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Utagawa Sadahide. The French Enjoy the View from Atago Hill, from the series Foreign Sightseers at Famous Spots in Edo (Tōto Meishō Kenbutsu Ijin) / Yokohama-e, 1861.
Utagawa Yoshitoyo. Picture of Americans’ Love for Children (Amerikajin kodomo o aisu zu) / Yokohama-e, 1860.
Katsukawa Shunchō. Third Month: A couple make love in an interior beside a folding screen, from series ‘Koshoku zue juniko’ / Shunga, c. 1788.
Suzuki Harunobu. Erotic scene on open veranda with a winter landscape on background / Shunga, c. 1770.
Katsukawa Shunchō. Couple next to a Brazier, from the series ‘Hana no ikkyō warai’ / Shunga, c. 1788.
Kitagawa Utamaro. Four Sheets from the Album ‘Negai no itoguchi’ / Shunga, 1799.
Isoda Koryūsai. Lovers Embracing Beside Autumn Chrysanthemums, from ehon ‘Enshoku Hō ya Hō’ / Shunga, c. 1775-76.
Kitagawa Utamaro. Three Double Pages from the Picture Book ‘Ehon koi no nō nyōbukan’ / Shunga, 1799.
Suzuki Harunobu. A woman making love to a wakashu beside a folding screen / Shunga, c. 1768.
Man Holding a Blowfish / Shijō School Drawing, 19th century
Utagawa Kunisada II. Hana Chiru Sato (The Village of Falling Flowers), from the series ‘Genji Karuta’ / Fan print, 1867.
Utagawa Kunisada (Toyokuni III). Conversation Under the Full Moon (The Tale of Genji) / Fan print, 1849-50.
A wood netsuke of a man carrying a mushroom. Late 18th century.
Suzuki Harunobu. Love Interrupts the Making of Silk Wadding / Shunga, c. 1768.
Gustave Flaubert. The Temptation of St. Anthony, illustrated by Mahlon Blaine. – NY: Williams, Belasco and Meyers, 1930.
Quinze poèmes d’Emile Verhaeren Illustrés de 57 gravures par Frans Masereel. Paris: Éditions Georges Crès, 1917.
Kitagawa Utamaro. Series of horizontal ōhosoban shunga prints, c. 1803.
Ippitsusai Bunchō. Lovers and a literate octopus crossing a stream on a giant shrimp / Chūban, late 18th century.
Torii Kiyonaga. Handscroll for the Sleeve (Sode no maki), Three of Twelve / Makimono-e, c. 1785.
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