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![Юрий Масанов. В мире псевдонимов, анонимов и литературных подделок. / Под ред. и с вступ. ст. П. Н. Беркова. (Серия: Историко-литературные и биографические очерки). – М.: Издательство Всесоюзной книжной палаты, 1963. – pp.: [1-6] 7-318 [2], errata slip.](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-1589.2018-a-500x627.jpeg)
Title: Ю. И. МАСАНОВ | В МИРЕ | ПСЕВДОНИМОВ, | АНОНИМОВ | И ЛИТЕРАТУРНЫХ | ПОДДЕЛОК | Под редакцией и со вступительной статьей | П. Н. БЕРКОВА | ИЗДАТЕЛЬСТВО ВСЕСОЮЗНОЙ КНИЖНОЙ ПАЛАТЫ | МОСКВА • 1963 || Frontispiece: ИСТОРИКО- | ЛИТЕРАТУРНЫЕ | И | БИОГРАФИЧЕСКИЕ | ОЧЕРКИ Pagination: [1-6] 7-318 [2], errata slip; 15 leaves of plates. Collation: 8vo; [1]8 2-208. Binding: 22.0 x 18 cm, hardcover; publisher's tan cloth, gilt arabesque to front board, brown labels with gilt lettering to spine; pictorial DJ. Масанов, Юрий Иванович (Russian, 1911 – 1965). Берков, Павел Наумович (Russian, (1896 – 1969). -
Title: This Solemn | Mockery | THE ART OF LITERARY FORGERY | John Whitehead, A.L.A. | Arlington Books {device} London Pagination: [2] – h.t. / blank, [2] – t.p. / imprint, [2] –contents / acknowledgement, 1-177 [178 blank]; 4 leaves of plates (total 96 leaves). Binding: 22.2 x 14.2 cm; hardcover, aubergine cloth, silver lettering to spine, pictorial dust jacket. ISBN-10: 0851402127 -
Title (black and red): ПЕСНЬ | О КРЕСТОВОМ | ПОХОДЕ ПРОТИВ | АЛЬБИГОЙЦЕВ | {device} | Издание подготовили | И.О. БЕЛАВИН, Е.В. МОРОЗОВА | Научно-издательский центр | «Ладомир» | «Наука» | Москва || Frontispiece (black and red): LA CHANSON DE | LA CROISADE | ALBIGEOISE | {device} || Pagination : [1-9] 10-437 [3] ; 79 illustr. on 20 leaves of colour plates between pp. 224/225, inset: folding double-sided map of the Albigensian Crusade43 x 64 cm; print run 2,000 copies. Binding: serial green buckram blind-stamped with a scroll adorned with gold lettering to board and spine. Отв. ред. М. Л. Андреев. Ред. изд-ва Л. А. Сифурова. -
Title (black and red): ЦИЦЕРОН | ДИАЛОГИ | О ГОСУДАРСТВЕ 〜 О ЗАКОНАХ | ИЗДАНИЕ ПОДГОТОВИЛИ | И. Н. ВЕСЕЛОВСКИЙ, В. О. ГОРЕНШТЕЙН | и С. Л. УТЧЕНКО | {device} | ИЗДАТЕЛЬСТВО • НАУКА | МОСКВА • 1966 || Frontispiece (black and red): M. TVLLI CICERONIS | DIALOGI | DE REPUBLICA 〜 DE LEGIBUS| {device} || Pagination: [1-7] 8-223 [224], insert errata slip, 2 plates. Collation: 8vo; [1]8 2-148. Binding: 22 x 17.3 cm; hardbound: original serial green cloth, blind-stamped with scrolls and gilt lettering to board and spine, lacking DJ. Веселовский, Иван Николаевич (Russian, 1892 – 1977); Горенштейн, Виктор Осипович (Russian, 20th century); Утченко, Сергей Львович (Russian, 1908 – 1976). -
THE | ADVENTURES | OF | TELEMACHUS, | THE SON OF ULYSSES. | Translated from the French of | Messire François Salignac de la Mothe–Fenelon, | Archbishop of Cambray. | BY | JOHN HAWKESWORTH, L. L. D. | — | LONDON: | Printed for the AUTHOR, by W. and W. Strahan, | M DCC LXVIII. || Binding: half polished brown calf over marbled boards, wave ruled blind, gilt fillet ruled compartments, black label with gilt lettering to spine; 29.5 x 24.5 cm; marbled endpapers. Pagination: 2 blank leaves (wove paper), [I, ii] – t.p. / blank, [iii] iv – dedication, [v] vi-xv – subscribers, [xvi] blank, [xvii] xviii-xix – preface, [xx] xxi-xxxv – contents, [xxxvi] – errata, subscribers omitted, [1] 2-462, printed on laid paper, 2 blank leaves (wove paper). Collation: 4to; A4, a-c4 d2, B-Z4 Aa-Zz4 Aaa-Mmm4 Nnn3; 24 head- and 24 tailpieces engraved by Charles Grignion the Elder (British, 1721 – 1810) after Samuel Waly (British, 1720 – 1786). Original: François Fénelon. Les Aventures de Télémaque, fils d’Ulysse. See № LIB-2522-2020 in this collection. Not in Lewine, 1898; Not in Cohen De Ricci, 1912. -
Title: THOMAS FROGNALL DIBDIN | 1776-1847 | A Bibliography | By John Windle and Karma Pippin | Oak Knoll Press | New Castle Delaware | 1999 || Pagination: [2 blanks] [i, ii] – standing silhouette / frontis. with buste portrait 1821 (misspelled "Didbin"), [iii, iv] – t.p. / colophon, [v, vi] – dedication / blank, [vii, viii] – contents / blank, [ix, x] – illustr. / portrait 1816, [xi] xii-xxiii [xxiv] [1] 2-284 [2]. Binding: 23.5 x 16 cm, hardcover, publisher’s blue cloth gilt-stamped with a standing silhouette of T. F. Dibdin to cover, gilt lettering to spine. -
Hardcover, serial design green buckram with gilt lettering on an embossed scroll to front cover, gilt lettering to spine. 23 x 18 cm.
Pagination: [6] – serial h.t. / Sumerian title, t.p. / editorial board, f.t. / blank, [7] 8-212 [4], errata slip insert, 3 plates extraneous to pagination.
Title (in black and red): ЭПОС | О | ГИЛЬГАМЕШЕ | «О ВСЕ ВИДАВШЕМ» | {device} | ПЕРЕВОД С АККАДСКОГО | И. М. ДЬЯКОНОВА | ИЗДАТЕЛЬСТВО АКАДЕМИИ НАУК СССР | МОСКВА – ЛЕНИНГРАД | 1961 ||Epic of Gilgamesh translated from the Akkadian by Igor Mikhailovich Diakonoff (Russian: И́горь Миха́йлович Дья́конов; 12 January 1915 – 2 May 1999).
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Hardcover, green publisher's paper boards, gilt lettering in the figural frame, black label with gilt lettering and gilt in compartments to spine. 21 x 13.5 cm, print run 2,500. pp.: [4] 5-714 [715/6] [4]. Title: ТОРКВАТО ТАССО | Освобожденный | Иерусалим | Перевод с итальянского | В. С. ЛИХАЧЕВА | Подготовка текста, предисловие, комментарии | А. О. ДЁМИНА | {publisher's device} | Санкт-Петербург | «НАУКА» | 2007 || ISBN 978-5-02-026954-5 Original: Torquato Tasso. La Gierusalemme Liberata. -
Hardcover, 21.5 x 13.5 cm, pictorial boards, [1-4] 5-412 [2] [2]. Print run 3,000. Translation from German of the original {Siegfried Krakauer. Jacques Offenbach und das Paris seiner Zeit. — Amsterdam: Allert de Lange, 1937} by Serafima Shlapoberskaya – Шлапоберская, Серафима Евгеньевна (Russian, 1921 – 2007). -
Hardcover, publisher's white cloth with a black imprint to cover, red and black lettering to spine, pictorial DJ, pp.: [1-4] 5-398 [2]. Послесловие В. Столбова, художник В. Юрлов. Russian translation of Cien años de soledad by Gabriel García Márquez. -
Japanese binding, 2 leaves of pictorial wrappers, [10] 11-63, 10 b/w plates, 63 colour plates within pagination; in a green cloth folder with gilt lettering to front and spine. -
Softcover, pictorial wrappers, pp.: 1-200, il.Foreword: A treasure trove of ukiyo-e prints / Kobayashi Tadashi The Grabhorn ukiyo-e collection at the Asian Art Museum / Melissa M. Rinne Edwin Grabhorn : passionate printer and print collector / Julia Meech Figures of humans and animals : some early Japanese color prints from the Grabhorn Collection / David Waterhouse. Edwin Grabhorn (1889—1968), co-founder of the Grabhorn Press, Northern California's premier letterpress printer, was a pioneer American collector of Japanese prints. The Grabhorn prints in the collection of the Asian Art Museum comprise the upper echelons of the original collection. The collection includes a superb selection of early monochrome and hand-colored ukiyo-e prints by Sugimura Jihei, Torii Kiyonobu, Okumura Masanobu and others, from the seminal decades of the woodblock print production in the late 1600s and early 1700s.
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Iron tsuba in a form of an eight-petalled blossom (lotus) form, petals separated by linear low-relief carving, both hitsu-ana filled with gold plugs, the surface decorated with tsuchime-ji, rich grey-brownish patina, niku from 4 mm in the centre to 6 mm at the rim. Strong (futoji-mei) Nobuie [信家] signature to the left of nakago-ana. Attributed to the 2nd generation of Nobuie masters (Nidai Nobuie).
Size: outer diameter 84 mm, thickness at centre: 4 mm, at rim: 6 mm. Wight: 167 g.Signed: Nobuie [信家]
Probably the work of Nidai Nobuie (c. 1600).
The gold plugs are likely a later work. -
Hardcover, 32 x 23.5 cm, publisher's blue cloth, blind-stamped to cover, gilt lettering to spine, pictorial DJ; pp.: [1-6] 7-375 [376 blank], ill.This catalogue features the top ten percent of the collection ... presented in an exhibition ['Great ukiyo-e masters : common pleasures, uncommon prints : Japanese woodcuts from the Minneapolis Institute of Arts', sponsored by Asano Laboratories] that opened in Tokyo at the Shoto Museum of Art on October 2, 2007, and traveled to the Nara Prefectural Museum of Art and the Sanritz Hattori Museum of Arts"--Foreword. "This [2011] publication ... coincides with a special exhibition, 'Edo Pop: Japanese Master Prints from the Minneapolis Institute of Arts' (October 16, 2011, through January 8, 2012), which will [also] be shown at the High Museum of Art in Atlanta ..."--Foreword. "With contributions by Shūgō Asano, Akane Fujisawa, Murasaki Fujisawa, Yuriko Iwakiri, Yōsuke Katō, Junko Mutō, Noriko Yamamoto. Contents: Foreword / Kaywin Feldman Acknowledgments / Matthew Welch, Yuiko Kimura-Tilford Seductive beauty : coveting and collecting Ukiyo-e / Matthew Welch Time line of the artists Catalogue of selected prints Object list in English and Japanese
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Hardcover, 30 x 26 cm, publisher's pictorial boards, pp.: [1-5] 6-168, il.Published to accompany the recent successful exhibition at the Museu Picasso, Barcelona, this book sheds new light on Picasso's work - his connection with Japanese art. It is illustrated with images
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Hardcover, 23.5 x 23.5 cm, publisher's navy cloth, gilt-stamped lettering to spine, pictorial DJ; pp.: [1-6] 7-143 [144 blank].Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). At any given time scores of publishers competed for the services of the leading artists of the day. Publishers and artists displayed tremendous ingenuity in finding ways to sustain demand for prints and to circumvent the restrictions placed on the industry through government censorship. Although Japanese prints have long been appreciated in the West for their graphic qualities, their content has not always been fully understood. This book draws on recent scholarship that makes possible a more subtle appreciation of the imagery encountered in the prints and how they would have been read when first made. Through stunning new photography of both well-known and rarely published works in the collection of the British Museum, including many recent acquisitions, the author explores how and why such prints were made, providing a fascinating introduction to a much-loved but little-understood art form.
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Softcover, 24 x 16.5 cm, publisher's pictorial wrappers, lettering to spine, pp.: [6] 7-224. Full reproduction of Katsushika Hokusai's [葛飾 北斎] (Japanese, 1760 – 1849) series of three illustrated books [絵本, e-hon] One Hundred Views of Mount Fuji [富嶽百景, Fugaku hyakkei], published in Japan in 1834-1849, with commentaries. -
Pictorial cloth boards, spiral-bound, pp.: 3 leaves: h.t., frontis., t.p., 1-326; 123 black & white plates within the pagination.
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Hardcover, 22 x 15 cm; publisher's quarter burgundy cloth, gilt lettering to cover and spine, pictorial DJ. Stated 1st edition. Translation of Bushōkō Hiwa (The Secret History of the Lord of Musashi) and Yoshino Kuzu (Arrowroot). ISBN: 9780394524542 -
Publisher's brown cloth stamped in gilt, in a slipcase, 19 x 14 cm; pp.: [11] 1-657 [1] 1-12 [6]; in Japanese. With full English translation published in 1982 on letter-size writing paper in a separate folder, 29.5 x 23 cm, pp. [2] i-iii, 1-197, 1-52, 1-3. "Kinkō Meikan is a collection of photographs of signatures that appear on the tsuba and other fittings of the Japanese sword". -
Japanese book: 24 leaves, 22 numbered plates, b/w photography reproduced photomechanically, with descriptions at the facing pages; in Japanese. Hardcover, 19 x 18.5 cm, green cloth stamped with title to front board and spine. Separate translation into English. -
Vol. 1. Title: THE | LIFE AND ADVENTURES | OF | George Augustus Sala | WRITTEN BY HIMSELF | In Two Volumes | VOL. I. | (WITH PORTRAIT OF THE AUTHOR) | CASSEL AND COMPANY, Limited | LONDON, PARIS & MELBOURNE | 1895 | ALL RIGHTS RESERVED || Pagination: frontispiece portrait of Sala by Boussod, Valadon & Cie. w/guard tissue, [i, ii] – t.p./blank, [iii, iv] – dedication/blank, [v]-x – preface, [xi]-xvi – content, [1] 2-442, [16] advert. Collation: A-Z8 AA-BB8 CC5 [Advert.]8. Vol. 2. Title: THE | LIFE AND ADVENTURES | OF | George Augustus Sala | WRITTEN BY HIMSELF | In Two Volumes | VOL. II. | (WITH PORTRAIT OF THE AUTHORS MOTHER) | CASSEL AND COMPANY, Limited | LONDON, PARIS & MELBOURNE | 1895 | ALL RIGHTS RESERVED || Pagination: frontispiece portrait of Sal’s mother w/guard tissue, [i, ii] – t.p. / blank, [iii] iv-viii – content, [1] 2-457-[460], [16] advert. Collation: A-Z8 aa-cc8 dd6 [Advert.]8. Binding: two volumes in uniform green publisher’s pebbled buckram, gilt lettering to spine, contemporary newspaper clippings to front and back pastedowns, vol. 2 uncut. Note: George Augustus Sala's mother was an actress Henrietta Simon Sala, known as Madame Sala, (Guyanese, British, 1789 – 1860). Here she is depicted by an engraver Thomas Alfred Woolnoth (British, 1785 – 1857) after a portrait painted by Rose Emma Drummond (British, fl. 1820 – 1840). -
Of the limited edition of 1150 copies, this is №54 (on Japan paper, signed by Bartsch and by von Bayros). Owner's binding imitating quarter-morocco, a red label with gilt lettering to spine (possibly by Ms Hunt, who was an amateur bookbinder). Bookplate on front pastedown: "Ex libris Rachel McMasters Miller Hunt | S. B. Hill Dec 1913 | A.J. Downey Sc." Alfred James Downey (1882-1944). Rachel McMasters Miller Hunt (1882-1963). Sarah B. Hill had done lettering for Ms Hunt. On back pastedown: Stamp "Hunt Libraries CMU" and sticker "Gotham Book Mart | 128 West 45th street | New York". This is from an edition of Carcassonne:
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Title: GESCHICHTEN | AUS | ARETINO | MIT FÜNFZEHN BILDERN | VON | CHOISI-NÉRAC | NICHT IM HANDEL | GEDRUCKT FÜR HEINRICH CONRAD | UND SEINE FREUNDE | SIENA 1907 || Collation: 8vo; 1-128 137; frontispiece, t.p. and 14 plates, extraneous to collation. Pagination: [2] f.t. / blank, 3-203 [2], il. Binding: Full cream vellum, ruled with gilt double-fillet, grey label with gilt lettering to spine. Bookplate by von Bayros Par Avi Cigno to front pastedown. Note: Private edition of Aretino's Ragionamenti in German as Geschichten aus Aretino by translater and publisher Heinrich Conrad (German, 1866 – 1918), whose real name was Hugo Storm, this copy №394, illustrated by Franz von Bayros (Austrian, 1866 – of Choisi-Nérac. -
Title: НАУЧНО-ПОПУЛЯРНАЯ БИБЛИОТЕКА СОЛДАТА | [—] | ЛАУРЕАТ СТАЛИНСКОЙ ПРЕМИИ, ДЕЙСТВИТЕЛЬНЫЙ ЧЛЕН АКАДЕМИИ МЕДИЦИНСКИХ НАУК СССР О. Б. Лепешинская. | ПРОИСХОЖДЕНИЕ КЛЕТОК | ИЗ ЖИВОГО ВЕЩЕСТВА | [—•—] | ВОЕННОЕ ИЗДАТЕЛЬСТВО | ВОЕННОГО МИНИСТЕРСТВА СОЮЗА ССР | Москва — 1952 || Pagination: original pictorial wrappers with portrait in a frame, [1-4] – t.p. / contents, b/w portrait /blank, 5-75 [76] ; in-text illustrations. -
Title: О. Б. ЛЕПЕШИНСКАЯ, | действительный член Академии медицинских наук, | лауреат Сталинской премии. | Происхождение клеток | из живого вещества | [blank] | ИЗДАТЕЛЬСТВО ЦК ВЛКСМ | "МОЛОДАЯ ГВАРДИЯ" | 1951 || Pagination: original pictorial wrappers with portrait in frame, [1-2] – t.p. / imprint., 3-37 [38] [2] – blank / colophon. -
Front cover: ЦЕНТРАРХИВ | [—] | ЦАРСКАЯ ДИПЛОМАТИЯ | И | ПАРИЖСКАЯ КОММУНА | 1871 года | [blank space] [publisher's device] | ГОСУДАРСТВЕННОЕ СОЦИАЛЬНО-ЭКОНОМИЧЕСКОЕ ИЗДАТЕЛЬСТВО | МОСКВА 1933 ЛЕНИНГРАД || Title: ЦЕНТРАРХИВ | [—] | ЦАРСКАЯ ДИПЛОМАТИЯ | И | ПАРИЖСКАЯ КОММУНА | 1871 года | ПОД РЕДАКЦИЕЙ И С ПРЕДИСЛОВИЕМ | Ц. ФРИДЛЯНДА | [blank space] [publisher's device] | ГОСУДАРСТВЕННОЕ СОЦИАЛЬНО-ЭКОНОМИЧЕСКОЕ ИЗДАТЕЛЬСТВО | МОСКВА 1933 ЛЕНИНГРАД || [Центральное архивное управление при ВЦИК РСФСР]. Pagination: [2] 3-238 [2]. Softcover, editor's wrappers, lettering to covers and spine. 23 x 15 cm; Printrun (Тираж): 2000 экз. -
Title: Издательство Путеводителей "Русскiй Бедекеръ" сущ. съ 1888 г. | Григорiй Москвичъ. | ИЛЛЮСТРИРОВАННЫЙ | Практический Путеводитель | по Одессѣ | с приложенiемъ: | очерка одесской выставки, плана Одессы, исполненнаго | в краскахъ, плановъ — порта, Куяльницкаго лимана, | расписанiя рейсовъ пароходовъ и тарифовъ, алфавита | и проч. | ИЗДАНИIЕ ШЕСТОЕ. | Цѣна 1 руб. (в переплетѣ) | ПРОДАЕТСЯ | во всѣх лучшихъ книжныхъ магазинахъ столицъ | и провинцiи. | ОДЕССА. | Типографiя и стереотипия И. Копельмана, Пушк. 34. | 1910. || Binding: Red cloth with gilt lettering to the front board: XXII-й ГОДЪ ИЗДАНIЯ XXII-й | ПУТЕВОДИТЕЛЬ | ПО | ОДЕССѢ | Г. МОСКВИЧА. | 6 изд. Цѣна 1 руб. | 1910. [Pictorial advert.], to the back board: Text. advert. in gilt; to spine: ОДЕССА. Pink end-papers with advertisement. Pagination: [i-ii - t.p. /advert.] [iii]-iv - preface to 6th edition; [v]-viii - content; [ix]-xvi - index; 11 leaves advert., unpag; [i]-xii - Odessa exhibition; [1] 2-240; [1] 2-8 - schedules; photo plates, 2 folding maps; in-16mo (numerical). Size: 16.5 x 10.5 cm. -
![Henri Rollin. L'apocalypse de notre temps / Les dessous de la propagande allemande d'après des documents inédits. — NRF [Nouvelle Revue Française], — Paris: Gallimard, 1939. — Series: Problémes et documents. pp.: [1-9] 10-567 [9].](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-0371.2015-a-500x801.jpeg)
Title: PROBLÈMES ET DOCUMENTS | HENRI ROLLIN | L'APOCALYPSE | DE | NOTRE TEMPS | Les dessous de la propagande allemande | d'après des documents inédits | nrf | S. P. | GALLIMARD | Paris — 43, rue de Beaune Pagination: [1-9] 10-567 [9]. Size: 22.6 x 14.2 cm Binding: original publisher's wrappers. Ex libris Lorenzo Grazzini of Librairie Scritti (book store in Paris). Publishing Year: 1939; Publisher: Gallimard; Acheve d'impremier - Le 23 Septembre 1939 par l'Impremierie Orleanaise 68, rue Royale, Orleans. -
Title: FLATLAND | A Romance of Many Dimensions | With Illustrations | by the Author, A SQUARE | “fie, fie, how franticly I square may talk!” | NEW AND REVISED EDITION | LONDON | SEELEY & Co., 46, 47 & 48, ESSEX STREET, STRAND | (Late of 54 Fleet Street) | 1884 || Pagination: 2 blank leaves, [2] – h.t. / blank, [2] – t.p. / imprint., [2] – dedication / blank, [ix] x-xvi, [1, 2] f.t. / blank, [3] 4-102, 2 blank leaves; in-text woodcuts. Collation: [A]8 B-H8. Binding: original wrappers in pictorial parchment jacket, printed on laid paper, lower and lateral margins untrimmed. Note: This is the 2nd edition published the same year as the 1st, revised, as stated. I did not compare the two, neither I am planning to acquire the first 1st edition in a foreseeable future. This is a lifetime edition, handled by the Author himself, and that's enough for me to be quite happy. -
Title: THE LIFE OF LOUIS ADOLPHE THIERS | BY | FRANCOIS Le GOFF | DOCTEUR-ÈS-LETTRES | TRANSLATED FROM THE UNPUBLISHED MANUSCRIPT | BY | THEODORE STANTON, A. M. | {motto: Patriam dilexit, veritatem coluit.} | NEW YORK | G. P Putnam's Sons, 1879 | 182 FIFTH AVENUE | 1879 || Pagination: 2 blank leaves, frontis.: portrait of A. Thiers engraved on wood by J.I. Pease w/ tissue guard, [2] fac-simile of Thiers’s handwriting / blank, [2] - t.p. / copyright, [2] – dedication / blank, [2] – translators note / blank, [2] contents / blank, [vii] viii-xi [xii], [1] 2-353 [354 blank], [4] advert., 2 blank leaves; ill.: frontis., 1 woodcut plate, 1 folding manuscript fac-simile. Binding: dark-green cloth with bevelled margins, a gilt fac-simile of Thiers’s handwriting to front board, gilt lettering to spine. Note: The motto on the title page (Patriam dilexit, veritatem coluit) is taken from A. Thiers tomb on Père-Lachaise cemetery in Paris: "He cherished his homeland and worshipped the truth". -
Title: Japanese Art Signatures | A Handbook and Practical Guide | James Self and Nobiko Hirose | {publisher’s device} FLOATING | WORLD | EDITIONS || Pp.: [2] 3-399 [400]. 1st Floating World edition, 2003, 3rd printing, 2011. 1st edition in 1987 by Bamboo Publishing, Ltd. by Charles E. Tuttle Company, Rutland and Tokyo. Binding: Original blue wrappers with white lettering to both covers and spine, in yellow frames. -
Artist: Utagawa Kunisada [歌川 国貞], a.k.a. Utagawa Toyokuni III [三代 歌川 豊国] (Japanese, 1786 – 1865). An untrimmed fan print titled Fuji Tsukuba aiaigasa, shows the actors Nakamura Shikan II [二代目中村芝翫] and the onnagata actor Iwai Kumesaburō II [岩井粂三郎] sharing an umbrella against the snow. Tsukuba, about 50 kilometres from Edo, was an area where both Fuji and Mount Tsukuba could be viewed together. Mount Fuji being the female and Mount Tsukuba the male. An aizuri-e background (common to all the designs in this set). A play on images and words. Actors: Nakamura Utaemon IV [中村歌右衛門] (Japanese, 1796 – 1852); other names: Nakamura Shikan II [二代目中村芝翫], Nakamura Tsurusuke I, Nakamura Tōtarō. Iwai Hanshirō VI [[岩井半四郎] (Japanese, 1799 – 1836); other names: Iwai Hanshirō VI, Iwai Kumesaburō II [岩井粂三郎], Iwai Hisajirō I, Baiga (poetry name), Shūka (poetry name). Publisher: Ibaya Senzaburo [伊場屋仙三郎] (Japanese, fl. c. 1845 – 1847). Date: circa 1832. Signed: Kōchōrō Kunisada ga in a red double-gourd cartouche. From the series of fan prints:
Two more prints from the series 'Fuji and Tsukuba sharing an umbrella' (Fuji Tsukuba aiaigasa), not in this Collection:
SVJP-0342.2021
Kabuki actors Onoe Kikugorō III and Iwai Kumesaburo II. Year: c. 1832; Publisher: No seal; Signed: Kōchōrō Kunisada ga From Kunisada Project. 
Kabuki actors Bandō Minosuke II and Iwai Shijaku I. Year: c. 1832; Publisher: No seal; Signed: Kōchōrō Kunisada ga From Kunisada Project. -
Artist: Utagawa Kunisada [歌川 国貞] a.k.a. Utagawa Toyokuni III [三代 歌川 豊国] (Japanese, 1786 – 1865). An untrimmed fan print titled Fuji Tsukuba aiaigasa, shows the actors Ichikawa Ebizo V [市川海老蔵] and the onnagata actor Iwai Shijaku I [岩井紫若] sharing an umbrella against the wind. Tsukuba, about 50 kilometres from Edo, was an area where both Fuji and Mount Tsukuba could be viewed together. Mount Fuji being the female and Mount Tsukuba the male. An aizuri-e background (common to all the designs in this set). A play on images and words. Actors: Ichikawa Danjūrō VII [市川団十郎] (Japanese, 1791 – 1859); other names: Ichikawa Ebizō V [市川海老蔵], Ichikawa Hakuen II, Ichikawa Shinnosuke I. Iwai Matsunosuke I [岩井松之助] (Japanese, 1804 – 1845); other names: Iwai Hanshirō VII, Iwai Shijaku I [岩井紫若], Iwai Komurasaki I. Publisher: Ibaya Senzaburo [伊場屋仙三郎] (Japanese, fl. c. 1845 – 1847). The publisher’s seal is on the umbrella. Date: circa 1832. Signed: Kōchōrō Kunisada ga in a red double-gourd cartouche. From the series of fan prints:
Two more prints from the series 'Fuji and Tsukuba sharing an umbrella' (Fuji Tsukuba aiaigasa), not in this Collection:
SVJP-0341.2021
Kabuki actors Onoe Kikugorō III and Iwai Kumesaburo II. Year: c. 1832; Publisher: No seal; Signed: Kōchōrō Kunisada ga From Kunisada Project. Kabuki actors Bandō Minosuke II and Iwai Shijaku I. Year: c. 1832; Publisher: No seal; Signed: Kōchōrō Kunisada ga From Kunisada Project. -
Title: MEMOIRS OF M. THIERS | 1870—1873 | Translated by | F. M. ATKINSON | {publisher’s device} | LONDON: GEORGE ALLEN & UNWIN LTD. | RUSKIN HOUSE 40 MUSEUM STREET, W.C. Pagination: [6] 7-384. Collation: 8vo; [1]-248. Size: 23 x 15 cm Binding: Blue cloth, top and bottom ruled in blind, gilt lettering to front cover and spine. Original: Adolphe Thiers. Notes et souvenirs de M. Thiers, 1870-1873: voyage diplomatique, proposition d'un armistice, préliminaires de la paix, présidence de la République. — Paris : [s.n.], 1901. — 465 p. The preface and editing signed "F. D." [Félicie Dosne]. Félicie Dosne (French, 1823 – 1906) was Thiers's sister-in-law. -
2 volume set. Vol. 1. Title: Typographia, | OR THE | Printers' Instructor : | INCLUDING AN ACCOUNT | of the | ORIGIN OF PRINTING, | with | Biographical Notices of the Printers of | England, from Caxton to the close | of the Sixteenth Century : | A Series of | Ancient and Modern Alphabets, | and | DOMESDAY CHARACTERS : | Together with | An Elucidation of every Subject con- | nected with the Art. | By J. JOHNSON, Printer. |{stanza}| Vol. I. | In frame: Published by Messrs. Longman, Hurst, | Rees, Orme, Brown & Green, Pater- | noster Row, London | Under the frame: 1824. || Typographical frame with the names of distinguished printers; on the cornerstone: William Caxton, 1474. Pagination: ffl / blank, blank / engraved frontis., engraved t.p. / blank, engraved dedication / list of club members, engraved arms vignette / blank, [4] pedigree, [i] ii-xii – preface, [1] 2-610, [10] – index, bfl. Text printed in the frame. To ffl : previous owner’s inscription: Herbert Heath | from | William Blades. | Xmas 1886; Frontispiece: Portrait of John Johnson at age 46, engraved on wood by W. Hughes; t.p.: TYPOGRAPHIA, | OR THE | PRINTERS INSTRUCTOR | BY | J.JOHNSON | PRINTER. VOL. 2. | 1824 | frame with lettering, top: GUTTnbg – FAUST – ELZEVIR – ALDUS, bottom: MENTZ – STRASbg –HARLAEM | below: BIBLIOTHECA • BODLEIANA. | below the frame: G.W.BONNER SC ||; Dedication to Earl Spenser, K. G., and the members of The Roxburghe Club, dated 1824, engraved on wood by W. Hughes; Arms vignette: Roxburghe Club | Instituted | June XVII | M D CCCXII || engraved on wood by William Harvey. Provenance: Admiral Sir Herbert Leopold Heath, KCB MVO (1861 – 1954); William Blades (1824 – 1890) – English printer and bibliographies. Inscription to ffl in both vols:D. Bateman. Vol. 2. Pagination: ffl, t.p. (similar lettering, but Vol. II.) / blank, [2] advert., [i] ii-iv contents, [1, 2] 3-663 [664] [16]. Points: Vol. 1.: Frontispiece portrait of Caxton replaced by a portrait of J. Johnson from Vol. 2, engraved t.p. of Vol. 1. replaced by t.p. of Vol. 2; Vol. 2 without engraved t.p., and without frontispiece. Edition: First Edition. Size: 16mo. 12.5 x 8.5 cm Binding: Mid-nineteenth century polished calf, the covers with a border of a gilt double fillet and blind roll. Spine divided into six panels with raised bands flanked with gilt fillets, lettered on new red goatskin labels, marbled endleaves and edges. Seller's description:John Johnson (1777-1848) operated Sir Samuel Egerton Brydges's Lee Priory Press before a falling-out. Typographia was printed at his Apollo Press, in Brook Street, Holborn, with the financial support of Edward Walmsley, and came out in four sizes. "Of the few standard works on the art of printing in the English language, this is perhaps the most familiar. [The first volume contains] a table of the introduction of the art into the different countries, after which comes the "introduction and art in Great Britain", with a list of the productions of the first printers up to 1599. The second volume may be described as practical, in contradistinction to the first, which is historical. It gives a description of types, directions for composing, for press, and warehouse work, &c. It is particularly rich in foreign alphabets, a feature which has gained of it great estimation. It has long since become, and deservedly, a printer's classic" - Bigmore & Wyman, I, pp.371-2.
Note: This is the book that served as a source of plagiarism for Adams's Typographia: a brief sketch of the origin, rise, and progress of the typographic art published in Philadelphia by himself in 1837. The copy returned to the seller for the reason stated in section Points above and replaced with the unaltered copy LIB-2693.2021. -
Iron tsuba of quatrefoil form (mokka-gata) adorned with the design of stars, wild geese, blossoms, leaves and tendrils realized in the brass inlay. The inlay technique includes suemon-zōgan and ten-zōgan. A smaller opening (kozuka hitsu-ana) surrounded by a scalloped brass border. The seppa-dai bordered with linear inlay. A few dots of inlay on both sides are missing. Measurements: height 71 mm, width 70 mm, thickness at centre 2.7 cm Time: Late Muromachi (1514 – 1573) -
![Maurice Joly. Les affamés. Études de mœurs contemporaines. — Paris, E. Dentu, 1876. — pp.: [1 half-title, verso colophone] [1 title, verso blank] [i] ii-xvi, 1-340.](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-1038.2016-a-500x772.jpeg)
Title page: MAURICE JOLY | LES | AFFAMÉS | ÉTUDES | DE MŒURS CONTEMPORAINES |{publisher’s device «ED»}| PARIS | E. DENTU, LIBRAIRE-ÉDITEUR | PALAIS-ROYAL, 15-17-19, GALERIE D’ORLÉANS | 1876 | Tous droits réservés.|| Pagination: short ffl, [2] h.t. / colophon [2] t.p. / blank] [i] ii-xvi, 1-340. Collation: 12mo ; π10 1-1812 198. Binding: 19 x 12 cm; softcover; original wrappers with lettering to front and spine in black and red in a frame, untrimmed lateral edge. -
Title: ВСЕВОЛОДЪ СОЛОВЬЕВЪ | ВОЛХВЫ | (Граф Калиостро) | РОМАНЪ |[…]| ИЗДАНIЕ М. ДИДКОВСКАГО | Рига, Ткацкая 9 || Pagination: [1-2] 3-187 [188 blank], [4] advert., in original pictorial wrappers by Г. Дайберъ [Heinrich Deiber]. Size: 21 x 15 cm Allegedly, vol. 1st of 2 vol. edition. -
A suite of 12 etchings 160 x 118 mm each, in the first state, pasted on paper, 2 per sheet, with a cover (250 x 210 mm).0. Cover. Les femmes de Paris pendant le siège./R.Martial/1871.1. Lorsqu'à l'approche de l'ennemi on demandait l'éloignement des bouches inutiles [...] 2. L'Ennemi ! 3. No inscription 4. Quête pour les veuves. 5. Concert et quête pour les enfants blessés, malades, infirmes. 6. Au bastion/Et celles non moins précieuses qui dirigeaient ces ventes [...] 7. Vente pour les orphelins de la guerre. 8. No inscription 9. Une ration, bouillie romaine et Vin/Cantine municipale[...] 10. No inscription 11. No inscription 12. Les effets de cette union patriotique des femmes sont connus.[...] -
A CATALOGUE OF AN EXHIBITION | OF | The Philip Hofer Bequest | IN THE DEPARTMENT OF | PRINTING AND GRAPHIC ARTS | {white in crimson cartouche The | Philip Hofer | Collection | in the | Houghton | Library} | HARVARD COLLEGE LIBRARY | CAMBRIDGE, MASSACHUSETTS | 1988 || Printed by Meriden-Stinehour Press; Roderick Douglas [Rocky] Stinehour (American, 1925 – 2016) and his son Stephen Stinehour, The Stinehour Press in Lunenburg, Vermont. The Meriden Gravure Company in Meriden, Connecticut, was founded in 1888 by Charles Parker and James F. Allen. In 1977, the Meriden merged with the Stinehour Press, and in 1989, the Meriden operations were closed and the Meriden Gravure presses moved to the Vermont location. Pagination: [i-vi] – incl. h.t., t.p., f.t., vii-xiv, [1] 2-218, 100 plates, within pagination, incl. bibliography, index. Binding: Original grey paper wrappers with title printed in red and white. -
Convolute with three editions, dedicated to the Commune of Paris, 1871. (1) LES | Publications de la Rue | pendant | LE SIEGE ET LA COMMUNE | SATIRES — CANARDS — COMPLAINTES — CHANSONS | PLACARDS ET PAMPHLETS | BIBLIOGRAPHIE | PITTORESQUE ET ANECDOTIQUE | Par Firmin MAILLARD |{publisher’s device}| PARIS | AUGUSTE AUBRY, ÉDITEUR | 18, RUE SÉGUIER, 18 | 1874 || Pagination: ffl, original pictorial wrapper, [2] – blank / advert., [2] – h.t. / blank, [2] – h.t. / colophon imprim. PILLET FILS AINÉ, frontis. similar to front wrapper without '1874', [2] – t.p. / blank, [v] vi-xii, [1] 2-198, three blank leaves, back wrapper. (2) VILLE DE SAINT-DENIS | EXPOSITION D'ART & D'HISTOIRE | La Commune de Paris |18 Mars 1871 28 Mai | AVANT-PROPOS DE Lucien DESCAVES | de l’Académie Goncourt | PREFACE DE Jacques DORIOT | Député de la Seine, Maire de Saint-Denis | Du 17 Mars au 26 Mai 1935 | au Musée Municipal | 4, place de la Légion d’Honneur – Saint-Denis || Pagination: original pictorial wrapper in black and red, frontis., [2] - t.p. / blank, [2] – commité, v-xiii [xiv] 1-113 [114], 26 plates (13 leaves), blank back wrapper, spine tipped-in. (3) J. LEMONNYER | LES | JOURNAUX DE PARIS | PENDANT | LA COMMUNE | REVUE BIBLIOGRAPHIQUE COMPLETE | DE LA PRESSE PARISIENNE | du 19 Mars au 27 Mai | AVEC |{7 lines of text}| ET | UNE TABLE ALPHABÉTIQUE | DONNANT LE PRIX-COURANT DE CHAQUE COLLECTION | PARIS : J. LEMONNYER, Librarire | 73, Rue de Provence, 73 || Pagination: [2] - t.p. / blank, [2] – preface, [7] 8-94, green back wrapper w/advert., bfl. (lacks original front wrapper). Binding: Modern (20th century) red cloth, black label with gilt lettering to spine, matching marbled endpapers. Size: 18.5 x 13 cm; 12mo. -
ERNEST HEMINGWAY | A Moveable Feast | {Citation} | CHARLES SCRIBNER'S SONS, | New York || Pagination: [12] – incl: advert., h.t., t.p., colophon, contents, preface, and note, [1, 2] - f.t. / blank, 3-211 [212]. Publisher’s cloth-backed stamped boards, original dust jacket. Ref.: Hanneman A31a. -
ATLAS | SHRUGGED | AYN RAND | {Publisher's device} | RANDOM HOUSE | NEW YORK || Pagination: [2] - h.t. / advert., [2] – t.p. / colophon, [2] – dedication / blank, [2] – contents / cont., [1, 2] ¬ f.t. / blank, [3] 4-1168 [1169] blank, [1170/71] about the author [1172] blank, two blank leaves. Original green cloth with gilt lettering, black label with gilt lettering and publisher device to spine; top margin green, lateral margin untrimmed. Stated first edition, first printing. Original dust jacket with $6.95 printed price and 10/57 code present on the front flap. -
Description: Publisher’s blue cloth lettered in gilt to front cover and spine, spine darkened and rubbed at ends, upper joint starting, pictorial dust jacket with Ain Rand photograph portrait on the back, unclipped ($3,00). Title-page: The | FOUNTAINHEAD | By AYN RAND | THE BOBBS–MERRILL COMPANY, INC. | Publishers | INDIANAPOLIS {space} NEW YORK || Pagination: [1-6] 9-753 [754]. Edition: First edition, later printing; lacks "First edition" statement; blue cloth; photo on the back of DJ, p. 321 line 5 "referred", p. 480 "Domininque" twice. -
Vol. 1: THE | POEMS | OF | OSSIAN. | TRANSLATED | By JAMES MACPHERSON, Esq; | IN TWO VOLUMES. VOL. I. | A NEW EDITION. | LONDON: | PRINTED FOR W. STRAHAN ; AND T. CADELL, | IN THE STRAND. | M DCC XC.|| Pagination: 2 blank leaves, [2] - t.p. / blank, [v] vi-xiv, [2] - contents / cont., [1, 2] 3-404, one blank leaf. Collation: 8vo; π1 A-Z8 Aa-Cc8 Dd2 Vol. 2: THE | POEMS | OF | OSSIAN. | TRANSLATED | By JAMES MACPHERSON, Esq; | VOL. II. | A NEW EDITION. | LONDON: | PRINTED FOR W. STRAHAN ; AND T. CADELL, | IN THE STRAND. |M DCC XC.|| Pagination: 2 blank leaves, [2] - t.p. / blank, [2] - contents / blank, [1, 2] 3-436, [2] advert. / advert., two blank leaves. Collation: 8vo; π4 B-Z8 Aa-Ee8 Ff2 A1. Two volumes, 21.5 x 14 cm; hardcover; full tree calf gilt-tooled with stylized meander ruled boards inside and outside, flat spite tooled in gilt with meander and pineapples in compartments, two crimson lettered labels. margins speckled blue; peacock marbled endpapers, owner's karks to front pastedown: Owen J. Williams sticker and H. A. Lonis armorial bookplate with an earl's crown, hand-written inscription H. A. and H. C. Williams Wynn and ink stamp of Arthur J. Frank. James Macpherson (British, 1736–1796) was a Scottish writer, poet, literary collector and politician, known as the "translator" of the Ossian cycle of epic poems. Publishing Year: 1790 Publisher: W. Strahan and T. Cadell -
![[James Macpherson]. The Poems of Ossian / Translated by James Macpherson, Esq; In Two Volumes. A New Edition; Two volume set. — London: Printed for W. Strahan and T. Cadell, MDCCLXXXIV [1784]. — Vol.1: [i-v] vi-xiii, [2] 3-404 pp; vol.2: [6], [2] 3-435 pp.](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-2397.2020-500x1612.jpeg)
Vol. 1: THE | POEMS | OF | OSSIAN. | TRANSLATED | By JAMES MACPHERSON, Esq; | IN TWO VOLUMES. VOL. I. | A NEW EDITION. | LONDON: | PRINTED FOR W. STRAHAN ; AND T. CADELL, | IN THE STRAND. | MDCCLXXXIV.|| Vol. 2:THE | POEMS | OF | OSSIAN. | TRANSLATED | By JAMES MACPHERSON, Esq; | VOL. II. | A NEW EDITION. | LONDON: | PRINTED FOR W. STRAHAN ; AND T. CADELL, | IN THE STRAND. | MDCCLXXXV.|| Vol.1: [i-v] vi-xiii, [2] 3-404 pp; vol.2: [6], [2] 3-435 pp. Two volumes, 22.5 x 14.7 cm; hardcover; full calf with the spines later professionally rebound; original boards with sympathetic repairs to the margins and corners.5 raised bands, red label with gilt lettering to Sp. Bindings remain firm, page blocks firm, boards stained, pages a little rippled, with occasional marks throughout. spotting and marks to endpapers. James Macpherson (British, 1736–1796) was a Scottish writer, poet, literary collector and politician, known as the "translator" of the Ossian cycle of epic poems. Publishing Year: 1784 Publisher: W. Strahan and T. Cadell -
Vol. 1: A | BIBLIOGRAPHICAL | Antiquarian and Picturesque | TOUR | IN THE | NORTHERN COUNTIES OF ENGLAND | AND IN | SCOTLAND. | BY THE REVEREND | THOMAS FROGNALL DIBDIN, D.D. | CHAPLAIN IN ORDINARY TO HER MAJESTY. | VOL. I. |{device} motto: DEI OMNIA PLENA | LONDON: | PRINTED FOR THE AUTHOR BY C. RICHARDS, ST. MARTIN’S LANE : | AND SOLD BY JAMES BOHN, 12 KING WILLIAM STREET, STRAND, LONDON : | LAING AND FORBES, EDINBURGH : JOHN SMITH AND SON, | GLASGOW : AND E. CHARNLEY, NEWCASTLE. | MDCCCXXXVIII.|| Pagination: ffl, frontispiece by W. Douglas after T. M. Richardson, [i-ii] t.p. / blank; [iii-iv] - dedication to Frances Mary Richardson Currer (British, 1785 – 1861) / blank, [v] vi-xv – preface, [i] ii-xxx – supplement & index, [2] – corrections / colophon, [2] list of plates, [2] – contents, [1] 2-436, bfl; 11 plates extraneous to collation (incl. frontis.), lacking one plate (facing p. 213. “Thos. Bridges…”), in-text woodcut vignettes, head- and tailpieces. Collation: 8vo; π8 a-b8 [c2] B-Z8 2A-2E8 2F2. Vol. 2: Similar title but "VOL. II." Pagination: ffl, frontispiece portrait of Hugh Stewart, Aged 84 by Robert Bell after Alison (nothing known); [2] – t.p. / blank, [2] – contents / cont., [437-8] f.t. / blank [439] 440-1090, bfl; 453/4 misprinted 449/50; lacking list of subscribers. Collation: 8vo; π2 [2F3-2F6] 2G-2Z8 3A-3Z8. Binding: By J. Leighton, Brewer Street. Later half dark brown morocco over marbled boards, raised bands with gilt fillets, gilt titling and fillets in compartments, all edges gilt, marbled endpapers. Edition: 1st edition of Dibdin’s last major work and the only edition of this title. Size: 24.5 x 15.5 cm Provenance: Lord Ronald Gower (British, 1845 – 1916); Frank Hird (British, 1873 – 1937). Catalogue raisonné: Jackson 89; Windle & Pippin A65, pp. 179–188 [LIB-2669.2021]. Artists: Abraham, [I.] Frederic Henry (British, 1790 – 1845) Carmichael, James John Wilson (British, 1800 – 1868) Geikie, Walter (British, 1795 – 1837) Harraden, Richard Bankes (British, 1778 – 1862) Hill, David Octavius (British, 1802 –1870) McLea, John Watson (British, fl.1832-1861) Nixon, James Henry (British, b. c. 1808) Reynolds, Sir Joshua (British, 1723 – 1792) Richardson, Thomas Miles (British, 1784 – 1848) Scott, J. (British, fl. 19th c.) Wilkinson, T. M. (British, fl. 19th c.) Engravers: Aikman, Alison [spouse of George Aikman?] (British, 1788 – 1865) Bell, Robert Charles (British, 1806 – 1872) Byfield, Mary (British, 1794/5 – 1871) Douglas, William (British, 1780 – 1832) Harraden, F. (British, fl. 1838) Horsburgh, John (British, 1791 –1869) Johnstone, John (British, fl. 1835 – ) Leith & Smith, Lithogrs (Edinburgh) Lizars, William Home (British, 1788 – 1859) Miller, William (British, 1796 – 1882) Penny, William (British, fl. 19th c.) Prior, Thomas Abiel (British, 1809 – 1886) Robinson, H. (British, fl. 19th c.) Smith, Charles John (British, 1803 – 1838) Thomson, James (British, 1788 – 1850) -
Title: REFLECTIONS | ON THE | REVOLUTION IN FRANCE, | AND ON THE | PROCEEDINGS IN CERTAIN SOCIETIES | IN LONDON | RELATIVE TO THAT EVENT. | IN A | LETTER | INTENDED TO HAVE BEEN SENT TO A GENTLEMAN | IN PARIS. | BY THE RIGHT HONOURABLE | EDMUND BURKE. | — | {in lozenges} THE SECOND EDITION. | —| LONDON: | PRINTED FOR J. DODSLEY, IN PALL-MALL. | M.DCC.XC. || Pagination: [4 blanks] [i-iii] iv, 1-356 [4 blanks]. Collation: 8vo; π2 B-Z8, Aa2. Binding: Quarter calf with marbled boards, gilt fillets, red label with gilt lettering to spine. "King John Haggerston, 1790" handwritten ink inscription to front endpaper, t.p. and p. iii. Seems like Sir John Haggerston, 9th Baronet. -
Vol. 1: THE | WORKS | OF THE | RIGHT HONOURABLE | EDMUND BURKE, | COLLECTED IN THREE VOLUMES. | VOL. I. | DUBLIN: | PRINTED FOR R. CROSS, W. WILSON, P. WO-| GAN, L. WHITE, P. BYRNE, A. GRUEBER, J. MOORE, | W. JONES, W. M’KENZIE, H. WATTS, J. RICE, | AND G. FOLINGSBY. | 1792.|| Pagination: 2 blank leaves, [2] - t.p. /blank, [2] - contents / blank, [2] - f.t. / blank, [3] 4-61 [62] - blank, [2] - f.t / blank, [4] contents, 65-580, 1 blank leaf. Collation: 8vo; π2 B-Z8 Aa-Oo8 Pp4. Vol. 2: THE | WORKS | OF THE | RIGHT HONOURABLE | EDMUND BURKE, | COLLECTED IN THREE VOLUMES. | VOL. II. | DUBLIN: | Printed by William Porter, | For R. Cross, W. Wilson, P. Wogan, L. White, P. Byrne, W. M’kenzie, J. Moore, A. Grueber, W. Jones, H. Watts, J. Rice, And G. Folingsby. | M.DCC.XCIII.|| Pagination: 2 blank leaves, [2] - t.p. /blank, [2] - contents / cont., [2] - f.t. / blank, [3] 4-655 [656 blank], 2 blank leaves. Collation: 8vo; π2 B-Z8 Aa-Tt8. Vol. 3: THE | WORKS | OF THE | RIGHT HONOURABLE | EDMUND BURKE, | COLLECTED IN THREE VOLUMES. | VOL. III. | DUBLIN: | PRINTED FOR R. CROSS, W. WILSON, P. WO-| GAN, L. WHITE, P. BYRNE, A. GRUEBER, J. MOORE, | W. JONES, W. M’KENZIE, H. WATTS, J. RICE, | AND G. FOLINGSBY. | 1792.|| Pagination: 2 blank leaves, [2] - t.p. /blank, [2] - contents / blank, [2] - f.t. / blank, 3-602, 3 blank leaves. Collation: 8vo; A-Z8 Aa-Pp8. Binding: Full contemporary calf ruled in gilt, leather spine labels gilt, gilt scrollwork in compartments framed in Greek–key rolls, marbled endpapers, hinges cracked, central vertical split to spine panel to vol. 1 and 3, early ownership signature to titles. -
Agate snuff bottle of flattened rounded rectangular form, round neck, and flat base, semitransparent milky white body with dark brown inclusions of geometric form. Green jadeite stopper with a copper alloy spoon and collar. Qing dynasty [清] (1644-1912) Size: 7.2 x 4.3 x 2.2 cm -
A two-volume set. Vol. 1:Title: LA | GERUSALEMME | LIBERATA | DI | TORQUATO TASSO | Tomo Primo | {vignette} | IN PARIGI | M.DCC.LXXI | Appreßo { Agostino Delalain. | Pietro Durand. | Gio: Claudio Molini. | Droüet ∫crip.
Pagination: ffl [1] 2-331 [332] bfl; illustrations after Gravelot: frontis. by Henriquez, t.p. vignette by Patas, engraved dedication by Le Roy, 10 head- and 7 tailpieces by Le Roy, 5 full-page vignettes by Le Roy, and 10 plates by: Baquoy, Duclos (3), Le Roy, Lingée, Née, Rousseau, and Simonet (2).
Collation: 8vo; A-V8 X6.
Vol. 2: Title: LA | GERUSALEMME | LIBERATA | DI | TORQUATO TASSO | Tomo Secondo | {vignette} | IN PARIGI | M.DCC.LXXI | Appreßo { Agostino Delalain. | Pietro Durand. | Gio: Claudio Molini. | Droüet ∫crip. Pagination: ffl [1] 2-340 bfl; illustrations after Gravelot: frontis. by Henriquez, t.p. vignette by Mesnil, 10 head- and 6 tailpieces by Le Roy, 4 full-page vignettes by Le Roy, tailpiece by Ponce, and 10 plates by: Duclos, Henriquez, Leveau, Lingée, Massard, Née, Patas, Ponce, Rousseau, and Simonet. Collation: 8vo; A-X8 Y2. Size: 21.5 x 14.5 cm. Size of the copy sold at Sotheby's in 2015: 23.3 x 14.0 cm; Christie's in 2008: 23.2 x 14.4 cm Page size: 21 x 13.5 cm. In referenced sources, the page size is bigger than that. N. Ray gives 11 ½ x 8 7⁄8 inches or 9 x 5½ inches. Cohen and De Ricci do not bother to give sizes, considering that octavo is octavo. MFA: 30.3 x 23.1 x 4 cm (11 15/16 x 9 1/8 x 1 9/16 in.) Binding: Two volumes uniformly bound in full marbled calf, ruled in gilt, flat spine with gilt decorations and monogram, cream lettered label. Geoffrey Lord Cross of Chelsea [Geoffrey Cross, Baron Cross of Chelsea] (British, 1904 – 1989) bookplate to front pastedown. Catalogue raisonné: N. Ray №22, p. 48; Cohen De Ricci 974-975 According to MFA printing by: François-Augustin Quillau (French, 1743–1804). This edition was illustrated by Hubert François Gravelot (French, 1699–1773) and engraved by the following engravers: Jean Charles Baquoy (French, 1721–1777) Antoine Jean Duclos (French, 1742–1795) Benoît Louis Henriquez (French, 1732–1806) Jean Jacques André Le Veau (French, 1729–1785) Charles Louis Lingée (French, 1748–1819) Jacques Le Roy (French, born in 1739) Jean Massard (1740–1822) Elie du Mesnil (French, born about 1728) François Denis Née (French, 1735–1818) Charles Emmanuel Jean Baptiste Patas (French, 1744–1802) Nicholas Ponce (French, 1746–1831) Jean François Rousseau (French, born in 1740) Jean Baptiste Simonet (French, 1742–1813) Droüet (French, 18th century) -
![E. de Crauzat. L'Œuvre gravé et lithographié de Steinlen: Catalogue descriptif et analytique suivi d'un essai de bibliographie et d'Iconographie de son œuvre illustré / Préface de Roger Marx. — San Francisco: Alan Wofsy Fine Arts, 1983. — Fac similé de l'édition originale de 1913. — pp.: [i-ix] x-xv [1-3] 4-228 [229-234]. — [Ernest de Crauzat].](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-2289.2019-d-500x707.jpeg)
Title: DE CRAUZAT | L'ŒUVRE | Gravé et Lithographié | DE | STEINLEN | Catalogue descriptif et analytique | suivi d'un essai de bibliographie et d'Iconographie | de son œuvre illustré. | PRÉFACE | DE ROGER MARX | San Francisco | Alan Wofsy Fine Arts | 1983. Edition: Fac-similé de l'édition originale de 1913. Pagination: [i-ix] x-xv [1-3] 4-228 [229-234]. Size: 32 x 24 cm. -
Title: THE COMPLETE ETCHINGS OF | Goya | With a Foreword by Aldous Huxley | CROWN PUBLISHERS. NEW YORK|| Pagination: [2 blank] [1-6] 7-16 [6], 234 plates on 118 leaves [2 blank] Contents: The capriccios [Los caprichos]. The disasters of the war [Los desastres de la guerra]. The art of bullfighting [La Tauromaquia]. The proverbs [Los disparates, Proverbios]. Miscellany. Binding: Hardcover, grey cloth, black lettering to cover and spine, pictorial DJ.
