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A portfolio of nine heliogravures after Jules Pascin. Cloth-backed cardboard portfolio 420 x 335 mm with 9 heliogravures on slightly tinted india paper, each numbered in pencil and mounted into a passe-partout 410 x 318 mm. Copy № 25 out of 40 printed on india (chine) paper. Copy № 25 of 40. Title (red and black): EROTIKON | PAR | PASCIN | ★ | BRUXELLES | MCMXXXIII || Limitation: CET | ALBUM | A ÉTÉ TIRÉ | A | QUARANTE ET UN EXEMPLAIRES | NUMÉROTÉS | DONT | UN EX. SUR PAPIER ANCIEN | & | QUARANTE EX. SUR CHINE | No (ms 25/40) || Catalogue raisonné: Dutel III № 1498. Seller's description:Neun Heliogravüren. 1933. Meist ca. 30 : 35 cm. Nummeriert. Exemplar 25/40 (Gesamtauflage 41). – Die Heliogravüren auf leicht getöntem China, jedes Blatt mit Bleistift nummeriert und in Passepartouts montiert. – Die neun Passepartouts eingelegt in zwei Büttenumschläge, einer mit Titel und dem nummerierten Auflagenvermerk, der zweite unbedruckt, ferner Büttenumschlag mit Titel in Rotdruck und Halbleinenchemise. – Die Heliogravüren erschienen 1933, drei Jahre nach Pascins Tod bei Daragnes in Paris mit der fingierten Angabe »Brüssel«. – Das berühmte Mappenwerk bildet eine der großen Seltenheiten der erotischen Kunst. Die Motive Pascins beschreibt das Bilderlexikon als »eine Art ›Boheme-Rokoko im Montmartre-Milieu‹« und lobt den Künstler: »Er ist ein außerordentlicher Zeichner, der es versteht, bei allem Zynismus, der seinen exhibitionistischen Charakter nicht verleugnet, auf diesem Kulturdünger eine neuartige Blume voll graziöser Schönheit erblühen zu lassen.« Mappe: 42 : 33,5 cm. – Der äußere Büttenumschlag mit leichtem Wasserrand. – Zwei Heliogravüren minimal stockfleckig, sonst tadellos und absolut vollständig. Dutel 1498 (mit Auflagenvarianten). – Der kalte Blick S. 198ff. – Bilderlexikon II, 718. -
Hardcover volume, 38.3 x 26 x 3.8 cm, pictorial boards, lettering to front cover and spine, pp.: [1-6] 7-421 [3], ils. Title-page: Cesare Leonardi Franca Stagi | THE ARCHITECTURE | OF TREES | Introduction to the new edition | ANDREA CAVANI, GIULIO ORSINI | Translated from the Italian by | NATALIE DANFORD | Princeton Architectural Press | New York || Cesare Leonardi (Italian, 1935 – 2021) Franca Stagi (Italian, 1937 – 2008) Natalie Danford (American, b. 1968) -
Hardcover volume, 25.3 x 19.3 cm, green cloth with gilt lettering to front and spine, pictorial dust jacket, pp.: [1 blank] [i-viii] ix-xxiii [xxiv blank] [2] 3-297 [298 blank] [8 blanks], 26 plates, unpaginated. MS inscription in black ink to ffl “David Tatham 1969”. Title-page: The World of | HOGARTH | Lichtenberg's Commentaries | on Hogarth's Engravings | TRANSLATED FROM THE GERMAN | AND WITH AN INTRODUCTION BY | INNES AND GUSTAV HERDAN | HOUGHTON MIFFLIN COMPANY BOSTON | The Riverside Press Cambridge | 1966 || Illustrations: A Harlot's Progress; Marriage-à-la-Mode; Strolling Actresses Dressing in a Barn; A Midnight Modern Conversation or The Bacchanalians; A Rake's Progress; The Four Times of the Day: Morning, Noon, Evening, Night. Edition: First printing w; Printed in the United States of America. Provenance (possibly): David Tatham (American, 1932 – 2023) Contributors: George Christoph Lichtenberg (German, 1743 – 1799) Innes Herdan (British, 1911 – ?) Gustav Herdan (German, 1897 – 1968) William Hogarth (British, 1697 – 1764) -
Hardcover volume, 17 x 12.5 cm, bound in lilac cardboard, lettering to covers and spine, vignette by Boris Rybchenkov to front board; pp.: [1-4] 5-188 [4]. Pencil ms to h.t. "Самалюк | Рай Кунцевское | Зав. роно" (Самалюк, зав. кунцевским районным отделом народного образования)ю Title-page: И. Г. МАЛЕЕВ | ГОРОЖАНЕ | МОСКОВСКОЕ | ТОВАРИЩЕСТВО | ПИСАТЕЛЕЙ || Print run: 5,200 copies. Contributors: Малеев, Игорь Александрович (Russian, 1904 – 1936?) – author. [Igor Maleyev] Рыбченков, Борис Федорович (Russian, 1899 – 1994) – artist. [Boris Rybchenkov] -
Hardcover volume, collated 18mo, 130 x 85 mm (2 parts in one). Contemporary burgundy morocco outlined with gilt triple fillet, flat spine gilt in compartments, brown morocco label gilt, all edges gilt, gilt dentelle, text printed on slightly blue laid paper with illegible watermark; dark blue endpapers, Tony Fekete (T. F.) bookplate by Wahorn to front pastedown. Frontispiece and 14 engraved plates by Elluin after Borel, with guard tissue. Graphite ms to h.t.: "Figures de Borrel. | Gravées pr. Elluin." Title-page: NOUVELLE TRADUCTION | DE | WOMAN OF PLEASUR, | OU | FILLE DE JOIE. | PAR M. CLELAND, | CONTENANT les Mémoires | de Mademoiselle FANNY, | écrits par elle – même. | AVEC FIGURES | — | PREMIERE (SECONDE) PARTIE. | — | ~ | A LONDRES; | Chez G. FENTON, dans le Strand; | — | M. DCC. LXXVI. || Collation: 18mo throughout A-O12/6, total 126 leaves plus 15 plates, incl. frontispiece. Pagination: separate for each part [1-5] 6-119 [120 blank], [1-3] 4-132, total 252 pages. Provenance: Tony Fekete (Christie’s 2014, № 54, p. 37; Price realized GBP 11,875): “[CLELAND, John (1709-1789).] Nouvelle traduction de Woman of Pleasur [sic] ou Fille de Joie. Contenant les Mémoires de Mademoiselle Fanny, écrits par elle-même. London [but Paris]: G. Fenton [Cazin], 1776. 2 volumes in one, duodecimo (128 x 80 mm). Printed on blue tinted paper. Frontispiece and 14 engraved plates on thick white paper by Elluin after Borel. (Short tear repaired in the margin of one plate, another plate with a faint dampstain touching the facing leaf of text.) Contemporary burgundy morocco, flat spine gilt in compartments, morocco label gilt, covers with a gilt triple fillet border, gilt edges, blue endpapers. THE MOST BEAUTIFUL 18TH-CENTURY ILLUSTRATED EDITION OF THIS CELEBRATED EROTIC NOVEL. An excellent copy bound in contemporary morocco. It is the second translation into French, but the first to include the exquisite plates by Elluin after Borel. These are some of the best illustrations by this remarkable partnership responsible for a number of important 18th-century libertine texts. Cohen-DeRicci 242-3; Dutel A-407 ; Gay-Lemonnyer II, 304; Pia Enfer, 915.” Catalogue raisonné: Dutel (I) A-407, p. 134; Cohen-DeRicci 242-3; Fekete (Christie's) 54, p. 37. Contributors: John Cleland (British, c. 1709 – 1789). François-Rolland Elluin (French, 1745 – c. 1822) Antoine Borel (French, 1743 – 1810) Hubert-Martin Cazin (French, 1724 – 1795) András Wahorn (Hungarian, b. 1953) Fekete, Tony Laszlo (Hungarian, b. 1972) -
Hardcover volume, 12mo, 125 x 85 mm, two parts in one, bound and gilded by Cuzin and Maillard, respectively, between 1876 and 1881, in crimson crushed morocco with raised bands and gilt lettering to spine, marbled endpapers, all edges gilt, gilt dentelle, signed 'Cuzin' to foot of front turn-in and 'Maillard dor.' to rear. Adorned with engraved frontispiece and 12 plates by Elluin after Borel. Text printed on a slightly bluish paper. Title-page: LE | MEURSIUS FRANÇOIS, | OU | ENTRETIENS GALANS | D'ALOYSIA. | ORNÉ | DE FIGURES. | — | TOME PREMIER (SECOND) | — | ✵ | A CYTHERE | — | M. DCC. LXXXII. || Collation: 12mo, π4 (2 blanks) A-Z6 χ1,+ π2 A-S6 (4 blanks) χ1, total 254 leaves; pagination: [8] [1] 2-277 [278 blank], [4] [1] 2-210 [8 blanks], total 508 pages, plus 13 engraved plates, incl. frontispiece. Catalogue raisonné: Cohen-de Ricci 240; Eros invaincu 17; Fekete 51; Nordmann (I) 91. Contributors: Nicolas Chorier (French, 1612 – 1692) – author. Antoine Borel (French, 1743 – 1810) – artist. François-Rolland Elluin (French, 1745 – c. 1822) – engraver. Hubert-Martin Cazin (French, 1724 – 1795) – publisher. Francisque Cuzin (French, 1836 – 1890) – bookbinder. Seller’s description: Erotica.- [Chorier (Nicolas)]Le Meursius François, ou Entretiens galans d'Aloysia, 2 parts in 1, half-title to each part, engraved frontispiece and 12 plates [by Elluin after Borel], handsomely bound in crimson crushed morocco by Cuzin, spine with gilt lettering and five raised bands, gilt tooled turn-ins by Maillard, signed 'Cuzin' to foot of front turn-in and 'Maillard dor.' to rear, marbled endpapers, g.e., fractional rubbing to extremities, an excellent copy, 12mo, Cythere [but Paris], [Cazin], 1782. -
Hardcover volume, 311 x 235 mm, bound in blue cloth, gilt lettering to spine, olive endpapers, pictorial dust jacket with text to flaps, pp.: [i-xi] xii-xvi, [1] 2-245 [246 blank], plus 19 leaves of plates and 4 leaves of captions, extraneous to collation (169 leaves total). Title-page: MARBLED | PAPER | ITS HISTORY, TECHNIQUES, | AND PATTERNS | With Special Reference to the Relationship of | Marbling to Bookbinding in Europe and | the Western World | RICHARD J. WOLFE {publisher’s device} | UNIVERSITY OF PENNSYLVANIA PRESS | Philadelphia || Imprint: Copyright © 1990 by the University of Pennsylvania Press | All rights reserved | Printed in Japan | Second printing 1991 || Frontispiece: A Publication of the | A. S. W. ROSENBACH FELLOWSHIP | IN BIBLIOGRAPHY || Wolfe, Richard J. (American, 1928 – 2017) -
Hardcover volume, 31 x 23.5 cm, peach cloth, with peach lettering to the green label on front board, green lettering to spine, pictorial dust jacket, price unclipped ($4.95); text to flaps; pp.: [1-6] 7-154 [155 plate] [5 blanks], ils. (photomechanical reproductions); magazine clipping laid in. Title-page: Drawing | THE HEAD AND HANDS | BY | ANDREW LOOMIS | {vignette} | NEW YORK • THE VIKING PRESS || Imprint: COPYRIGHT © 1956 BY ANDREW LOOMIS | FIRST PUBLISHED BY THE VIKING PRESS IN JANUARY 1956 | PUBLISHED ON THE SAME DAY IN THE DOMINION OF CANADA | BY THE MACMILLAN COMPANY OF CANADA LIMITED | SECOND PRINTING 1958 | {two paragraphs of copyright statement} | LITHOGRAPHED IN U.S.A, BY W. S. KONECKY ASSOCIATES || Edition: 1st edition, 2nd printing. Andrew Loomis (American, 1892 – 1959) -
Cardboard box 32 x 23.7 cm with lettering and vignette to front, lettering to spine, and Loomis facsimile and Titan publisher's barcode label to back.- Title-page: Drawing | THE HEAD AND HANDS | BY | ANDREW LOOMIS | {vignette} ||
- Title-page: FIGURE DRAWING | FOR ALL IT'S WORTH | ANDREW LOOMIS ||
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Iron pliers painted black and outlined in gilt lacquer, with wooden handle and bronze seals, "Ex Libris Comte Tony de Vibraye", L17.1 x W6.9 x H7.5 cm. Provenance: Antoine Henri Gaston Hurault de Vibraye [Comte Tony de Vibraye] (French, 1893 – 1951). The book with such a stamp in this library: [LIB-3243.2023] Crébillon fils. La Nuit et le moment ou Les Matinées de Cythère / Illustrations de Sylvain Sauvage. — Paris: Au dépens d’un amateur, 1924. -
Hardcover volume, 20.2 x 14.5 cm, aubergine cloth, gilt lettering and publisher’s device to spine, aubergine top edge, aubergine dust jacket with gilt lettering and black fleuron to front, gilt lettering and black fleuron and publisher’s device to spine, and a captioned photographic portrait to back, blurb text to flaps, price ”35s net | in U.K. only” unclipped; pictorial endpapers. Pp.: [1-8] 9-445 [446] [2], collation: A-O16, total 224 leaves. Title-page (in oval frame): JOHN FOWLES | THE | FRENCH | LIEUTENANT'S | WOMAN | — | Every emancipation is a restoration of the human | world and of human relationships to man himself. | MARX, Zur Judenfrage (1844) | JONATHAN CAPE | THIRTY BEDFORD SQUARE | LONDON || Contributors: John Fowles (British, 1926 – 2005) – author. Herbert Jonathan Cape (British, 1879 – 1960) – publisher. Ebenezer Baylis & Son, Ltd. (f. 1858) – printer. The Trinity Press – printer. -
Hardcover, 20.8 x 13.2 cm; publisher's original green cloth with black and gilt lettering to front and spine; pictorial endpapers. Gift ms inscription from Irina Komarova to Yury and Elvina Varshavsky to front free endpaper's verso: "Прослышав, что теперь для Юры / Нет ничего милей гравюры, / Литературу я отныне / Дарю из принципа Эльвине! / И. / Февраль 86". Pp.: [2] 3-477 [3], collation 16mo: 1-1516 (total 240 leaves) plus portrait frontispiece. Title-page: Джон Фаулз | ПОДРУГА | ФРАНЦУЗСКОГО | ЛЕЙТЕНАНТА | РОМАН | Перевод с английского | М. Беккер и И. Комаровой | под редакцией Н. Рахмановой | {vignette} | {publisher’s device} | ЛЕНИНГРАД | «ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА» | ЛЕНИНГРАДСКОЕ ОТДЕЛЕНИЕ• 1985 || T.p. verso: […] | JOHN FOWLES | THE FRENCH LIEUTENANT'S WOMAN | Вступительная статья А. ДОЛИНИНА | Примечания М. БЕККЕР | Оформление художников | Н. ВАСИЛЬЕВА и Э. КАПЕЛЮША | […] || Contributors: Беккер, Мэри Иосифовна (Russian, 1920 – 2010) Комарова, Ирина Бенедиктовна (Russian, b. 1933) Рахманова, Наталия Леонидовна (Russian, b. 1930) -
Hardcover, 19 x 13.8 cm, crimson buckram with tan paper label with lettering to spine; printed on laid paper; pp.: ffl [i-vi] vii-x] 11-184, collation 8vo, 1-118 124, total 92 leaves. Title-page: AMERICAN ENGRAVERS | AND | THEIR WORKS | BY | W. S. BAKER | Collige et inscribe | PHILADELPHIA | GEBBIE & BARRIE PUBLISHERS | 1875 || Motto: Collige et inscribe [Collect and record, lat.] Contributors: William Spohn Baker (American, 1824 – 1897) – author. George Gebbie (American, 1832 – 1892) – publisher. George Barrie (American, 1843 – 1918) – publisher. George R. Bonfield (British-American, 1802 – 1898) – dedicatee. -
Hardcover, 22.2 x 14.6 cm, quarter black cloth, pictorial boards, lettering to spine; pp.: [2] 3-253 [3], collated 8vo: 1-168, total 128 leaves plus portrait frontispiece. Title-page: Дж. Д. СЭЛИНДЖЕР | ПОВЕСТИ | НАД ПРОПАСТЬЮ | ВО РЖИ | ВЫШЕ СТРОПИЛА, | ПЛОТНИКИ | РАССКАЗЫ | ХОРОШО ЛОВИТСЯ | РЫБКА-БАНАНКА | ЧЕЛОВЕК, КОТОРЫЙ | СМЕЯЛСЯ | ГОЛУБОЙ ПЕРИОД | ДЕ ДОМЬЕ-СМИТА | ЛАПА-РАСТЯПА | ПЕРЕВОД С АНГЛИЙСКОГО | И ПРЕДИСЛОВИЕ | Р. РАЙТ-КОВАЛЕВОЙ | ИЗДАТЕЛЬСТВО ЦК ВЛКСМ | «МОЛОДАЯ ГВАРДИЯ», 1965 || T.p. verso: […] J. D. Salinger | The Catcher in the Rye | Raise high the Roof Beam, Carpenters | A Perfect Day for Bananafish | The Laughing Man | De Daumier — Smith’s Blue Period | Uncle Wiggly in Connecticut | Художник Б. Жутовский | (В оформлении использован фрагмент картины | американского художника Э. Уайеса) || Print run: 115,000 copies. Contributors: [Джером Дэвид Сэлинджер] Jerome David Salinger (American, 1919 – 2010) Райт-Ковалёва, Рита [Черномордик, Раиса Яковлевна] (Russian, 1898 – 1988) Жутовский, Борис Иосифович (Russian, 1932 – 2023) «Э. Уайес» – [Эндрю Уайет] Andrew Wyeth (American, 1917 – 2009) -
The Colophon, A Book Collectors' Quarterly
- The colophon (new series): A quarterly for bookmen / Summer 1935, № 1, vol. 1. — NY: Pynson Printers, 1935. Hardcover, 24 x 16 cm, paper boards, serial pictorial design; pp: [4 blanks] [6] 7-159 [160] [4 blanks]. THE | COLOPHON | new series | A QUARTERLY FOR BOOKMEN | {woodcut vignette} | — | SUMMER 1935 | VOLUME I • NEW SERIES • NUMBER 1 | NEW YORK, N. Y. ||
- The colophon (new series): A quarterly for bookmen / Autumn 1935, № 2, vol. 1. — NY: Pynson Printers, 1935. (2 copies). Hardcover, 24 x 16 cm, paper boards, serial pictorial design; pp: [4 blanks] [6] 167-315 [315] [4 blanks]. THE | COLOPHON | new series | A QUARTERLY FOR BOOKMEN | {woodcut vignette} | — | AUTUMN 1935 | VOLUME I • NEW SERIES • NUMBER 2 | NEW YORK ||
- The colophon (new series): A quarterly for bookmen / Autumn 1936, № 1, vol. 2. — NY: Pynson Printers, 1936. Hardcover, 24 x 16 cm, cloth serial design; pp: [4 blanks] [6] 7-157 [158] [4 blanks]. THE | COLOPHON | new series | A QUARTERLY FOR BOOKMEN | {woodcut vignette} | — | AUTUMN 1936 | VOLUME II • NEW SERIES • NUMBER 1 | NEW YORK ||
- The colophon (new series): A quarterly for bookmen / Winter 1936, № 3, vol. 1. — NY: Pynson Printers, 1936. (2 copies) Hardcover, 24 x 16 cm, paper boards, serial pictorial design; pp: [4 blanks] [6] 323-480 [4 blanks]. THE | COLOPHON | new series | A QUARTERLY FOR BOOKMEN | {woodcut vignette} | — | WINTER 1936 | VOLUME I • NEW SERIES • NUMBER 3 | NEW YORK ||
- The colophon (new series): A quarterly for bookmen / Autumn 1937, № 4, vol. 2. — NY: Pynson Printers, 1937. Hardcover, 24 x 16 cm, cloth serial design; pp: [4 blanks] [6] 487-628 [4 blanks]. THE | COLOPHON | new series | A QUARTERLY FOR BOOKMEN | {woodcut vignette} | — | AUTUMN 1937 | VOLUME II • NEW SERIES • NUMBER 4 | NEW YORK ||
- The colophon (new series): A quarterly for bookmen / Summer 1938, № 3, vol. 3. — NY: Pynson Printers, 1938. Hardcover, 24 x 16 cm, cloth new serial design; pp: [4 blanks] [6] 335-476 [4 blanks]. THE | COLOPHON | new series | A QUARTERLY FOR BOOKMEN | {woodcut vignette} | — | SUMMER 1938 | VOLUME III • NEW SERIES • NUMBER 3 | NEW YORK ||
- The colophon (new series): A quarterly for bookmen / Autumn 1938, № 4, vol. 3. — NY: Pynson Printers, 1938. Hardcover, 24 x 16 cm, cloth new serial design; pp: [4 blanks] [6] 483-632 [4 blanks]. THE | COLOPHON | new series | A QUARTERLY FOR BOOKMEN | {woodcut vignette} | — | AUTUMN 1938 | VOLUME III • NEW SERIES • NUMBER 4 | NEW YORK ||
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Hardcover, 23 x 17 x 4.7 cm, burgundy buckram, bevelled boards, blind geometrical design with a gilt medallion at the centre, gilt lettering and blind design elements to spine, text in frame, all edges red; pp.: [i-v] vi-xvi, [1] 2-494, [2 advert.], [1] 2-32 advert.], collation 4to: a-b4, B-3R4, a16. Title-page (red and black, in red frame): A HISTORY | OF | CARICATURE & GROTESQUE | {gothic letters} In Literature and Art. | By THOMAS WRIGHT, Esq., M.A., F.S.A., | Hon. M.R.S.L., &c.; | Corresponding Member of the Imperial Institute of France | (Académie des Inscriptions et Belles Lettres). |{double rules} | WITH | ILLUSTRATIONS FROM VARIOUS SOURCES, | DRAWN AND ENGRAVED BY | F. W. FAIRHOLT, Esq., F.S.A. | {double rules} | {gothic letters} London : | VIRTUE BROTHERS & CO., 1, AMEN CORNER, | PATERNOSTER ROW. | 1865. Contributors : Thomas Wright (British, 1792 – 1849) – author. Frederick William Fairholt (British, 1814 – 1866) – artist/engraver. Virtue Brothers & Co. (London) – publisher/printer. -
Thirteen unnumbered loose leaves 323 x 249 mm, watermarked BFK Rives, with manuscript text and vignettes produced by etching or, more likely, drypoint (see microphoto), incl. title-page, one full-page illustration and two leaves of text only; versos blank. Some leaves have registration marks. The set is housed in a cream French flapped folder (chemise) without lettering; the seller’s description is pasted to the front cover verso, glassine dust cover. Seller’s description: Cette édition in-folio du recueil de poèmes de Louis de Gonzague Frick, inconnue de Jean-Pierre Dutel, qui « a été tirée à 50 exemplaires (...) est certainement la plus rare (et a été) publiée après 1940 sur vélin (BFK) Rives » (cf. Ader, 3 mars 2020, n°155). Exemplaire « de passe », sans justificatif, complet des 13 planches avec 11 eaux-fortes, dont une à pleine page, d'Auguste Brouet. Ref.: According to honesterotica, the first edition was published in 1938 in 65 copies: "The pink Ingres paper and the loose-leaf format tied with a red ribbon". Another source states: "Le tirage a été effectué avec marges, sur papier vélin BFK Rives au format in-4 (32,5 × 25), les planches mesurant 26,5 × 22 cm. Certains exemplaires sont sur papier blanc - Je remercie le libraire qui a pris la peine de me communiquer ces dernières informations. Pour moi, c'est bien l'édition à 65 qui est l'originale, les deux autres étant des retirages légèrement postérieurs, mais dans le détail desquels le principe de l’œuvre - un manuscrit destiné à quelques amis de l'auteur - a été quelque peu trahi." Contributors: Louis de Gonzague Frick (French, 1883 – 1958) Auguste Brouet (French, 1872 – 1941) -
Watercolour on thick wove paper, unsigned. Attributed to Otto Rudolf Schatz (Austrian, 1900 – 1961). Size: 305 x 212 mm.
