1986 and (first edition) [LIB-3184.2023] В. Я. Пропп. Исторические корни волшебной сказки. — Л.: Изд-во Ленинградского ун-та, 1946.
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Hardcover volume 20.8 x 13.5 cm, quarter olive cloth over cardboard, diaper design with lettering to front and lettering on black label to spine; pp.: [2] blank/portrait, [1, 2] t.p./imprint, 3-331 [5], total 338 pages, linocut portrait and chapter headpieces by Volkovinskaia. Some pages spotted, about 1/3 of p. 133/134 lost. Re-printed from 6-vol. edition of Vovchok’s collected works, 1956. Title-page: МАРКО ВОВЧОК | ЖИВАЯ | ДУША | РОМАН | ИЗДАТЕЛЬСТВО ЦК ЛКСМУ «МОЛОДЬ» | КИЕВ 1962 || Print run: 50,000 copies. Contributors: Марко Вовчок [Marko Vovchok; Марія Олександрівна Вілінська] (Ukrainian, 1833 – 1907) – author. Other variants: Markowovzok and Marko Vovtchok. Зінаїда Володимирівна Волковинська [Зинаида Владимировна Волковинская; Zinaïda Volkovynsʹka] (Ukrainian, 1915 – 2010) – artist.
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Hand-coloured woodcut on wove paper, 430 x 285 mm; black ink stamp “5051” to reverse. Top right: "GÉNÉRAL | de division." — "359." Bottom: "Imagerie de DIDION, à Metz. Déposé." Paulin Didion (French, 1831 – 1879) – publisher/printer.
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Hardcover, 22.2 x 14.6 cm, quarter black cloth, pictorial boards, lettering to spine; pp.: [2] 3-253 [3], collated 8vo: 1-168, total 128 leaves plus portrait frontispiece. Title-page: Дж. Д. СЭЛИНДЖЕР | ПОВЕСТИ | НАД ПРОПАСТЬЮ | ВО РЖИ | ВЫШЕ СТРОПИЛА, | ПЛОТНИКИ | РАССКАЗЫ | ХОРОШО ЛОВИТСЯ | РЫБКА-БАНАНКА | ЧЕЛОВЕК, КОТОРЫЙ | СМЕЯЛСЯ | ГОЛУБОЙ ПЕРИОД | ДЕ ДОМЬЕ-СМИТА | ЛАПА-РАСТЯПА | ПЕРЕВОД С АНГЛИЙСКОГО | И ПРЕДИСЛОВИЕ | Р. РАЙТ-КОВАЛЕВОЙ | ИЗДАТЕЛЬСТВО ЦК ВЛКСМ | «МОЛОДАЯ ГВАРДИЯ», 1965 || T.p. verso: […] J. D. Salinger | The Catcher in the Rye | Raise high the Roof Beam, Carpenters | A Perfect Day for Bananafish | The Laughing Man | De Daumier — Smith’s Blue Period | Uncle Wiggly in Connecticut | Художник Б. Жутовский | (В оформлении использован фрагмент картины | американского художника Э. Уайеса) || Print run: 115,000 copies. Contributors: [Джером Дэвид Сэлинджер] Jerome David Salinger (American, 1919 – 2010) Райт-Ковалёва, Рита [Черномордик, Раиса Яковлевна] (Russian, 1898 – 1988) Жутовский, Борис Иосифович (Russian, 1932 – 2023) «Э. Уайес» – [Эндрю Уайет] Andrew Wyeth (American, 1917 – 2009)
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Katsukawa Shun'ei. Signed: Shun'ei ga (春英画). Vertical Ōban. No reference whatsoever. Unidentified play, actors, roles, year, theatre. SOLD
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Шарль Монтескье. Храм Книдийский (пер. Иван Сичкарев). Лисимах. Разговор Суллы с Эвкратом. Опыт о вкусе (пер. Семён Башилов). — СПб.: [Тип. Акад. наук], 1770. Pagination: [2 blank] [2 t.p. храм, blank] [4 preface] [1] 2-72, [1, 2 t.p. лисимах, blank] [1] 2-12 [13, 14 t.p. силла] 16-33, [34 blank] [35, 37 t.p. опыт, blank] 38-95 [96 errata] [2 blank]. Size: 12mo, 20 x 12.5 cm, Binding: Contemporary polished brown slightly stained calf, gilt-ruled borders, flat spine with gilt bands and tools in compartments, black title label with gilt lettering to spine, marbled end-papers. Inscriptions and marks: Ink hand-writing to ff: "Люб. Дубенская, Москва XII 1931"; "Ленкнигторг" label glued to the recto of back free leaf; "Антикварная торговля В. И. Клочкова. СПБ., Литейный 55" label pasted to back pastedown. Printed on laid paper with "key" image printed on recto and protruding to the verso to t.p. of Храм Книдийский and Лисимах. Imperial orthography. Engraved head and tailpieces.
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Softcover, 24 x 16.5 cm, publisher's pictorial wrappers, lettering to spine, pp.: [6] 7-224. Full reproduction of Katsushika Hokusai's [葛飾 北斎] (Japanese, 1760 – 1849) series of three illustrated books [絵本, e-hon] One Hundred Views of Mount Fuji [富嶽百景, Fugaku hyakkei], published in Japan in 1834-1849, with commentaries.