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  • Gordon Norton Ray. The Illustrator and the Book in England from 1790 to 1914 / Bibl. descript. Thomas V. Lange, photo. by Charles V. Passela. The Pierpont Morgan Library, Oxford University Press. — Oxford : Oxford Univ. Pr., 1976. — pp.: [i-viii] ix-xxxiii [1], [1-2] 3-336 [4], illustr.

    Gordon N. Ray. The Illustrator and the Book in England from 1790 to 1914. — New York: Pierpont Morgan Library; London: Oxford University Press, © 1976.

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  • John Landwehr. Romeyn de Hooghe as book illustrator: A bibliography. — Amsterdam: Vangendt & Co., New York: Abner Schram, 1970.

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  • Elisa P. Sani. Italian Renaissance Maiolica. — London: V&A Publishing, 2012.

    Elisa P. Sani. Italian Renaissance Maiolica. — London: V&A Publishing, 2012.

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  • A catalogue of an exhibition of the Philip Hofer Bequest in the department of printing and graphic arts. — Cambridge, MA: Harvard College Library, 1988.

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  • James Self, Nobuko Hirose. Japanese art signatures / A handbook and practical guide. — Warren, CT: Floating World Editions, 2011.

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  • David B. Waterhouse. Harunobu and his age: The development of colour printing in Japan. — London: British Museum, 1964.

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  • Ellis Tinios. Japanese prints: Ukiyo-e in Edo, 1700 – 1900. — Burlington, VT : Lund Humphries, 2010.

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  • Secret images: Picasso and the Japanese erotic print — NY: Thames & Hudson, 2010.

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  • Matthew Welch, Yuiko Kimura-Tilford. Worldly pleasures, earthly delights: Japanese prints from the Minneapolis Institute of Arts. — Minneapolis: Minneapolis Institute of Arts, 2011.

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  • The printer’s eye: Ukiyo-e from the Grabhorn Collection / Laura W. Allen, Melissa M. Rinne (editors). — SF: Asian Art Museum, 2013

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  • Harunobu / text by Lubor Hájek, reproductions by W. and B.Forman. — London: Spring books, [1950-9?]

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  • The amorous drawings of the Marquis von Bayros. Part 1. — North Hollywood: Brandon House (Copyright 1968 by the Cythera Press) and part 2. — New York: Cythera Press. — Preface by Wilhelm M. Busch. Biography by Johann Pilz. — 238 pp.

    The amorous drawings of the Marquis von Bayros / Part I and II. — North Hollywood: Brandon house, [1968?]

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  • Phyllis Dearborn Massar. Presenting Stefano della Bella. — NY: The Metropolitan Museum of Art, [1971].

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  • П. Е. Корнилов [автограф]. Материалы к иконографии Казани. // Оттиск из издания "Материалы по охране, ремонту и реставрации памятников ТССР, вып.IV". — Казань: 1918. — 31 стр.+ [6] л. илл.; — Тираж 50 экз.

    П. Е. Корнилов. Материалы к иконографии Казани / Материалы по охране, ремонту и реставрации памятников ТССР, вып. 4-й. — Казань, 1930.

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  • Конрад Н.И. Театр Кабуки, его история и теория // Японский театр. — Л.-М.: Academia — Всесоюзное Общество культурной связи с заграницей, 1928. — Тир. 3.200 экз. [Сборник статей под редакцией проф. Н. И. Конрада. В книге представлены статьи Н. Конрада, О. Плетнера, Д. Аркина, посвященные традиционному японскому театру. Объём книжки — 60 стр.].

    Японский театр. — Л.- М.: Academia, ВОКС, 1928.

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  • Bayros Zeichnungen. — Gala Verlag, Hamburg fur Fourier Verlag GmbH, Wiesbaden, 1987. — pp. 207. — 233 illustrations, essay by Wilhelm M. Busch. [Franz von Bayros Drawings].

    Bayros Zeichnungen / Vorwort von Wilhelm M. Busch. — Hamburg: Gala Verlag, Wiesbaden: Fourier Verlag, 1987.

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  • Rodney K Engen. Dictionary of Victorian wood engravers. — Cambridge; Teaneck (N.J.): Chadwyck-Healey, 1985.

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  • Alois Senefelder. A complete course of lithography: Containing clear and explicit instructions in all the different branches and manners of that art. — London: Rudolph Ackermann, 1819.

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