-
The pillow is moulded as a recumbent tiger, the details painted in dark brown and pale russet on a white slip and under a clear glaze, and the slightly dished top is painted with a winged beast. China, the Jin dynasty [金朝] (1115 – 1234). Dimensions: 12 x 34.5 x 19.5 cm -
Press moulded round box with a cover made of yellow and brown marble clay, glazed with a clear glaze inside and outside. China, the Tang dynasty [唐朝] (618 – 907) Diameter: 11 cm; Height: 5.5 cm. -
-
Green, mottled (white, yellow, brown) glazed earthenware jar or a circular box with a cover, on an unglazed foot decorated with florets. The cover has a small knop. Ivory glaze inside. China, the Tang dynasty [唐朝] (618 – 907). Diameter: 10 cm; Height: 10 cm. -
Amber-glazed marbled pottery tripod censer, standing on unglazed beast's paws. The clay itself is not marbled, only the glaze. China, the Tang dynasty [唐朝] (618 – 907). Diameter: 16 cm; Height: 14 cm. -
Footed purse-like ewer with twisted handle, with sculptured body glazed in green and details glazed in brown, on an unglazed foot. China, the Liao Dynasty [辽朝] (907 – 1125). Dimensions: 29 x 15 x 15 cm -
Made of two moulded symmetrical halves, joined before attaching the handle. On an unglazed base. Glazed in three colours (green, amber and ivory) and the tail is glazed black or dark blue. China, the Tang dynasty [唐朝] (618 – 907). Height: 37 cm. -
A tripod earthenware jar with the upper half decorated with three-colour glaze in brown, green, and white, and the bottom half unglazed; spur marks to the mouth. Henan kiln. China, the Tang dynasty [唐朝] (618 – 907). Diameter: 22 cm; Height: 15.5 cm -
A footed double-gourd porcelain bottle with iron and gold coloured crackle on grey background. China, the Qianlong period (1711 – 1799) of the Qing Dynasty (1644 – 1912). Diameter: 12 cm; Height: 21 cm. -
A vessel of flattened ovoid form supported on a tall splayed foot and surmounted by a short neck with the galleried rim. The shoulders set with a pair of loop handles, the body moulded on both sides with a Phenix surrounded with meandering floral and foliate scrolls. Covered with irregular splashes of green, amber, cream, and blue glazes, dripping down the foot. Foot bottom unglazed (beige body). China, the Tang dynasty [唐朝] (618 – 907). Height: 18.5 cm; Width: 13 cm -
Bowl with tapered sides, lavender-blue glaze and a large purple splash on the interior; yellowish rim; foot unglazed. China, the Yuan Dynasty [大元] (1279 – 1368). Diameter: 21 cm; Height: 9 cm. -
Small six-lobed tripod censer with an outer surface decorated in a form of dragon skin, distant parts of the feet and centre of the bottom unglazed, a drip of blue glaze inside. China, the Tang dynasty [唐朝] (618 – 907). Diameter: 8 cm; Height: 7 cm. -
Brown bowl with golden-brown streaks on a black ground, mouth with a curved profile. A drop of glaze hanging in support. Base unglazed. In a wooden box. China, the Song dynasty [宋朝] (960 – 1279). Diameter: 12.5 cm; Height: 7 cm. -
Jizhou black glaze bottle decorated with a leaf, placed on to the glaze before firing, and burnt away in the kiln to leave its pattern. Foot unglazed. China, the Song dynasty [宋朝] (960 – 1279). Height: 27.5 cm. -
Porcelaneous stoneware vase glazed in purple-red with blue and beige splashes outside and dark blue inside, with one tube in the centre surrounded with eight peripheral tubes. Base unglazed. China, the Qianlong period (1711 – 1799) of the Qing Dynasty (1644 – 1912). Diameter: 19 cm; Height: 24 cm. -
White jade Bi of three concentrical circles: double helix outer, intertwined serpents in the middle and a dragon in centre, carved in openwork and low-relief. China, the Ming Dynasty [大明] (1368 – 1644). Diameter: 15.9 cm; Height: 0.5 cm. -
Title: CONTES FANTASTIQUES | DE | HOFFMANN | TRADUCTION NOUVELLE ; PRÉCÉDÉS | DE SOUVENIRS INTIMES SUR LA VIE DE L’AUTEUR | PAR P. CHRISTIAN. | ILLUSTRÉS PAR GAVARNI. | {Publisher’s device} | — PARIS, | LAVIGNE, LIBRAIRE-ÉDITEUR, | 1 RUE DU PAON SAINT-ANDRÉ. | MDCCCXLIII. || Pagination: ffl, [i-vi] –h.t. / colopon, t.p. /blank, dedication /blank, [vii] viii-xix [xx][1,-3] 4-522, bfl, + woodcut illustrations by Brévière et Novionafter Gavarni: 10 full page plates, initials, tail pieces, and in text. Collation: [a]-b4 c2, 1-654 661. Binding: Quarter brown morocco over marbled boards, raised bands with gilt double fillets, gilt arabesque in compartments, title lettering. Catalogue raisonné: L. Carteret (1927), p. 295. -
Two-volume set. MÉMOIRES | DE | JACQUES | CASANOVA | DE SEINGALT | 1734 — Extraits — 1755 | COLLIGÉS PAR | RÉNE GROOS | ILLUSTRATIONS | DE | BRUNELLESCHI | {vignette} | GIBERT JEUNE | LIBRAIRIE D’AMATEURS | 61, BOULEVARD DE SAINT-MICHEL, 61 | PARIS || Pagination: [6], 1-345 [346], [8]; frontispiece and 15 colour plates (collotype), b/w tail-pieces and vignettes (offset). MÉMOIRES | DE | JACQUES | CASANOVA | DE SEINGALT | 1755 — Extraits — 1772 | COLLIGÉS PAR | RÉNE GROOS | ILLUSTRATIONS | DE | BRUNELLESCHI | {vignette} | GIBERT JEUNE | LIBRAIRIE D’AMATEURS | 61, BOULEVARD DE SAINT-MICHEL, 61 | PARIS || Pagination: [6] 1-337 [348] [8]; frontispiece and 15 colour plates (collotype), b/w tail-pieces and vignettes (offset). Limited edition, №2507 of 3000. Binding: original tan pictorial wrappers, in a slipcase. -
Title: MEMOIRS | OF | VIDOCQ. |THE | Principal Agent of the French Police. | WRITTEN BY HIMSELF, | AND TRANSLATED FROM THE | ORIGINAL FRENCH, EXPRESSLY FOR THIS EDITION. | WITH ILLUSTRATIVE ENGRAVINGS, | FROM | ORIGINAL DESIGNS BY CRUIKSHANK. | PHILADELPHIA: | T. B. PETERSON AND BROTHERS, | 306 CHESTNUT STREET. || Pagination: ffl, engraved frontispiece w/guard, engraved t.p., [2] t.p. / copyright, 19-580, [12], [2] 3-17 [18-30], bfl + 4 plates. Collation: 8vo; [1]8 2-358 362 + 22 leaves of advert., + frontis., t.p., 4 plates. Correct collation despite pagination starts at p. 19. Binding: Publisher's brown pebbled cloth, front stamped in blind, gilt spine lettering, yellow endpapers. Owner's ink inscription to ffl, dated 1936. Ref.: HathiTrust and OCLC identify the plates as 'by George Cruikshank' though none is signed. Authorship of Eugène-François Vidocq (French, 1775 – 1857) is doubtful too. The translator is not stated. -
Title: NOUVELLE | LISTE | DES JOLIES FEMMES | DE PARIS ; | LEURS NOMS ET LEUR DEMEURE. | PRIX TROIS FRANCS. | Se trouve A Paris , au Palais des plaisirs. | — | An 1808. || Pagination : [1-6] 7-70 [2 blank] Collation : 9vo, [A]9 B-D9. Binding: Original blue wrappers, 15 x 9 cm. Ref: OCLC finds only one copy, at the British Library. The BnF has a work of the same title, with the same pagination, dated 1803. The stated publisher seems to be fictitious. Quaritch description: 12mo, pp. 70; a little dusty, a few spots and marks; a very good uncut copy in original blue/grey wrappers; somewhat worn and stained. Very rare guide to Parisian prostitutes providing an extraordinary snapshot of the state of prostitution in the city during the First French Empire. The anonymous compiler begins with a brief history of prostitution in the capital, and its regulation, under Charlemagne and Louis VIII, describes a brothel established by Joanna I of Naples at Avignon and discusses Pierre-Jean Grosley’s estimate of the number of prostitutes in London. He then provides his liste, divided into categories including ‘houses of the first order’, ‘bawdy houses’, ‘actresses’, ‘washerwomen’, and ‘procuresses’, giving the name of each prostitute, an indication of their age, and their physical attributes, character, and particular talents. Rosanne, for example, chez Madame l’Évêque at the Palais du Tribunat, offers ‘unspeakably voluptuous pleasures to the nether regions’; Honorine prefers women; Scholastique likes wine with her lovemaking; Nanette has a penchant for soldiers; Genevieve favours the priapic; Dorsay enjoys S&M, and Madame Laperriere promises rejuvenation to the elderly. One Ducroisy is poetically described as possessing ‘a tuft as black as a crow above two alabaster columns’, while Félicité has skin ‘soft and white, sprinkled with golden freckles, like gold in Maraschino liqueur’. The author hopes that his listed will bring business to the ladies and pleasure to their clients, beseeching both to look after their health so that his guide might ‘serve Love, not Asclepius’. -
Title: CURIOSA | An | Exhibition | of | Illustrated | Erotic | Books | HOBART & MACLEAN || Pagination: 16 unpaginated pages with bibliography of 49 editions with prices and 51 images. Stapled softcover, original green wrappers with lettering to front and illustration to back. Size: 21 x 15 cm. -
Title vol. 1: XIX CENTURY FICTION | A BIBLIOGRAPHICAL RECORD | BASED ON HIS OWN COLLECTION | BY | MICHAEL SADLEIR | IN TWO VOLUMES | VOLUME I | PRINTED AT THE UNIVERSITY PRESS, CAMBRIDGE | AND PUBLISHED | in Great Britain by | / CONSTABLE & CO LTD | 10–12 ORANGE STREET | LONDON W.C.2 / in the U.S.A. by the | CALIFORNIA UNIVERSITY | PRESS | LOS ANGELES, CAL.|| DJ vol. 1: XIX CENTURY FICTION | A BIBLIOGRAPHICAL RECORD | BASED ON HIS OWN COLLECTION | BY | MICHAEL SADLEIR | IN TWO VOLUMES | VOLUME ONE | Passages from the Autobiography of a Bibliomaniac | Explanatory Guide – Acknowledgements | FIRST EDITIONS IN AN AUTHOR-ALPHABET | COMPARATIVE SCARCITIES || Pagination: [4 blanks] ix-xxxiii, [2] 3-398 [399] [2 blanks] Collation: 4to; π2 [a]-d4 [1]-504. Title vol. 2: XIX CENTURY FICTION | A BIBLIOGRAPHICAL RECORD | BASED ON HIS OWN COLLECTION | BY | MICHAEL SADLEIR | IN TWO VOLUMES | VOLUME II | PRINTED AT THE UNIVERSITY PRESS, CAMBRIDGE | AND PUBLISHED | in Great Britain by | / CONSTABLE & CO LTD | 10–12 ORANGE STREET | LONDON W.C.2 / in the U.S.A. by the | CALIFORNIA UNIVERSITY | PRESS | LOS ANGELES, CAL.|| DJ vol. 2: XIX CENTURY FICTION | A BIBLIOGRAPHICAL RECORD | BASED ON HIS OWN COLLECTION | BY | MICHAEL SADLEIR | IN TWO VOLUMES | VOLUME TWO | “YELLOW-BACK” COLLECTION | FICTION SERIES || Pagination: [2 blanks] [8] [2] 3-195 [196 blank] [2 blanks]. Collation: 4to; π4 1-234 246. Binding: burgundy cloth, gilt vertical lettering to spine, Verity Hewitt (Canberra, AU) bookshop sticker to front pastedown; laid paper; cream DJ with lettering to front and spine. Edition: First limited edition of 1025 of which 1000 for sale. Unnumbered. -
Title: SONGS, | NAVAL AND NATIONAL, | OF THE LATE | CHARLES DIBDIN; | WITH A MEMOIR | AND | ADDENDA. | COLLECTED AND ARRANGED BY | THOMAS DIBDIN, | AUTHOR OF “THE ENGLISH FLEET,” CABINET,” &c. &c. | WITH CHARACTERISTIC SKETCHES BY | GEORGE CRUIKSHANK. | LONDON: | JOHN MURRAY, ALBEMARLE STREET. | (PUBLISHED TO THE ADMIRALTY) | 1841.|| Pagination: [4 binder's blanks] [i-vi] vii-xv [xvi advert.], [1] 2-336 [4 binder's blanks], engraved frontispiece and 11 plates by George Cruikshank. Collation: 8vo; [A] – Y8. Binding: brown ¾ morocco, ruled in gilt over marbled boards, marbled endpapers, raised bands, gilt in compartments, top margin gilt, title lettering and year to spine, by V. Krafft. Bookplate to front pastedown “Ex Libris Robert Hoe”. Provenance: HOE, Robert III (American, 1839-1909) – American businessman and producer of printing press equipment. Catalogue raisonné: Albert M. Cohn (1924): № 231, p. 75. Makers: Charles Dibdin the younger (British, 1768—1833) – author. Thomas John Dibdin (British, 1771—1841) – author. William Clowes (British, 1779—1847), printer. John Murray III (British, 1808—1892), publisher. George Cruikshank (British, 1792—1878), artist, emgraver. -
Engraved title:
Upper frame: ALMANACH | ICONOLOGIQUE, | OU | DES ARTS | pour l'année | 1764. | Orné de Figures | avec leurs explications | par | M. GRAVELOT. | avec Priv. du Roy | A PARIS
Lower frame: Chez Lattré Graveur rue S. Jacq. | à la Ville de Bordeaux.
Under the frame: H. Gravelot del. — L. Legrand sc.
28 leaves, of them: engraved t.p., engraved frontis., and 12 plates, text engraved. Pages numbered 1-12, and I-XII (incorrectly marked XVI), other unpaginated, unbound tissue guards. Size: 10.6 x 7.2 cm, full polished crimson calf w/veins, triple-ruled in gilt with florets in corners, flat spine, double-ruled in gilt, all edges gilt. Florets in compartments, black title label with gilt lettering “ALM | ICON ||”, peacock marbled endpapers, blue silk ribbon. Approbation dated 15 November 1763, as some plates.
Catalogue raisonné: Cohen, De Ricci 454.
-
Title: GUILLAUME APOLLINAIRE | FERNAND FLEURET LOUIS PERCEAU | L'Enfer | DE LA | BIBLIOTHÈQUE NATIONALE | ICONO-BIO-BIBLIOGRAPHIE | DESCRIPTIVE, CRITIQUE ET RAISONNÉE, | COMPLÈTE A CE JOUR | DE TOUS LES OUVRAGES COMPOSANT CETTE CÉLÈBRE COLLECTION | AVEC UN INDEX ALPHABÉTIQUE | DES TITRES ET NOMS D'AUTEURS | PARIS | MERCVRE DE FRANCE | XXVI, RVE DE CONDÉ, XXVI | MCMXII || Pagination: ffl, [1-5] 6-415 [416], bfl. Collation: [1]8 2-268. Binding: Original tan wrappers, lettering to covers and spine. Edition: First edition of which this is №952. Ref.: BnF -
Title: TYPOGRAPHIA : | A BRIEF SKETCH OF THE | ORIGIN, RISE, AND PROGRESS | OF THE | TYPOGRAPHIC ART; | WITH | PRACTICAL DIRECTIONS FOR CONDUCTING | EVERY DEPARTMENT IN AN OFFICE. | BY THOMAS F. ADAMS, TYPOGRAPHER. | {vignette} | PHILADELPHIA: | PRINTED AND PUBLISHED BY THE COMPILER, | N. W. CORNER OF THIRD AND CHESNUT STS. | 1837. || Pagination: Engraved frontispiece w/guard, t.p. / blank, [1-3] 4-372 [8], incl. Index and Directions to binder. Collation: 12mo; 1-31(6). Binding: contemporary full brown speckled calf, flat spine bands with gilt double-fillets, dark brown lettering label. Note: Plagiarism of John Johnson's (British, 1777 – 1848) book Typographia, or, The printers' instructor published in London by Longman, Hurst, Rees, Orme, Brown & Green in 1824. . -
Title (black and red in pictorial frame): The Fairy Tales | of the | Brothers Grimm | Illustrated by Arthur Rackham. | Translated by | Mrs. Edgar Lucas | Doubleday, Page & Co | New York 1909. Pagination: [i-iv] – h.t., t.p., frontis., v-xv [xvi], 1-325 [326] colophon., [1 blank sheet], bfl; 40 tipped-in color plates (offset chromolithograph) with lettered guards, numerous in-text woodcuts. Collation: 4to; a-b4, A-2S4. Edition: 1st deluxe American large-paper edition, limited to 50 copies, Rackham’s facsimile signature to h.t. verso. Binding: Original full limp suede binding with yapp edges, gilt-ornamented and lettered spine. Top edge gilt, other uncut. Moiré endpapers. Printed on laid paper. Marbled endpapers. -
Softcover, 242 x 165 mm, French flapped wrappers with black and red lettering to front and spine, top edge trimmed, pages uncut, printed on wove paper watermarked BFK Rives in italic script; illustrations in colour. Title: JEAN DE LA FONTAINE | LES AMOURS | DE | PSYCHÉ ET DE CUPIDON | ÉDITION CONFORME AUX TEXTES ORIGINAUX | ÉTABLIE PAR | LOUIS PERCEAU | ET ORNÉE D’ILLUSTRATIONS EN COULEURS | PAR | CARLÈGLE | LE LIVRE DU BIBLIOPHILE | GEORGES BRIFFAUT, ÉDITEUR | 4, RUE DE FURSTENBERG, PARIS | 1932 || Limited edition: 1230 copies of which this ic copy № 247. Collated 8vo: π4 1-24 3-48 58 *58 6-168 χ2, total 134 leaves, incl. frontispiece. Pagination: [8] 1-253 [254] [6]. Colophon: Le volume des Amours de Psyché et de Cupidon de La Fontaine a été achevé d'imprimer le quinze juin mil neuf cent trente-deux sur les presses du maitre imprimeur Coulouma, a Argenteul, H. Barthélemy étant directeur. Coloris de E. Charpentier, Paris. -
Title: L'ADAM | LASCIF | OU | LETTRES A LA MARQUISE |{fleuron}| AVEC | des figures finement gravées | pour animer par ces billets | fort galamment troussés | AU CARQUOIS D’ARGENT || Edition: Limited numbered edition of 252 copies, artist’s copy on Marais paper with watermark, final state. Pagination: [2] blanks, [2] h.t./tirage, [2] blank / exemplaire, [2] t.p. / blank, i-iii [iv], f.t. / blank; 13-183 [184] [2] blanks, [2] ex-libris / blank; frontispiece, 9 vignettes and 9 plates by Gaston Barret, dry point, sanguine; woodcut vignettes at the faux-title of each chapter. Binding: Unbound, in publisher's blue velour paper folder with gilt device to front cover, original wrappers with blue silhouette and grey medallions, in publisher's grey slipcase. Ref: (1) Jean-Pierre Dutel, Bibliographie des ouvrages érotiques publiés clandestinement en français entre 1920 et 1970, № 951, Inconnu à Pia. (2) Curiosa: An exhibition of illustrated erotic books 1987 — London: Hobart & Maclean, 1987, № 8. (3) Honesterotica (793). Note: Most sources reference black prints, not sanguine. The publishing year was established by Jean-Pierre Dutel; in any case, it was published before the jury hearings at Cour d'Assises in Paris on May 29, 1956. The fact of hearings was not independently confirmed. -
Seller's description: "pottery jar presenting a circular, concave base, an apple-form body, a cylindrical neck, and an annular flared rim. Boasting a lustrous burnish, the gorgeous vessel displays three narrow vertical panels in a hue of cream over mottled shades of chocolate brown and mocha on its body and a caramel-coloured neck and rim. The discoid lid features a lovely natural woodgrain surface incised with three decorative concentric circles around a petite knob-like handle. Note the beautiful globules of glaze that decorate the periphery of the base! This type of vessel is known as Seto ware." Size: Dia: 13 cm, H: 14 cm. -
A two-volume set. Vol. 1:Title: LA | GERUSALEMME | LIBERATA | DI | TORQUATO TASSO | Tomo Primo | {vignette} | IN PARIGI | M.DCC.LXXI | Appreßo { Agostino Delalain. | Pietro Durand. | Gio: Claudio Molini. | Droüet ∫crip.
Pagination: ffl [1] 2-331 [332] bfl; illustrations after Gravelot: frontis. by Henriquez, t.p. vignette by Patas, engraved dedication by Le Roy, 10 head- and 7 tailpieces by Le Roy, 5 full-page vignettes by Le Roy, and 10 plates by: Baquoy, Duclos (3), Le Roy, Lingée, Née, Rousseau, and Simonet (2).
Collation: 8vo; A-V8 X6.
Vol. 2: Title: LA | GERUSALEMME | LIBERATA | DI | TORQUATO TASSO | Tomo Secondo | {vignette} | IN PARIGI | M.DCC.LXXI | Appreßo { Agostino Delalain. | Pietro Durand. | Gio: Claudio Molini. | Droüet ∫crip. Pagination: ffl [1] 2-340 bfl; illustrations after Gravelot: frontis. by Henriquez, t.p. vignette by Mesnil, 10 head- and 6 tailpieces by Le Roy, 4 full-page vignettes by Le Roy, tailpiece by Ponce, and 10 plates by: Duclos, Henriquez, Leveau, Lingée, Massard, Née, Patas, Ponce, Rousseau, and Simonet. Collation: 8vo; A-X8 Y2. Size: 21.5 x 14.5 cm. Size of the copy sold at Sotheby's in 2015: 23.3 x 14.0 cm; Christie's in 2008: 23.2 x 14.4 cm Page size: 21 x 13.5 cm. In referenced sources, the page size is bigger than that. N. Ray gives 11 ½ x 8 7⁄8 inches or 9 x 5½ inches. Cohen and De Ricci do not bother to give sizes, considering that octavo is octavo. MFA: 30.3 x 23.1 x 4 cm (11 15/16 x 9 1/8 x 1 9/16 in.) Binding: Two volumes uniformly bound in full marbled calf, ruled in gilt, flat spine with gilt decorations and monogram, cream lettered label. Geoffrey Lord Cross of Chelsea [Geoffrey Cross, Baron Cross of Chelsea] (British, 1904 – 1989) bookplate to front pastedown. Catalogue raisonné: N. Ray №22, p. 48; Cohen De Ricci 974-975 According to MFA printing by: François-Augustin Quillau (French, 1743–1804). This edition was illustrated by Hubert François Gravelot (French, 1699–1773) and engraved by the following engravers: Jean Charles Baquoy (French, 1721–1777) Antoine Jean Duclos (French, 1742–1795) Benoît Louis Henriquez (French, 1732–1806) Jean Jacques André Le Veau (French, 1729–1785) Charles Louis Lingée (French, 1748–1819) Jacques Le Roy (French, born in 1739) Jean Massard (1740–1822) Elie du Mesnil (French, born about 1728) François Denis Née (French, 1735–1818) Charles Emmanuel Jean Baptiste Patas (French, 1744–1802) Nicholas Ponce (French, 1746–1831) Jean François Rousseau (French, born in 1740) Jean Baptiste Simonet (French, 1742–1813) Droüet (French, 18th century) -
Agate snuff bottle of flattened rounded rectangular form, round neck, and flat base, semitransparent milky white body with dark brown inclusions of geometric form. Green jadeite stopper with a copper alloy spoon and collar. Qing dynasty [清] (1644-1912) Size: 7.2 x 4.3 x 2.2 cm -
Vol. 1: THE | WORKS | OF THE | RIGHT HONOURABLE | EDMUND BURKE, | COLLECTED IN THREE VOLUMES. | VOL. I. | DUBLIN: | PRINTED FOR R. CROSS, W. WILSON, P. WO-| GAN, L. WHITE, P. BYRNE, A. GRUEBER, J. MOORE, | W. JONES, W. M’KENZIE, H. WATTS, J. RICE, | AND G. FOLINGSBY. | 1792.|| Pagination: 2 blank leaves, [2] - t.p. /blank, [2] - contents / blank, [2] - f.t. / blank, [3] 4-61 [62] - blank, [2] - f.t / blank, [4] contents, 65-580, 1 blank leaf. Collation: 8vo; π2 B-Z8 Aa-Oo8 Pp4. Vol. 2: THE | WORKS | OF THE | RIGHT HONOURABLE | EDMUND BURKE, | COLLECTED IN THREE VOLUMES. | VOL. II. | DUBLIN: | Printed by William Porter, | For R. Cross, W. Wilson, P. Wogan, L. White, P. Byrne, W. M’kenzie, J. Moore, A. Grueber, W. Jones, H. Watts, J. Rice, And G. Folingsby. | M.DCC.XCIII.|| Pagination: 2 blank leaves, [2] - t.p. /blank, [2] - contents / cont., [2] - f.t. / blank, [3] 4-655 [656 blank], 2 blank leaves. Collation: 8vo; π2 B-Z8 Aa-Tt8. Vol. 3: THE | WORKS | OF THE | RIGHT HONOURABLE | EDMUND BURKE, | COLLECTED IN THREE VOLUMES. | VOL. III. | DUBLIN: | PRINTED FOR R. CROSS, W. WILSON, P. WO-| GAN, L. WHITE, P. BYRNE, A. GRUEBER, J. MOORE, | W. JONES, W. M’KENZIE, H. WATTS, J. RICE, | AND G. FOLINGSBY. | 1792.|| Pagination: 2 blank leaves, [2] - t.p. /blank, [2] - contents / blank, [2] - f.t. / blank, 3-602, 3 blank leaves. Collation: 8vo; A-Z8 Aa-Pp8. Binding: Full contemporary calf ruled in gilt, leather spine labels gilt, gilt scrollwork in compartments framed in Greek–key rolls, marbled endpapers, hinges cracked, central vertical split to spine panel to vol. 1 and 3, early ownership signature to titles. -
Vol. 1: A | BIBLIOGRAPHICAL | Antiquarian and Picturesque | TOUR | IN THE | NORTHERN COUNTIES OF ENGLAND | AND IN | SCOTLAND. | BY THE REVEREND | THOMAS FROGNALL DIBDIN, D.D. | CHAPLAIN IN ORDINARY TO HER MAJESTY. | VOL. I. |{device} motto: DEI OMNIA PLENA | LONDON: | PRINTED FOR THE AUTHOR BY C. RICHARDS, ST. MARTIN’S LANE : | AND SOLD BY JAMES BOHN, 12 KING WILLIAM STREET, STRAND, LONDON : | LAING AND FORBES, EDINBURGH : JOHN SMITH AND SON, | GLASGOW : AND E. CHARNLEY, NEWCASTLE. | MDCCCXXXVIII.|| Pagination: ffl, frontispiece by W. Douglas after T. M. Richardson, [i-ii] t.p. / blank; [iii-iv] - dedication to Frances Mary Richardson Currer (British, 1785 – 1861) / blank, [v] vi-xv – preface, [i] ii-xxx – supplement & index, [2] – corrections / colophon, [2] list of plates, [2] – contents, [1] 2-436, bfl; 11 plates extraneous to collation (incl. frontis.), lacking one plate (facing p. 213. “Thos. Bridges…”), in-text woodcut vignettes, head- and tailpieces. Collation: 8vo; π8 a-b8 [c2] B-Z8 2A-2E8 2F2. Vol. 2: Similar title but "VOL. II." Pagination: ffl, frontispiece portrait of Hugh Stewart, Aged 84 by Robert Bell after Alison (nothing known); [2] – t.p. / blank, [2] – contents / cont., [437-8] f.t. / blank [439] 440-1090, bfl; 453/4 misprinted 449/50; lacking list of subscribers. Collation: 8vo; π2 [2F3-2F6] 2G-2Z8 3A-3Z8. Binding: By J. Leighton, Brewer Street. Later half dark brown morocco over marbled boards, raised bands with gilt fillets, gilt titling and fillets in compartments, all edges gilt, marbled endpapers. Edition: 1st edition of Dibdin’s last major work and the only edition of this title. Size: 24.5 x 15.5 cm Provenance: Lord Ronald Gower (British, 1845 – 1916); Frank Hird (British, 1873 – 1937). Catalogue raisonné: Jackson 89; Windle & Pippin A65, pp. 179–188 [LIB-2669.2021]. Artists: Abraham, [I.] Frederic Henry (British, 1790 – 1845) Carmichael, James John Wilson (British, 1800 – 1868) Geikie, Walter (British, 1795 – 1837) Harraden, Richard Bankes (British, 1778 – 1862) Hill, David Octavius (British, 1802 –1870) McLea, John Watson (British, fl.1832-1861) Nixon, James Henry (British, b. c. 1808) Reynolds, Sir Joshua (British, 1723 – 1792) Richardson, Thomas Miles (British, 1784 – 1848) Scott, J. (British, fl. 19th c.) Wilkinson, T. M. (British, fl. 19th c.) Engravers: Aikman, Alison [spouse of George Aikman?] (British, 1788 – 1865) Bell, Robert Charles (British, 1806 – 1872) Byfield, Mary (British, 1794/5 – 1871) Douglas, William (British, 1780 – 1832) Harraden, F. (British, fl. 1838) Horsburgh, John (British, 1791 –1869) Johnstone, John (British, fl. 1835 – ) Leith & Smith, Lithogrs (Edinburgh) Lizars, William Home (British, 1788 – 1859) Miller, William (British, 1796 – 1882) Penny, William (British, fl. 19th c.) Prior, Thomas Abiel (British, 1809 – 1886) Robinson, H. (British, fl. 19th c.) Smith, Charles John (British, 1803 – 1838) Thomson, James (British, 1788 – 1850) -
Vol. 1: THE | POEMS | OF | OSSIAN. | TRANSLATED | By JAMES MACPHERSON, Esq; | IN TWO VOLUMES. VOL. I. | A NEW EDITION. | LONDON: | PRINTED FOR W. STRAHAN ; AND T. CADELL, | IN THE STRAND. | M DCC XC.|| Pagination: 2 blank leaves, [2] - t.p. / blank, [v] vi-xiv, [2] - contents / cont., [1, 2] 3-404, one blank leaf. Collation: 8vo; π1 A-Z8 Aa-Cc8 Dd2 Vol. 2: THE | POEMS | OF | OSSIAN. | TRANSLATED | By JAMES MACPHERSON, Esq; | VOL. II. | A NEW EDITION. | LONDON: | PRINTED FOR W. STRAHAN ; AND T. CADELL, | IN THE STRAND. |M DCC XC.|| Pagination: 2 blank leaves, [2] - t.p. / blank, [2] - contents / blank, [1, 2] 3-436, [2] advert. / advert., two blank leaves. Collation: 8vo; π4 B-Z8 Aa-Ee8 Ff2 A1. Two volumes, 21.5 x 14 cm; hardcover; full tree calf gilt-tooled with stylized meander ruled boards inside and outside, flat spite tooled in gilt with meander and pineapples in compartments, two crimson lettered labels. margins speckled blue; peacock marbled endpapers, owner's karks to front pastedown: Owen J. Williams sticker and H. A. Lonis armorial bookplate with an earl's crown, hand-written inscription H. A. and H. C. Williams Wynn and ink stamp of Arthur J. Frank. James Macpherson (British, 1736–1796) was a Scottish writer, poet, literary collector and politician, known as the "translator" of the Ossian cycle of epic poems. Publishing Year: 1790 Publisher: W. Strahan and T. Cadell -
Description: Publisher’s blue cloth lettered in gilt to front cover and spine, spine darkened and rubbed at ends, upper joint starting, pictorial dust jacket with Ain Rand photograph portrait on the back, unclipped ($3,00). Title-page: The | FOUNTAINHEAD | By AYN RAND | THE BOBBS–MERRILL COMPANY, INC. | Publishers | INDIANAPOLIS {space} NEW YORK || Pagination: [1-6] 9-753 [754]. Edition: First edition, later printing; lacks "First edition" statement; blue cloth; photo on the back of DJ, p. 321 line 5 "referred", p. 480 "Domininque" twice. -
ATLAS | SHRUGGED | AYN RAND | {Publisher's device} | RANDOM HOUSE | NEW YORK || Pagination: [2] - h.t. / advert., [2] – t.p. / colophon, [2] – dedication / blank, [2] – contents / cont., [1, 2] ¬ f.t. / blank, [3] 4-1168 [1169] blank, [1170/71] about the author [1172] blank, two blank leaves. Original green cloth with gilt lettering, black label with gilt lettering and publisher device to spine; top margin green, lateral margin untrimmed. Stated first edition, first printing. Original dust jacket with $6.95 printed price and 10/57 code present on the front flap. -
ERNEST HEMINGWAY | A Moveable Feast | {Citation} | CHARLES SCRIBNER'S SONS, | New York || Pagination: [12] – incl: advert., h.t., t.p., colophon, contents, preface, and note, [1, 2] - f.t. / blank, 3-211 [212]. Publisher’s cloth-backed stamped boards, original dust jacket. Ref.: Hanneman A31a. -
Convolute with three editions, dedicated to the Commune of Paris, 1871. (1) LES | Publications de la Rue | pendant | LE SIEGE ET LA COMMUNE | SATIRES — CANARDS — COMPLAINTES — CHANSONS | PLACARDS ET PAMPHLETS | BIBLIOGRAPHIE | PITTORESQUE ET ANECDOTIQUE | Par Firmin MAILLARD |{publisher’s device}| PARIS | AUGUSTE AUBRY, ÉDITEUR | 18, RUE SÉGUIER, 18 | 1874 || Pagination: ffl, original pictorial wrapper, [2] – blank / advert., [2] – h.t. / blank, [2] – h.t. / colophon imprim. PILLET FILS AINÉ, frontis. similar to front wrapper without '1874', [2] – t.p. / blank, [v] vi-xii, [1] 2-198, three blank leaves, back wrapper. (2) VILLE DE SAINT-DENIS | EXPOSITION D'ART & D'HISTOIRE | La Commune de Paris |18 Mars 1871 28 Mai | AVANT-PROPOS DE Lucien DESCAVES | de l’Académie Goncourt | PREFACE DE Jacques DORIOT | Député de la Seine, Maire de Saint-Denis | Du 17 Mars au 26 Mai 1935 | au Musée Municipal | 4, place de la Légion d’Honneur – Saint-Denis || Pagination: original pictorial wrapper in black and red, frontis., [2] - t.p. / blank, [2] – commité, v-xiii [xiv] 1-113 [114], 26 plates (13 leaves), blank back wrapper, spine tipped-in. (3) J. LEMONNYER | LES | JOURNAUX DE PARIS | PENDANT | LA COMMUNE | REVUE BIBLIOGRAPHIQUE COMPLETE | DE LA PRESSE PARISIENNE | du 19 Mars au 27 Mai | AVEC |{7 lines of text}| ET | UNE TABLE ALPHABÉTIQUE | DONNANT LE PRIX-COURANT DE CHAQUE COLLECTION | PARIS : J. LEMONNYER, Librarire | 73, Rue de Provence, 73 || Pagination: [2] - t.p. / blank, [2] – preface, [7] 8-94, green back wrapper w/advert., bfl. (lacks original front wrapper). Binding: Modern (20th century) red cloth, black label with gilt lettering to spine, matching marbled endpapers. Size: 18.5 x 13 cm; 12mo. -
A CATALOGUE OF AN EXHIBITION | OF | The Philip Hofer Bequest | IN THE DEPARTMENT OF | PRINTING AND GRAPHIC ARTS | {white in crimson cartouche The | Philip Hofer | Collection | in the | Houghton | Library} | HARVARD COLLEGE LIBRARY | CAMBRIDGE, MASSACHUSETTS | 1988 || Printed by Meriden-Stinehour Press; Roderick Douglas [Rocky] Stinehour (American, 1925 – 2016) and his son Stephen Stinehour, The Stinehour Press in Lunenburg, Vermont. The Meriden Gravure Company in Meriden, Connecticut, was founded in 1888 by Charles Parker and James F. Allen. In 1977, the Meriden merged with the Stinehour Press, and in 1989, the Meriden operations were closed and the Meriden Gravure presses moved to the Vermont location. Pagination: [i-vi] – incl. h.t., t.p., f.t., vii-xiv, [1] 2-218, 100 plates, within pagination, incl. bibliography, index. Binding: Original grey paper wrappers with title printed in red and white. -
A suite of 12 etchings 160 x 118 mm each, in the first state, pasted on paper, 2 per sheet, with a cover (250 x 210 mm).0. Cover. Les femmes de Paris pendant le siège./R.Martial/1871.1. Lorsqu'à l'approche de l'ennemi on demandait l'éloignement des bouches inutiles [...] 2. L'Ennemi ! 3. No inscription 4. Quête pour les veuves. 5. Concert et quête pour les enfants blessés, malades, infirmes. 6. Au bastion/Et celles non moins précieuses qui dirigeaient ces ventes [...] 7. Vente pour les orphelins de la guerre. 8. No inscription 9. Une ration, bouillie romaine et Vin/Cantine municipale[...] 10. No inscription 11. No inscription 12. Les effets de cette union patriotique des femmes sont connus.[...] -
Iron tsuba of quatrefoil form (mokka-gata) adorned with the design of stars, wild geese, blossoms, leaves and tendrils realized in the brass inlay. The inlay technique includes suemon-zōgan and ten-zōgan. A smaller opening (kozuka hitsu-ana) surrounded by a scalloped brass border. The seppa-dai bordered with linear inlay. A few dots of inlay on both sides are missing. Measurements: height 71 mm, width 70 mm, thickness at centre 2.7 cm Time: Late Muromachi (1514 – 1573) -
2 volume set. Vol. 1. Title: Typographia, | OR THE | Printers' Instructor : | INCLUDING AN ACCOUNT | of the | ORIGIN OF PRINTING, | with | Biographical Notices of the Printers of | England, from Caxton to the close | of the Sixteenth Century : | A Series of | Ancient and Modern Alphabets, | and | DOMESDAY CHARACTERS : | Together with | An Elucidation of every Subject con- | nected with the Art. | By J. JOHNSON, Printer. |{stanza}| Vol. I. | In frame: Published by Messrs. Longman, Hurst, | Rees, Orme, Brown & Green, Pater- | noster Row, London | Under the frame: 1824. || Typographical frame with the names of distinguished printers; on the cornerstone: William Caxton, 1474. Pagination: ffl / blank, blank / engraved frontis., engraved t.p. / blank, engraved dedication / list of club members, engraved arms vignette / blank, [4] pedigree, [i] ii-xii – preface, [1] 2-610, [10] – index, bfl. Text printed in the frame. To ffl : previous owner’s inscription: Herbert Heath | from | William Blades. | Xmas 1886; Frontispiece: Portrait of John Johnson at age 46, engraved on wood by W. Hughes; t.p.: TYPOGRAPHIA, | OR THE | PRINTERS INSTRUCTOR | BY | J.JOHNSON | PRINTER. VOL. 2. | 1824 | frame with lettering, top: GUTTnbg – FAUST – ELZEVIR – ALDUS, bottom: MENTZ – STRASbg –HARLAEM | below: BIBLIOTHECA • BODLEIANA. | below the frame: G.W.BONNER SC ||; Dedication to Earl Spenser, K. G., and the members of The Roxburghe Club, dated 1824, engraved on wood by W. Hughes; Arms vignette: Roxburghe Club | Instituted | June XVII | M D CCCXII || engraved on wood by William Harvey. Provenance: Admiral Sir Herbert Leopold Heath, KCB MVO (1861 – 1954); William Blades (1824 – 1890) – English printer and bibliographies. Inscription to ffl in both vols:D. Bateman. Vol. 2. Pagination: ffl, t.p. (similar lettering, but Vol. II.) / blank, [2] advert., [i] ii-iv contents, [1, 2] 3-663 [664] [16]. Points: Vol. 1.: Frontispiece portrait of Caxton replaced by a portrait of J. Johnson from Vol. 2, engraved t.p. of Vol. 1. replaced by t.p. of Vol. 2; Vol. 2 without engraved t.p., and without frontispiece. Edition: First Edition. Size: 16mo. 12.5 x 8.5 cm Binding: Mid-nineteenth century polished calf, the covers with a border of a gilt double fillet and blind roll. Spine divided into six panels with raised bands flanked with gilt fillets, lettered on new red goatskin labels, marbled endleaves and edges. Seller's description:John Johnson (1777-1848) operated Sir Samuel Egerton Brydges's Lee Priory Press before a falling-out. Typographia was printed at his Apollo Press, in Brook Street, Holborn, with the financial support of Edward Walmsley, and came out in four sizes. "Of the few standard works on the art of printing in the English language, this is perhaps the most familiar. [The first volume contains] a table of the introduction of the art into the different countries, after which comes the "introduction and art in Great Britain", with a list of the productions of the first printers up to 1599. The second volume may be described as practical, in contradistinction to the first, which is historical. It gives a description of types, directions for composing, for press, and warehouse work, &c. It is particularly rich in foreign alphabets, a feature which has gained of it great estimation. It has long since become, and deservedly, a printer's classic" - Bigmore & Wyman, I, pp.371-2.
Note: This is the book that served as a source of plagiarism for Adams's Typographia: a brief sketch of the origin, rise, and progress of the typographic art published in Philadelphia by himself in 1837. The copy returned to the seller for the reason stated in section Points above and replaced with the unaltered copy LIB-2693.2021. -
Title: MEMOIRS OF M. THIERS | 1870—1873 | Translated by | F. M. ATKINSON | {publisher’s device} | LONDON: GEORGE ALLEN & UNWIN LTD. | RUSKIN HOUSE 40 MUSEUM STREET, W.C. Pagination: [6] 7-384. Collation: 8vo; [1]-248. Size: 23 x 15 cm Binding: Blue cloth, top and bottom ruled in blind, gilt lettering to front cover and spine. Original: Adolphe Thiers. Notes et souvenirs de M. Thiers, 1870-1873: voyage diplomatique, proposition d'un armistice, préliminaires de la paix, présidence de la République. — Paris : [s.n.], 1901. — 465 p. The preface and editing signed "F. D." [Félicie Dosne]. Félicie Dosne (French, 1823 – 1906) was Thiers's sister-in-law. -
Artist: Utagawa Kunisada [歌川 国貞] a.k.a. Utagawa Toyokuni III [三代 歌川 豊国] (Japanese, 1786 – 1865). An untrimmed fan print titled Fuji Tsukuba aiaigasa, shows the actors Ichikawa Ebizo V [市川海老蔵] and the onnagata actor Iwai Shijaku I [岩井紫若] sharing an umbrella against the wind. Tsukuba, about 50 kilometres from Edo, was an area where both Fuji and Mount Tsukuba could be viewed together. Mount Fuji being the female and Mount Tsukuba the male. An aizuri-e background (common to all the designs in this set). A play on images and words. Actors: Ichikawa Danjūrō VII [市川団十郎] (Japanese, 1791 – 1859); other names: Ichikawa Ebizō V [市川海老蔵], Ichikawa Hakuen II, Ichikawa Shinnosuke I. Iwai Matsunosuke I [岩井松之助] (Japanese, 1804 – 1845); other names: Iwai Hanshirō VII, Iwai Shijaku I [岩井紫若], Iwai Komurasaki I. Publisher: Ibaya Senzaburo [伊場屋仙三郎] (Japanese, fl. c. 1845 – 1847). The publisher’s seal is on the umbrella. Date: circa 1832. Signed: Kōchōrō Kunisada ga in a red double-gourd cartouche. From the series of fan prints:
Two more prints from the series 'Fuji and Tsukuba sharing an umbrella' (Fuji Tsukuba aiaigasa), not in this Collection:
SVJP-0341.2021
Kabuki actors Onoe Kikugorō III and Iwai Kumesaburo II. Year: c. 1832; Publisher: No seal; Signed: Kōchōrō Kunisada ga From Kunisada Project. 
Kabuki actors Bandō Minosuke II and Iwai Shijaku I. Year: c. 1832; Publisher: No seal; Signed: Kōchōrō Kunisada ga From Kunisada Project. -
Artist: Utagawa Kunisada [歌川 国貞], a.k.a. Utagawa Toyokuni III [三代 歌川 豊国] (Japanese, 1786 – 1865). An untrimmed fan print titled Fuji Tsukuba aiaigasa, shows the actors Nakamura Shikan II [二代目中村芝翫] and the onnagata actor Iwai Kumesaburō II [岩井粂三郎] sharing an umbrella against the snow. Tsukuba, about 50 kilometres from Edo, was an area where both Fuji and Mount Tsukuba could be viewed together. Mount Fuji being the female and Mount Tsukuba the male. An aizuri-e background (common to all the designs in this set). A play on images and words. Actors: Nakamura Utaemon IV [中村歌右衛門] (Japanese, 1796 – 1852); other names: Nakamura Shikan II [二代目中村芝翫], Nakamura Tsurusuke I, Nakamura Tōtarō. Iwai Hanshirō VI [[岩井半四郎] (Japanese, 1799 – 1836); other names: Iwai Hanshirō VI, Iwai Kumesaburō II [岩井粂三郎], Iwai Hisajirō I, Baiga (poetry name), Shūka (poetry name). Publisher: Ibaya Senzaburo [伊場屋仙三郎] (Japanese, fl. c. 1845 – 1847). Date: circa 1832. Signed: Kōchōrō Kunisada ga in a red double-gourd cartouche. From the series of fan prints:
Two more prints from the series 'Fuji and Tsukuba sharing an umbrella' (Fuji Tsukuba aiaigasa), not in this Collection:
SVJP-0342.2021
Kabuki actors Onoe Kikugorō III and Iwai Kumesaburo II. Year: c. 1832; Publisher: No seal; Signed: Kōchōrō Kunisada ga From Kunisada Project. Kabuki actors Bandō Minosuke II and Iwai Shijaku I. Year: c. 1832; Publisher: No seal; Signed: Kōchōrō Kunisada ga From Kunisada Project. -
Title: Japanese Art Signatures | A Handbook and Practical Guide | James Self and Nobiko Hirose | {publisher’s device} FLOATING | WORLD | EDITIONS || Pp.: [2] 3-399 [400]. 1st Floating World edition, 2003, 3rd printing, 2011. 1st edition in 1987 by Bamboo Publishing, Ltd. by Charles E. Tuttle Company, Rutland and Tokyo. Binding: Original blue wrappers with white lettering to both covers and spine, in yellow frames. -
Title: THE LIFE OF LOUIS ADOLPHE THIERS | BY | FRANCOIS Le GOFF | DOCTEUR-ÈS-LETTRES | TRANSLATED FROM THE UNPUBLISHED MANUSCRIPT | BY | THEODORE STANTON, A. M. | {motto: Patriam dilexit, veritatem coluit.} | NEW YORK | G. P Putnam's Sons, 1879 | 182 FIFTH AVENUE | 1879 || Pagination: 2 blank leaves, frontis.: portrait of A. Thiers engraved on wood by J.I. Pease w/ tissue guard, [2] fac-simile of Thiers’s handwriting / blank, [2] - t.p. / copyright, [2] – dedication / blank, [2] – translators note / blank, [2] contents / blank, [vii] viii-xi [xii], [1] 2-353 [354 blank], [4] advert., 2 blank leaves; ill.: frontis., 1 woodcut plate, 1 folding manuscript fac-simile. Binding: dark-green cloth with bevelled margins, a gilt fac-simile of Thiers’s handwriting to front board, gilt lettering to spine. Note: The motto on the title page (Patriam dilexit, veritatem coluit) is taken from A. Thiers tomb on Père-Lachaise cemetery in Paris: "He cherished his homeland and worshipped the truth". -
Title: FLATLAND | A Romance of Many Dimensions | With Illustrations | by the Author, A SQUARE | “fie, fie, how franticly I square may talk!” | NEW AND REVISED EDITION | LONDON | SEELEY & Co., 46, 47 & 48, ESSEX STREET, STRAND | (Late of 54 Fleet Street) | 1884 || Pagination: 2 blank leaves, [2] – h.t. / blank, [2] – t.p. / imprint., [2] – dedication / blank, [ix] x-xvi, [1, 2] f.t. / blank, [3] 4-102, 2 blank leaves; in-text woodcuts. Collation: [A]8 B-H8. Binding: original wrappers in pictorial parchment jacket, printed on laid paper, lower and lateral margins untrimmed. Note: This is the 2nd edition published the same year as the 1st, revised, as stated. I did not compare the two, neither I am planning to acquire the first 1st edition in a foreseeable future. This is a lifetime edition, handled by the Author himself, and that's enough for me to be quite happy. -
Title: НАУЧНО-ПОПУЛЯРНАЯ БИБЛИОТЕКА СОЛДАТА | [—] | ЛАУРЕАТ СТАЛИНСКОЙ ПРЕМИИ, ДЕЙСТВИТЕЛЬНЫЙ ЧЛЕН АКАДЕМИИ МЕДИЦИНСКИХ НАУК СССР О. Б. Лепешинская. | ПРОИСХОЖДЕНИЕ КЛЕТОК | ИЗ ЖИВОГО ВЕЩЕСТВА | [—•—] | ВОЕННОЕ ИЗДАТЕЛЬСТВО | ВОЕННОГО МИНИСТЕРСТВА СОЮЗА ССР | Москва — 1952 || Pagination: original pictorial wrappers with portrait in a frame, [1-4] – t.p. / contents, b/w portrait /blank, 5-75 [76] ; in-text illustrations. -
Title: GESCHICHTEN | AUS | ARETINO | MIT FÜNFZEHN BILDERN | VON | CHOISI-NÉRAC | NICHT IM HANDEL | GEDRUCKT FÜR HEINRICH CONRAD | UND SEINE FREUNDE | SIENA 1907 || Collation: 8vo; 1-128 137; frontispiece, t.p. and 14 plates, extraneous to collation. Pagination: [2] f.t. / blank, 3-203 [2], il. Binding: Full cream vellum, ruled with gilt double-fillet, grey label with gilt lettering to spine. Bookplate by von Bayros Par Avi Cigno to front pastedown. Note: Private edition of Aretino's Ragionamenti in German as Geschichten aus Aretino by translater and publisher Heinrich Conrad (German, 1866 – 1918), whose real name was Hugo Storm, this copy №394, illustrated by Franz von Bayros (Austrian, 1866 – of Choisi-Nérac. -
Vol. 1. Title: THE | LIFE AND ADVENTURES | OF | George Augustus Sala | WRITTEN BY HIMSELF | In Two Volumes | VOL. I. | (WITH PORTRAIT OF THE AUTHOR) | CASSEL AND COMPANY, Limited | LONDON, PARIS & MELBOURNE | 1895 | ALL RIGHTS RESERVED || Pagination: frontispiece portrait of Sala by Boussod, Valadon & Cie. w/guard tissue, [i, ii] – t.p./blank, [iii, iv] – dedication/blank, [v]-x – preface, [xi]-xvi – content, [1] 2-442, [16] advert. Collation: A-Z8 AA-BB8 CC5 [Advert.]8. Vol. 2. Title: THE | LIFE AND ADVENTURES | OF | George Augustus Sala | WRITTEN BY HIMSELF | In Two Volumes | VOL. II. | (WITH PORTRAIT OF THE AUTHORS MOTHER) | CASSEL AND COMPANY, Limited | LONDON, PARIS & MELBOURNE | 1895 | ALL RIGHTS RESERVED || Pagination: frontispiece portrait of Sal’s mother w/guard tissue, [i, ii] – t.p. / blank, [iii] iv-viii – content, [1] 2-457-[460], [16] advert. Collation: A-Z8 aa-cc8 dd6 [Advert.]8. Binding: two volumes in uniform green publisher’s pebbled buckram, gilt lettering to spine, contemporary newspaper clippings to front and back pastedowns, vol. 2 uncut. Note: George Augustus Sala's mother was an actress Henrietta Simon Sala, known as Madame Sala, (Guyanese, British, 1789 – 1860). Here she is depicted by an engraver Thomas Alfred Woolnoth (British, 1785 – 1857) after a portrait painted by Rose Emma Drummond (British, fl. 1820 – 1840). -
Pictorial cloth boards, spiral-bound, pp.: 3 leaves: h.t., frontis., t.p., 1-326; 123 black & white plates within the pagination.
-
Hardcover, 23.5 x 23.5 cm, publisher's navy cloth, gilt-stamped lettering to spine, pictorial DJ; pp.: [1-6] 7-143 [144 blank].Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). At any given time scores of publishers competed for the services of the leading artists of the day. Publishers and artists displayed tremendous ingenuity in finding ways to sustain demand for prints and to circumvent the restrictions placed on the industry through government censorship. Although Japanese prints have long been appreciated in the West for their graphic qualities, their content has not always been fully understood. This book draws on recent scholarship that makes possible a more subtle appreciation of the imagery encountered in the prints and how they would have been read when first made. Through stunning new photography of both well-known and rarely published works in the collection of the British Museum, including many recent acquisitions, the author explores how and why such prints were made, providing a fascinating introduction to a much-loved but little-understood art form.
