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Publisher’s wrappers, 21.3 x 14.8 cm, 10 four-leave gatherings, unsigned, pp.: [8] 1-70 [2]; total 40 leaves (80 pages), illustrated with 73 in-text woodcuts in sanguine after Feodor Rojankovsky drawings. [1]4 recto reproduces the author’s handwriting. Unbound. Some foxing to the wrappers, all pages clean. Title-page: Poésies Érotiques | de | Pierre Louys | {vignette} | ROME | 1937 || Print run limited to 311 copies, 230 copies (№№ 71-300) on BFK Rives wove paper (watermarked); of which this is copy № 93. Catalogue raisonné: Dutel III 2230. Contributors: Pierre Louÿs (French, 1870 – 1925) – author. Feodor Rojankovsky [Rojan, Фёдор Степанович Рожанковский] (Russian-American, 1891 – 1970). -
Hardcover volume, 21.5 x 14.7 x 5.7 cm, bound in red cloth with blind-stamped ms signature to front board and gilt lettering over black labels, and gild design elements to spine; pp.: [i-iv] (h.t./blank, t.p./copyright) v-xv[xvi] blank, [1-2] f.t./blank, 3-1653 [1654] blank, [2] publ. note/blank; 1672 pp total; Blue ink ms inscription to h.t. 'Lawrence Wyman'. Title-page (in a two-rule frame): THE COMPLETE WORKS OF | O. Henry | Foreword by | WILLIAM LYON PHELPS | AUTHENTIC EDITION | {publisher’s device, G.C.P.} | De Luxe Edition | — | Garden City Publishing Co., Inc. | GARDEN CITY NEW YORK || Contributors: O. Henry [William Sydney Porter] (American, 1862 – 1910) – author. William Lyon Phelps (American, 1865 – 1943) – author/foreword. -
Paperback, 21.5 x 13.6 cm, red and white original wrappers with black lettering, barcode label to front, previous owner’s black ink ms to h.t. Rene Shekerjian; pp.: [i-vii] viii-xxvi[1-3] 4-158 (total 184 pp.). Title-page: Morphology | of the | Folktale | by | V. Propp | First Edition Translated by Lawrence Scott with an Introduction by Svatava Pirkova-Jacobson | Second Edition Revised and Edited with a Preface by Louis A. Warner/New Introduction by Alan Dundes | University of Texas Press • Austin and London || Serial title: American Folklore Society Bibliographical and Special Series | Volume 9/Revised Edition/1968 | [blank] Indiana University Research Center in Anthropology, Folklore, | and Linguistics | Publication 10/Revised Edition/1968 || Edition: 7th paperback printing. Contributors: Владимир Яковлевич Пропп [Vladimir Propp] (Russian, 1895 – 1970) For other editions, see [LIB-1710.2019] В. Я. Пропп. Исторические корни волшебной сказки (2-е изд.) — Л.: Изд-во ЛГУ, 1986; [LIB-3184.2023] В. Я. Пропп. Исторические корни волшебной сказки (1-е изд.) — Л.: Изд-во Ленинградского ун-та, 1946, and [LIB-1718.2019] В. Я. Пропп. Морфология сказки / Серия: Вопросы поэтики, вып. XII. — Л.: Academia, 1928. -
Colour (tone) lithography, image 268 x 410 mm, sheet 317 x 470 mm; signed on bottom-left of the image “Pelikan 1905”, and pencil ms inscription: E. Pelikan to the lower-right corner of the sheet. Contributor: Emilie Mediz-Pelikan (Austrian, 1861 – 1908) – artist. Seller's description: Austrian-German painter and graphic artist. Emilie Mediz-Pelikan was born in Vöcklabruck in 1861. She studied at the Vienna Academy and followed her teacher Albert Zimmermann to Salzburg and in 1885 to Munich. In 1891 she married the painter and graphic artist Karl Mediz (1868 - 1945), with whom she lived in Vienna and from 1894 in Dresden. She was in contact with the Dachau Artists' Colony and went on study trips to Paris, Belgium, Hungary and Italy. In the Dachau artists' colony she was friends with Adolf Hölzel and Fritz von Uhde. In 1889 and 1890 she spent time in Paris and in the Belgian artists' colony Knokke. In 1898 she was represented at the first art exhibition of the Vienna Secession, and in 1901 at the International Art Exhibition in Dresden. In 1903 she and her husband had a group exhibition, at the Hagenbund in Vienna. In 1904, she showed graphic works at the Dresden royal court art dealer Richter, and in 1905 and 1906 she exhibited at the Berlin Künstlerhaus. It was not until around 1900 that she achieved her artistic breakthrough with her landscape paintings. Since the estate of the artist, who died prematurely in Dresden in 1908, was lost in the former GDR until the 1980s, it was quite late that the artist was rediscovered and revalued both in Austrian art history and on the art market. In 1986, the first major exhibitions took place at the Upper Austrian State Museum and the University of Applied Arts in Vienna, followed by numerous smaller exhibitions in private galleries in Vienna, Linz and Munich. The artist received recognition during her lifetime from numerous prominent fellow painters as well as from the art critic Ludwig Hevesi. Together with Tina Blau, Herbert Boeckl, Marie Egner, Theodor von Hörmann, Franz Jaschke, Eugen Jettel, Ludwig Heinrich Jungnickel, Rudolf Junk, Gustav Klimt, Oskar Kokoschka, Johann Victor Krämer, Heinrich Kühn, Carl Moll, Rudolf Quittner, Rudolf Ribarz, Emil Jakob Schindler, Max Suppantschitsch, Max Weiler, Olga Wisinger-Florian and Alfred Zoff, she was a protagonist of the reception of Impressionism in Austria. This style went down in Austrian art history under the term "Stimmungsimpressionismus". -
Softcover, 228 x 180 mm, tan French flapped wrappers with red lettering to front[1-4, owner’s glassine dustcover, top edge trimmed, printed on thick wove paper without a watermark; pp.: ffl [1-4 h.t., t.p.] 5-154 [2 blanks] colophon to back ffl recto, plus 12 plates with hand-coloured lithographs, extraneous to collation. Pencil and pigment drawing to h.t. signed “J. D’A” with gift manual inscription “A Monsieur et Madame Chalamel [sic] ce tardif mais sincère souvenir de sympathie”, signed “J et Y D’A.” Etching bookplate to front ffl recto: “EX LIBRIS PIERRE CHALLAMEL | JE FONCE DANS LE BROUILLARD”, signed “J A M” (Jean-Adrien Mercier). The signature J. D’A stands for Jean d’Angers, while Y D’A stands for Jean-Adrien’s wife Yvonne (1902—1999), nicknamed Zizi; they married in 1927. According to J.-P. Dutel, the stated illustrator of this edition, Jean d’Angers is indeed Jean-Adrien Mercier. The text belongs to Gustav Droz and, possibly, Auguste Poulet-Malassis. Limitation: the book was printed for subscribers in 30 copies on Japon Impériale paper (№№ 1-30) and 250 copies on vélin du Marais paper (№№ 31-280). This copy bears № 123 and was presented as a gift by the artist and his wife to Pierre Challamel. Title-page (red and black): POUR SERVIR | A L'HISTOIRE | DE NOS MŒURS | UN ÉTÉ | A LA CAMPAGNE | CORRESPONDANCE DE DEUX JEUNES PARISIENNES | RECUEILLIE PAR UN AUTEUR A LA MODE | MDCCCLXVIII || Catalogue raisonné: Dutel III № 2546; honesterotica. Provenance: Pierre Challamel (French, 20th century) Contributors: Gustave Droz (French, 1832 – 1895) – author (presumable). Auguste Poulet-Malassis (French, 1825 – 1878) – author (presumable). Jean-Adrien Mercier (French, 1899 – 1995) – artist. Micro photo of the lithography:
Micro photo of the original drawing:
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Конфуций. Суждения и беседы. Пер. с кит. П. С. Попова. - СПб.: Азбука-Аттикус, 2015. - 224 с. (Азбука-Классика. Non-Fiction). ISBN 978-5-389-09738-4.
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Comte de Tressan. L'évolution de la garde de sabre japonaise de la fin du XVe siècle au commencement du XVIIe (suite), 34 illustr. – pp. 7-35. // Bulletin de la Société Franco-Japonaise de Paris; №№ 19-20, Juin–Septembre 1910, 216 p. — Paris: Société Franco-Japonaise de Paris, Siège Social, 1910. Publisher's original green wrappers with black lettering: On top: Paraissant trimestriellement. | JUIN | SEPTEMBRE | } 1920 | XIX-XX | In the middle: BULLETIN | de la | Société Franco-Japonaise | de Paris | [—] Fondée le 16 Septembre 1900 | [device] | Bottom: Siège Social : | PALAIS DU LOUVRE — PAVILLON DE MARSAN | 107, RUE DE RIVOLI, 107 | Paris | 1910 | Prix : 4 fr 50 c || — Pp.: [4] [1-5] 6-216 [2 - errata / blank] [2 - imprim./ blank] [6]. Size: 27 x 17.5 cm. -
POLEMIC AGAINST PRINTING | by | FILIPPO DE STRATA | Translated by SHELAGH GRIER | Edited and | Introduced by MARTIN LOWRY | University of Warwick | The Hayloft Press | 1986 || Publisher’s mustard wrappers w/ lettering, 18.5 x 12.5 cm, 20 unnumbered pages of parallel Latin text and English translation with English introduction; limited edition of 350 copies, 100 for private circulation and 250 numbered copies for sale of which this is №3, with ink inscription to the last page: To Beryl | on her birthday, 1986 | with love from | David || -
Title page: GRAHAM GREENE | {double rule} | Our Man in Havana | AN ENTERTAINMENT | {publisher’s device: windmill among the hills, letters W and H} | HEINEMANN | LONDON MELBOURNE TORONTO || Title verso: William Heinemann Ltd | LONDON MELBOURNE TORONTO | CAPE TOWN AUCKLAND | THE HAGUE | First published 1958 | © by William Heinemann Limited 1958 | All rights reserved | Printed in Great Britain | at The Windmill Press | Kingswood, Surrey || Pagination: [6] [1, 2] 3-273 [274]. Binding: 20.2 x 13.5 cm, publisher’s blue cloth, gilt lettering to spine (top): OUR | MAN | IN | HAVANA | {double rule} | GRAHAM GREENE | (bottom): HEINEMANN ||; blind-stamped publisher’s device to back cover in the lower-right corner without lettering; pp. 1-122 and 253-274 darker, than the middle pages; original dust jacket designed by Donald Green, unclipped, 15s NET in the lower-right corner of the front flap, advertisement of The quiet American on the back. Edition: 1st edition, 1st printing. Contributors: Graham Greene (British, 1904 – 1991) – author. Donald Green (British, 1919 – 1983) – DJ artist. William Henry Heinemann (British-Jewish, 1863 – 1920); William Heinemann Limited – publisher. The Windmill Press (Kingswood, Surrey) – printer. -
Title: TASTE & TECHNIQUE | IN | BOOK-COLLECTING | A study of recent developments in | Great Britain and the | United States | BY | JOHN CARTER | SANDERS READER IN BIBLIOGRAPHY | AND SOMETIME SCHOLAR OF | KING’S COLLEGE | {space} | {publisher’s device} | CAMBRIDGE | AT THE UNIVERSITY PRESS | 1949 || Half-title: TASTE & TECHNIQUE | IN | BOOK-COLLECTING | The Sanders Lectures in Bibliography | 1947 || Pagination: [i-vi] vii-x [xi] [xii blank], 1-201 [202 blank] [2] – advert. / blank, total 12+202+2=216 pages. Collation: 8vo; π6 1-128, 136, total 108 leaves. Binding: 22.5 x 15 cm, red cloth, gilt lettering to spine, lettered dust-jacket with armorial publisher’s device in red, price-clipped. Edition: 1st edition (1948), 2nd impression, corrected (1949). Contributors: Carter, John Waynflete (British, 1905 – 1975) – author. Cambridge University Press (Cambridge) – publisher. Brooke Crutchley – printer. -
Title-page: THE HUMAN | FACTOR | Graham Greene | {citation from Joseph Conrad, 3 lines} | {publisher’s device} | THE BODLEY HEAD | LONDON SYDNEY | TORONTO || Green publisher’s cloth with gilt lettering to spine, cream dust jacket, lettered on front, back and spine, designed by Michael Harvey, unclipped (£4.50 NET | IN U.K. ONLY), [1-8] 9-338 [339] [340 blank]. Previous owners' inscriptions to FFEP. Printed by William Clowes & Sons Ltd. (Beccles). © Graham Greene 1978. Graham Greene (British, 1904 – 1991). -
Description: Softcover volume 27 x 21.3 cm in publisher’s French flapped cream wrappers, with a vignette and lettered in red within a black frame to front "GAMIANI | OU DEUX NUITS D'EXCÈS". Printed on unmarked wove paper, outer and lower margins untrimmed. Illustrated with full-page frontispiece, 10 headpieces, and 5 smaller woodcuts (one repeated on the front wrapper and on t.p.) by Pierre Aubert after Jean-Gabriel Daragnès [pseud. Jean de Guethary], some with inlaid tissue guards. Copy enriched with one graphite pencil drawing signed "J. de Guethary", tipped in before h.t. Title-page (red and black): GAMIANI | OU DEUX NUITS D'EXCÈS | PAR A. DE M. | Avec | des vignettes | de | JEAN DE GUETHARY | {VIGNETTE} | — | CHEZ UN BOURGEOIS DE PARIS | Rue du Coq Hardi | 1845 || Pagination: [i-vi] (orig. drawing, h.t. / vignette, t.p./limit.) [vii] viii-xx, [1-3] 4-64 [4]; total 88 pages. Limitation: Edition limited to 110 copies. According to Dutel, 110 copies were printed on Japon ancient, 3 on Japon Impérial, and 3 on Whatman. This copy is № 115. Catalogue raisonné: Dutel (1920-1970): № 1630, p. 183; Pia (Enfer) 527, p. 286. Alfred de Musset (French, 1810 – 1857) – author. Jean-Gabriel Daragnès (French, 1886 – 1950) – artist, publisher. Pierre Aubert (Swiss, 1910 – 1987) – engraver. -
Glossy softcover, publisher’s pictorial wrappers, 30 x 23 cm, pp.: [i-v] vi-xi [xii blank], [2] 3-199 [200 blank], ils.; total 106 leaves. Title-page: Vertical from bottom to top along the outer margin in grey: KUNISADA'S WORLD; horizontally: KUNISADA'S WORLD | SEBASTIAN IZZARD | with essays by | J. THOMAS RIMER | JOHN T. CARPENTER | JAPAN SOCIETY, INC., in collaboration with the | UKIYO-E SOCIETY OF AMERICA || Published in conjunction with an exhibition held at the Japan Society Gallery, New York, September 30 - November 14, 1993. Contents: (1) Kunisada: in and out of his times; Kabuki at the time of Kunisada / J. Thomas Rimer. (2) Popular fiction in the age of Kunisada; Kunisada and the art of comic poetry / John T. Carpenter. (3) Kunisada the artist / Sebastian Izzard. Contributors: Sebastian Izzard J. Thomas Rimer (American, b. 1933) John T. Carpenter (American) Utagawa Kunisada [歌川 国貞] a.k.a. Utagawa Toyokuni III [三代歌川豊国] (Japanese, 1786 – 1865) Select illustrations (references in this collection):
SVJP-0179-3.2014: The Hour of the Tiger, Seventh Hour of Night from the series Twelve Hours of a Modern Clock.
SVJP-0222.2016: A view of the dressing room of a Theater in Dōtonbori, Ōsaka.
SVJP-0105.2014: Ichikawa Danjūrō VIII as the ghost of Seigen.
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Title-page (text in frame): FRANCIS CARCO | RIEN QU'UNE | FEMME | {vignette} | EAUX-FORTES DE | CHAS LABORDE | — | PARIS — M.CM.XXV || Description: 4to, 24.5 x 20 cm, owner’s red cloth, yellow leather label with gilt lettering to spine, original wrappers bound in, woodcut bookplate “ИЗ КНИГ Ф.РОЖАНКОВСКАГО” to front pastedown; chapter titles and initials printed in pink. Collation: fep, 2 blanks before front wrapper, front wrapper with a black lettered pink label, 2 blanks, h.t., t.p., dedication, 1-204 212,2 blanks, rear wrapper, 2 blanks, rep; total 89 leaves within wrappers, plus 15 plates with tissue guards, incl. frontispiece – hand-coloured etchings by Chas [Charles] Laborde, extraneous to collation. In some copies, there are two additional plates. Pagination: [10] [1] 2-162 [2 colophon/blank] [4], total 178 pages. Limitation: Date of printing: September 15, 1925. Printer: Imprimeur Coulouma (Argenteuil) Print run: 267 copies of which 1 copy on Japon Ancien (№1), 15 on Japon Impérial (№№ 2-16), 60 on Hollande (№№ 17-76), and 200 copies on Vélin de Rives (№№ 77-276) ; this is copy № 82. Etchings printed on BFK Rives paper (embossed). Provenance: Rojankovsky, Feodor [Rojan; Рожанковский, Фёдор Степанович] (Russian-American, 1891 – 1970). Contributors: Francis Carco [François Carcopino-Tusoli] (French, 1886 – 1958) – author. Chas Laborde [Charles Laborde] (French, 1886 – 1941) – artist. Roger Lacourière (French, 1892 – 1966) – engraver. -
A double slipcase ‘box set’ of five volumes, 25.2 x 19.8 x 10.7 cm, lettered to spine: ŒUVRES CHOISIES | DE | PIERRE LOUŸS |★| APHRODITE | Illustrations de | J. A. CANTE |★| LES CHANSONS | DE BILITIS | Illustrations de | LOUIS ICART |★| LA FEMME | ET LE PANTIN | Illustrations de | J. TRAYNIER |★| LES AVENTURES DU ROI PAUSOLE | Illustrations de | BEUVILLE |★| Poëmes | Illustrations de | BERTHOMMÉ SAINT-ANDRÉ |★| VÉLIN || ; all uniformly bound in French flapped wrappers with colour vignettes and lettering to front and spine, printed on wove paper (Vélin) in Paris by Imprimerie Union and hand-coloured by Établissements Bellarde. Edition limited to 20 copies on Vélin d’Arches; 60 copies on Pur Fil du Marais, 150 copies on Pur Fil Lafuma, and 1500 copies on Vélin. This set is copy № 1467 on Vélin. 1) PIERRE LOUŸS | APHRODITE | MŒURS ANTIQUES |★| ILLUSTRATIONS EN COULEURS DE | J. A. CANTE | {vignette} | ÉDITIONS | ALBIN MICHEL | PARIS ||; pp: [i-xi] xii-xiv [xv-xviii] 19-245 [11] ; total 256 pages (128 leaves) with 5 headpieces and 8 in-text illustrations plus 8 full-page plates after J. A. Cante (French, fl. c. 1947 – 1962); partially uncut. 2) PIERRE LOUŸS | Les Chansons | de Bilitis | TRADUITES DU GREC | ILLUSTRATIONS EN COULEURS DE | LOUIS ICART | {vignette} | ÉDITIONS | ALBIN MICHEL | PARIS ||; pp: [i-x] xi-xix [xx] [2] 3-190 [6] ; total 216 pages (108 leaves) with 13 headpieces, one tailpiece plus 8 leaves of plates incl. frontispiece after Louis Icart (French, 1888 – 1950); partially uncut. 3) PIERRE LOUŸS | LA FEMME | ET LE PANTIN | Roman Espagnol | ILLUSTRATIONS EN COULEURS DE | J. TRAYNIER | {vignette} | ÉDITIONS | ALBIN MICHEL | PARIS ||; pp: [1-14] 15-144 [8] ; total 152 pages (76 leaves) with 5 headpieces, 6 in-text illustrations plus 8 leaves of plates incl. frontispiece after Jean Traynier (French, fl. c. 1942 – 1954); partially uncut. 4) PIERRE LOUŸS | Les Aventures | du | ROI PAUSOLE | ILLUSTRATIONS EN COULEURS DE | BEUVILLE | {vignette} | ÉDITIONS | ALBIN MICHEL | PARIS ||; pp: [1-12] 13-252 [4]; total 256 pages (128 leaves) with 4 section vignettes, 4 headpieces plus 12 leaves of plates after Georges Beuville (French, 1902 – 1982); partially uncut. 5) PIERRE LOUŸS | POËMES | ASTARTE • IRIS • AQUARELLES PASSIONNÉERS | HIVERNALES • LA FORÊT DES NYMPHES • STANCES | DERNIERS VERS • POËMES DIVERS | FRAGMENTS | ILLUSTRATIONS EN COULEURS DE | BERTHOMMÉ SAINT-ANDRÉ | {vignette} | ÉDITIONS | ALBIN MICHEL | PARIS ||; pp: [1-8] 9-241 [242] [6]; total 248 pages (124 leaves) with 11 headpieces plus 8 leaves of plates after Louis Berthomme Saint-André (French, 1905 – 1977); partially uncut. Author: Pierre Louÿs (French, 1870 – 1925). -
Softcover volume, 22.8 x 17 cm, French flapped wrapper simulating unprimed canvas with crimson lettering to front; pp.: ffl, [5/6] h.t., [7/8] t.p., 9-109 [110], [111/112] limitation/blank, ffl; plus 12 colour lithographs by Schem (Raoul Serres), incl. frontispiece; printed on wove paper. Title-page (red and black): L'ÉCOLE | DES | BICHES | OU | MŒURS DES | PETITES DAMES DE CE TEMPS | [blank] | M. CM. XXXIX. || Limitation: printed 99 copies of which this is № 27; date of printing July 10, 1939. Catalog raisonné: Dutel III № 1447. As per J.-P. Dutel (II № 231 pp 119-20), the text was published in Brussels in 1868 by Jean-Pierre Blanche. Presumed authors are Alfred Bégis, Frederick Hankey and Edmund Duponchel. [BEGIS, Alfred, with DUPONCHEL, Edmond, and HANKEY, Frederick, attributed to.] L'École des Biches ou Mœurs des petites dames de ce temps. Paris [but Brussels]: [Jean-Pierre Blanche,] 1863 [1868] sold at Christie’s for GBP 1,000 on November 18, 2014. For details, see [LIB-2812.2021] Highlights from the Erotica Library of Tony Fekete / Auction catalogue, Tuesday 18 November 2014. — London: Christie's, 2014. — Lot 36. Contributors: Alfred Bégis (French, 1829 – 1904) – author. Frederick Hankey (British, 1823 – 1882) – author. Edmund Duponchel (French, c. 1795 – 1868) – author. Jean-Pierre Blanche (Beligian, second half of the 19th century) – publisher. Schem [real name Raoul Serres] (French, 1881– 1971) – artist. -
Hardcover, 20.7 x 14.7 cm, pictorial glossy paper over cardboard, vignettes and lettering to front and back covers, pp. [1-2] 3-140 [4]; collated 8vo: 1-98, total 72 leaves. Five full-page plates and numerous tailpieces after woodcuts by Myron Levytsky. This is a translation from the French version of Pierre-Jules Hetzel into Ukrainian, published in Toronto and New York in 1971: Марко Вовчок. Маруся. Повiсть. З французского видання П.-Ж. Сталя. — Торонто, Нью-Йорк: Бiблiотека молодi, 1971. Vignettes to the covers and other design elements are by Л. Гринiв. Title-page: МАРКО ВОВЧОК | МАРУСЯ | ПОВIСТЬ | Львів | “Поклик сумління” | 1993 || Contributors: Марко Вовчок [Marko Vovchok; Марія Олександрівна Вілінська] (Ukrainian, 1833 – 1907) – author. Іван Овксентійович Денисюк (Ukrainin, 1924 – 2009) – author/foreword. Мирон Миколайович Левицький [Myron Levytsky] (Ukrainin-Canadian, 1913 – 1993) – artist. Pierre-Jules Hetzel [P.-J. Stahl] (French, 1814 – 1886) – author. The French version of the Ukrainian name Маруся —> MAROUSSIA. The French version of the book: LIB-2674.2021; other copies of the Ukrainian edition (1943): LIB-3136.2023, LIB-3137.2023 (1959) and LIB-3170.2023 – all translated from the Russian by Vasyl Domanytskyi [Василь Миколайович Доманицький, Василий Николаевич Доманицкий] (Ukrainian, 1877 – 1910). Other variants of the name Марко Вовчок: Markowovzok and Marko Vovtchok. -
Hardcover volume 20.8 x 13.5 cm, quarter olive cloth over cardboard, diaper design with lettering to front and lettering on black label to spine; pp.: [2] blank/portrait, [1, 2] t.p./imprint, 3-331 [5], total 338 pages, linocut portrait and chapter headpieces by Volkovinskaia. Some pages spotted, about 1/3 of p. 133/134 lost. Re-printed from 6-vol. edition of Vovchok’s collected works, 1956. Title-page: МАРКО ВОВЧОК | ЖИВАЯ | ДУША | РОМАН | ИЗДАТЕЛЬСТВО ЦК ЛКСМУ «МОЛОДЬ» | КИЕВ 1962 || Print run: 50,000 copies. Contributors: Марко Вовчок [Marko Vovchok; Марія Олександрівна Вілінська] (Ukrainian, 1833 – 1907) – author. Other variants: Markowovzok and Marko Vovtchok. Зінаїда Володимирівна Волковинська [Зинаида Владимировна Волковинская; Zinaïda Volkovynsʹka] (Ukrainian, 1915 – 2010) – artist. -
Hardcover volume, 31 x 23.5 cm, peach cloth, with peach lettering to the green label on front board, green lettering to spine, pictorial dust jacket, price unclipped ($4.95); text to flaps; pp.: [1-6] 7-154 [155 plate] [5 blanks], ils. (photomechanical reproductions); magazine clipping laid in. Title-page: Drawing | THE HEAD AND HANDS | BY | ANDREW LOOMIS | {vignette} | NEW YORK • THE VIKING PRESS || Imprint: COPYRIGHT © 1956 BY ANDREW LOOMIS | FIRST PUBLISHED BY THE VIKING PRESS IN JANUARY 1956 | PUBLISHED ON THE SAME DAY IN THE DOMINION OF CANADA | BY THE MACMILLAN COMPANY OF CANADA LIMITED | SECOND PRINTING 1958 | {two paragraphs of copyright statement} | LITHOGRAPHED IN U.S.A, BY W. S. KONECKY ASSOCIATES || Edition: 1st edition, 2nd printing. Andrew Loomis (American, 1892 – 1959) -
Hardcover volume 20.7 x 13.4 cm, bound in black buckram with blind and grey lettering to front and grey lettering to spine, in a pictorial dust jacket, yellow pictorial endpapers, pp.: [2] 3-287 [1], collated in 16mo, 1-916, 144 leaves, 288 pages. Title-page: ПИСЬМА АЗЕФА | — | 1893 – 1917 | — | [blank] | {publisher’s device} | МОСКВА | «ТЕРРА» — «TERRA» | 1994 || Print run: 10,000 copies. Азеф, Евгений Филиппович [Евно Фишелевич], [Azef, Yevno] (Jewish-Russian-German, 1869 – 1918) Павлов, Дмитрий Борисович (Russian, b. 1954) Перегудова, Зинаида Ивановна (Russian, b. 1934)ISBN: 5-85255-395-6. Azef Letters (Rus).
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Title: OXFORD EDITION | POPULAR STORIES | COLLECTED BY | THE BROTHERS GRIMM | A REPRINT OF THE FIRST ENGLISH EDITION | WITH TWENTY-TWO ILLUSTRATIONS | BY GEORGE CRUIKSHANK | {publisher’s device} | HENRY FROWDE | LONDON, EDINBURGH, GLASGOW | NEW YORK AND TORONTO | 1905 || Pagination: [i, ii] – frontis., [iii-iv]– t.p. / imprint. [v] – preface, vi-xvii [xviii blank], [2] [1] 2-403 [404], plates included in pagination, pp. 379-403 – notes. Collation: a8 b2 B-Z8 Aa-Cc8 Dd2. Binding:1 9 x 13 cm, olive green cloth blind-stamped in art nouveau style and lettered in gilt to cover and spine: GRIMMS’ POPULAR STORIES. Aubergine pencil inscription to front pastedown: C. Grant Robertson | All Souls | 1905: Provenance: Sir Charles Grant Robertson CVO (British, 1869 – 1948) who was a British academic historian, a Fellow of All Souls College, Oxford, and Vice-chancellor of the University of Birmingham. -
Title: THE IDEALS OF THE EAST | WITH SPECIAL REFERENCE | TO THE ART OF JAPAN | BY KAKASU OKAKURA | LONDON | JOHN MURRAY, ALBEMARLE STREET | 1903 || Collation: 8vo; ffl, [2] (t.p., prep. note) [a]4 b4, A-P8 Q4. Pagination: ffl, [I, ii] – h.t. / blank, [iii, iv] – t.p. / blank, [v, vi] – preparatory note / blank, vii-xxii, [1] 2-244, [1] 2-4 (Works for art lovers). Binding: Burgundy cloth, red flowers and lettering to cover, gilt lettering to spine. Size: 19.5 x 13 cm Contributors: Author: Okakura Kakuzō [岡倉 覚三] (1863 – 1913). Publisher: Murray, Sir John IV (1851–1928); John Murray (publishing house). Printer: Ballantyne, Hanson & Co., Edinburgh, London. -
Title page: ФРАНСУА ДЕ ЛАРОШФУКО | МАКСИМЫ | • | БЛЕЗ ПАСКАЛЬ | МЫСЛИ | • | ЖАН ДЕ ЛАБРЮЙЕР | ХАРАКТЕРЫ | ПЕРЕВОД С ФРАНЦУЗСКОГО | {publisher’s device “ИХЛ”} | ИЗДАТЕЛЬСТВО | «ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА» | МОСКВА • 1974 || Content: В. Бахмутский. / Французские моралисты. / Франсуа де Ларошфуко. Максимы. Пер. Э. Линецкой. / Блез Паскаль. Мысли. Пер. Э. Линецкой. / Жан де Лабрюйер. Характеры. Пер. Ю. Корнеева и Э. Линецкой. Примечания В. Бахмутского, И. Малевич, М. Разумовской, Т. Хатисовой. Pagination: [1-5] 5-541 [3], 13 illustrations (unpag.) Collation: [1]16 2-1716 + 13 photomechanical plates extraneous to collation. Binding: serial design red cloth, gilt-stamped cover with a serial device, gilt lettering to spine, pictorial dust jacket. Contributors: Blaise Pascal (French, 1623 – 1662) – author. François La Rochefoucauld (French, 1613 – 1680) – author. Jean de La Bruyère (French, 1645 – 1696) – author. Эльга Львовна [Лейбовна] Линецкая [Фельдман] (Russian-Jewish, 1909 – 1997) – translator. Юрий Борисович Корнеев (Russian, 1921 – 1995) – translator. Владимир Яковлевич Бахмутский (Russian, 1919 – 2004) – author/foreword. -
Title page: Sheila Cousins | TO BEG | I AM ASHAMED | {publisher’s device} | THE OBELISK PRESS | 16, PLACE VENDOME | PARIS || Pagination: [2] – blanks (in wrapper), [4] – h.t. / blank, t.p. / publisher's note (to first impression) & copyright, [1] 2-270, [4] uncut (in wrapper) with imprint "Imprimerie Frère Tourcoing", total 280 pages. Collation: 8vo; [A]8 B-Q8 R4 S8; total 140 leaves. Binding: Publisher’s yellow wrappers, lettering to spine:| TO BEG | I AM | ASHAMED |—| SHEILA | COUSINS | 8th | IMPRESSION | {publisher’s device} | THE | OBELISK PRESS | PARIS ||; lettered front wrapper in red and black: To beg | I am ashamed |—| by | Sheila Cousins |—| The autobiography | of a London prostitute | Only authorized edition | Complete and unexpurgated | {publisher’s device} | THE OBELISK PRESS ||, publisher’s device in red to back wrapper; margins untrimmed; in an owner slipcase. Edition: 1st edition, 8th impression, France, (in or after August 1838). Size: 19 x 14.5 cm. Contributors: Graham Greene (British, 1904 – 1991) – author. Ronald Matthews (British, 1903 – 1967) – author. The Obelisk Press (Paris) – publisher. Imprimerie Frère Tourcoing – printer. Compare to the presumably 1st impression of the same edition [LIB-2806.2021]. -
Front wrapper and title page (in red and black): LES CONTES DE | CHARLES | PERRAULT | ILLUSTRATIONS | EN COULEURS | DE | BRUNELLESCHI | {vignette} | GIBERT JEUNE | LIBRAIRIE D'AMATEURS | 61, BOULEVARD SAINT-MICHEL, 61 | PARIS || Pagination: [2] – blanks, [2] – h.t. / limit., [2] – t.p. / blank, [4] – preface, [2] – d.t.p., 1-168 [169-70], [4] – table, [2] – imprint / blank; total 188 pages (94 leaves) with 55 in-text illustrations, plus 16 colour plates extraneous to collation, incl. frontispiece. Edition: Limited edition of 1,000 copies, this copy is № 1 (stamped in black). Printed on the 31st of October 1946 by J. Dumoulin (H. Barthélemy – director, Louis Malexis – mise en page); stencil-colouring (au pochoir) by E. Charpentier under direction of the artist. Binding: 26.7 x 20.3 cm, publisher’s flapped pictorial wrappers, vignettes and lettering to front wrapper and spine, publisher’s device to back wrapper, uncut. Fairy Tales by Charles Perrault (French, 1628 – 1703): Griselidis (Griselda) — Peau d'Asne (Donkeyskin) — Les Souhaits ridicules (The Ridiculous Wishes) — La Belle au Bois dormant (Sleeping Beauty) — Le Petit Chaperon rouge (Little Red Riding Hood) — La Barbe-Bleue (Bluebeard) — Le Maistre Chat ou Le Chat Botté (Puss in Boots) — Les Fées (The Fairies) — Cendrillon ou La Petite Pantoufle de verre (Cinderella)— Riquet à la Houppe (Riquet with the Tuft) — Le Petit Poucet (Hop-o'-My-Thumb) Description of the stensil (au pochoir) technique. -
(1) Claudine à l'école: 1st blank and limitation leaves uncut, t.p. / blank ; [1-6] 7-206 [2], colophon "IMPRIMÉ EN BELGIQUE"; 208 pages (104 leaves) plus 12 plates. COLETTE | Claudine | {vignette} | à l'école | ILLUSTRÉE PAR | RENÉE RINGEL | « Leurs Chefs-d'œuvre » | AUX ÉDITIONS TERRES LATINES || (2) Claudine à Paris: 1st blank and limitation leaves uncut, t.p. / blank ; [1-6] 7-153 [3], colophon "IMPRIMÉ EN BELGIQUE"; 156 pages (78 leaves) plus 12 plates. COLETTE | Claudine | {vignette} | à Paris | ILLUSTRÉE PAR | RENÉE RINGEL | « Leurs Chefs-d'œuvre » | AUX ÉDITIONS TERRES LATINES || (3) Claudine en ménage: 1st blank and limitation leaves uncut, t.p. / blank ; [1-6] 7-150 [2], colophon "IMPRIMÉ EN BELGIQUE"; 152 pages (76 leaves) plus 12 plates. COLETTE | Claudine | {vignette} | en ménage | ILLUSTRÉE PAR | RENÉE RINGEL | « Leurs Chefs-d'œuvre » | AUX ÉDITIONS TERRES LATINES || (4) Claudine s'en va: 1st blank and limitation leaves uncut, t.p. / blank ; [1-6] 7-128 [4], colophon "IMPRIMÉ EN BELGIQUE"; 132 pages (66 leaves) plus 12 plates. COLETTE | Claudine | {vignette} | s'en va | ILLUSTRÉE PAR | RENÉE RINGEL | « Leurs Chefs-d'œuvre » | AUX ÉDITIONS TERRES LATINES || Illustrations: in each volume, there are 12 plates extraneous to collation, incl. frontispiece, stencil-coloured (au pochoir) collotype reproductions after drawings by Renée Ringel, and numerous in-text b/w illustrations. Binding: 4 volumes uniformly bound in French flapped pictorial wrappers, spine with lettering and vignette, each in a canvas double slipcase 22 x 17.5 cm, with lettering to spine. Edition: Limited to 1800 copies, of which this is copy № 365, printed by Jean de Clercq, plates printed by Thill, colouring by Ateliers du coloris d’art. Contributors: Sidonie-Gabrielle Colette [a.k.a. Colette] (French, 1873 – 1954) Renée Ringel – nothing is known so far. -
Description: One volume in cream French flapped wrappers, collated 8vo, 22.5 x 14.8 cm, lettered to front (device in red), printed on wove paper, margins untrimmed, some pages uncut, illustrated with tail- and headpieces and 17 sets of plates (4 of each plate) with tissue guards, after Martin van Maele. Front wrapper (red and black): L'HISTOIRE | COMIQUE DE | FRANCION | COMPOSÉE PAR CHARLES SOREL | Réimprimée intégralement pour la | première fois d'après l'édition | originale de 1623 | ET DÉCORÉE | de 17 eaux-fortes et de 16 gravures | par MARTIN VAN MAELE | {device} | SE VEND | A Paris, chez Jean Fort | Libraire, rue de Chabrol, no 12 | M. CM. XXV. || Title-page (red and black): L'HISTOIRE | COMIQUE DE | FRANCION | En laquelle sont découvertes les plus subtiles | finesses et trompeuses inventions tant des hommes | que des femmes de toutes sortes de conditions et | d’âges. Non moins profitable pour s’en | garder, que plaisante à la lecture. | Nouvelle édition conforme à | l’édition princeps de 1623, et | ornée de 17 eaux-fortes et | de 16 compositions par | MARTIN VAN MAELE | {device} | A PARIS | Chez Jean Fort, libraire, | Rue de Chabrol, no 12 | M. CM. XXV. || Collation: π3 (blank, h.t., t.p.), 1-268 χ3 (colophon, 2 blanks), total 214 leaves plus 17 sets of plates (4 of each). Pagination: [6] i-v [vi], 1-411 [412] [4], total 428 pages, ils. Illustrations: 16 tail- and headpieces, and one full-page vignette etched after drawings by Martin van Maële; 17 gravures coloured à la poupée after van Maële’s watercolours, each accompanied with three b/w plates in a different state of the same, incl. frontispiece; unpaginated. Limitation: The run of 1,203 copies printed on October 2, 1925, by Maurice Darantiere in Dijon; 1 copy (№ 1) on Japon Impérial is unique with the original drawings and three additional suites of plates; 10 copies (2-11) on Japon Impérial with three additional suites of plates; 31 copies (12-42) on Hollande with two additional suites of plates; 61 copies (43-103) on Madagascar with one additional suite of plates; 1,100 copies (104-1203) on Enoshima. This copy is № 10 on Japon Impérial with three additional suites of plates. Catalogue raisonné: S. A. Perry (2015) № 28, p. 31. Contributors: Charles Sorel, sieur de Souvigny (French, c. 1602 – 1674) – author Maurice François Alfred Martin van Maële [Martin van Maële] (French, 1863 – 1926) – artist. Maurice Darantiere (French, 1882 – 1962) – printer. Jean-Marie Fort (French, 20th century) – publisher. -
A pictorial photographic album, 19.5 x 15.3 cm, hardcover, paper pictorial covers, pictorial endpapers, pp. [2] 3-39 [40]; total 20 leaves; text by Susan Jacobasch, photographs by Josef Breitenbach. Published in connection with the exhibition "Josef Breitenbach" on October, 10 – November 28, 1998, at Galerie Bodo Niemann in Berlin. Josef Breitenbach (Jewish-German-American, 1896 – 1984). -
© Aurora Art Publishers, Leningrad, 1985. Printed and bound in Finland. Title-page (in red on the pictorial background): SAVED FOR | HUMANITY | THE HERMITAGE DURING | THE SIEGE OF LENINGRAD | 1941-1944 | AURORA ART PUBLISHERS • LENINGRAD || Illustrated album in hardcover, 33 x 25 cm, bound in black cloth with gilt and red to front cover and spine, brown endpapers, pictorial dust jacket; pp.: [1-6] 7-270 [34], total 304 pages with 388 b/w and colour illustrations. Text: Sergei Petrovich Varshavsky [Сергей Петрович Варшавский] (Jewish-Russian, 1906 – 1980); B. Rest [Б. Рест; Юлий Исаакович Шапиро] (Jewish-Russian, fl. 1940 – 1980). Preface: Boris Piotrovsky [Борис Борисович Пиотровский] (Russian, 1908 – 1990). Translated by Arthur Shkarovsky-Rafeé. Layout by Liubov Rakhmilevich. Photography by Viktor Savik and Leonid Bogdanov. Design by Valery Ivanov. A twin edition to [LIB-3042.2022] S. Varshavsky, B. Rest. The ordeal of the Hermitage: The siege of Leningrad, 1941-1944 — Leningrad: Aurora Art Publishers, New York: Harry N. Abrams, Inc., 1985 and the Russian edition [LIB-3044.2022] C. Варшавский, Б. Рест. Подвиг Эрмитажа, 1941-1944 / Альбом. — Ленинград: Издательство «Аврора», 1987. The text extracted from [LIB-3035.2022] С. Варшавский, Б. Рест. Подвиг Эрмитажа: Государственный Эрмитаж в годы Великой отечественной войны. — М.-Л.: Советский художник, 1965. -
Photographic portrait of writer Andrei Sinyavsky, head and shoulder, turned to the left, wearing glasses. Pencil-signed on the mat: 4/45 • ©Mikhail Lemkhin; on the back of the print: Copyright statement stamp; ink stamp ©MIKHAIL LEMKHIN; ink stamp: PHOTO BY MIKHAIL LEMKHIN | 1811 38TH AVENUE | SAN FRANCISCO, CA 94122 | (415) 664-7677; pencil inscription on the back of the mat: (top) АНДРЕЙ СИНЯВСКИЙ | ANDREI SINYAVSKY, (bottom) XXIX. Size: mat: 43.2 x 35.5 cm; window: 23.5 x 18.5 cm; print: 25.2 x 20.2 cm. Limited edition of 45, of which this is № 4, signed and stamped by the artist. Sitter: Sergei Dovlatov [Сергей Донатович Довлатов] (Russian, 1941 – 1990) -
Hardcover volume, 27.8 x 21.4 cm, bound in tan buckram with pictorial paper pasted to front and back boards, brown lettering to spine; pp: fep, [1-6] 7-67 [68] [2] ffl, fep, total 37 leaves; 5 full-page plates, incl. frontispiece (within pagination), covers’ and t.p. vignettes, headpieces, in-text illustrations (eleven in total) chromolithographs after Rojankovsky; the tailpieces are photomechanically reproduced. Title-page (in colour): НАТАЛЬЯ КОДРЯНСКАЯ | ГЛОБУСНЫЙ | ЧЕЛОВЕЧЕК | {vignette} | ИЛЛЮСТРАЦИИ ФЕДОРА РОЖАНКОВСКОГО || Colophon: CET OUVRAGE | A ÉTÉ IMPRIMÉ A PARIS | LA LITHOGRAPHIE | PAR MOURLOT FRÈRES | LA TYPOGRAPHIE | PAR L’IMPRIMERIE UNION | {blank}] | TOUS DROITS RÉSERVÉS POUR PAYS | COPYRIGHT 1954 BY NATALIE CODRAY | Printed in France || Contributors: Наталья Владимировна Кодрянская [Natalie Codray] (Russian-American, 1901 – 1983) – author. Feodor Rojankovsky [Rojan, Фёдор Степанович Рожанковский] (Russian-American, 1891 – 1970) – artist. Mourlot Frères – printer/lithographs. L’imprimerie Union – printer/text. -
Paperback brochure, 17.5 x 12.8 cm, in publisher’s wrappers, blue and brown lettering in an architectural frame to front, publisher’s device and price in blue to back; errata slip laid in; pp.: [1-6] 7-76 [4]; collated 8vo: 1-58, total 40 leaves. Title-page (red and black): ИЗДАТЕЛЬСТВО | “ACADEMIA” | КАТАЛОГ ИЗДАНИЙ | 1929—1933 | С ПРИЛОЖЕНИЕМ ПЛАНА | ИЗДАНИЙ НА ТРЕХЛЕТИЕ | 1933—1935 | МОСКВА—ЛЕНИНГРАД | 1932 || Print run: 10,000 copies. -
Softcover volume, 23.5 x 15 cm, in tan French flapped wrappers with red lettering to front, collated in-4to, in a tan double slipcase 24 x 15 cm with red lettered label to spine, pp.: [1-12] 13-112 [8], total 120 pages, incl. those within wrappers; printed on thick wove paper watermarked “Lafuma Frères”, 5 full-page and 6 half-page illustrations within collation, incl. frontispiece, guard tissue laid in. Title-page (red and black): LE ROMAN | DE | GODEMICHET | ÉPOPÉE | LIBERTINE | ET VÉCUE | composée par un | DESCENDANT D’HERMES | AMI DES MUSES | ÉMULE DE PRIAPE | et illustrée par un | MAITRE DU GENRE | ÉDITÉ POUR LES | AMIS DE L’AUTEUR | A PARIS EN L’AN DE GRACE | MCMXLVIII || Limited edition 200 + XX, this is copy № 175. Catalogue raisonné: Dutel III № 2336. Jean Reschofsky (French, 1905 – 1998) – artist. -
Watercolour on laid paper, 198 x 225 mm, signed or stamped in orange ink “ORS” to recto [Otto Rudolf Schatz (Austrian, 1900 – 1961)]; black ink stamp: “Nachlaß O R SCHATS”, pencil “ss” in the bottom left corner, and remnants of a hinge on the upper right to verso. -
Б. Л. Модзалевский. Библиотека А.С.Пушкина. Библиографическое описание. Отдѣльный оттискъ из изданiя "Пушкинъ и его современники", вып. IX-X. -- СПб.: Тип. Императорской Академiи Наук, 1910. - 442 стр. [РЕПРИНТ 1988 года.]
Библиотека А. С. Пушкина. Б. Л. Модзалевский. Приложение к репринтному изданию. -- М.: Книга, 1988. - 115 стр. Тираж 10 000 экз.
Л. Б. Модзалевский. Библиотека Пушкина. Новые материалы.
Список условных сокращений.
Л. С. Сидяков. Библиотека Пушкина и ее описание.
Примечание к работам Б. Л. и Л. Б. Модзалевских.
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С. Маршак. Почта военная. Детиздат : Ленинград, 1947.Hard-bound Quatro (304 x 246 mm) printed in lithography with hand-colored details on cover.
The name of artist hardly legible on a stamp on frontispiece: скворцов.
The text repeats itself on multiple pages. Most probably the book is a pilot run, never went to mass printing and distribution.
