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A portrait of Marcello Malpighi from his Opera Posthuma (1697).
Costumes et Modes d’autrefois. Horace Vernet. Incroyables et Merveilleuses. — Paris: Éditions Rombaldi, 1955.
[Feodor Rojankovsky]. Idylle printanière. — [Paris: Henri Pasquinelli, 1938].
Die Studentenkneipe “Le Trou” in Brüssel, Leo von Elliot (1863).
L’Ameublement: Palais de la Nouveauté, Palais du Mobilier / Illustrations de Brunelleschi, préface de Francis de Miomandre. — Paris: Grands Magasins Dufayel, 1923.
[Marcel Vertès]. Trois filles de leur mère. — [Paris: Marcel Cotinaud, 1927].
[André Collot]. Jeunesse. — [Paris], 1933.
Im Garten der Aphrodite. 18 Bildgaben von Franz von Bayros. Privatdruck. — s.l.: s.n., s.a. [c. 1920].
Bayros-mappe mit vorwort von Rudolf Hans Bartsch. — Wien: Ed. Strache, [1921].
Stefano della Bella. La perspective du pont Neve de Paris; etching, 1646 (2nd state).
Scipio Africanus auf den Ruinen von Carthago. German anonyme, hand-coloured etching, c. 1815.
Losing my seat. [Anonyme] A. Sharpshooter, 1829.
Das Kaiserlein Napoleon, und seine Rauberhorten. L. Schlemmer, hand-coloured etching, c. 1815.
A table d’hote or French ordinary in Paris. Thomas Rowlandson, 1810.
COG.- or not ashamed of being in town in November! – INCOG or supposed to be in the country in August! George Cruikshank after M. Egerton, 1826.
Illustration for Littré’s “Œuvres complétes d’Hippocrate” after Joseph Kuhn-Régnier, 1932–34.
A bird’s-eye view of Paris, 1867.
Coupe de la ville de Paris; engraving, 1742.
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