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  • Nabeshima (Japanese ceramics 10) [鍋島 日本の陶磁 (10) 中央公論社]. — Tokyo: Chūōkōron-sha, 1974.

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  • ‎Arsène Alexandre. L’Art du Rire et de la Caricature. — Paris: Librairies-imprimeries réunies, [1892].

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  • Jules Lieure. Jacques Callot / Introduction de F. Courboin (Vol. 1-3). — Paris: Gazette des Beaux-Arts, 1924-27.

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  • Calendrier de l’abeille, 1857 / Lithography.

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  • Otto Rudolf Schatz. Erotic scene (2) / Watercolour on paper, c. 1950.

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  • Джеймс Макферсон. Поэмы Оссиана / Изд. подг. Ю. Д. Левин; (Литературные памятники). — Л.: Наука, 1983.

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  • Mokkō-shaped tsuba with ajiro design

    Mokkō-shaped tsuba with ajiro design

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  • L'incendie de Hôtel de Ville (24 mai 1871)

    L’incendie de Hôtel de Ville (24 mai 1871)

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  • Akasaka tsuba with slanting rays of light motif, by Tadatoki IV. Edo period, 18th century.

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  • The Four Elements by Jacob Matham after Hendrick Goltzius, 1588.

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  • Ōnin suemon-zōgan tsuba with design of plants and family crests. Mid Muromachi period.

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  • Iron tsuba with spider motif by Yatsushiro Jingo, Higo school. Late Edo period, ca. 1840.

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  • 6.5″ Pro-tech Walter Brend custom amber jigged bone switchblade knife.

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  • Netsuke of Kimi no Eguchi on a recumbent elephant, by Toun. Circa 1850.

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  • The Political and Historical Works of Louis Napoleon Bonaparte (2 Vol.) — London: Illustrated London Library, [1852].

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  • Utagawa Toyokuni I. Eleventh lunar month, from the series ‘Fashionable Twelve Months’ / Fan print, 1822.

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  • James. De bien jolies bottes, ces Prussiens, etc., 1870

    James. De bien jolies bottes, ces Prussiens… – Paris: Deforet & Cesar, 1870.

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  • [RASPE, Rudolf Erich]. The Travels and Surprising Adventures of Baron Munchausen. / Illustrated with 37 curious engravings, from the Baron's own designs, and five woodcuts, by G. Cruikshank. — London: William Tegg, 1869. — xii + [10] + 268 pp.

    [Rudolf Erich Raspe]. The travels and surprising adventures of baron Munchausen / George Cruikshank (illustrator). — London: William Tegg, 1869.

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  • Flambé glazed nine-mouth vase. China, Qianlong period (1711 – 1799).

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  • [James Macpherson]. The Poems of Ossian / 2 volumes. — London: W. Strahan and T. Cadell, 1790.

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  • Matthew Welch, Yuiko Kimura-Tilford. Worldly pleasures, earthly delights: Japanese prints from the Minneapolis Institute of Arts. — Minneapolis: Minneapolis Institute of Arts, 2011.

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  • Charles Virmaitre. Paris qui s'efface. — Paris: Albert Savine, 1887. — 2me édition. — pp.: [2 blanks] [2 hf-t, advert.] [t.p., blank] [2 dedicat., blank] [1, 2 - chap.1 cont., blank] [2-3] 4-314 [2 blanks].

    Charles Virmaitre. Paris qui s’efface. — Paris: Albert Savine, 1887.

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  • Henri Murger. Die Bohème : Szenen aus dem Pariser Künstlerleben. — Leipzig: Insel-Verlag, 1906.

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  • Я. Н. Любарский. Византийские историки и писатели / Изд. 2-е, дополненное. (Византийская библиотека. Исследования). — СПб.: Алетейя, 2012.

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  • Charles Virmaître. La Commune à Paris, 1871. — Paris: A. Lacroix, Verboeckhoven, 1871.

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  • В. П. Волгин. Французский утопический коммунизм. — М.: АН СССР, 1960.

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  • Joseph Conrad. The secret agent : a simple tale. — London: Methuen & Co., [1907]

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  • William R. Holland. Louis Icart: Erotica (A Schiffer book for collectors). — Atglen, PA: Schiffer Publishing Ltd., © 1998.

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  • Daniel Defoe. Aventures de Robinson Crusoe / Illustrée par Grandville. — Paris: H. Fournier Ainé, 1840.

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  • Timothy Wilson. Maiolica: Italian Renaissance Ceramics in The Metropolitan Museum of Art (Highlights of the Collection). — NY: The Metropolitan Museum of Art, 2016.

    Timothy Wilson. Maiolica: Italian Renaissance Ceramics in The Metropolitan Museum of Art (Highlights of the Collection). — NY: The Metropolitan Museum of Art, 2016.

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  • Graham Greene. Monsignor Quixote: A novel. — London: The Bodley Head, 1982.

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  • Félicien Rops. L’ariette; etching, n.d. (two prints).

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  • Eastern and western divisions of Paris, containing the quartiers. — London: c. 1840.

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  • François Rabelais. Gargantua / Lithographies de Schem, préface et des résumés par Pierre Huguenin, glossaire et des notes de Louis Perceau. — Dijon: Éditions du manoir, Henri Pasquinelly, 1937.

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  • [Pierre Louÿs.] Scènes de péripatéticiennes: Douze douzains de dialogues / [Illustrée par André Collot]. — S.l.: s.n., 1903 [i.e. 1937].

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  • Utagawa Kunisada (Toyokuni III). Courtesan (Tayū): kabuki actor Bandō Mitsugorō III as Fujiya Izaemon, 1821.

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  • Ukiyo-e: A journey through the Floating World / Exhibition catalogue (Japan, Jan-Jul 2014). — The Yomiuri Shimbun, 2014.

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  • Wanda de S… [i.e. Anonymous]. Françoise ou les plaisirs du mariage. — Aux allées des roses [i.e. Dijon: Darantiere, c. 1937].

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  • Utagawa Kunisada, a.k.a. Toyokuni III .

    Utagawa Kunisada (Toyokuni III). Edo Murasaki – Fake Murasaki’s Rustic Genji / Fan print, 1853.

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  • Ko-tosho tsuba with design of buddhist symbols in openwork / Muromachi period (1393-1573).

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  • C. Варшавский, Б. Рест. Подвиг Эрмитажа, 1941-1944 / Альбом. — Ленинград: Издательство «Аврора», 1987.

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  • Gil Blas illustré, 1892: №№ 1-52. — Paris: s.n, 1892.

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  • Portrait of Joseph Brodsky by Mikhail Lemkhin / c. 1980s.

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  • Utagawa Hiroshige II. Ferry Boats on the Miyagawa, from the series Three Famous Views in Ise / Fan print, 1862.

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  • L’école des biches ou mœurs des petites dames de ce temps / Schem. — S.l.: s.n., 1939.

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  • O. Henry. The complete works / Foreword by William Lyon Phelps (Authentic edition). — Garden City, NY: Garden City Publishing Co., Inc., 1937.

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  • Henry Murger. Scènes de la bohême; (Bibliothéque contemporaine, 2e série). — Paris: M. Lévy frères, 1851.

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  • Марко Вовчок. Сказки и быль. — Киев: Днiпро, 1988.

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  • Mort du Prince Louis-Eugène-Napoléon / Image d’Épinal, 1879.

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  • Portrait of Woody Allen | The Front, 1976 / Autograph

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  • Д. Гранин. Ярослав Домбровский. — М.: Молодая гвардия, 1951.

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  • Utagawa Toyokuni I. Women Weaving and Boy Playing with Puppies

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  • Иммануил Кант. Критика чистого разума. 1897

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  • Utagawa Kuniyoshi. Memorial portrait of Nakamura Utaemon IV as a priest. 1852.

    Utagawa Kuniyoshi. Memorial portrait of Nakamura Utaemon IV as Taira no Kiyomori, 1852.

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