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A portrait of Marcello Malpighi from his Opera Posthuma (1697).
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Costumes et Modes d’autrefois. Horace Vernet. Incroyables et Merveilleuses. — Paris: Éditions Rombaldi, 1955.
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[Feodor Rojankovsky]. Idylle printanière. — [Paris: Henri Pasquinelli, 1938].
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Die Studentenkneipe “Le Trou” in Brüssel, Leo von Elliot (1863).
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L’Ameublement: Palais de la Nouveauté, Palais du Mobilier / Illustrations de Brunelleschi, préface de Francis de Miomandre. — Paris: Grands Magasins Dufayel, 1923.
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[Marcel Vertès]. Trois filles de leur mère. — [Paris: Marcel Cotinaud, 1927].
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[André Collot]. Jeunesse. — [Paris], 1933.
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Im Garten der Aphrodite. 18 Bildgaben von Franz von Bayros. Privatdruck. — s.l.: s.n., s.a. [c. 1920].
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Bayros-mappe mit vorwort von Rudolf Hans Bartsch. — Wien: Ed. Strache, [1921].
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Stefano della Bella. La perspective du pont Neve de Paris; etching, 1646 (2nd state).
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Scipio Africanus auf den Ruinen von Carthago. German anonyme, hand-coloured etching, c. 1815.
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Losing my seat. [Anonyme] A. Sharpshooter, 1829.
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Das Kaiserlein Napoleon, und seine Rauberhorten. L. Schlemmer, hand-coloured etching, c. 1815.
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A table d’hote or French ordinary in Paris. Thomas Rowlandson, 1810.
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COG.- or not ashamed of being in town in November! – INCOG or supposed to be in the country in August! George Cruikshank after M. Egerton, 1826.
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Illustration for Littré’s “Œuvres complétes d’Hippocrate” after Joseph Kuhn-Régnier, 1932–34.
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A bird’s-eye view of Paris, 1867.
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Coupe de la ville de Paris; engraving, 1742.
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